<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://www.unitedheroesmush.com/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Altair</id>
	<title>United Heroes MUSH - User contributions [en]</title>
	<link rel="self" type="application/atom+xml" href="https://www.unitedheroesmush.com/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Altair"/>
	<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Special:Contributions/Altair"/>
	<updated>2026-10-17T01:50:29Z</updated>
	<subtitle>User contributions</subtitle>
	<generator>MediaWiki 1.44.0</generator>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Character_Listing&amp;diff=5273</id>
		<title>Character Listing</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Character_Listing&amp;diff=5273"/>
		<updated>2017-10-31T23:49:23Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
__NOCACHE__&lt;br /&gt;
&lt;br /&gt;
Trying to figure out RP hooks? Looking for someone to play, or someone to play with? This is where you&#039;ll find the active, available, and retired characters here on United Heroes MUSH.&lt;br /&gt;
&lt;br /&gt;
To make a character page, first you&#039;ll need a wiki account. To request one, visit the [[Special:RequestAccount|Request Account]] page. Please allow staff some time to approve your wiki account request.&lt;br /&gt;
&lt;br /&gt;
Once you have an account, head to the [[Create_A_Character_Page|Create a Character Page]] and follow the directions.&lt;br /&gt;
&lt;br /&gt;
==Marvel==&lt;br /&gt;
&lt;br /&gt;
====Essential Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:EFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==DC==&lt;br /&gt;
&lt;br /&gt;
====Essential Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:EFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Dark Horse==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==IDW==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Image==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Other==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Original==&lt;br /&gt;
&lt;br /&gt;
====Original Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:OC]] [[Status::!Shelved]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Unplayed/Dropped FCs==&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Status::Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Shelved OCs==&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Status::Shelved]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Form:Character_Page&amp;diff=5193</id>
		<title>Form:Character Page</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Form:Character_Page&amp;diff=5193"/>
		<updated>2017-10-31T04:52:43Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;includeonly&amp;gt;&lt;br /&gt;
&amp;lt;div id=&amp;quot;wikiPreview&amp;quot; style=&amp;quot;display: none; padding-bottom: 25px; margin-bottom: 25px; border-bottom: 1px solid #AAAAAA;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
{{{for template|CharacterNew|label=Character Page}}}&lt;br /&gt;
{| class=&amp;quot;formtable&amp;quot;&lt;br /&gt;
! @Name On MUSH:&lt;br /&gt;
| {{{field|NameOnMUSH|property=NameOnMUSH|mandatory|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! HEX Color (for bars in the Char Info Box):&lt;br /&gt;
| {{{field|Color|mandatory|input type=combobox|size=90|values=#333|default=#333}}}&lt;br /&gt;
|-&lt;br /&gt;
! Text Color (for text in the bars in the Char Info Box):&lt;br /&gt;
| {{{field|TextColor|mandatory|input type=combobox|size=90|values=#c1c1c1|default=#c1c1c1}}}&lt;br /&gt;
|-&lt;br /&gt;
! Character ID (Use +charid; if it doesn&#039;t work, +scene/setup, and try again!)&lt;br /&gt;
| {{{field|Char_id|mandatory|property=Char_id|textarea|placeholder=If the character predates Char IDs, put -1.|rows=1}}}&lt;br /&gt;
|-&lt;br /&gt;
! Image URL&lt;br /&gt;
| {{{field|Img|placeholder=Optional|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Full Name:&lt;br /&gt;
| {{{field|FullName|mandatory|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Gender:&lt;br /&gt;
| {{{field|Gender|mandatory|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Species:&lt;br /&gt;
| {{{field|Species|mandatory|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Theme/Series/Source:&lt;br /&gt;
| {{{field|Theme|mandatory|input type=combobox|size=90|values=Marvel, DC, Dark Horse, IDW, Image, Original, Other|existing values only|Default=Marvel}}}&lt;br /&gt;
|-&lt;br /&gt;
! Chartype:&lt;br /&gt;
| {{{field|Chartype|mandatory|input type=combobox|size=90|values=EFC, DFC, FC, AFC, VFC, OC|existing values only|default=FC}}}&lt;br /&gt;
|-&lt;br /&gt;
! Active/Dropped?:&lt;br /&gt;
| {{{field|Active|mandatory|input type=combobox|size=90|values=Active, Dropped, Shelved|existing values only|default=Active}}}&lt;br /&gt;
|-&lt;br /&gt;
! Occupation:&lt;br /&gt;
| {{{field|Occupation|mandatory|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Groups:&lt;br /&gt;
| {{{field|Groups|placeholder=Comma-separated list of groups you are in. Put in double brackets to link.|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Quote:&lt;br /&gt;
| {{{field|Quote|mandatory|placeholder=From your +finger.|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Apparent Age:&lt;br /&gt;
| {{{field|PAge|placeholder=What your character looks like.|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Actual Age:&lt;br /&gt;
| {{{field|AAge|placeholder=His or her actual age.|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Date of Birth:&lt;br /&gt;
| {{{field|DOB|placeholder=Date of birth.|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Height:&lt;br /&gt;
| {{{field|Height|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Weight:&lt;br /&gt;
| {{{field|Weight|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Hair Color:&lt;br /&gt;
| {{{field|Hair|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Eye Color:&lt;br /&gt;
| {{{field|Eyes|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Actor:&lt;br /&gt;
| {{{field|Actor|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Themesong:&lt;br /&gt;
| {{{field|Song|placeholder=Title or Youtube links!|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Profile:&lt;br /&gt;
| {{{field|Profile|mandatory|placeholder=Your +finger profile.|input type=textarea|rows=5|cols=100|autogrow}}}&lt;br /&gt;
|-&lt;br /&gt;
! Description:&lt;br /&gt;
| {{{field|Description|placeholder=Your +gen Description.|input type=textarea|rows=5|cols=100|autogrow}}}&lt;br /&gt;
|-&lt;br /&gt;
! History:&lt;br /&gt;
| {{{field|History|placeholder=Your +gen History.|input type=textarea|rows=5|cols=100|autogrow}}}&lt;br /&gt;
|-&lt;br /&gt;
! Personality:&lt;br /&gt;
| {{{field|Personality|placeholder=Your +gen Personality.|input type=textarea|rows=5|cols=100|autogrow}}}&lt;br /&gt;
|-&lt;br /&gt;
! Abilities:&lt;br /&gt;
| {{{field|Abilities|placeholder=Your +abi/all.|input type=textarea|rows=5|cols=100|autogrow}}}&lt;br /&gt;
|-&lt;br /&gt;
! Skills:&lt;br /&gt;
| {{{field|Skills|placeholder=Your +ski/all.|input type=textarea|rows=5|cols=100|autogrow}}}&lt;br /&gt;
|-&lt;br /&gt;
! Resources:&lt;br /&gt;
| {{{field|Resources|placeholder=Your +res/all.|input type=textarea|rows=5|cols=100|autogrow}}}&lt;br /&gt;
|-&lt;br /&gt;
! Weaknesses:&lt;br /&gt;
| {{{field|Weaknesses|placeholder=Your +wea/all.|input type=textarea|rows=5|cols=100|autogrow}}}&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
{{{end template}}}&lt;br /&gt;
&lt;br /&gt;
THIS FINAL FIELD WILL CONTAIN A COPY OF YOUR ENTIRE CHARACTER PAGE IF IT&#039;S A CONVERSION JOB AND NOT A NEW PAGE! PLEASE DO NOT IGNORE IT AND PROPERLY CLEAN IT UP!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Other Sections! Whatever You Want!:&#039;&#039;&#039; {{{standard input|free text|rows=10}}}&lt;br /&gt;
&lt;br /&gt;
{{{standard input|summary}}}&lt;br /&gt;
&lt;br /&gt;
{{{standard input|minor edit}}} {{{standard input|watch}}}&lt;br /&gt;
&lt;br /&gt;
{{{standard input|save}}} {{{standard input|preview}}} {{{standard input|changes}}} {{{standard input|cancel}}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/includeonly&amp;gt;&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Wynonna_Earp&amp;diff=2014</id>
		<title>Wynonna Earp</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Wynonna_Earp&amp;diff=2014"/>
		<updated>2017-10-11T00:58:25Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{CharacterNew&lt;br /&gt;
|NameOnMUSH=Wynonna Earp&lt;br /&gt;
|Color=#333&lt;br /&gt;
|TextColor=#c1c1c1&lt;br /&gt;
|Char_id=1409&lt;br /&gt;
|Img=http://www.syfy.com/img/bg-homescreen.jpg&lt;br /&gt;
|FullName=Wynonna Earp&lt;br /&gt;
|Gender=Female&lt;br /&gt;
|Species=Human&lt;br /&gt;
|Theme=IDW&lt;br /&gt;
|Chartype=FC&lt;br /&gt;
|Active=Active&lt;br /&gt;
|Occupation=The Heir / BPRD Agent&lt;br /&gt;
|Groups=[[SHIELD]] [[Adventurers]] [[Mystic Arts]]&lt;br /&gt;
|Quote=Doc: &amp;quot;Careful, Earp. Doing whats right, even in the face of ridiculous odds ... you are beginning to sound like a hero.&amp;quot;&lt;br /&gt;
|DOB=Unknown&lt;br /&gt;
|Height=5&#039;7&amp;quot;&lt;br /&gt;
|Weight=135 lbs&lt;br /&gt;
|Hair=Brown&lt;br /&gt;
|Eyes=Blue&lt;br /&gt;
|Actor=Melanie Scrofano&lt;br /&gt;
|Song=&amp;quot;Tell That Devil&amp;quot; by Jill Andrews (Cover)&lt;br /&gt;
|Profile=Wynonna is the troubled heir and great-granddaughter of the famous Wyatt Earp. A High School dropout with a penchant for rebellion, hard drinking and bad decisions, she is hardly the best choice for the position. Tasked with fighting evil, she sends the wicked back to Hell, or puts other beasties down. A member of the BPRD, which is the basement-dwelling ne&#039;er-do-well branch of SHIELD.&lt;br /&gt;
|Abilities=WILLPOWER&lt;br /&gt;
&lt;br /&gt;
	To call Wynonna stubborn would be an extreme. She could be horrifically tortured and not give up the needed information. She is very resistant to mind control and telepathy (But the strongest can still get through, though it is hard.) One of the only ways to make her given in is to threaten loved ones or innocents, but...you probably won&#039;t like it when she comes for you afterwards.&lt;br /&gt;
|Skills=LARCENY&lt;br /&gt;
&lt;br /&gt;
	Wynonna has done some bad things, and she has learned from them. She hasn&#039;t learned NOT to do them, but she has learned some useful skills! She can pick a lock in no time, and can crack a safe, hot-wire a car, and all sorts of other wicked things. She is VERY good at picking pockets and similar sleight of hand.&lt;br /&gt;
&lt;br /&gt;
OCCULT&lt;br /&gt;
&lt;br /&gt;
	Wynonna is no Constantine, but she knows her stuff. Mostly. Okay, only kind of. Most of her occult knowledge has been gained in the field, or from past cases. She is no expert. Thankfully, she learns quickly, and she has a pretty great research team in the BPRD. What she doesn&#039;t know herself can often be learned from them.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
PUSHING BUTTONS&lt;br /&gt;
&lt;br /&gt;
	One of Wynonna&#039;s most powerful skills is her ability to push buttons. The woman knows exactly what to say to get a rise out of almost anyone. Hell, she could turn a Buddhist Monk into a cursing maelstrom of violence. The bad thing is that this anger is usually directed at her. Still, knowing how to push buttons CAN be useful. The problem is that she doesn&#039;t always know how to turn it off.&lt;br /&gt;
&lt;br /&gt;
SCRAPPING&lt;br /&gt;
&lt;br /&gt;
	Wynonna is not an expert martial artist, but she is brutal in a fight. She&#039;s had some training by the BPRD, but most of what she knows was learned in bar brawls and back-alley knight fights, or in the thick of it. She is a dirty fighter, and is actually very capable. She will end up with black eyes and cut lips and similar, but she can hold her own against some surprisingly tough foes, including very strong supernatural threats. This includes her marksmanship, which is good, and using knives and similar melee weapons.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
VEHICLES&lt;br /&gt;
&lt;br /&gt;
	She spent a summer fixing up motorcycles and some old cars, and it stuck with her. She is more skilled with motorcycles, but can fix up a car if the need arises. In addition, she is a VERY good driver. She can handle some insane car chases, but really shines on a bike. She can push a motorcycle to its limit, and take insane turns and survive. She can even fire Peacemaker or similar while driving. She is a terror.&lt;br /&gt;
|Resources=BLACK BEAUTY&lt;br /&gt;
&lt;br /&gt;
	She has a Harley-Davidson Sportster Screamin Eagle 1200 that she has dubbed &#039;Black Beauty&#039;. She loves this bike, and will reign hell down on someone who messes it up. She can drive like crazy, but is even better on this bad boy, pushing Black Beauty to the limits and beyond again and again.&lt;br /&gt;
&lt;br /&gt;
BPRD&lt;br /&gt;
&lt;br /&gt;
	Wynonna belongs to the BPRD, or the Bureau for Paranormal Research and Defense, which is a shady, supernatural branch of SHIELD and WAND and all that. The BPRD is a small branch of SHIELD that literally and metaphorically exists in the basement. It is filled with people who wouldn&#039;t quite...fit the rest of the organization. People that are too weird, too supernatural, or too off-kilter. Malcontents, rebels and literal children of the Devil. They have a reputation for being a big spooky, or troublemakers, and tend to have a lot of SHIELD either trying to not have anything to do with them, or keep a close eye on them. They are the spooky underdogs...and some, like Wynonna, wouldn&#039;t have it any other way.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
EARP HOUSE&lt;br /&gt;
&lt;br /&gt;
	Contrary to popular history, Earp moved east with his family and settled on some farmland outside of Bludhaven. There is an old farmhouse and a lot of pretty much unused land and a barn and such there. She keeps it up to date as best she can, and she lives there most of the time. A lot of people do not know about the place, and it is warded against evil incursion. Basically, non-human creatures (This also means mutants and metahumans are okay) who mean her harm cannot cross the threshold at the wooden fence, and bullets and attackes fired into the estate are blocked there. A group of humans or mutants with machine guns, however, can wander in and open fire.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
EQUIPMENT&lt;br /&gt;
&lt;br /&gt;
	The BPRD supplies her with some pretty decent field gear. Basic military gear, within reason, can be acquired. Assault rifles and SMGS, other pistols, shotguns and the like. Various kinds of grenades, gas masks and breaching gear, etc. She isn&#039;t Batman or anything, though. She also has access to basic occult gear, such as warding necklaces, rings that sense ghosts, and similar supernatural weirdness. Being the BPRD, though, these items often have weird histories or odd costs.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
PEACEMAKER&lt;br /&gt;
&lt;br /&gt;
	Peacemaker is a Colt .45 that was made infamous in the hands of Wyatt Earp himself. It is the gun he used to gun down the majority of the scum he dropped (Regardless of real life history!). By all looks it is a normal, old Peacemaker kept in fantastic condition, with a flourished and decorated grip. It is magical, however. Any creature of &#039;evil&#039; that picks it up or touches it is horrible burned by it, for one. This includes most supernatural types, even if they are not ACTUALLY evil. This also includes individuals from other dimensions, as it generally assumes they are from Hell or the Dark Dimension, or similar. In addition, the gun will never fire for someone who is not the heir. It will just click over to the next chamber.&lt;br /&gt;
	The gun never runs out of bullets, and if the chamber is checked it is unloaded. When fired at non-supernaturals it acts like a normal Colt .45, though the bullets tend to punch through all manners of mundane armor with more ease. It will not shoot through adamantium or anything like that, though. Come on, now. Against &#039;evil&#039;, in the dimensional or supernatural sense, however, it is different. The barrel lights up red when going against evil, which also helps identify creatures from wicked dimensions, whether in their own form or possessing. A bullet against them punches through the strongest supernatural armor, and is capable of dropping things of otherwise insurmountable invulnerability. If a creature from another dimension, or the afterlife is killed with the gun, they are banished back to their home dimension...and find it almost impossible to return, as it wards them against doing so without INCREDIBLY strong magic. Finally, the gun can should incoporeal things, like unmanifested creatures or ghosts.&lt;br /&gt;
|Weaknesses=BAD DECISIONS&lt;br /&gt;
&lt;br /&gt;
	Wynonna isn&#039;t dumb, but she does dumb things sometimes. She is given to recklessness, hedonism (Primarily drink and sloth), and a terrible temper. She can often get into really bad situations due to her own decisions...and it doesn&#039;t seem to be an issue that is going away anytime soon.&lt;br /&gt;
&lt;br /&gt;
ENEMIES&lt;br /&gt;
&lt;br /&gt;
	There are a LOT of evil things that want her dead. Several different domains of Hell, including the one she primarily deals with (AKA the standard Christian one) want to put her down, along with her whole family. In addition there are numerous monsters out there, or just bad people, who want to hurt or kill her. On top of that, she has hurt a lot of folks in her past for being a selfish jerk, and it can come back to bite her.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
HEIR&lt;br /&gt;
&lt;br /&gt;
	Wynonna is The Heir, which means she carries the legacy and curse of the Earp family. Peacemaker only works for her, and she is the one who can send demons and possessions and similar straight out of this dimension with a well-placed bullet...but it means she carries the weight of the obligation. She can&#039;t escape the job. If she throws Peacemaker away, if will find her again (If an enemy doesn&#039;t). Trouble has a habit of finding her. She cannot have a normal, happy life.&lt;br /&gt;
&lt;br /&gt;
PTSD&lt;br /&gt;
&lt;br /&gt;
	Wynonna has done and seen some bad things. This includes shooting her father in the head. She has nightmares pretty much every night, and rarely, if ever gets a good nights sleep. Sometimes this bleeds into her waking days, but not as often.}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Winter_Soldier&amp;diff=1993</id>
		<title>Winter Soldier</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Winter_Soldier&amp;diff=1993"/>
		<updated>2017-10-10T21:28:40Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{CharacterNew&lt;br /&gt;
|NameOnMUSH=Winter Soldier&lt;br /&gt;
|Color=#640000&lt;br /&gt;
|Char_id=229&lt;br /&gt;
|Img=http://i.imgur.com/lvm0bto.jpg&lt;br /&gt;
|FullName=James Buchanan Barnes&lt;br /&gt;
|Gender=Male&lt;br /&gt;
|Species=Metahuman&lt;br /&gt;
|Theme=Marvel&lt;br /&gt;
|Chartype=FC&lt;br /&gt;
|Active=Active&lt;br /&gt;
|Occupation=killin&#039;&lt;br /&gt;
|Groups=[[SHIELD]], [[Just Cause]]&lt;br /&gt;
|Quote=&amp;quot;My bad dreams linger... but I wouldn&#039;t expect anything else.&amp;quot;&lt;br /&gt;
|PAge=30&lt;br /&gt;
|AAge=100&lt;br /&gt;
|DOB=03/10/1925&lt;br /&gt;
|Height=6&#039;0&amp;quot;&lt;br /&gt;
|Weight=250 lb&lt;br /&gt;
|Hair=Brown&lt;br /&gt;
|Eyes=Blue&lt;br /&gt;
|Actor=Sebastian Stan&lt;br /&gt;
|Song=&lt;br /&gt;
|Profile=Handpicked to be the partner of Captain America during World War II due to his natural fighting talent, James Barnes did all the morally-grey things Steve Rogers couldn&#039;t be seen doing on the newsreels. Thought lost towards the tail end of the war after a fatal fall, Bucky Barnes was declared MIA, presumed KIA. That was the end of his story... and the start of the story of the Winter Soldier. Since the mid-1950s, the Soviet horror story known as the Winter Soldier has hung like a spectre over the West and the Soviet Bloc alike, with increasing tallies of kills to his name. In that time, no one has come close to discovering or shutting him down.&lt;br /&gt;
== History ==&lt;br /&gt;
James Buchanan &#039;Bucky&#039; Barnes is a blend of his comic incarnation and MCU incarnation, with an origin following the comics, and elements drawn in later from the MCU.&lt;br /&gt;
&lt;br /&gt;
A military brat born on an Army base, he lost his mother early in life, and his father in his teenage years. His young sister was sent to a boarding school, but Bucky stayed on at the base, looked after by his father&#039;s friends, up until his delinquency and tendency to pick fights drew the eye of the military brass. He had clear authority and anger issues, but also a very clear gift for combat, and so they decided to put him to use: sending him for intensive training with the British SAS and various combat luminaries of the time, and then assigning him to be the partner of Captain America.&lt;br /&gt;
&lt;br /&gt;
The two eventually formed the core of the unit called the Invaders, a force that fought across the battlefields of World War II wherever it was needed. Of note, Bucky was captured and experimented upon by Hydra and Dr. Arnim Zola during the war, though the result of this would not come to fruition until later.&lt;br /&gt;
&lt;br /&gt;
Bucky did not &#039;live&#039; to see the end of the war. Early in 1945, he and Steve Rogers were lost in combat and presumed dead. Neither were actually killed, though their paths diverged sharply: frozen in ice, Steve would sleep in relative peace until his thaw in the present day.&lt;br /&gt;
&lt;br /&gt;
Bucky, on the other hand, was found by Soviet troops, among which were a few Hydra plants, who reported that Dr. Zola&#039;s experiment had returned to their grasp. Content to control from the shadows, Hydra let the USSR take public charge, and Bucky was taken to Department X, where he was revived -- the nascent serum in his blood, left over from Zola&#039;s earlier experimentation, had just barely kept him alive. It was found that he had no memory of his life, nothing left in his head save the reflex memories of how to fight and how to kill. The USSR and Hydra saw opportunity. His severed left arm was replaced with a bionic implant, and Dr. Zola finalized the process he had begun years before, creating him as a super-soldier with the constitution to bear the advanced prosthetic. He was reprogrammed with a new personality, one where he believed himself to be a wounded, rootless Soviet soldier who had volunteered for the project that would dictate the next eighty years of his life: the Winter Soldier Project. The most formidable weapon in the arsenal of the Soviet Union. The last word punctuating the USSR&#039;s bloody statements.&lt;br /&gt;
&lt;br /&gt;
Over time, he became a propaganda hero and boogeyman to his own adopted Russian people, a mythological ghost haunting and bleeding the West, and variously a demon, a monster, or a beast in all the other corners of the world where he was commanded to kill. He is known by various local codenames in the classified files of many nations, but ever since a crucial information leak in the 1970s, he has been properly known in the intelligence community by name: Winter Soldier. &lt;br /&gt;
|Abilities=&lt;br /&gt;
=====Bionic Arm=====&lt;br /&gt;
Bucky&#039;s left arm was lost in his fall, and a bionic arm replaced it. It is capable of applying several tons worth of force, well in excess of his existing enhanced strength, and Bucky will also use it defensively as the hardened metal is capable of deflecting bullets, and itself feels no pain. It is also much faster than his flesh right arm. The arm itself has a number of useful functions engineered in by the Soviets, one being the ability to discharge an EMP burst, another being the ability to shield itself and other metal hidden on his body.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Peak Human=====&lt;br /&gt;
Recovered by the Soviets and experimented on by Hydra after his fall from the train, Bucky was given a lesser version of the serum that was administered to Steve Rogers, a version that had been refined by Dr. Zola from the serum originally given to the Red Skull. The most important function it serves is to let him bear and use his bionic left arm appropriately, as it enhances his strength, durability, and healing factor far beyond that of a normal human. Among the benchmarks of his performance include lifting force between 800 - 1200 lb, run speed of 50-60 mph, and leaps unharmed from considerable heights, as well as enhanced senses, stamina, reflexes, agility, and improved mental processing speed.&lt;br /&gt;
|Skills=&lt;br /&gt;
=====Assassin=====&lt;br /&gt;
The primary use case of the Winter Soldier. He has dozens of assassinations credited to his name, many more than cannot conclusively be attributed to him, and-- without a doubt-- countless kills that no one even suspects him of being responsible for at all. He is a master of the stalk, the wait, the ambush, and the kill.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Black Ops=====&lt;br /&gt;
During the war, Bucky often did the dishonorable work that Captain America and the rest of the Invaders could not be seen doing. This work was stealth, infiltration, advance scouting, and intelligence gathering. Activities that often ended with someone dying with a knife in their back. Through natural talent and long experience, the Winter Soldier is gifted at moving through hostile territory undetected to secure either information or kills. He is extremely observant as a result, able to scout and size up a situation or location rapidly.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Combat Skills=====&lt;br /&gt;
James Barnes was picked out at the age of sixteen for special training to become Captain America&#039;s partner, and it was all due to his natural talent for fighting. Trained by the British SAS and by world-famous instructors in hand-to-hand combat, seventy more years of war, of refinement as living weapon by Hydra, and of being used to teach other killers, has left him a master of multiple martial arts. He is deadly at close range, whether with his bare hands or a knife. He is also well-versed in firearms, demolitions, and all forms of military armaments. During the war he was often called on to snipe, and is a deadeye marksman in general at all ranges.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Languages=====&lt;br /&gt;
The Winter Soldier knows a wide variety of languages as a necessary component of his work, among them English, German, Japanese, Russian, Italian, French, and Spanish, as well as being conversant in many of the languages spoken in the Eastern Bloc and the Middle East.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Spying=====&lt;br /&gt;
He was not used for this purpose as much as the Widows, but the Winter Soldier is still adept enough at assuming false identities, acting a part, or setting up surveillance in order to infiltrate and glean information.&lt;br /&gt;
|Resources=&lt;br /&gt;
=====Equipment=====&lt;br /&gt;
The Winter Soldier always travels heavily armed with multiple firearms, from concealed compact pistols all the way up to anti-materiel rifles, and also carries multiple combat knives and grenades on his person as a matter of course. He also carries, depending on mission and need, light body armor, surveillance gear, hacking devices, explosives, false credentials, lockpicks, and anything else necessary to getting the job done.&amp;lt;br /&amp;gt;&lt;br /&gt;
|Weaknesses=&lt;br /&gt;
=====Brainwashed Amnesiac=====&lt;br /&gt;
The fall that should have killed him only wiped out his left arm and his memories. Unable to remember who he was or anything about his life except his muscle memory skills in fighting and killing, he was heavily brainwashed and conditioned to believe he was someone entirely different from who he was, and made to be completely obedient and loyal to Hydra and his handlers at Department X. His memories and self-identity are not completely gone, however, and every so often they start to return, though he is conditioned to experience pain when he tries to remember his true memories. This is usually when he is brutally mindwiped again through electroshock and another round of conditioning. His mind and ability of recall are heavily damaged from decades of this abuse.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Control Words=====&lt;br /&gt;
There are certain words to which the Winter Soldier is conditioned to respond. Some make him pass out on the spot. Others make him instantly, if temporarily, obedient to the speaker. The knowledge of what they are is heavily guarded, but they exist.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Wanted=====&lt;br /&gt;
The Winter Soldier has kill orders out for him in the majority of countries in the world. It is safe to say that he is quite restricted from moving about freely and must consistently guard against being caught.&lt;br /&gt;
}}&lt;br /&gt;
[[Category:Just Cause]]&lt;br /&gt;
[[Category:SHIELD]]&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=2686/The_Charges_of_a_Teacher&amp;diff=1943</id>
		<title>2686/The Charges of a Teacher</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=2686/The_Charges_of_a_Teacher&amp;diff=1943"/>
		<updated>2017-10-09T21:06:13Z</updated>

		<summary type="html">&lt;p&gt;Altair: Created page with &amp;quot;{{Log Header |Date of Scene=2017/10/03 |Location=Gotham |Synopsis=To save his students, Tommy Oliver calls in the assistance of Captain America-- who in turn, brings some back...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/10/03&lt;br /&gt;
|Location=Gotham&lt;br /&gt;
|Synopsis=To save his students, Tommy Oliver calls in the assistance of Captain America-- who in turn, brings some backup in the form of Winter Soldier and Black Widow.&lt;br /&gt;
|Cast of Characters=324, 112, 93, 229&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:324|Tommy Oliver (324)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Tommy Oliver is so close to saving his students, getting them off the streets. But after finding Mindy and learning where she had gotten seperated from her brothers who had developed mutant powers. Tommy discovered something that has left him livid and prhaps to some out classed. Goldar has the twin brothers. Having left an articule of clothing with some of their blood on it, not much just a few drops, and a message.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A message for the Green Ranger to come to the Narrows in the old factory and Surrender to him or the brats would be taking his place as Rita&#039;s chosen warriors. And she would not be gentle.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With Captain America there Tommy&#039;s options were limited he didn&#039;t know how to get intouch with the green ranger, but knew where the ranger had met him in gotham and he would head there hoping to draw his attention. And With it asked Captain America to head on hopefully help the Green Ranger save the teens. Tommy also claiming he would show up asap to help fight and free them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Of course Tommy is hoping praying that Captain america will see his distraught emotional state and insist that he and others handle it alone.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The island in the middle of Gotham River feels particularly cold tonight. The chill in the air bites all exposed skin--a call to the coming fall and retreating longer days of summer. Or, perhaps, the River itself brings with it a crispness sure to give way to winter. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Steve and Tommy had met quite by accident some weeks before, but it had turned into an easy partnership to find the missing students. It hadn&#039;t been hard to implore him to help find the twins. He had even volunteered to find enforcements to join in any recovery efforts. &amp;quot;Tommy, just take care of Mindy,&amp;quot; he&#039;d asserted almost wearily on the phone. &amp;quot;I&#039;ll bring back up,&amp;quot; which he thinks he can find. Probably. &amp;quot;I think it&#039;d be best if you sat out of this one,&amp;quot; it&#039;d been gentle but not really open to questions. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And so, with his cohorts in tow, Captain America rather than Steve Rogers treads to the edge of the Narrows. With his infamous red, white, and blue costume, complete with its embedded SHIELD technology, and the shield at his back, he&#039;s come ready for resistance. His jaw tightens and he looks towards the others. But he manages a crooked smile, albeit a weak one, &amp;quot;I think Gotham is better at night. Honestly, I have no idea why I there&#039;d be an art supply store here worth checking out,&amp;quot; it turned out to be a strip club.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;I&#039;m sure they have some. Somewhere. Just not this particular neighborhood,&amp;quot; Natasha murmurs from the side, glancing around at the area and getting a lay of the land. She is dressed in her work uniform, the black bodysuit with holsters on each thigh holding her Glocks. The wristsbands she is known for that carry so many of her toys are on her wrists. Version 3.0, thanks to Tony Stark&#039;s boredom of a few weeks ago. Or perhaps it was a caffeine induced creating spree. She didn&#039;t ask.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When the call came in from Steve, she didn&#039;t hesitate. Helping find missing kids, she would&#039;ve been there come hell or hight water. Although she was not expecting the third member of their little group. It had been a shock to the system but her training kept it from showing. Though there was some tension in her since she hadn&#039;t seen him officially since his recovery. She&#039;d been avoiding it, leaving him to the others to help through.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It is, perhaps, rather ironic that the bite of encroaching winter is the air. Bucky Barnes has just escaped his own eighty-year winter. The chill does not affect the erstwhile Winter Soldier in the least, but the memories it stirs up bring him to frown more deeply than usual, unpleasant thoughts furrowing a line between his brows as he steps silently up at Steve&#039;s left side. He&#039;s still avoiding standing in any way that would put his left arm towards people he would sooner die than harm.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s been a rather solitary, reclusive sort over the past many weeks-- coming to terms with decades of abuse will do that-- but one constant that kept him coming back to civilization was any hint of need on the part of Steve Rogers. Guilt is a powerful force, and with his first impulse-- to start running and never stop-- not really an option, his second came into play: to watch Steve&#039;s back any way he could. The call came, and he answered.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s dressed mutedly in tactical black, compared to how his brother stands out in costume, heavily armed but not yet with any weapons drawn save his arm, which is always drawn. As for art supplies and strip clubs. &amp;quot;Strip clubs&#039;ll supply you all the art you could want, if the ladies are good-looking enough,&amp;quot; he remarks with a crooked and fleeting grin, a ghost of the old Bucky coming to the fore.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He has not spoken to Natasha either, though there is a muted shame to the way he avoids her eyes that suggests the age-old &#039;it&#039;s not you, it&#039;s me.&#039; He hadn&#039;t expected Natasha either, and he doesn&#039;t think he is ready.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:324|Tommy Oliver (324)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Of course Tommy will argue and growl at it, but he will relent reluctantly accepting the wisdom of his elder. has Mindy in good care, he&#039;s contacted his guardians to help take care of Mindy, and this has left him with the ability to seek out the Green Ranger. Of Course Tommy is angry beyond measure and so after he hung up the phone and allowed himself to center himself he Morphed.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Narrows are not a nice place but this area in the factory is not typical, there is almost no one there. Shadows Move in the distance. A pair of boys are muffled and gagged. Hanging from their wrists by some sort of golden rope. An energy field sparks and shimmers around their wrists and their ankles. They dangle in midair as they also have what appear to be energy gags are over them as a large monster like dog in golden armor with wide wings moves around.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;The Green Ranger will come Scorpina and then we&#039;ll take back the powers he stole from Rita!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Replying to him as she says, &amp;quot;Careful Goldar, wouldn&#039;t surprise me if the other Rangers showed up to help.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And at that a Monster that is wielding a sword and looks like some sort of skeleton like monster says, &amp;quot;Regardless I will succeed where you two have failed.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Factory is wide, open, with rafters and on the rafters are various human shaped monsters that are moving around almost eratically as they seem to be there guarding the rafters from assault up there.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In the Middle of the Factory is a flash of Green Light as a Green a gold armored figure stands holding an ornate Dagger, &amp;quot;Goldar I&#039;m here! Release the Kids this is between you and me!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Oh No! Green Ranger, You will be returning to Rita&#039;s service or they will be taking your place!&amp;quot; And at this point The Grey creatures are moving to the ropes binding them and soon the floor under the twins opens up showing what looks to be a very long drop awaiting them, to who knows where!&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is One good thing, all eyes are on the Green Ranger.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Steve&#039;s cheeks feel hot at Bucky&#039;s assertion. His chin tucks towards his chest bashfully and he nods slightly. He&#039;s sure he&#039;s as red as the tone in his suit; he&#039;s not wrong. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The trio enters the building through one of the far factory windows, a quiet entrance, and, thanks to the distraction given by the Green Ranger, they manage to get inside with little pomp or circumstance. There&#039;s something odd about not being the figure people shoot at--it had been the entire purpose of Captain America&#039;s costume in the second World War, and it actually causes Cap to frown. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But having another distraction certainly provides them time and space to complete some heroics of their own. Steve casts Bucky a long look and then shoots one to Nat as he tugs the shield magnetized to his back. &amp;quot;Someone&#039;s going to have to get them down,&amp;quot; he says lowly towards the pair, about the twins. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yet apparently, it&#039;s not going to be Cap. Captain America breaks into a sprint, winds up the shield, and throws it as hard as he can manage at the flying armour-dog. He keeps running, hoping to catch the shield&#039;s ricochet from the metallic plating along the dogs flanks. &amp;quot;Wanna play catch?&amp;quot; he asks with a a toothy boyish grin.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Taking in the numbers and types of opponents, Natasha frowns a little but she isn&#039;t going to waste time. &amp;quot;I&#039;ve got the kids,&amp;quot; she says flatly, words meant for both her companions. Now that they are in work mode, her body goes into a more relaxed posture. Still, she is avoiding looking at Bucky as much as he avoids her. Then she is gone, sprinting in the direction of the figures about to drop the kids. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Only, she doesn&#039;t continue that way. Instead she is leaping off the railing herself as she flings herself into the air even as a small &#039;pfft&#039; of displaced air announcing the firing of her line. The grapple buries itself in a beam high above and then the line begins retracting, drawing her upwards and in an arc in the direction of the twins. Her intention is to get hold of them and swing to safety before they can be dropped. Then she&#039;ll deal with the multitude of minions.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Some things really don&#039;t change after eighty years. Steve being really easy to fluster is one of them. It&#039;s a welcome point of familiarity, for a man still recovering from eight decades of ill use, and reawakened into a modern world that must seem-- at times-- completely foreign.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s kind enough to let Steve off the hook, at least, especially when they get into the building and it quickly becomes clear how dire the situation is. Bucky trades one long, wordless look with Steve, and then unslings the carbine at his back, settling the short rifle in his arms with the ease of long familiarity.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Natasha calls the rescue, still not looking at him. Her familiar voice almost brings him to speak a Russian affirmative before he catches himself. The lapse aggravates him even more, though he still watches with an old instructor&#039;s approving air as she moves seamlessly into an adroit swinging leap.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Putting down cover fire,&amp;quot; he says, and maintains his distance and whatever high ground he can find, firing in short precise bursts at the minions closest to the trajectories of Steve and Natasha to clear their paths.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:324|Tommy Oliver (324)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;the attack comes without a hitch as the shield goes flying through the air. And as it hits the armor of Goldar he is struck and knocked for a loop staggered back as Scorpina&#039;s eyes home in one of the new attackers and she screams, &amp;quot;Drop the Brats into the well of darkness!&amp;quot; she calls out and instantly the Putties begin to move to the rope to drop them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Kids struggle and try and cry. A mix of anger and fear rushing through them at the sight of the Green Ranger. Their powers surpressed by those mystical bands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Scorpina pulls her hand back and then throws it in the direction of the Captain America and fires off several energy blasts. Which are promptly intercepted by the Green Ranger who takes the impact right in the chest as it hit shis shield sparking and producing an explosion. He&#039;s not even staggered.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Bone like Monster lunges and Jumps at the Green Ranger swinging his sword at him which the Green Ranger blocks and deflects with his dagger.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is total Trust fromt he Green Ranger in Captain America, trusting him to have brought allies.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A number of the gray monster men jump from the rafters to start swarming over the Green Ranger and Captian America. Like a mass of mongoose they duck dodge weave make faints moving at one, only two or three at a time actually try to strike as one. The rest simply a distraction to try and force them to recoil and react leaving them open.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;NAtasha finds that right now she has the advantage as the Grappel allows her to swing effortless ly but there is a shield around the Kids in the form of a pillor, and then just as she might hit it. The Green Ranger leaves himself open pointing his Dagger at the shield at the Base and firews off a strong beam of energy, almost as bright as the sun, as it impacts the shield and shatters allowing her to swing in to catch the kids just as the rope holding them is cut! The Result is that the Bone monster brings his sword down on the Green Ranger&#039;s back hard, fast and brutal as two cross strikes are made sending him flying forward screaming in pain.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Winter Solder fids his targets hit true as Goldar Recovers but he actually manages to swing his blade fast enough to deflect the shots now that he is recovered. The Ranger calls out his his modulated voice. &amp;quot;The Grey Monsters along with the skeleton are constructs. Only Goldar and Scorpina are true living creatures. Mr Bone&#039;s Head is his weakness any other damage will simply be repaired instantly. You must break him apart to take advantage of this vulneribility.&amp;quot; HE says as he is back on his feet tangling with Goldar blocking sword stikes with his dagger as he says. &amp;quot;You just don&#039;t learn Goldar, I was always stronger faster than you!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Cap catches the shield in his grasp with a clang. It&#039;s old hat, and the familiarity of his shield, being in a room where they&#039;re outnumbered, and generally have the odds against them draws a spark in his eyes. Blue eyes keenly track Scorpina when she fires blasts at him, but a nod of thanks follows the Ranger&#039;s ability to take the hit. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Grey monsters surround them, and Cap scans the group before enacting a defense. The shield tracks hard against the beasts, cutting at the golems with extreme force. He parries hard, spinning around and knocking one hard on its back. He doubles back with the shield, tossing it towards another one of the monsters before punching one closest to him.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;As the rope is released, Natasha&#039;s arc brings her in just as the boys drop. They are caught in her arm and she continues to swing, the practiced arc allowing her to come to a landing on a metallic walkway near the ceiling. There she sets the boys down carefully. She quickly works on untying them enough that their arms are at least free. She says in a soft voice, giving them a reassuring smile, &amp;quot;We&#039;re going to take care of these guys. But do me a favor and cover your ears, okay? It&#039;s about to get really loud.&amp;quot; For though the shots from across the way where the Winter Soldier rests are loud, the ones she will be firing from five feet away from the boys are going to be worse.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Natasha draws both Glocks and begins picking off the gray figures as they try to get near her or the boys. Every shot is unerringly in the head. They aren&#039;t alive, she doesn&#039;t have to worry about not killing to keep Cap happy.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Well of darkness? &amp;quot;That&#039;s no good,&amp;quot; Bucky mutters, mostly to himself, as he ejects an empty magazine and puts in a fresh one. What&#039;s also no good is the fact that the monster with the sword is fast enough to deflect his shots. He cocks his head, surveying the mess below with critical blue eyes, well-versed in appraising things from a position of overwatch.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Also well-versed in listening to information when it&#039;s yelled at him. Only two of the targets are actual living creatures, he hears, but more importantly...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Lifting the carbine and sighting, the Winter Soldier eschews cover fire and takes a more precise aim. A much more precise aim. The next three-round burst is targeted right at the bone head of the skeleton. The gesture is as rote as breathing, after a lifetime of sniping straight for an enemy&#039;s singular weakness: whether that be deleting an enemy officer, or hitting enemy fortification in its one vulnerable spot.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:324|Tommy Oliver (324)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The one benefit of the Shield that Cap has is it has Vibranium in it. And Vibranium absorbs magical energys so his shield is rather effective agains the Putty Patrolers. But being made of a combination of Clay and Rock, makes it tricky to throw the shield as the clay absorbs some of the impact which could throw the shield&#039;s aim off.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Putties take a full hit of the shield and it seems to smash them but punching them is like trying to punch a statute made of stone or lime stone at least. And that can give them a chance to counter attack on Captian America. Kicks, punches, even attempts to grapple, some are true, most are false. But still they have super human speed, agility and of course strength.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For Natasha she has another problem as the boy&#039;s bonds are broken now that they are free and cover their ears. And they move back. And this is when Scorpina throws her curved blade like Sword at her and the boys, the energy covered blade acts like a Boomerang as she lunges at the Black Widow. &amp;quot;Welcome Black Widow, Come Dance with Scorpina! You could be a powerful servant for Rita! Perhaps the new Green Ranger!&amp;quot; and of course her armor can take the shots of the Glock as she tries to run forward to punch claw and kick at her with all the enhanced abilities of a meta human, and of course her tail does come out to try and deliver a near lethal sting of both electricity and venom.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; For Winter Soldier he will find the Bone monster has rushed at him. The Shots actually take off the Monster&#039;s head as it is knocked to the ground and bounces around as he screams, &amp;quot;Oh no! Lost my head What will I do? Why this of course!&amp;quot; And instantly the head bounces off a wall and then rebounces back to the neck of the skeleton as he uses his sword to channel some destructive energy and lashes it out throwing a wave of energy in the direction of the Winter Soldier.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For the Green Ranger the ability to fight goldar one on one is not missed. The pair have an intense hatred for one another, as the Green Ranger is forced to withdraw after a sword strike and goldar persues him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Reaching a rafter as Goldar Pushes him The green ranger runs up the colum with a foot, flipping over behind goldar and with a swift Kick kicks him in the back knocking him through the steel post through a wall. There are many things that can identify a person. And a martial artist has their own unique fighting style. And the Green Ranger&#039;s is absolutely Visious..&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Huh,&amp;quot; Cap murmurs eloquently when the shield&#039;s aim hits unusually. Instead of waiting for it to ricochet back to him, he sprints after it, sliding against the floor to catch up to the weapon he&#039;s thrown. Instead of using it to toss at the clay assailants, he opts to strike hard and true with the vibranium surface. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He whacks the top, in an effort to knock it off with the edge of the weapon, and follows the hit with a kick to the grey monster&#039;s chest to force it backwards against the wall. It&#039;s heavy against him, but he&#039;s also got strength in his legs and arms that serves him well with each of the efforts. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Still in his grasp, he uses the shield itself as his fist, crushing it against the stone and causing an array of dust to emit from the place where he strikes hard against the rock-man. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;What he wouldn&#039;t give for a little bit of hydrochloric acid right now--the effects on limestone he only knows because of his artist-heart willing protection of statues from acid rain.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;As the sword is thrown her way, Natasha brings up her wristbands and crosses them, left over right. The contacts meet and a hum of power announces the invisible shild before her. The sword hits the repulsor shield and hopefully gets knocked back enough that it won&#039;t return to the owner although that doesn&#039;t seem to be stopping the golden armored woman. Lowering the shield, she continues to fire but the armor is protecting the woman. Natasha shoves her weapons back into the holsters where they click home and will remain unless she puts her hands on the grips again. As Scorpina begins to run her mouth, Natasha twists her wrists, dropping a pair of expandable batons into her hands. With another flick, they are both expanded, the handle extending out the side to fall into her palm. She fires up the pair of tonfas which glow with blue light.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I perfer having my own mind. I will serve no one against my will again,&amp;quot; she says in a low tone almost like a growl. The situation with her former comrade a little too close to the surface. As the attack comes, she uses the tonfas to help bolster her strength so she doesn&#039;t get a broken arm when blocking. She has to keep moving as the woman is fast, adding in that tail which has her on the defensive at first trying to get an idea of her style. Then she shifts her grip and it is the Widow on the offense, attacking hard and fast, a series of hits with the tonfas followed by a roundhouse kick at Scorpina&#039;s head.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The shots sure take the skeleton&#039;s head off, and Bucky makes the mistake of taking his eye off the creature for half a second to check on Steve (seems to be fine) and Natasha (also fine). When he looks back, it&#039;s to find that he might not be the one who&#039;s fine in a second. The skull rebounds right back onto the monster&#039;s body, which summarily proceeds to lunge at him and sling some kind of energy wave straight for him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Huh,&amp;quot; the Winter Soldier observes, much like his brother did just a moment earlier.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then he puts up his weapon, freeing his arms, and darts forward. The energy slices towards him, and he slides straight under it, missing it by hairs, swiveling up afterwards to swing his left arm in a straight hook directly for the skeleton&#039;s head. The steel arm shrieks as its mechanisms spin up with the exertion. His aim is plainly to apply enough force with the metal fist to crumple the bone.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:324|Tommy Oliver (324)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Captain America has the most effective weapon here, the shield disrupts the magical energies holding the Putties together and they break and shatter. But it does take some effort to smash through them. the Putty he pushes against the wall burbles and blithers out as he all but makes it explode in a shower of dust. More Putty patrollers come up behin the Star Spangled avenger as they form their hands into blades and large spiked maces trying to hit him from behind. A few even throw them selves at his legs trying to roll and sweep his legs out from under him. But attack after attack. Captian America is Thinning the Clay brains.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As Scorpina&#039;s blade is knocked to the side and it hits thr ground she does strike and attack the female warrior as she laughs and says. &amp;quot;Oh My dear, you will absolutely LOVe being in Rita&#039;s service.&amp;quot; And of course scorpina is not stupid as she is soon pushed to the defensive as she twists turns and then with one elagant motion her blade flys to her hands as she tries to use it to cut open the Widow&#039;s knees, followed up by a lash from her tail stinger, &amp;quot;One sting and you will never worry about that again spider!&amp;quot; she says.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Of course throught he Fight Natasha has of course found her self with several openings, as she is able to deliver a devistating blow. But the Warrior woman seems to shrug it off for now as she uses her blade to parry, block redirect and strike at Natasha attempting to hit her with her Scorpion tail!&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Indeed the green ranger did say you had to break him apart to take advantage of the isolated head! And as the energy wave passes over the Winter Soldier and then as the Skeleton is hit his arm penetrates the sternum of the bone monster as he screams and then explodes. Bones fly everywhere, as a flash of light goes off as a chackling is heard and the bones fly hitting the ground as the sound of them sounds like real bones and the chackling is head as the head spins flying through the air as there is just a moment, but a flash of light and all the bones fly to the skull, and reform the monster back into one whole being as he lunches at the Winter Soldier again. Now If that pattern holds up, Maybe just maybe the Winter solder can take advantage of the moments it needs before it reforms into a whoile creature.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Lunching at him swinging that magically enhanced and formed blade at the Winter soldier as he says, &amp;quot;I&#039;ll take that Pretty arm and give it to Rita as a gift! Maybe she will turn it into a new monster!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Of course Goldar is trying to taunt the Green Ranger, &amp;quot;If your friends really cared for you they would be hear instead of these pathetic human freaks, you will never be one of the Rangers always an outcast!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And of course that gets a punch to his face as the Green Ranger screams, &amp;quot;Rita made me a Monster! She turned me into a weapon, My friends the other rangers are not here because I asked them to let me handle this!&amp;quot; he says as he delivers blow after blow to Goldar, Dagger slash, stab, thrust. As The green ranger simply forgoes defence taking hit after hit from goldar to deliver blow after blow. But the Green Ranger doesn&#039;t seem to be weakening at all. Kick, and punch as he avoids direct killing blows.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Captain America&#039;s agility keeps him dodging and ducking the cumbersome rock monsters. It&#039;s fortunate that he can duck and spin and twist so easily. Blow after blow gets dodged, leaving a long pattern of near misses. Of course, as the number of the clay monsters increases, it gets trickier to dodge. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;One of the sharp blades cuts towards Steve from behind, catching a piece of his shoulder and eliciting a sharp groan from the back of his throat. He misses the swipe at his legs as a result, and is knocked down hard to a loud thud. The golem opportunistically lunges towards him, cutting downwards while Cap finds himself in a compromising permission. The shield snaps up, holding the rock-blade from cutting downwards with a combination of will and strength. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As he&#039;s getting crushed between the ground and rock-beast, he rolls, momentarily abandoning the shield, and causing it to loudly clatter as it hits the cement.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Natasha continues to shift and move, jumping upward and vaulting from the walkway railing to get out of range of the sword. Only to have that tail coming in fast and hard. She manages to drop back to the walkway, crouching, letting it pass overhead but it was close. The tonfas are brought around, hooking and driving at the back of Scorpina&#039;s knees in an attempt to get her on the ground. Nothing she is doing is having much effect so she opts for a new toy. A flick of her wrist and a pair of tiny disks fly to attach to the front of Scorpina&#039;s armor. A second later, they explode with electrical blasts meant to incapacitate an opponet for several minutes. The tonfas are brought in again and this time she fires up the electrical power on them as well, again going for a body struck in an attempt to overwhelm.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Soldier studies his opponent with incurious blue eyes as the skeleton flies apart again, leaving the lone head spinning isolated on the floor... and then reforms again. Everything zooms straight back to the skull when it reforms, he notes, and there&#039;s a moment where the instructions called out suddenly /click/ and make sense. Necessity makes for a swift teacher, one from whom Bucky always learned quickly.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His mouth thins as the sword-wielding construct makes its taunt. Take his arm and turn it into a monster, huh? &amp;quot;This arm and I already did time as a monster, thanks,&amp;quot; he observes dryly, watching as the blade comes howling in-- and twisting past it at the last moment. Its edge comes close enough it shears open his right sleeve, as the Winter Soldier snaps his left arm out in an attempt to send the skeleton clattering to pieces again.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Except this time, when the lone skull hits the floor, Bucky is aiming dead at it with the P220 sidearm he&#039;s drawn, pulling the trigger.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Distantly he registers what&#039;s happening with the others in the room: restless to get freed up to go help the others. What he hears in the background between Goldar and the Ranger brings him to grit his jaw. Maybe it&#039;s hitting a little too close to home.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:324|Tommy Oliver (324)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Green Ranger Turns his head to spot captain America having lost his shield and with a snap he draws what appears to be a side arm, in the shame of a a blaster and then calls out, &amp;quot;CAPTAIN!&amp;quot; And then he throws it in Steve&#039;s direction The Red and White blaster throwing true. As it spins through the air. It will pack a nice heavy punch thank&#039;s to it&#039;s setting. Of course the blade somehow seems to tell Steve that a flick of the wrist will convert it to a dagger blade form. Another flick back to a blaster.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Still the Putties are relentless as some even go for that shield intent to pick it up and take it to Goldar.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; Slashing with his Dragon Dagger the Green Ranger&#039;s strikes cause explosions and sparks on Goldar as he ducks, and dodges using his own momentum to avoid being hit down as he spins and turns pointing his dagger in the directions of the Putties who are trying to go for that shield and a green burst of energy firest from the blade cutting across at the shoulder height of a number of putties attempting to thin them out. Their numbers have dropped dramatically as onely maybe a dozen are left.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For Natasha, the trick works as Scorpina will duck and dogue her blow and then the disks hit landing on her arms and then when the electrical shock comes she screams in pain as she jerks up as her body is wracked with a number of convusions. And it allows the Black widow to develiver a visuious blow after vicious blow. Natasha&#039;s expriance and understanding of the human form allow her to develiver some devistating blows to Scorpina&#039;s arms, legs, knees, elbows and head and face. It&#039;s enough to send hr back on the pure defence as she tries to raise a much less effective defence. As the Widow pummels her!&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For Bucky now that he unserstands his enemy he has half won the battle and the Skeleton quips, &amp;quot;Then you should have a good time reliving it when you are a giant smashing the cities of earth!&amp;quot; he cackles out and then as he is hit in the chest and the same thing happens as the Skeleton monster shatters as the bones fly to peices flying everywhere. The head sales off spinning and Cackling as he says, &amp;quot;There I go all to peices again!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; and then the shot comes, it sends the skull off kilter as it screams, shot after shot needs to be fired and it seems to work as the bones tremble but are not pulled to gether. On the eighth shot the skull cracks, and the ninth, explodes. Of course this causes the bones to explode with some force as well, putty patrolers are sent flying as it rocks the ware house.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With the Loss of the Putties and the monster, Goldar and Scorpina are now pulling back trying to withdraw to escape. Goldar Snarls out as he says,&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You haven&#039;t heard the last of us!&amp;quot; and with one arm crossed over his chest he vanishes in a flash of light teleporting out.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Battered beaten Scorpina hits the ground as a series of flashes happen over here as she teleports out.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Putties crumble into dust, and start to disintigrate, and as the Green Ranger Roares out in frustration. he seems content with the Victory.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the battle is far from over, as a pair of energy blasts erupt from the side of the warehouse and hit the Green Ranger in the back causing an explosion that sends him flying into a support beam.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;One of the boys screams, &amp;quot;You murdered our parents!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The blaster gets caught and Cap fires at will, shattering the golems one after another in an array of rock and dust. Each cracks and implodes. And while Steve isn&#039;t someone to be so caught up with the novelty of something so advanced technologically (he really is a Luddite at heart), he&#039;s mesmerized at the weapon&#039;s efficacy. His voice actually drops, and it&#039;s like that time Peggy shot rounds into his vibranium shield. &amp;quot;This. Is. Awesome.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He fires again. And again. Even if the monsters don&#039;t stay down, it buys him time. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It grants Steve that measure of space to grasp the shield again. His fingers clasp it and he is sanding once again to thin out the putties, giving the green ranger a sharp nod. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But then it&#039;s won. The energy changes and their efforts are rewarded with a flash of light that blinds and causes the Captain to cinch his eyes shut. He looks towards the kid that screams and then back to the Green Ranger. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;m so so sorry about your parents,&amp;quot; empathy first. And then truth. &amp;quot;He wasn&#039;t... he wasn&#039;t in his right mind,&amp;quot; he finally manages. And it might become clear to others there are reasons this situation tugged on Steve&#039;s heartstrings beyond the presence of kidnapped children. &amp;quot;They were controlling him--&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Her right arm is on fire. At least it feels like it. Apparently that tail managed to score as it passed by in the last attack, slicing through the material of Natasha&#039;s uniform and leaving a shallow scratch on her arm. It&#039;s enough that the venom is burning into her system, as thoughs he was stung by numerous scorpions as once. Yet, she has fought with worse pain than that. She continues to drive her attack, merciless, revealing in the moment when her opponent hits the ground. Then as she is coming in for another blow, Scorpina just disappears. A soft curse in Russian comes from her lips then she is turning to check on the boys--Only to find them attecking with some sort of energy blasts. Hearing Caps&#039;s words, she is listening very closely. She doesn&#039;t draw a weapon but she is poised, ready to use a Widow&#039;s Bite on the boy if necessary.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Those words strike too close to home and she flicks a gaze toward Bucky, the first time she&#039;s looked at him tonight. For him, it is too fresh. At least for her it is years in the past. A moment of shared pain then she is back to focusing on the threat, no matter how small it is in stature. If she has to, she will take him down.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Already did too much city-smashing too,&amp;quot; Bucky mutters to himself with a grimace of memory, &amp;quot;though probably not exactly in the way you&#039;re talking about--&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yeah, even after eighty years, the Bucky Barnes that used to run his mouth constantly is still there under the pall of the Winter Soldier.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But of all the things Bucky expected, upon resolving one threat and turning to find the others dispersing, it wasn&#039;t &#039;the kids they&#039;re trying to save turning on one of their saviors.&#039;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;You murdered our parents!&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;At first Bucky just looks confused, but as Steve starts to explain... slow realization fans across his features. His expression tightens down into an expressionless lock, the look of a man struck straight to the heart in a weak point of his own. He catches Natasha looking at him, knows why, and his gaze drops as he turns away. He holds his silence. Steve is better equipped for this than he is.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:324|Tommy Oliver (324)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Blown into the wall The Green Ranger took that hit completely blindsided and it hurt like hell. He&#039;s on the ground trying to turn over and get to his feet. Listening to Captian America. He knows that this was coming as he struggles to get to his feet. His healing abilities are already working to restore him but this is the aftermath of what he did and he has to deal with it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And The other boy calls out tears in his eyes as he says, &amp;quot;What about all the other people he hurt he killed?!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;AS the Green Ranger stands up he is unsteady as he sheaths his dagger. &amp;quot;And I feel their death every day. I remember every thing I did with perfect clarity. Rita stole my hope, she stole my compassion, she stole my love. Everything that made me a person, she took it and made me a weapon. And I live with that everyday knowing what I did and there was nothing I could do to stop it.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He approaches the boys standing his ground as they unleash another blast of energy which hits the Green Ranger without mercy sending him to the ground as he once more struggles. His armor smoking, suit battered, possible cracks in his visor as he says finally.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;If the only way for you to find peace is to kill me, then do so I won&#039;t stop you.&amp;quot; he says slowly standing up step by step slowly approaching the boys, hand out in friendship, the pain in the green Ranger&#039;s voice clear as day. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And the Boys tears running down their eyes as the voice of a girl is heard calling to her brothers, to try and make them stop. Coming up as the three are united, and it doesn&#039;t take long before the two boys scared, exhausted, terrified, kneel down weak and drained. Still the Green Ranger approaches then slowly coming over to kneel down to try and hug them to just hold them, protectively as he looks to Captian America. &amp;quot;They have suffered too much, can you make sure they are not seperated?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;While Captain America stands in his uniform, wholly Cap. The expression is all Steve. Something cracks behind blue eyes when the kids call out. &amp;quot;I know,&amp;quot; he says softly to the kids. Increasingly, he knows there are no easy answers. He wishes for a day when there were, and often dreams of it. Steve sets the weapon he&#039;d been holding down and lifts his hands in the air. &amp;quot;But he came here to help you. We all did.&amp;quot; He glances towards his cohorts. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You won&#039;t find peace that way,&amp;quot; he counters to the Green Ranger&#039;s comment. &amp;quot;Killing doesn&#039;t do that. Destruction doesn&#039;t do that.&amp;quot; He blinks hard. Blue eyes are awash in thought, and, a gentle reprimand of his own for him. &amp;quot;Justice does.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His eyes sweep to the green ranger and he nods. &amp;quot;I&#039;ll do everything I can. You have my word.&amp;quot; He doesn&#039;t know the system, but something in his status should still have some sway. He hopes.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:324|Tommy Oliver (324)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;After a while the Boys seem to realize that the Green Ranger is not the monster they thought he was. And they just seem to hold him and aftr a moment as he will stand up and looking to Natasha realizing that she has been stung. A few moments Later he touches his Wrist communicator. &amp;quot;Alpha, we have someone here who was stung by Scorpina, we need and antivenom agent.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And a few moments Later he will hold out his hand and a capsule will be teleported into his hand. &amp;quot;Here this will neutrilize the Venom in your partner, there is enough to run tests on. But the long the venom stays the more damage it does.&amp;quot; he tells Captain America as he places his hand on his belt and the Blade Blaster appears in his other holster and then in a flash of green light the Green Ranger teleports away.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Form:TP_Page&amp;diff=1869</id>
		<title>Form:TP Page</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Form:TP_Page&amp;diff=1869"/>
		<updated>2017-10-06T23:17:00Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;includeonly&amp;gt;&lt;br /&gt;
&amp;lt;div id=&amp;quot;wikiPreview&amp;quot; style=&amp;quot;display: none; padding-bottom: 25px; margin-bottom: 25px; border-bottom: 1px solid #AAAAAA;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
{{{for template|TPPage|label=TP Page}}}&lt;br /&gt;
{| class=&amp;quot;formtable&amp;quot;&lt;br /&gt;
! Short Summary:&lt;br /&gt;
| {{{field|Summary|mandatory|input type=textarea|autogrow|size=200px}}}&lt;br /&gt;
|-&lt;br /&gt;
! Plot Scale:&lt;br /&gt;
| {{{field|Scale|mandatory|input type=combobox|size=90|values=Minor, Major, Epic|existing values only|default=Minor}}}&lt;br /&gt;
|-&lt;br /&gt;
! Plot Runner&#039;s +charid (or name if no charid or wiki page):&lt;br /&gt;
| {{{field|Runner|mandatory|property=Char_id|textarea|rows=1|placeholder=Separate by comma if more than one, ie 20, 21, 22}}}&lt;br /&gt;
|-&lt;br /&gt;
! Co-Runners&#039; +charids (or name if no charid or wiki page):&lt;br /&gt;
| {{{field|Contacts|property=Char_id|textarea|rows=1|placeholder=Separate by comma if more than one, ie 20, 21, 22. Place &#039;None&#039; or &#039;n/a&#039; if you got nothing.}}}&lt;br /&gt;
|-&lt;br /&gt;
! Participants, by +charid (or name if no charid or wiki page):&lt;br /&gt;
| {{{field|Participants|property=Char_id|textarea|rows=1|placeholder=Separate by comma if more than one, ie 20, 21, 22. Place &#039;None&#039; or &#039;n/a&#039; if you got nothing.}}}&lt;br /&gt;
|-&lt;br /&gt;
! Groups Involved (if any):&lt;br /&gt;
| {{{field|Groups|placeholder=Comma-separated list of groups participating. Put in double brackets to link.|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Target Audience:&lt;br /&gt;
| {{{field|Audience}}}&lt;br /&gt;
|-&lt;br /&gt;
! Rating and Tone of the Plot:&lt;br /&gt;
| {{{field|Genre}}}&lt;br /&gt;
|-&lt;br /&gt;
! Plot Description:&lt;br /&gt;
| {{{field|Desc|input type=textarea|autogrow|size=200px|placeholder=A description of your plot. Place &#039;None&#039; or &#039;n/a&#039; if you got nothing.}}}&lt;br /&gt;
|-&lt;br /&gt;
! Is the plot current or finished?&lt;br /&gt;
| {{{field|State|mandatory|input type=combobox|size=90|values=Current, Finished, Cancelled|existing values only|default=Current}}}&lt;br /&gt;
|-&lt;br /&gt;
! Other information:&lt;br /&gt;
| {{{field|Info|input type=textarea|autogrow|size=200px|placeholder=Place &#039;None&#039; or &#039;n/a&#039; if you got nothing.}}}&lt;br /&gt;
|}&lt;br /&gt;
{{{end template}}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Other Sections! Whatever You Want!:&#039;&#039;&#039; {{{standard input|free text|rows=10}}}&lt;br /&gt;
&lt;br /&gt;
{{{standard input|summary}}}&lt;br /&gt;
&lt;br /&gt;
{{{standard input|minor edit}}} {{{standard input|watch}}}&lt;br /&gt;
&lt;br /&gt;
{{{standard input|save}}} {{{standard input|preview}}} {{{standard input|changes}}} {{{standard input|cancel}}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/includeonly&amp;gt;&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Form:TP_Page&amp;diff=1868</id>
		<title>Form:TP Page</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Form:TP_Page&amp;diff=1868"/>
		<updated>2017-10-06T23:14:36Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;includeonly&amp;gt;&lt;br /&gt;
&amp;lt;div id=&amp;quot;wikiPreview&amp;quot; style=&amp;quot;display: none; padding-bottom: 25px; margin-bottom: 25px; border-bottom: 1px solid #AAAAAA;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
{{{for template|TPPage|label=TP Page}}}&lt;br /&gt;
{| class=&amp;quot;formtable&amp;quot;&lt;br /&gt;
! Short Summary:&lt;br /&gt;
| {{{field|Summary|mandatory|input type=textarea|autogrow|size=200px}}}&lt;br /&gt;
|-&lt;br /&gt;
! Plot Scale:&lt;br /&gt;
| {{{field|Scale|mandatory|input type=combobox|size=90|values=Minor, Major, Epic|existing values only|default=Minor}}}&lt;br /&gt;
|-&lt;br /&gt;
! Plot Runner&#039;s +charid (or name if no charid or wiki page):&lt;br /&gt;
| {{{field|Runner|mandatory|property=Char_id|textarea|rows=1|placeholder=Separate by comma if more than one, ie 20, 21, 22}}}&lt;br /&gt;
|-&lt;br /&gt;
! Co-Runners&#039; +charids (or name if no charid or wiki page):&lt;br /&gt;
| {{{field|Contacts|property=Char_id|textarea|rows=1|placeholder=Separate by comma if more than one, ie 20, 21, 22|default=None}}}&lt;br /&gt;
|-&lt;br /&gt;
! Participants, by +charid (or name if no charid or wiki page):&lt;br /&gt;
| {{{field|Participants|property=Char_id|textarea|rows=1|placeholder=Separate by comma if more than one, ie 20, 21, 22|default=None}}}&lt;br /&gt;
|-&lt;br /&gt;
! Groups Involved (if any):&lt;br /&gt;
| {{{field|Groups|placeholder=Comma-separated list of groups participating. Put in double brackets to link.|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Target Audience:&lt;br /&gt;
| {{{field|Audience}}}&lt;br /&gt;
|-&lt;br /&gt;
! Rating and Tone of the Plot:&lt;br /&gt;
| {{{field|Genre}}}&lt;br /&gt;
|-&lt;br /&gt;
! Plot Description:&lt;br /&gt;
| {{{field|Desc|input type=textarea|autogrow|size=200px|placeholder=A description of your plot.|default=None}}}&lt;br /&gt;
|-&lt;br /&gt;
! Is the plot current or finished?&lt;br /&gt;
| {{{field|State|mandatory|input type=combobox|size=90|values=Current, Finished, Cancelled|existing values only|default=Current}}}&lt;br /&gt;
|-&lt;br /&gt;
! Other information:&lt;br /&gt;
| {{{field|Info|input type=textarea|autogrow|size=200px|placeholder=Place &#039;None&#039; or &#039;n/a&#039; if you got nothing.}}}&lt;br /&gt;
|}&lt;br /&gt;
{{{end template}}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Other Sections! Whatever You Want!:&#039;&#039;&#039; {{{standard input|free text|rows=10}}}&lt;br /&gt;
&lt;br /&gt;
{{{standard input|summary}}}&lt;br /&gt;
&lt;br /&gt;
{{{standard input|minor edit}}} {{{standard input|watch}}}&lt;br /&gt;
&lt;br /&gt;
{{{standard input|save}}} {{{standard input|preview}}} {{{standard input|changes}}} {{{standard input|cancel}}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/includeonly&amp;gt;&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Character_Listing&amp;diff=1847</id>
		<title>Character Listing</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Character_Listing&amp;diff=1847"/>
		<updated>2017-10-06T00:57:17Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
__NOCACHE__&lt;br /&gt;
&lt;br /&gt;
Trying to figure out RP hooks? Looking for someone to play, or someone to play with? This is where you&#039;ll find the active, available, and retired characters here on United Heroes MUSH.&lt;br /&gt;
&lt;br /&gt;
To make a character page, first you&#039;ll need a wiki account. To request one, visit the [[Special:RequestAccount|Request Account]] page. Please allow staff some time to approve your wiki account request.&lt;br /&gt;
&lt;br /&gt;
Once you have an account, head to the [[Create_A_Character_Page|Create a Character Page]] and follow the directions.&lt;br /&gt;
&lt;br /&gt;
==Marvel==&lt;br /&gt;
&lt;br /&gt;
====Essential Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:EFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==DC==&lt;br /&gt;
&lt;br /&gt;
====Essential Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:EFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Dark Horse==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==IDW==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Image==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Other==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Original==&lt;br /&gt;
&lt;br /&gt;
====Original Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:OC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Unplayed/Dropped FCs==&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Status::Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Shelved OCs==&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Status::Shelved]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Character_Listing&amp;diff=1846</id>
		<title>Character Listing</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Character_Listing&amp;diff=1846"/>
		<updated>2017-10-06T00:56:46Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
__NOCACHE__&lt;br /&gt;
&lt;br /&gt;
Trying to figure out RP hooks? Looking for someone to play, or someone to play with? This is where you&#039;ll find the active, available, and retired characters here on United Heroes MUSH.&lt;br /&gt;
&lt;br /&gt;
To make a character page, first you&#039;ll need a wiki account. To request one, visit the [[Special:RequestAccount|Request Account]] page. Please allow staff some time to approve your wiki account request.&lt;br /&gt;
&lt;br /&gt;
Once you have an account, head to the [[Create_A_Character_Page|Create a Character Page]] and follow the directions.&lt;br /&gt;
&lt;br /&gt;
==Marvel==&lt;br /&gt;
&lt;br /&gt;
====Essential Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:EFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==DC==&lt;br /&gt;
&lt;br /&gt;
====Essential Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:EFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Dark Horse==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==IDW==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Image==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Other==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Original==&lt;br /&gt;
&lt;br /&gt;
====Original Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:OC]] [[Status::!Dropped]] [[Status::!Shelved]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Unplayed/Dropped FCs==&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Status::Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Shelved OCs==&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Status::Shelved]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Character_Listing&amp;diff=1841</id>
		<title>Character Listing</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Character_Listing&amp;diff=1841"/>
		<updated>2017-10-05T23:57:05Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
__NOCACHE__&lt;br /&gt;
&lt;br /&gt;
Trying to figure out RP hooks? Looking for someone to play, or someone to play with? This is where you&#039;ll find the active, available, and retired characters here on United Heroes MUSH.&lt;br /&gt;
&lt;br /&gt;
To make a character page, first you&#039;ll need a wiki account. To request one, visit the [[Special:RequestAccount|Request Account]] page. Please allow staff some time to approve your wiki account request.&lt;br /&gt;
&lt;br /&gt;
Once you have an account, head to the [[Create_A_Character_Page|Create a Character Page]] and follow the directions.&lt;br /&gt;
&lt;br /&gt;
==Marvel==&lt;br /&gt;
&lt;br /&gt;
====Essential Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:EFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==DC==&lt;br /&gt;
&lt;br /&gt;
====Essential Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:EFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Dark Horse==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==IDW==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Image==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Other==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Original==&lt;br /&gt;
&lt;br /&gt;
====Original Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:OC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Unplayed/Dropped FCs==&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Status::Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Shelved OCs==&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Status::Shelved]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Form:Character_Page&amp;diff=1839</id>
		<title>Form:Character Page</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Form:Character_Page&amp;diff=1839"/>
		<updated>2017-10-05T23:56:12Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;includeonly&amp;gt;&lt;br /&gt;
&amp;lt;div id=&amp;quot;wikiPreview&amp;quot; style=&amp;quot;display: none; padding-bottom: 25px; margin-bottom: 25px; border-bottom: 1px solid #AAAAAA;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
{{{for template|CharacterNew|label=Character Page}}}&lt;br /&gt;
{| class=&amp;quot;formtable&amp;quot;&lt;br /&gt;
! @Name On MUSH:&lt;br /&gt;
| {{{field|NameOnMUSH|property=NameOnMUSH|mandatory|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! HEX Color (for bars in the Char Info Box):&lt;br /&gt;
| {{{field|Color|mandatory|input type=combobox|size=90|values=#333|default=#333}}}&lt;br /&gt;
|-&lt;br /&gt;
! Text Color (for text in the bars in the Char Info Box):&lt;br /&gt;
| {{{field|TextColor|mandatory|input type=combobox|size=90|values=#c1c1c1|default=#c1c1c1}}}&lt;br /&gt;
|-&lt;br /&gt;
! Character ID (Use +charid; if it doesn&#039;t work, +scene/setup, and try again!)&lt;br /&gt;
| {{{field|Char_id|mandatory|property=Char_id|textarea|placeholder=If the character predates Char IDs, put -1.|rows=1}}}&lt;br /&gt;
|-&lt;br /&gt;
! Image URL&lt;br /&gt;
| {{{field|Img|placeholder=Optional|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Full Name:&lt;br /&gt;
| {{{field|FullName|mandatory|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Gender:&lt;br /&gt;
| {{{field|Gender|mandatory|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Species:&lt;br /&gt;
| {{{field|Species|mandatory|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Theme/Series/Source:&lt;br /&gt;
| {{{field|Theme|mandatory|input type=combobox|size=90|values=Marvel, DC, Dark Horse, IDW, Image, Original, Other|existing values only|Default=Marvel}}}&lt;br /&gt;
|-&lt;br /&gt;
! Chartype:&lt;br /&gt;
| {{{field|Chartype|mandatory|input type=combobox|size=90|values=EFC, DFC, FC, AFC, VFC, OC|existing values only|default=FC}}}&lt;br /&gt;
|-&lt;br /&gt;
! Active/Dropped?:&lt;br /&gt;
| {{{field|Active|mandatory|input type=combobox|size=90|values=Active, Dropped, Shelved|existing values only|default=Active}}}&lt;br /&gt;
|-&lt;br /&gt;
! Occupation:&lt;br /&gt;
| {{{field|Occupation|mandatory|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Groups:&lt;br /&gt;
| {{{field|Groups|placeholder=Comma-separated list of groups you are in. Put in double brackets to link.|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Quote:&lt;br /&gt;
| {{{field|Quote|mandatory|placeholder=From your +finger.|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Apparent Age:&lt;br /&gt;
| {{{field|PAge|placeholder=What your character looks like.|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Actual Age:&lt;br /&gt;
| {{{field|AAge|placeholder=His or her actual age.|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Date of Birth:&lt;br /&gt;
| {{{field|DOB|placeholder=Date of birth.|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Height:&lt;br /&gt;
| {{{field|Height|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Weight:&lt;br /&gt;
| {{{field|Weight|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Hair Color:&lt;br /&gt;
| {{{field|Hair|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Eye Color:&lt;br /&gt;
| {{{field|Eyes|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Actor:&lt;br /&gt;
| {{{field|Actor|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Themesong:&lt;br /&gt;
| {{{field|Song|placeholder=Title or Youtube links!|size=90}}}&lt;br /&gt;
|-&lt;br /&gt;
! Profile:&lt;br /&gt;
| {{{field|Profile|mandatory|placeholder=Your +finger profile.|input type=textarea|rows=5|cols=100|autogrow}}}&lt;br /&gt;
|-&lt;br /&gt;
! Abilities:&lt;br /&gt;
| {{{field|Abilities|placeholder=Your +abi/all.|input type=textarea|rows=5|cols=100|autogrow}}}&lt;br /&gt;
|-&lt;br /&gt;
! Skills:&lt;br /&gt;
| {{{field|Skills|placeholder=Your +ski/all.|input type=textarea|rows=5|cols=100|autogrow}}}&lt;br /&gt;
|-&lt;br /&gt;
! Resources:&lt;br /&gt;
| {{{field|Resources|placeholder=Your +res/all.|input type=textarea|rows=5|cols=100|autogrow}}}&lt;br /&gt;
|-&lt;br /&gt;
! Weaknesses:&lt;br /&gt;
| {{{field|Weaknesses|placeholder=Your +wea/all.|input type=textarea|rows=5|cols=100|autogrow}}}&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
{{{end template}}}&lt;br /&gt;
&lt;br /&gt;
THIS FINAL FIELD WILL CONTAIN A COPY OF YOUR ENTIRE CHARACTER PAGE IF IT&#039;S A CONVERSION JOB AND NOT A NEW PAGE! PLEASE DO NOT IGNORE IT AND PROPERLY CLEAN IT UP!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Other Sections! Whatever You Want!:&#039;&#039;&#039; {{{standard input|free text|rows=10}}}&lt;br /&gt;
&lt;br /&gt;
{{{standard input|summary}}}&lt;br /&gt;
&lt;br /&gt;
{{{standard input|minor edit}}} {{{standard input|watch}}}&lt;br /&gt;
&lt;br /&gt;
{{{standard input|save}}} {{{standard input|preview}}} {{{standard input|changes}}} {{{standard input|cancel}}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/includeonly&amp;gt;&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Character_Listing&amp;diff=1837</id>
		<title>Character Listing</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Character_Listing&amp;diff=1837"/>
		<updated>2017-10-05T04:17:53Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
__NOCACHE__&lt;br /&gt;
&lt;br /&gt;
Trying to figure out RP hooks? Looking for someone to play, or someone to play with? This is where you&#039;ll find the active, available, and retired characters here on United Heroes MUSH.&lt;br /&gt;
&lt;br /&gt;
To make a character page, first you&#039;ll need a wiki account. To request one, visit the [[Special:RequestAccount|Request Account]] page. Please allow staff some time to approve your wiki account request.&lt;br /&gt;
&lt;br /&gt;
Once you have an account, head to the [[Create_A_Character_Page|Create a Character Page]] and follow the directions.&lt;br /&gt;
&lt;br /&gt;
==Marvel==&lt;br /&gt;
&lt;br /&gt;
====Essential Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:EFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Marvel]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==DC==&lt;br /&gt;
&lt;br /&gt;
====Essential Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:EFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:DC]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Dark Horse==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Dark_Horse]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==IDW==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:IDW]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Image==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Image]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Other==&lt;br /&gt;
&lt;br /&gt;
====Deluxe Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:DFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:FC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====App-Free Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:AFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
====Villainous Feature Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:Other]] [[Category:VFC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Original==&lt;br /&gt;
&lt;br /&gt;
====Original Characters====&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Category:OC]] [[Status::!Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Unplayed/Dropped==&lt;br /&gt;
&amp;lt;div style=&amp;quot;font-size:9pt;&amp;quot;&amp;gt;&lt;br /&gt;
{{#ask: [[Category:Characters]] [[Status::Dropped]]&lt;br /&gt;
|format=ul&lt;br /&gt;
|columns=5&lt;br /&gt;
|template=NoDroppedDisplay&lt;br /&gt;
|limit=500&lt;br /&gt;
}}&amp;lt;/div&amp;gt;&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=2701/Broken_Bridges&amp;diff=1836</id>
		<title>2701/Broken Bridges</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=2701/Broken_Bridges&amp;diff=1836"/>
		<updated>2017-10-05T04:15:14Z</updated>

		<summary type="html">&lt;p&gt;Altair: Created page with &amp;quot;{{Log Header |Date of Scene=2017/10/05 |Location=The Triskelion |Synopsis=Bucky and Natasha have a long-avoided but inevitable conversation about their shared history -- and f...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/10/05&lt;br /&gt;
|Location=The Triskelion&lt;br /&gt;
|Synopsis=Bucky and Natasha have a long-avoided but inevitable conversation about their shared history -- and future.&lt;br /&gt;
|Cast of Characters=229, 93&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Ultimately it turned out that there wasn&#039;t much time to wait, as far as the Winter Soldier coming to SHIELD of his own recognizance... as May so eloquently put it. The reclaimed Bucky Barnes certainly felt a considerable urge to ghost into the wind, go to ground, disappear off the radar of everyone who had ever known him well enough to be disappointed or horrified in what he had become. Yet he resisted, firstly because of a debt to Claire Temple... and secondly, because of an even greater guilt than the blood of eighty years on his hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The guilt of leaving Steve Rogers when Steve might need him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Such it is that though it&#039;s been hard to face his brother in all but blood, one of the few men he truly admires, he does it. He stays. He found it most fitting he should give himself to the organization dedicated to the eradication of Hydra, though is fully understanding and cognizant of why he is not yet allowed to walk freely without eyes on him at all times, and why his accommodation as Steve&#039;s oldest friend comes with a demanded regimen of deprogramming sessions and debriefs on whatever intel he still has on Hydra that is relevant. He cooperates. He is as afraid of reverting as anyone else.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s just walked out of one such session, with another scheduled in an hour. He&#039;s ostensibly free in the time between, though two agents are nearby In Case. He&#039;s found himself in a break room on one of the higher floors, though he&#039;s not inside -- he&#039;s on a small balcony area, out in the open air. Closer inspection reveals it&#039;s because he&#039;s lighting up to smoke.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;In her office typing up a report from recent events, Natasha was aware of the Winter Soldier being in the building. He was on her alerts list, along with a few others. If they came in, she was sent a private message by the security software. SHIELD probably was aware she&#039;d set up that little early alart system for herself but it wasn&#039;t part of the regular system. Nor did she advertise she had it. It was SHIELD. Everyone still had their secrets or believed they did. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Everytime he has been in the building, she had done her best to remain well away from the areas he visits. She is aware of how her presence could ruin the hard work already put in if they weren&#039;t careful. The recent situation had brought them face-to-face though so that reasoning was no longer valid. If her being present was going to affect him, the damage was already done. She had been concerned for him after those events, something she didn&#039;t want to admit and had played close to the chest before departing from the rescue scene. He wouldn&#039;t appreciate it. She wouldn&#039;t either in his shoes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yet now, she knew she needed to go speak with him. A few clicks of the keys and she had a location. She shut down her computer. The elevator trip was brief since the break room was two floors below the one holding her office. Entering the break room, she took a moment to find him then walked that way with a purposeful stride. His two watchdogs gave her a nod of acknowledgement as she pushes through the door to the balcony. Once there, she paused, at a loss for words for a moment. Then she asks simply, &amp;quot;Are you doing alright?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;He was aware that she was aware of him. He taught all his Widows well, and her the best of all. No one steps into her web without troubling one of its many little threads.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But he didn&#039;t try to seek her out, and he appreciated the distance that she kept. If it was difficult to face Steve Rogers for one reason, it was difficult to face Natalia Alianovna Romanova for another. Steve was a reminder of the goodness in his past, a sort of innocence that is irrevocably lost. Natasha was a reminder of the deep evil in his past, the stain of which will follow him... how long? Likely forever.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yet he cannot hold whatever she might remind him of against her, especially since she appears to have found her way out of the dark much sooner than he did. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He is aware of her approach before she steps out onto the balcony, before she speaks. He is sitting, but once she enters his space, he automatically rises for the lady. It&#039;s an old-fashioned gesture, one which would have seemed a little pretentious on a modern man, but which fits on him. For him it is natural, rather than an affectation. This courtly old gesture was not something the Winter Soldier ever did. The man before her, in attitude and aspect, might as well be a stranger rather than the Yasha she knew. But then, after a moment... he slouches against the railing, leaning against it with a casual air, and in that posture betrays a ghost of the Winter Soldier.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He considers her question with due thought. The answer is not simple or cut and dry, not for him. &amp;quot;...Better than I was a month ago,&amp;quot; he eventually decides. A month ago, he was a Hydra pawn. He puts his cigarette, unlit, in his mouth, freeing his hands to offer her the pack if she should want one. They&#039;re Belomorkanals, strong and foul and thoroughly old school Soviet Bloc. Interesting choice on his part.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I didn&#039;t look for you,&amp;quot; he starts. &amp;quot;I know you wouldn&#039;t take it personal.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The offered cigarettes lead to a shake of the head from Natasha as she declines. She finds the wall beside the balcony railing to lean against. She lifts one foot off, placing the sole against the wall at about knee level. &amp;quot;Of course not. You needed time. Still do,&amp;quot; she adds with a slight frown on her lips. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She has to trust that Steve knows what he is doing, having brought Bucky back into the field so soon. Perhaps he had thought the rescue would be something simple, a walk in the park. Or perhaps he thought that it was good to get him back in action. Bucky was his best friend in the past and, with his memory restored, certainly was resuming that role. He knows Bucky. She knew Yasha. They are not the same person. Never were. It&#039;s something she has had to come to grips with so the month apart was good for her as well. Though there are remnants of the man she knew, the one before her is a stranger. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I won&#039;t bother you long.&amp;quot; She knows she is a reminder to him. Something painful he shouldn&#039;t be subjected to. &amp;quot;I wanted to say two things. First, it gets better. While my situation was not the same as yours, I can tell you that once you are away from it, it does improve. You and I are realists. Or, we were. I&#039;m not sure if you still are now,&amp;quot; she admits with a half shrug. &amp;quot;It will never go away entirely and it will never go back to the way it was. Each day though, it gets easier to deal with.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Bucky doesn&#039;t look terribly surprised Natasha doesn&#039;t want the cigarette. In fact, he looks briefly self-recriminatory. Of course, she would not want a reminder any more than he does... though for him, the fact these strong old things still do a /little/ something for him, where practically nothing else does, makes up for the bad memories they bring.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Tucking the pack away, he lights up-- making sure he&#039;s downwind of her-- and leans against the railing. He props his left arm on it, and the metal clinks lightly against metal. He is silent through the two things she has to say, his gaze cast off towards the distant horizon.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;That&#039;s good to hear,&amp;quot; is his initial reply, &amp;quot;from someone who has gone before.&amp;quot; He lapses back into silence a few moments more, thinking.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;It&#039;s the quiet which is the worst,&amp;quot; he eventually says. &amp;quot;You know? The times you&#039;re doing nothing is when you have the time to remember. So this, you...&amp;quot; He shakes his head. &amp;quot;No bother. I tried being alone. I found out I&#039;m not the kinda person I wanna be alone with for long.&amp;quot; He takes a long drag of the cigarette, one which would have set just about anyone else to coughing. Bucky, he just breathes out a long stream of smoke, letting that punctuate the thought.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I did you wrong, Natalia,&amp;quot; he concludes quietly. &amp;quot;That&#039;s what /I/ got to say. I did. I still am a lot of things I used to be, when you knew me. Yasha and I...&amp;quot; He shrugs, and the self-hatred is keen as a knife. &amp;quot;Not that much difference. Not enough I can point and say, &#039;not me.&#039; They built him out of me.&amp;quot;&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;That gets a frown and she brings her foot back to the floor before pushing off from the wall. She faces him squarely, standing up to her full 5&#039;4&amp;quot; height as though she was someone of a much larger stature. She knew it was coming. She had seen that look in the warehouse. The way he had turned away from her and shifted his shoulders enough she read the emotions he wasn&#039;t hiding as well as he may have hoped. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;That&#039;s where you have it wrong,&amp;quot; she says firmly. &amp;quot;You are James Barnes, a.k.a. Bucky. You are a soldier who was taken and changed. They erased who you were and though they may have kept some of the skills, they created Yasha. No, not even Yasha. The Winter Soldier. They molded you like clay into what they wanted. It was not you.&amp;quot; She takes a step forward, into his space. &amp;quot;It was Never you.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her voice softens slightly. &amp;quot;You don&#039;t owe me any apologies and you should feel no guilt for anything in our past. You should feel no more guilt than a bullet fired from a gun should. We both know that&#039;s what you were to them. A weapon. Now, you are able to make that choice I spoke about months ago.&amp;quot; She gives a half shrug. &amp;quot;If you choose the right path, then we move forward and I will try to help you cope as I can. If the quiet is a problem, I&#039;m certain we can find things to keep you busy, especially with your skill set.&amp;quot; Skills so like her own yet his specialties differing. Her expression shifts, a hard look coming into her green eyes. &amp;quot;If you choose the wrong path, then we go back to being on opposite sides.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Bucky blinks, stilling down to no more than the idle rising of his cigarette&#039;s smoke, as something he says puts steel into her spine and a flash in her eyes. There is a moment where his own narrow, remembering years long past in which he would not have tolerated such defiance from her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then, just as quickly -- it passes. They are no longer what they once were, and she has every right to get on his case. More than every right. His gaze lowers, a mixture of shame and acknowledgement, up until she demands it again by stepping into his space.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He stiffens, his frame tensing at her closeness. His left arm murmurs at his side, a musical hum of its innards and a click of its external plates. None of these responses are a threat, though the two agents still sitting in the break room certainly rest their hands inches from their weapons. They indicate the discomfort of a man who is no longer accustomed to physical closeness -- who was, for decades, never approached nor touched in kindness or compassion. Only to cause pain.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It was never you, she says. &amp;quot;No,&amp;quot; he admits. &amp;quot;I guess not. &amp;quot;All those memories are mine to keep, though. Hurting you--&amp;quot; He stops, and doesn&#039;t continue. She would not appreciate it being spoken of, he thinks.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He relaxes a little when her voice gentles, though he tries to avert his gaze again. &amp;quot;We were weapons,&amp;quot; he concurs tiredly. &amp;quot;Now...&amp;quot; He shrugs. &amp;quot;I still am one, though preferably choosing to fire at the right targets.&amp;quot; Brief levity draws his features into half a smirk. &amp;quot;There&#039;s no fear of me /choosing/ the wrong path, Natalia. If I am forced...&amp;quot; He looks, oddly, reassured by the sudden hardness that flashes into her gaze. &amp;quot;I know you&#039;ll do what you must. Though I&#039;d prefer not to put that burden on your hands at all.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;With that, Natasha steps backwards twice, giving that normal distance that is required for people of their experience. &amp;quot;The memories are there for both of us. You are no longer alone.&amp;quot; Then she glances toward the break room to the two guards keeping watch. Her frown is dark and she stares at them until they shift uncomfortably and move their hands away from their weapons. She continues until they actually look away, making sure they know she has the situation well in hand. After all, there is no situation. They are simply speaking but she had needed to emphasize her point. They don&#039;t need jumpy agents pulling weapons just because they are a lower level and don&#039;t realize what is really going on outside.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Turning back to look at Bucky, she shrugs once more. &amp;quot;There will never be that need then if you do not choose the path. If you are forced, we bring you back. Again. And again if necessary. You will never be left behind now that we have you back.&amp;quot; It is a vow by the way she speaks it, a promise of belonging. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A faint smirk touches her lips. &amp;quot;You remember John Aaron? A while back he offered some advice in regards to your situation. Before you were recovered. I&#039;m thinking of acting on it now, to let them know it would be in their best interests to leave you alone. Thanks to the information you&#039;ve provided, I should have some areas I can start hunting.&amp;quot; She flicks her gaze up to him appraisingly. &amp;quot;If you need to keep your mind busy, perhaps you can help me.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The two agents look completely abashed as they catch the disapproving eye of the Black Widow. They go back to minding their own business. Certainly they had to know that being the minders for the former Winter Soldier was more of a &#039;hit the panic button if he loses his shit&#039; deal than any expectation that they would actually out-gunfight him. Or out-anyfight him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bucky doesn&#039;t even seem aware that they exist, though of course that is just the appearance of indifference. The entire interaction goes unremarked upon, as he stares at the floor and reflects upon the sort of kindness that forgives and welcomes back without censure or judgment. &amp;quot;I appreciate it,&amp;quot; he says lowly. I will work, he does not add aloud, until I deserve it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mention of John Aaron actually brings a smile to his features that is halfway genuine. &amp;quot;Who can forget John Aaron?&amp;quot; he wonders, largely rhetorically. &amp;quot;The last time I saw him the parting was a little awkward, but I think he&#039;ll excuse me on account of Winter Soldier.&amp;quot; He cants his head. &amp;quot;I can guess at his advice.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His blue eyes briefly reflect the ice of the Winter Soldier. &amp;quot;No perhaps about it. There&#039;s a certain class of person I&#039;m always ready to take out, Natasha. Steve and I set out to erase Hydra eighty-five years ago. Seeing as the job&#039;s not done, we mean to finish.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Then we are in accord. I don&#039;t know that they can be wiped out entirely, but I intend to try. If I don&#039;t succeed, I plan to kill enough of them that they never go near you again.&amp;quot; That edge is back, that part of her that is not the good SHIELD agent following orders and doing what is right. Natasha&#039;s birthright is being an angel of death. It is what she is made for and, in this moment, she is embracing that nature. &amp;quot;Now, I&#039;m certain the Director will be supportive of any attempts to derail Hydra but I doubt he will approve of ou--my methods.&amp;quot; A bit of a stumble as she remembered it wasn&#039;t his methods necessarily. She has to remember that he is a different person with different viewpoints. Certainly hanging around the boy scout, he will likely be curbed of his more violent tendencies. Though, now he is his own man and even in that he can choose. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is a soft beep from her left wrist. She glances at what looks like a watchband there then drops her arm back to her side. &amp;quot;Duty calls. We&#039;ll have to continue this discussion later.&amp;quot; She reaches into the pocket of her slacks and pulls out a cellphone. She flips it open and taps the screen then turns it so he can see the digits displayed. &amp;quot;My number. If you want to reach me.&amp;quot; He could&#039;ve found it himself. It is a sign of respect and trust that she shares it insstead of forcing him to take those steps.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;They&#039;re very proud of the whole &#039;cut off one head and two more will take its place,&#039; thing,&amp;quot; Bucky says dryly, &amp;quot;but I&#039;ve seen firsthand where that runs into problems. To get that kind of redundancy, organizationally you have to make some... sacrifices.&amp;quot; The smile that crosses his face is not the sort of smile one would ever associate with a boy scout. It&#039;s the kind of knife-edge smile a man starts to wear after he&#039;s made his thousandth kill, and washed his hands in the blood. &amp;quot;And they don&#039;t talk about the part where you burn the stump so the heads don&#039;t come back.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is a thoughtful cast to his gaze, though, a surprise and muted amusement at the unexpected chivalry of a woman vowing to kill to protect /him/. It&#039;s new and fresh to a man who, in many ways, still thinks culturally like a man from the forties.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He does see that edge to her, that slight baring of her innate killer&#039;s claws, but unlike most... it seems to be what he expects of her, and the sight of it he takes for granted in a way most in SHIELD -- in America -- would not. It is a nature he even embraces for himself; she corrects herself, not sure if that&#039;s quite who /he/ -- Bucky Barnes -- is, but gently and firmly, he corrects her back: &amp;quot;Our. That much about me isn&#039;t different. This was what I did long before the Winter Soldier.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Discussion of the particulars can wait until later. He glances at the screen of her phone when she presents it, apparently blessed with photographic memory, before he-- much more analog-- paws up a slip of paper and gives her a number in turn. &amp;quot;I use burners,&amp;quot; he says. &amp;quot;Habit. You get the one I check the most.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His hand lingers a moment after passing the number over, before dropping back to his side. Some of the burden seems to have lifted from his shoulders. &amp;quot;I&#039;m glad you found your way here,&amp;quot; he says, nonspecific about whether he means here, to this balcony, in this moment... or something broader, more encompassing of the arc of her life. &amp;quot;After everything. Spokoinoi nochi, Natasha.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Tayaniye&amp;diff=1804</id>
		<title>Tayaniye</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Tayaniye&amp;diff=1804"/>
		<updated>2017-10-03T23:30:20Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{TPPage&lt;br /&gt;
|Summary=The efforts of an unlikely group to get the Winter Soldier to come in from the cold.&lt;br /&gt;
|Scale=Minor&lt;br /&gt;
|Runner=229&lt;br /&gt;
|Contacts=230&lt;br /&gt;
|Participants=229, 230, 112, 99, 294, 306, 160, 93, 5, Loki, 340, 174, Vanya, 219&lt;br /&gt;
|Groups=[[Just Cause]], [[SHIELD]]&lt;br /&gt;
|Audience=Street Level (generally)&lt;br /&gt;
|Genre=R, Char-focused&lt;br /&gt;
|Desc=The Winter Soldier has been a Soviet horror story for countless decades, assumed to be a Red Army soldier who transcended to become Mother Russia&#039;s most lethal weapon, responsible for deleting threats to the State both external and internal.&lt;br /&gt;
&lt;br /&gt;
Up until a few people discover his origin is not all it seems. Realizing he is in actuality a brainwashed James Buchanan Barnes, the lost partner of Captain America, they hatch a plan to try to save a man who has no awareness that he even needs to be saved.&lt;br /&gt;
&lt;br /&gt;
...Some people are much more excited about this plan than others.&lt;br /&gt;
|State=Finished&lt;br /&gt;
|Info=n/a&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Tayaniye&amp;diff=1803</id>
		<title>Tayaniye</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Tayaniye&amp;diff=1803"/>
		<updated>2017-10-03T23:29:53Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{TPPage&lt;br /&gt;
|Summary=The efforts of an unlikely group to get the Winter Soldier to come in from the cold.&lt;br /&gt;
|Scale=Minor&lt;br /&gt;
|Runner=229&lt;br /&gt;
|Contacts=230&lt;br /&gt;
|Participants=229, 230, 112, 99, 294, 306, 160, 93, 174, 5, Loki, 340, Vanya, 219&lt;br /&gt;
|Groups=[[Just Cause]], [[SHIELD]]&lt;br /&gt;
|Audience=Street Level (generally)&lt;br /&gt;
|Genre=R, Char-focused&lt;br /&gt;
|Desc=The Winter Soldier has been a Soviet horror story for countless decades, assumed to be a Red Army soldier who transcended to become Mother Russia&#039;s most lethal weapon, responsible for deleting threats to the State both external and internal.&lt;br /&gt;
&lt;br /&gt;
Up until a few people discover his origin is not all it seems. Realizing he is in actuality a brainwashed James Buchanan Barnes, the lost partner of Captain America, they hatch a plan to try to save a man who has no awareness that he even needs to be saved.&lt;br /&gt;
&lt;br /&gt;
...Some people are much more excited about this plan than others.&lt;br /&gt;
|State=Finished&lt;br /&gt;
|Info=n/a&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Tayaniye&amp;diff=1802</id>
		<title>Tayaniye</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Tayaniye&amp;diff=1802"/>
		<updated>2017-10-03T23:28:50Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{TPPage&lt;br /&gt;
|Summary=The efforts of an unlikely group to get the Winter Soldier to come in from the cold.&lt;br /&gt;
|Scale=Minor&lt;br /&gt;
|Runner=229&lt;br /&gt;
|Contacts=230&lt;br /&gt;
|Participants=229, 230, 99, 294, 306, 160, 93, 174, 5, Loki, 340, Vanya, 219&lt;br /&gt;
|Groups=[[Just Cause]], [[SHIELD]]&lt;br /&gt;
|Audience=Street Level (generally)&lt;br /&gt;
|Genre=R, Char-focused&lt;br /&gt;
|Desc=The Winter Soldier has been a Soviet horror story for countless decades, assumed to be a Red Army soldier who transcended to become Mother Russia&#039;s most lethal weapon, responsible for deleting threats to the State both external and internal.&lt;br /&gt;
&lt;br /&gt;
Up until a few people discover his origin is not all it seems. Realizing he is in actuality a brainwashed James Buchanan Barnes, the lost partner of Captain America, they hatch a plan to try to save a man who has no awareness that he even needs to be saved.&lt;br /&gt;
&lt;br /&gt;
...Some people are much more excited about this plan than others.&lt;br /&gt;
|State=Finished&lt;br /&gt;
|Info=n/a&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=MediaWiki:Sidebar&amp;diff=1801</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=MediaWiki:Sidebar&amp;diff=1801"/>
		<updated>2017-10-03T23:26:05Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
* navigation&lt;br /&gt;
** mainpage|mainpage-description&lt;br /&gt;
** news files|News Files&lt;br /&gt;
** Character Listing|Characters&lt;br /&gt;
** Groups|Groups&lt;br /&gt;
** Plots|Plots&lt;br /&gt;
** Logs|Logs&lt;br /&gt;
** Cutscenes|Cutscenes&lt;br /&gt;
** Schedule View|Current Events&lt;br /&gt;
** recentchanges-url|recentchanges&lt;br /&gt;
** helppage|help&lt;br /&gt;
* SEARCH&lt;br /&gt;
* TOOLBOX&lt;br /&gt;
* LANGUAGES&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=MediaWiki:Sidebar&amp;diff=1799</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=MediaWiki:Sidebar&amp;diff=1799"/>
		<updated>2017-10-03T22:34:16Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
* navigation&lt;br /&gt;
** mainpage|mainpage-description&lt;br /&gt;
** news files|News Files&lt;br /&gt;
** Character Listing|Character Listing&lt;br /&gt;
** Groups|Groups&lt;br /&gt;
** Plots|Plots&lt;br /&gt;
** Logs|Logs&lt;br /&gt;
** Cutscenes|Cutscenes&lt;br /&gt;
** Schedule View|Current Events&lt;br /&gt;
** recentchanges-url|recentchanges&lt;br /&gt;
** helppage|help&lt;br /&gt;
* SEARCH&lt;br /&gt;
* TOOLBOX&lt;br /&gt;
* LANGUAGES&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=MediaWiki:Sidebar&amp;diff=1798</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=MediaWiki:Sidebar&amp;diff=1798"/>
		<updated>2017-10-03T22:33:40Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
* navigation&lt;br /&gt;
** mainpage|mainpage-description&lt;br /&gt;
** news files|News Files&lt;br /&gt;
** Character Listing|Character Listing&lt;br /&gt;
** Groups|Groups&lt;br /&gt;
** Plots|Plots&lt;br /&gt;
** Logs|Logs&lt;br /&gt;
** Cutscenes|Cutscenes&lt;br /&gt;
** Schedule View|Scene Calendar&lt;br /&gt;
** recentchanges-url|recentchanges&lt;br /&gt;
** helppage|help&lt;br /&gt;
* SEARCH&lt;br /&gt;
* TOOLBOX&lt;br /&gt;
* LANGUAGES&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=MediaWiki:Sidebar&amp;diff=1797</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=MediaWiki:Sidebar&amp;diff=1797"/>
		<updated>2017-10-03T22:33:24Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
* navigation&lt;br /&gt;
** mainpage|mainpage-description&lt;br /&gt;
** news files|News Files&lt;br /&gt;
** Character Listing|Character Listing&lt;br /&gt;
** Groups|Groups&lt;br /&gt;
** Plots|Plots&lt;br /&gt;
** Logs|Logs&lt;br /&gt;
** Cutscenes|Cutscenes&lt;br /&gt;
** Scene Calendar|Schedule View&lt;br /&gt;
** recentchanges-url|recentchanges&lt;br /&gt;
** helppage|help&lt;br /&gt;
* SEARCH&lt;br /&gt;
* TOOLBOX&lt;br /&gt;
* LANGUAGES&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Schedule_View&amp;diff=1796</id>
		<title>Schedule View</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Schedule_View&amp;diff=1796"/>
		<updated>2017-10-03T22:14:19Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOCACHE__&lt;br /&gt;
For an actual calendar view (which can give you full scene briefings): [https://www.unitedheroesmush.com/scene/calendar.php CLICK HERE!]&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;SCENE TIMES APPEAR IN GMT/UTC&#039;&#039;&#039;. You can use [http://tycho.usno.navy.mil/cgi-bin/timer.pl THIS] page to help find yourself.&lt;br /&gt;
{{#css:&lt;br /&gt;
  .LogTable {text-align:left; width:100%; table-layout:fixed;}&lt;br /&gt;
  .HeaderCell {padding: 0px 0px 0px 5px;}&lt;br /&gt;
  .HeaderCell:nth-child(1) {border-radius:5px 0px 0px 0px; width: 20%;}&lt;br /&gt;
  .HeaderCell:nth-child(2) {width: 10rem;}&lt;br /&gt;
  .HeaderCell:nth-child(3) {border-radius:0px 5px 0px 0px; width: 70%;}&lt;br /&gt;
  .LogRow { max-height:1em;}&lt;br /&gt;
  .LogRow:nth-child(1) {background-color: rgba(0,70,70,.5)}&lt;br /&gt;
  .LogRow:nth-child(2n+2) {background-color: rgba(0,70,70,.2)}&lt;br /&gt;
  .LogRow:nth-child(2n+3) {background-color: rgba(0,70,70,.3)}&lt;br /&gt;
  .LogCell { vertical-align:top; padding: 0px 0px 0px 5px; max-height:1em;}&lt;br /&gt;
  .LogRow:last-of-type td:nth-last-child(3) {border-radius:0px 0px 0px 5px}&lt;br /&gt;
  .LogRow:last-of-type td:nth-last-child(1) {border-radius:0px 0px 5px 0px;}&lt;br /&gt;
  .LogCell:nth-child(odd) { word-wrap:break-word; white-space: nowrap; text-overflow: ellipsis; overflow: hidden; max-height:1.5em; height:1.5em; display:block;}&lt;br /&gt;
}}&lt;br /&gt;
{{#get_db_data:&lt;br /&gt;
db=scenesys&lt;br /&gt;
|from=mush_scene&lt;br /&gt;
|data=scheduleId=scene_id,scheduleTime=date_scheduled,scheduleTitle=title,scheduleDesc=pitch&lt;br /&gt;
|where=date_scheduled &amp;gt; &amp;quot;{{CURRENTYEAR}}-{{CURRENTMONTH}}-{{CURRENTDAY}}&amp;quot;&lt;br /&gt;
|order by=date_scheduled ASC&lt;br /&gt;
|limit=20&lt;br /&gt;
}}&lt;br /&gt;
{| class=&amp;quot;LogTable&amp;quot;&lt;br /&gt;
|- class=&amp;quot;LogRow&amp;quot;&lt;br /&gt;
! class=HeaderCell | Title&lt;br /&gt;
! class=HeaderCell | Time&lt;br /&gt;
! class=HeaderCell | Description{{#for_external_table:&amp;lt;nowiki/&amp;gt;&lt;br /&gt;
{{!}}- class=&amp;quot;LogRow&amp;quot;&lt;br /&gt;
{{!}} class=&amp;quot;LogCell&amp;quot; {{!}} [https://www.unitedheroesmush.com/scene/schedule.php?id={{{scheduleId}}} {{{scheduleTitle}}}] &lt;br /&gt;
{{!}} class=&amp;quot;LogCell&amp;quot; {{!}} {{{scheduleTime}}}&lt;br /&gt;
{{!}} class=&amp;quot;LogCell&amp;quot; {{!}} {{{scheduleDesc}}}&lt;br /&gt;
}}&lt;br /&gt;
|}&lt;br /&gt;
[[Category:Index]]&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Winter_Soldier&amp;diff=1788</id>
		<title>Winter Soldier</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Winter_Soldier&amp;diff=1788"/>
		<updated>2017-10-03T19:59:47Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{CharacterNew&lt;br /&gt;
|NameOnMUSH=Winter Soldier&lt;br /&gt;
|Color=#640000&lt;br /&gt;
|Char_id=229&lt;br /&gt;
|Img=http://i.imgur.com/lvm0bto.jpg&lt;br /&gt;
|FullName=James Buchanan Barnes&lt;br /&gt;
|Gender=Male&lt;br /&gt;
|Species=Metahuman&lt;br /&gt;
|Theme=Marvel&lt;br /&gt;
|Chartype=FC&lt;br /&gt;
|Active=Active&lt;br /&gt;
|Occupation=killin&#039;&lt;br /&gt;
|Groups=[[SHIELD]], [[Just Cause]]&lt;br /&gt;
|Quote=&amp;quot;My bad dreams linger... but I wouldn&#039;t expect anything else.&amp;quot;&lt;br /&gt;
|PAge=30&lt;br /&gt;
|AAge=100&lt;br /&gt;
|DOB=03/10/1925&lt;br /&gt;
|Height=6&#039;0&amp;quot;&lt;br /&gt;
|Weight=250 lb&lt;br /&gt;
|Hair=Brown&lt;br /&gt;
|Eyes=Blue&lt;br /&gt;
|Actor=Sebastian Stan&lt;br /&gt;
|Song=https://tinyurl.com/y785h2k4&lt;br /&gt;
|Profile=Handpicked to be the partner of Captain America during World War II due to his natural fighting talent, James Barnes did all the morally-grey things Steve Rogers couldn&#039;t be seen doing on the newsreels. Thought lost towards the tail end of the war after a fatal fall, Bucky Barnes was declared MIA, presumed KIA. That was the end of his story... and the start of the story of the Winter Soldier. Since the mid-1950s, the Soviet horror story known as the Winter Soldier has hung like a spectre over the West and the Soviet Bloc alike, with increasing tallies of kills to his name. In that time, no one has come close to discovering or shutting him down.&lt;br /&gt;
== History ==&lt;br /&gt;
James Buchanan &#039;Bucky&#039; Barnes is a blend of his comic incarnation and MCU incarnation, with an origin following the comics, and elements drawn in later from the MCU.&lt;br /&gt;
&lt;br /&gt;
A military brat born on an Army base, he lost his mother early in life, and his father in his teenage years. His young sister was sent to a boarding school, but Bucky stayed on at the base, looked after by his father&#039;s friends, up until his delinquency and tendency to pick fights drew the eye of the military brass. He had clear authority and anger issues, but also a very clear gift for combat, and so they decided to put him to use: sending him for intensive training with the British SAS and various combat luminaries of the time, and then assigning him to be the partner of Captain America.&lt;br /&gt;
&lt;br /&gt;
The two eventually formed the core of the unit called the Invaders, a force that fought across the battlefields of World War II wherever it was needed. Of note, Bucky was captured and experimented upon by Hydra and Dr. Arnim Zola during the war, though the result of this would not come to fruition until later.&lt;br /&gt;
&lt;br /&gt;
Bucky did not &#039;live&#039; to see the end of the war. Early in 1945, he and Steve Rogers were lost in combat and presumed dead. Neither were actually killed, though their paths diverged sharply: frozen in ice, Steve would sleep in relative peace until his thaw in the present day.&lt;br /&gt;
&lt;br /&gt;
Bucky, on the other hand, was found by Soviet troops, among which were a few Hydra plants, who reported that Dr. Zola&#039;s experiment had returned to their grasp. Content to control from the shadows, Hydra let the USSR take public charge, and Bucky was taken to Department X, where he was revived -- the nascent serum in his blood, left over from Zola&#039;s earlier experimentation, had just barely kept him alive. It was found that he had no memory of his life, nothing left in his head save the reflex memories of how to fight and how to kill. The USSR and Hydra saw opportunity. His severed left arm was replaced with a bionic implant, and Dr. Zola finalized the process he had begun years before, creating him as a super-soldier with the constitution to bear the advanced prosthetic. He was reprogrammed with a new personality, one where he believed himself to be a wounded, rootless Soviet soldier who had volunteered for the project that would dictate the next eighty years of his life: the Winter Soldier Project. The most formidable weapon in the arsenal of the Soviet Union. The last word punctuating the USSR&#039;s bloody statements.&lt;br /&gt;
&lt;br /&gt;
Over time, he became a propaganda hero and boogeyman to his own adopted Russian people, a mythological ghost haunting and bleeding the West, and variously a demon, a monster, or a beast in all the other corners of the world where he was commanded to kill. He is known by various local codenames in the classified files of many nations, but ever since a crucial information leak in the 1970s, he has been properly known in the intelligence community by name: Winter Soldier. &lt;br /&gt;
|Abilities=&lt;br /&gt;
=====Bionic Arm=====&lt;br /&gt;
Bucky&#039;s left arm was lost in his fall, and a bionic arm replaced it. It is capable of applying several tons worth of force, well in excess of his existing enhanced strength, and Bucky will also use it defensively as the hardened metal is capable of deflecting bullets, and itself feels no pain. It is also much faster than his flesh right arm. The arm itself has a number of useful functions engineered in by the Soviets, one being the ability to discharge an EMP burst, another being the ability to shield itself and other metal hidden on his body.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Peak Human=====&lt;br /&gt;
Recovered by the Soviets and experimented on by Hydra after his fall from the train, Bucky was given a lesser version of the serum that was administered to Steve Rogers, a version that had been refined by Dr. Zola from the serum originally given to the Red Skull. The most important function it serves is to let him bear and use his bionic left arm appropriately, as it enhances his strength, durability, and healing factor far beyond that of a normal human. Among the benchmarks of his performance include lifting force between 800 - 1200 lb, run speed of 50-60 mph, and leaps unharmed from considerable heights, as well as enhanced senses, stamina, reflexes, agility, and improved mental processing speed.&lt;br /&gt;
|Skills=&lt;br /&gt;
=====Assassin=====&lt;br /&gt;
The primary use case of the Winter Soldier. He has dozens of assassinations credited to his name, many more than cannot conclusively be attributed to him, and-- without a doubt-- countless kills that no one even suspects him of being responsible for at all. He is a master of the stalk, the wait, the ambush, and the kill.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Black Ops=====&lt;br /&gt;
During the war, Bucky often did the dishonorable work that Captain America and the rest of the Invaders could not be seen doing. This work was stealth, infiltration, advance scouting, and intelligence gathering. Activities that often ended with someone dying with a knife in their back. Through natural talent and long experience, the Winter Soldier is gifted at moving through hostile territory undetected to secure either information or kills. He is extremely observant as a result, able to scout and size up a situation or location rapidly.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Combat Skills=====&lt;br /&gt;
James Barnes was picked out at the age of sixteen for special training to become Captain America&#039;s partner, and it was all due to his natural talent for fighting. Trained by the British SAS and by world-famous instructors in hand-to-hand combat, seventy more years of war, of refinement as living weapon by Hydra, and of being used to teach other killers, has left him a master of multiple martial arts. He is deadly at close range, whether with his bare hands or a knife. He is also well-versed in firearms, demolitions, and all forms of military armaments. During the war he was often called on to snipe, and is a deadeye marksman in general at all ranges.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Languages=====&lt;br /&gt;
The Winter Soldier knows a wide variety of languages as a necessary component of his work, among them English, German, Japanese, Russian, Italian, French, and Spanish, as well as being conversant in many of the languages spoken in the Eastern Bloc and the Middle East.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Spying=====&lt;br /&gt;
He was not used for this purpose as much as the Widows, but the Winter Soldier is still adept enough at assuming false identities, acting a part, or setting up surveillance in order to infiltrate and glean information.&lt;br /&gt;
|Resources=&lt;br /&gt;
=====Equipment=====&lt;br /&gt;
The Winter Soldier always travels heavily armed with multiple firearms, from concealed compact pistols all the way up to anti-materiel rifles, and also carries multiple combat knives and grenades on his person as a matter of course. He also carries, depending on mission and need, light body armor, surveillance gear, hacking devices, explosives, false credentials, lockpicks, and anything else necessary to getting the job done.&amp;lt;br /&amp;gt;&lt;br /&gt;
|Weaknesses=&lt;br /&gt;
=====Brainwashed Amnesiac=====&lt;br /&gt;
The fall that should have killed him only wiped out his left arm and his memories. Unable to remember who he was or anything about his life except his muscle memory skills in fighting and killing, he was heavily brainwashed and conditioned to believe he was someone entirely different from who he was, and made to be completely obedient and loyal to Hydra and his handlers at Department X. His memories and self-identity are not completely gone, however, and every so often they start to return, though he is conditioned to experience pain when he tries to remember his true memories. This is usually when he is brutally mindwiped again through electroshock and another round of conditioning. His mind and ability of recall are heavily damaged from decades of this abuse.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Control Words=====&lt;br /&gt;
There are certain words to which the Winter Soldier is conditioned to respond. Some make him pass out on the spot. Others make him instantly, if temporarily, obedient to the speaker. The knowledge of what they are is heavily guarded, but they exist.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Wanted=====&lt;br /&gt;
The Winter Soldier has kill orders out for him in the majority of countries in the world. It is safe to say that he is quite restricted from moving about freely and must consistently guard against being caught.&lt;br /&gt;
}}&lt;br /&gt;
[[Category:Just Cause]]&lt;br /&gt;
[[Category:SHIELD]]&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=MediaWiki:Sidebar&amp;diff=1787</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=MediaWiki:Sidebar&amp;diff=1787"/>
		<updated>2017-10-03T19:14:29Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
* navigation&lt;br /&gt;
** mainpage|mainpage-description&lt;br /&gt;
** news files|News Files&lt;br /&gt;
** Character Listing|Character Listing&lt;br /&gt;
** Groups|Groups&lt;br /&gt;
** Plots|Plots&lt;br /&gt;
** Logs|Logs&lt;br /&gt;
** Cutscenes|Cutscenes&lt;br /&gt;
** recentchanges-url|recentchanges&lt;br /&gt;
** helppage|help&lt;br /&gt;
* SEARCH&lt;br /&gt;
* TOOLBOX&lt;br /&gt;
* LANGUAGES&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=2651/Rainbow_in_the_Dark&amp;diff=1685</id>
		<title>2651/Rainbow in the Dark</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=2651/Rainbow_in_the_Dark&amp;diff=1685"/>
		<updated>2017-10-01T18:25:10Z</updated>

		<summary type="html">&lt;p&gt;Altair: Created page with &amp;quot;{{Log Header |Date of Scene=2017/09/30 |Location=West Chelsea Hill, Old Gotham |Synopsis=An unusual arrival in Gotham gets the attention of SHIELD and WAND people. And others...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/09/30&lt;br /&gt;
|Location=West Chelsea Hill, Old Gotham&lt;br /&gt;
|Synopsis=An unusual arrival in Gotham gets the attention of SHIELD and WAND people. And others besides.&lt;br /&gt;
|Cast of Characters=1273, 5, 229, 150, 306, 230&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:1273|Gale (1273)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s a niceish afternoon in Gotham. The fall rains and fogs are coming in, like old friends with worn tweed coats coming back after a day working. How you doin&#039;? Yeah, yeah. Today&#039;s weather is a soft grey, the gentle fuzz of cool overcoming the summer warmth and enveloping the town in a soft cloud. It&#039;s not unpleasant in the slightest, unless one hates moisture in the air. And then there&#039;s the futile endeavour of catching the little drops in the air. People are still at work, so the sidewalks are thin, with the elderly, errand runners, students out early. The usual sorts.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sidewalks with pattered, worn cement contrast to gleaming buildings. A few cars are parallel parked here and there, one the victim of some wily birds arguing over Will. FIRE AT WILL! Oooh... that sports car was freshly washed.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Rain herself is out, with what looks like a cheap smartphone, and responding to a text. She has a dog on a leash, bringing it to someone from the Groomer&#039;s. And that&#039;s when the shadow arrives. At first, it&#039;s just a shadow, square.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then it gets larger... And larger... and larger. And then it hits- a payday loan place and a small bootleg shop. It&#039;s like the hamsters in people&#039;s brains just - stopped, and the wheel kept going, flinging the hamsters off. A house. Landed. In Gotham.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;WAND HQ, the Triskelion. Just as a HOUSE is landing on a quiet street in Gotham, one of the staff psychics starts babbling. After a few moments one of the WAND staff is able to glean enough useable intel to share it with agents already out in the field. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;May receives a call, listens to the information being shared, and looks at whomever all is with her. &amp;quot;Just got a report of sudden magical presence. In Gotham.&amp;quot; She&#039;s going to have to try to get word to her contact there, to make sure that toes (or capes) don&#039;t get stepped on, but as it&#039;s not necessarily crime-related, she suspects that there will be no conflict from that side. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Who&#039;s going with me?&amp;quot; Because she has every intention of heading out that way RIGHT now.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s been &#039;staying active&#039; and &#039;in contact with other humans&#039; that has kept Bucky Barnes relatively sane so far, after his traumatic recovery from his indentured servitude as the Winter Soldier. The &#039;in contact with other humans&#039; part was hard for him -- much of him still wanted nothing more than to just start running and never stop, because he desperately fears the moment those close to him will suddenly see him for what he truly is -- but by their gentle (sometimes not so gentle) insistence, he&#039;s stuck around. He&#039;s been to the Triskelion a few times, spending time with Steve and Peggy and undergoing various debriefs, info handovers, and psychological detoxes, but he&#039;s not there now.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The reason is that one of his other touchstones has been Claire, and on this day -- one of his more bleak days -- Claire told him that if he really wanted to make things up to her, he could stop being guilty and nut up and be useful, because she needed to pay a house call in Gotham and she didn&#039;t exactly have money for a bodyguard.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Night Nurse&#039;s mission of mercy went uneventfully, though whether that had anything to do with the former &#039;deadly assassin&#039; at her side was a matter of debate. They got Starbucks afterwards, though Bucky made Claire and the entire rest of the line EXTREMELY ANGRY by slowly asking the barista to tell him what was in every drink -- and then ultimately deciding it all sounded ridiculous and just getting a coffee.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You can&#039;t just buy things without knowing what you&#039;re getting,&amp;quot; he&#039;s telling a peeved Claire as they continue down the street, when they&#039;re interrupted by a HOUSE falling out of the sky. Stunned, Bucky looks at the house, then at Claire, then at the house.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;...You know, I saw Wizard of Oz in theaters, and I thought it was just fiction,&amp;quot; is about what he thinks of to say about this.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:150|Peggy Carter (150)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Thought generally not a part of WAND, Peggy Carter tends to fill in the gaps of misisons. She&#039;s used to strange sightings and while perhaps not magical effects, she&#039;s an experienced enough agent - as far as everyone knows - to generally handle herself in most situations in the field. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The news of a house suddenly appearing in Gotham and there are people needed to help figure out what to do with it. &amp;quot;I&#039;ll go.&amp;quot; Then, dryly, she adds, &amp;quot;Though, I&#039;m not exactly sure arresting a house is within SHIELD jurisdiction.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She&#039;s almost always ready to go on a mission while she&#039;s in the Triskelion and so she&#039;s certainly ready to go right away. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Paperwork has never been Dean Winchester&#039;s forte. As a consultant, working entirely on contract, he spends most days avoiding it. Consequently, whenever he finally does turn up at the Triskelion, there are literal mounds of work to wade through. While his brother has taken to wearing suits, unless actually trying to pass off as an FBI agent (old habits die hard), everything about Dean doesn&#039;t quite belong. His lightweight nearly casual SHIELD-issued clothing, complete with his favourite shirt (it really does match his eyes) doesn&#039;t make him look like he belongs here. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The way he fills out paperwork almost does. Almost. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He hasn&#039;t taken to word-processing. Instead filling out countless forms with ink. His hand has began to cramp. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The question sees his head snap up and opportunity favours the bold. Or, at least, those who want out of paperwork. The pen is set down, and the paperwork left in the &#039;in&#039; box on the guest desk, and Dean slides away from the desk. &amp;quot;What kind of magic?&amp;quot; he arches a single eyebrow.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1273|Gale (1273)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Except it isn&#039;t fiction. And while thankfully, no HUMANS were crushed, there is a single pair of red high heels by the manor&#039;s porch. People are starting to emerge, pointing their smartphones, having their hands over their mouths, and gaping. A couple of people even hold their phones horizontally to get pictures. Then, the head of an orange tabby cat pops out from a dark haired, scruffy woman with purple eye&#039;s hoodie. &amp;quot;Hoooooooly sheiiiiiit,&amp;quot; Captain quips.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Rain is staring in utter shock. One of the few aunts who didn&#039;t treat her like an extra? Just totally went splat. Even the aunt&#039;s dog seems surprised. &amp;quot;That&#039;s ruff.&amp;quot; Criiiiiiinge.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;This is bad on so many levels. We&#039;re gonna get the attention of SOMETHING big-&amp;quot; One doesn&#039;t just uncork THIS much magic, then lose it not to draw some unwanted attention, mundane or otherwise.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Actually, on the way towards the scene? Is a MYSTICAL VW VAN with a wizard painted on the side. That can&#039;t be good. But thankfully, it won&#039;t arrive ahead of the WANDies. Because macguffins are delicious. Or was it muffins? Nevertheless, Rain is unwittingly near Winter and Claire. &amp;quot;Oooh... shit.&amp;quot; The witch finally manages. &amp;quot;Okay. Uh.&amp;quot; Frantic arm wave at the people. &amp;quot;Please go! This is juuuuuust a house, thanks.&amp;quot; It&#039;s not working.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Even though Claire Temple -- thanks to her recent two-month disappearance -- may be officially out of a job at Metro-Gen Hospital, it doesn&#039;t mean her night nurse moonlighting is out of business.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;If only this job /paid./ Of course, it doesn&#039;t, which is why she has to do it -- has to go patch up the vigilantes after making damn fools of themselves doing stupid things, and though Hell&#039;s Kitchen is her protectorate, and New York her stomping ground -- word of her spread among some of the capes in Gotham.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And Claire, for all her sharp words, has the softest of hearts that can&#039;t tell anyone no.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She can, however, inject a little bit of necessary impetus into a certain ex-assassin brooding a bit too hard around her place, and force him to come with on her patch job.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Long cleaned of someone&#039;s blood off her hands, and back into order -- it&#039;s her decision, helped with a glance on Bucky Barnes, to insist they tarry a bit. She needs air, and he needs a change of scene.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You near caused a /riot/ in there,&amp;quot; she sputters incredulously back at Bucky, between needed sips of some whatever-flavoured-what&#039;sthat latte in hand. &amp;quot;I&#039;d never seen so many soccer moms and man-buns bent out of shape. You don&#039;t just /make/ some poor kid recite the full menu and ask for a coffee! Either way --&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She chin-nudges at the particular name written on Bucky&#039;s coffee cup. &amp;quot;--Looks like the kid got his revenge on you. &#039;Becky.&#039;&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire smiles to herself, amused, actually relieved for something of a moment of normalcy after so much insanity, and thinks to herself how nice it -- ohandthere&#039;safallinghouse.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Jesus Christ what!&amp;quot; she shrieks, almost losing her own latte, jumping as it hits. And then the van. And then the newcomer telling them it&#039;s just a house. Claire is the picture of incredulous. &amp;quot;You for real?! God just started playing /Monopoly/ right on TOP of us!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May looks to Peggy and nods, always glad to have Carter along because the woman is more than able to roll with any and all surprises, and if needed, she&#039;s got FAR more diplomatic skill than May. &amp;quot;Someone needs to go investigate,&amp;quot; she tells the younger-looking SHIELD agent. &amp;quot;And be ready to handle what might have landed with the house.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then Dean perks up from where he&#039;s been sitting like a kid stuck taking his SATs, and while she knows he&#039;s just wanting a reason to get out of filling out those forms, she can&#039;t really blame him for wanting to get out for a while. And, really, his knowledge and expertise could prove to be very useful. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;The psychic didn&#039;t offer that level of detail, Winchester. That&#039;s why we&#039;re going. Get your gear and meet at the quinjet in five minutes.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No, she doesn&#039;t yet know why that last statement might have been poorly planned.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Most of those people in there looked like people who deserve to be bent outta shape,&amp;quot; Bucky grumbles. &amp;quot;I don&#039;t know what the hell happened to America while I was gone. Nobody was ever that rude back in the day.&amp;quot; He might be sore about the &#039;Becky&#039; thing. &amp;quot;I&#039;m gonna start telling them &#039;James.&#039;&amp;quot; Definitely sore about the Becky thing.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Thankfully, before Bucky can really get going on the topic of Back in the Day, a house descends from the heavens and causes a considerable amount of property damage. ...Okay, maybe not /thankfully/. Swift powers of perception tell him there&#039;s no immediate threat even before his enhanced reflexes would have him pulling a gun. Which is probably for the best, because pulling a gun tends to instantly escalate any situation.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The gaze he turns on Gale, as she tries to shoo people away from the house, is equally as astonished as Claire&#039;s. &amp;quot;You&#039;re damn straight it&#039;s just a house,&amp;quot; he says, bewildered, to the girl trying very hard to chase them and everyone else off. &amp;quot;But just a house that fell out of the sky.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He glances around at the rubberneckers, who are also &#039;not going anywhere&#039; and are mostly still gawking. &amp;quot;Hey! The lady told you all to fuck off.&amp;quot; Because whatever is going on, having &#039;civilians in the middle of it&#039; isn&#039;t exactly great.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1273|Gale (1273)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Well, in fairness, Gale&#039;s not a malevolent entity. The talking cat with his head poking out of the hoodie regards Claire evenly. &amp;quot;I think he just passed Go,&amp;quot; The cat quips. &amp;quot;Anyway, what she MEANS is something big is gonna be drawn by all this magic and MAYBE people shouldn&#039;t just sit by it.&amp;quot; The cat speaks with a deep, rich Gotham tinged accent. Captain is definitely a baritone. &amp;quot;I mean, not to be mean. It&#039;s just gonna be awkward if something soul eating comes along.&amp;quot; He&#039;s actually a bit gentle in the wake of GALE JUST HAD HER AUNT LANDED ON.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The van will arrive as May and the others do, because that&#039;s how the universe works. So it&#039;s not quite parked just yet. But it is a weird ass van. Who spray paints wizards on things anymore? Then Gale looks pained. &amp;quot;... it landed on my aunt.&amp;quot; And that&#039;s probably hard to deal with, too. &amp;quot;I told her never to be drunk when she cast magic.&amp;quot; But when you&#039;re a 700+ year old alcoholic, well. &amp;quot;Guess she called it a little early.&amp;quot; Frown. &amp;quot;Honest to Gods, this is -&amp;quot; Gale reeks of nerdliness. Like she just might have a d20 in her bag, ready to roll. But she also looks slightly homeless. Scruffy. &amp;quot;This is bad.&amp;quot; She&#039;s panicked. &amp;quot;I don&#039;t have enough power to put it back,&amp;quot; Frown AGAIN. FROWN BOOGALOO. &amp;quot;Crapcrapcrap.&amp;quot; Captain baps her head. &amp;quot;Okay! Hi! You two have ANY experience with falling houses?&amp;quot; Get it together, Gale. She does at least look grateful Claire and Bucky are near.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Meanwhile, OMINOUS 80S VAN DRAWS NEAR. AT THE PACE OF PLOT.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1273|Gale (1273)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;And indeed, Captain nods at Winter Soldier. At least he might be slightly better at dispersing crowds.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:150|Peggy Carter (150)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Peggy gives the WAND Agent Winchester a bit of a look as he joins along with them to check out a magic house that has appeared in Gotham. &amp;quot;Psychic?&amp;quot; she asks May. There are some aspects of WAND that she still doesn&#039;t understand. &amp;quot;We have those?&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;By the time the quinjet arrive, Peggy steps out and immediately notices Bucky Barnes. A head tilts as she studies the man. For some reason she&#039;s not surprised to see him in a place where a house fell out of the sky. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Glancing around, the van does catch her attention - weird things are already happening and so she&#039;s on the alert for it. &amp;quot;What exactly is going on here? I&#039;m going to assume the psychic didn&#039;t have that information.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Seeing the red shoes and the house, she can&#039;t help but tilt her head and study it. &amp;quot;Is this a Wizard of Oz thing?&amp;quot; &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;A crooked grin follows the assertion that Dean should get his gear. There&#039;s little question he&#039;s thrilled at the prospect. Taking time away from the paperwork alone will merit joy--regardless of the magic involved in the incident. &amp;quot;Aye.. Agent.&amp;quot; He actually smirks at that, in a way that indicates something funny has occurred to the class clown, but he knows better than to share it with the rest of the class. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It doesn&#039;t take Dean long grab his gear--most was already on his person. It&#039;s rare that he goes anywhere without having at least some equipment concealed beneath his clothes. In this case, the guns, including THE Colt that he or Sam still needs to talk to SHIELD about (five bullets will never be enough), knives, and various other implements are already hidden beneath layers of SHIELD-issued fabric. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s at the quinjet in less than five minutes, ready to go and all too keen if only to take a breather from the stacks that threaten to eat him and his attention again. There&#039;s probably a lesson in there that Dean won&#039;t learn, even if Sam takes particular care to mention the importance of tying a ribbon on each case the moment it ends. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When Peggy draws attention to the word psychic, Dean casts May a long look. It&#039;s possible he&#039;s judging SHIELD right now. It&#039;s also possible he&#039;s thinking about lunch. It&#039;s really hard to tell. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When the quinjet arrives and the agents spill out of the vehicle, Dean&#039;s lips purse and his cheeks puff out. His eyes flit towards Peggy and he hums, &amp;quot;Definitely seems like something out of a fairytale.&amp;quot; Of course if it is the Wizard of Oz, &amp;quot;Where&#039;s the witch the house dropped on?&amp;quot; he begins to walk around it and pulls out the EMF meter from his pocket. He doesn&#039;t expect ghosts, but habit says always do the scan just in case.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Because she was piloting, May is the last off of the quinjet, and as the WAND agents spread out to help deal with rubberneckers et al she completely ignores the reaction from both Peggy and Dean at the mention of having pulled the intel from a psychic. It works for WAND, okay? Deal. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her own quick visual evaluation of the area finds two familiar faces, so she walks right on up to Claire and Bucky. And then she gives the young woman with the dog on a leash and the cat in her jacket&#039;s hood a quick glance. Harmless, but not nearly as weirded out by this as everyone else. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Barnes. Sit rep.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;And then, the talking cat starts to talk to Claire.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire, aware of enough social acumen to remain polite as houses fall, cats talk, and other miscellaneous mass hysteria exists, diplomatically holds Captain&#039;s feline eyes when spoken to.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;However, one of her hands reaaaaaches out to urgently clasp Bucky by his closest arm because seriously, look at this -- look at this right now.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Uh, hi,&amp;quot; replies Claire, who looks like someone who is at least trying to readily adapt to the situation. Her eyes crease with apology. &amp;quot;And that sounds fair. Reasonable advice. And you&#039;re a talking cat. You&#039;re actually not my first talking animal. I think the third? So it&#039;s still -- I saw a wererhino once.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It still bemuses her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Casting Bucky a helpless glance, still trying to sort out the very good question of OH GOD WHAT&#039;S HAPPENING, Claire acknowledges Gale back in a quick look. &amp;quot;Wait -- your aunt? Got -- oh.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She&#039;s a damn good nurse, but she&#039;s not that good. &amp;quot;We have experience with falling... structures. Usually falling because of explosions-falling. Not because of falling-falling. I&#039;m no stranger to magic --&amp;quot; good Lord, she isn&#039;t, &amp;quot; -- can you tell us what&#039;s going on?!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Bucky notices the talking cat for the first time when the talking cat starts to /directly address them/. He stares blankly a moment, a little poleaxed, then looks at the house, then back at the talking cat. Then he looks at Claire, who is equally bemused. &amp;quot;I thought shit was already weird enough back in &#039;43, with men flying around naked and on fire,&amp;quot; he complains, though in keeping with Captain&#039;s warning about &#039;soul-eating monsters,&#039; he yells at the civilians to get lost.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Uh,&amp;quot; he starts to ask, &amp;quot;no experience with falling /houses/ in specific. But what&#039;s the /likelihood/ of a soul-eating monster showing up -- ?&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And that&#039;s about when the cavalry arrives. Sorry May. Bucky was already warned not to say that, so he does not; he just glances up reflexively when May asks for a sitrep, lifelong military training making it pure instinct to snap to attention. &amp;quot;Well ma&#039;am,&amp;quot; he starts dryly, &amp;quot;A house fell outta the sky. Apparently, on... this girl&#039;s aunt?&amp;quot; A gesture towards Gale. &amp;quot;Nothing else happened -- yet. Though once you need something killed, I&#039;m on board for that.&amp;quot; A morose pause. &amp;quot;There&#039;s apparently some risk of something hostile showing up.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Peggy notices Bucky, and Bucky sure notices Peggy. He immediately looks awkward, his hands gesturing in the age-old &#039;it wasn&#039;t me&#039; signal.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her remark about the Wizard of Oz, a moment later, defuses some of the tension at least. &amp;quot;That&#039;s what I said,&amp;quot; he mutters.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1273|Gale (1273)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Well. There -is- a witch. Gale registers as a magical being. It courses through her veins and soul. And a very dead witch and her enchanted shoes beneath the porch. There&#039;s a familiar- Two, really. Captain and the dog. Apparently. &amp;quot;Do you think turning into a bear would clear the crowds or make it worse?&amp;quot; Is Gale asking her cat? Claire and Bucky? Who knows? She might even be asking just to hope the heavens answer. Nevertheless, Gale is there with a cat riding in her hoodie. &amp;quot;Well... these guys don&#039;t seem to have much in the way of survival instincts,&amp;quot; Captain notes. And in SOME cities, they have had to pad light posts for texters.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Well,&amp;quot; Gale starts. &amp;quot;The dead witch is my aunt. I come from an ancient clan of witches. I mean, I wasn&#039;t ALWAYS a witch, I&#039;m sort of an outcast. So my aunt came to visit. She has a problem with drinking and... this was her house.&amp;quot; Wince. Gale looks apologetic. &amp;quot;I just- knew it would catch up to her one day.&amp;quot; So it seems alcohol and magic are a bad combo. Captain looks to Clair, his left ear swiveling back a little. &amp;quot;That&#039;s fair. I&#039;m Captain.&amp;quot; He is.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yes, it&#039;s a talking cat, a dazed witch in shock, a dead witch and - if the EMF meter picks up magic, it&#039;ll read a STRONG reading from the van. Which has finally found a parking space nearby. Out of the van step two men with popped collars in polo shirts, and far, far too much hair gel.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Dear gods, it&#039;s the NECBROMANCERS! &amp;quot;Dude, this manor would make a bitchin&#039; hideout.&amp;quot; &amp;quot;Totally. We could play SO MUCH Maul of Dooty.&amp;quot; SO MUCH. They start heading towards the SHIELDies and the witch. &amp;quot;So like, this is our house now. And it&#039;s gonna get real if you don&#039;t evacuate.&amp;quot; There&#039;s a slight rumbling beneath the cement, as a skeletal hand pops out. There&#039;s two of these necbromancers. It seems that much magic in an area does bring out some... characters.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:150|Peggy Carter (150)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The look from Dean to May in regards to her is met with a very level one from Peggy. She doesn&#039;t seem to care if he judges her or SHIELD. She&#039;s been judged by men most of her life and generally doesn&#039;t care one way or another what they think about her. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a lot of information to get through. First of all a house falling on an aunt, then a witch, then men in popped collars talking about hideouts. Perhaps there&#039;s a reason Peggy doesn&#039;t go to Gotham all that often. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As Barnes gives everyone the low-down, she takes in the talking cat and the magic with merely a raise of her eyebrow. Dean&#039;s question about the witch is met with a dry, &amp;quot;I will assume she is still under the house.&amp;quot; After all, a house landing on someone generally means they&#039;re not going to get out from under it any time soon. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire&#039;s question to Gale is certainly a logical one and she waits for an answer...only to not really receive one. Instead, she has some sort of explanation, but not really answers. &amp;quot;Is it possible to...send the house back to where it came from?&amp;quot; She&#039;s not exactly sure what the proper terminology for that is. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Dean looks towards Gale and his eyebrows draw together sharply, &amp;quot;So your aunt accidentally dropped a house on, what, herself?&amp;quot; His skepticism follows Peggy&#039;s assumption, and with a frown that suggests he agrees with her assumption, his arms cross over his chest. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;It&#039;d be good to clear the house,&amp;quot; he agrees lowly. The talking cat merits a sharp lift of Dean&#039;s eyebrows as his gaze flits over to May. And while he walks EMF meter doesn&#039;t immediately spark concern. But the van brings about a different story. He reaches into his jacket and extracts the weapon loaded with salt rounds. Not that he fires or even attempts to. Instead, Dean edges closer to the vehicle. And then there&#039;s the men stepping out of the van. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The skeletal hand warrants a deep frown. The EMF meter falls to the ground, busting as it meets the pavement (Sam will likely remark on it when he finds it in Baby&#039;s arsenal), and Dean reaches for a handful of salt from the pouch at his waist to toss at the bones. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Anyone got a light?!&amp;quot; he asks. His trust zippo is somewhere in the depths of the jacket, and time is of the essence.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May seems okay with letting Claire try to glean information out of the young woman with the unusual pets -- she knows that the woman is far more openly empathetic and she&#039;s willing to let her play to those strengths -- and then she nods to Barnes&#039; assessment of the situation thus far. If anyone would be prepared for &#039;something hostile&#039;, it would be the Soldier. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The gawkers that Captain so helpfully points out are already being herded away by the other agents that arrived in the quinjet with Peggy and Dean. So there&#039;s that at least. But the van and the two dudebros that just disembarked from it managed to get past the agents. Never good. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Peggy&#039;s got her mind on dealing with the house itself and couldn&#039;t be in better hands, and Barnes will likely be only too happy to remind the necbromancers what REAL manners are like, so May promptly over to help Dean when he asks for a light, pulling that tiny butane torch she&#039;s used previously from her jacket to offer to him. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Skeletal hands are never a good sign.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;What Gale gives is... an explanation, of sorts, though not necessarily an answer. It mostly leaves Bucky even more bemused. He glances again at Claire, perhaps wondering whether he should just start backing her out of this scenario, but he&#039;s distracted when WAND shows up on the scene.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The sitrep is brief, and Bucky tries to avoid looking at Dean throughout (still super awkward... he hasn&#039;t really seen or spoken to Sam&#039;s brother since Everything). It&#039;s also soon enough cut off when some extremely douchebaggy necromancers suddenly appear on the scene. Barnes looks as offended about the popped collars as he does about the threats.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is only so long a man can remain confused before he decides to solve things in the way he knows best to solve things. For Bucky, that involves unholstering the .45 that is so permanently concealed on his body as to probably be governed by fixture law.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;To be fair to him, skeletal hands are now popping out of the ground.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;/Something/ is gonna get real here,&amp;quot; he says grimly, &amp;quot;if people don&#039;t settle down.&amp;quot; He seems to take &#039;killing things that are already dead&#039; as just another level of challenge, though he does not fire on the living until his unique brand of gunboat diplomacy proves ineffective. He&#039;s reformed!&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1273|Gale (1273)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Admittedly, Gale&#039;s in shock. she just lost an aunt and has to deal with this whole house thing. There&#039;s a deep frown. &amp;quot;I could ask... my family ... for help moving it to somewhere less populated, but none of us has access to my aunt&#039;s personal pocket plane,&amp;quot; She explains. &amp;quot;I know this sounds weird. Up till a couple of years ago, I was just like, getting my engineering degree.&amp;quot; Gale furrows her eyebrows. The woman&#039;s most notable feature, beyond her cat, is her deep violet colored eyes. Guess someone lucked out on the witch&#039;s mark.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Gale seems relieved as bystanders are herded off at least. &amp;quot;Thanks, guys... I was taking her dog from the groomer&#039;s to her. We were gonna have lunch.&amp;quot; She&#039;s a little more at ease talking to Claire and Peggy and May nearby, though Dean warrants a curious glance. &amp;quot;Haven&#039;t seen someone use salt in ages.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercifully, necromancy tends to be a slow art as the hand and what follows is emerging but going to be trapped by the circle.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I wish I could send it back and have my aunt back,&amp;quot; Gale admits, looking apologetically to them. &amp;quot;Hang on.&amp;quot; She takes a deep breath and looks to be meditating or concentrating. One of the dudebros becomes a newt, in a tiny popped collar shirt. &amp;quot;I honestly think you guys may have to - um, scare them off.&amp;quot; Or jar the newt, who is frantically cursing in a soft, eldritch language. The non-newted bro looks to Winter. &amp;quot;Whoa, sweet arm, bro. But this is like, our house now, brotatochip. Spoils go to the strongest.&amp;quot; A squeak from the newt. &amp;quot;Yeah, man.&amp;quot; Yeah. But with all those agents, necbromancer is baaaaaacking up into his fan, about to scoop up the newt. Just a little nudge should be good. And hey, Winter&#039;s using his words! Go Winter.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It comes hand-in-hand with being a good emergency nurse (which she was until she was fired): Claire is an expert multi-tasker.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She multi-tasks absorbing the story Gale has to tell her, listening with cursory looks down on that talking cat (he has a name, he tells her), and turning every-so-often glances back at Bucky. The look on Claire&#039;s face is transparent: where is Mercy Thompson when they need her?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She also multi-tasks this with taking in the others fresh on the scene; Claire notices fast May calling Barnes by name and requesting intelligence in the way of some superior officer -- SHIELD, she&#039;s already aware -- and Dean is familiar that Claire warrants a short, weak lift of her hand, and Peggy she doesn&#039;t know. But Bucky sure does: information filed for later. As for the present?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;OK,&amp;quot; she paraphrases, sounding winded under the information the way some people do running a mile in a dead sprint, &amp;quot;falling house. Magic. Bad things. Welcome to Gotham, too, where here is pretty much saturated with it. Here&#039;s how it can go. I&#039;m Claire, this is James, I&#039;m really sorry about your aunt, and whatever happens next we&#039;ll deal. I should just call a friend of mine; she&#039;s really good at these sorts of --&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then the NecBROmancers. And that skeletal hand come popping /out of cement./ And newts.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And so much more happening Claire isn&#039;t sure if she&#039;s keeping up. She gives her latte a look as if accusing it of being possibly drugged.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:150|Peggy Carter (150)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Realizing that she has been somewhat callous with this poor woman. Peggy gives Gale a more sympathetic look. &amp;quot;I&#039;m sorry about your aunt.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Skeletal hands and necbromanacers then, however, get quite a lot of her attention. Stepping in a protective stance front of both Claire and Gale, she looks surprised as one of the popped collars turns into a newt. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Pulling out an ICER, she points it at the one that is attempting to pick up the newt. While Barnes can deal with the skeletal beings and those already dead, she can handle those that are still alive and keep them that way. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Step back from the newt.&amp;quot; She tells them and she can&#039;t believe that she&#039;s even saying this. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;And then one of the men turns into a newt.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bucky is even less disposed to shoot an amphibian than a man. He looks at Claire, his turn for an &#039;are you seeing this shit?&#039; moment, before he returns his attention to the necromancers.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;I think you guys might have to scare them off, Gale says. Peggy&#039;s using an ICER already, but you know what&#039;s better than one gun? TWO guns.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;All right.&amp;quot; And, Winter Soldier face back on, he levels his pistol dead at the non-newted necromancer&#039;s face, with the kind of studied nonchalance that screams &#039;I&#039;ve done this a whole lot.&#039; His left arm clacks a metallic accompaniment to the gesture, as the steel plates fan aggressively and lock into place, transparently ready for a fight. &amp;quot;Spoils to the strongest, right?&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This is, uncomfortably enough, about the same time Claire is trying to reassuringly introduce him, as &#039;James,&#039; to a stranger.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1273|Gale (1273)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It is surreal. Welcome to Rain&#039;s world. Being AROUND magic is enough to be caught up in it. The necbromancers are thoroughly subdued by all the agents, and certainly - Winter and May are two incredibly intimidating presences with Peggy&#039;s peggness adding to it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;ll - call my family soon. We can - move this,&amp;quot; Gale explains. &amp;quot;At least to an empty plot of land.&amp;quot; She&#039;s still a bit dazed. A weak smile to Peggy and Claire. &amp;quot;Thanks... it&#039;s - never mix alcohol and magic, I guess. I knew she had a problem, but...&amp;quot; But Gale hadn&#039;t thought her that far gone. Headshake. &amp;quot;I&#039;ll go where you ask to answer things. I&#039;m homeless, which is super illegal, but-&amp;quot; But well. They helped because without them, Gale would probably be hanging off the nearest mailbox wedgied.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Nevertheless, the ending is well. None but one witch was smushed, and the necbromancers are subdued. Gale goes along, to answer questions and start paperwork.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=2547/Necessary&amp;diff=1651</id>
		<title>2547/Necessary</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=2547/Necessary&amp;diff=1651"/>
		<updated>2017-09-23T22:29:01Z</updated>

		<summary type="html">&lt;p&gt;Altair: Created page with &amp;quot;{{Log Header |Date of Scene=2017/09/21 |Location=Bridge to the Triskelion, NYC |Synopsis=The recovered Bucky Barnes has a brief but necessary conversation with Melinda May. |C...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/09/21&lt;br /&gt;
|Location=Bridge to the Triskelion, NYC&lt;br /&gt;
|Synopsis=The recovered Bucky Barnes has a brief but necessary conversation with Melinda May.&lt;br /&gt;
|Cast of Characters=229, 5&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s been some time since James Buchanan Barnes was recovered from his forced existence as the Winter Soldier. By request of Steve Rogers and Natasha Romanova both, he was not taken into custody immediately by those who might have the most interest in the particular knowledge he assuredly possessed. Perhaps also for their sake, he himself had not immediately disappeared off the radar and fled, though it was certainly within his capabilities to do so, and the thought and temptation did cross his mind.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But there eventually came a time when Bucky felt beholden to come to SHIELD, however... or at the least, beholden to come see someone, in particular, who had been there in the efforts to recover him. However the word is passed to Agent May, it comes to her -- the once Winter Soldier would like to talk.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For all his closeness to Steve and the man&#039;s staunch support of him, there&#039;s still more than enough tension surrounding the supposed &#039;unbrainwashed&#039; Winter Soldier, mixed with the curiosity and the natural pragmatic questions: can he be made use of? The blood and adversarialism of decades is not easily forgotten, despite Bucky Barnes&#039; origins in close friendship with SHIELD&#039;s very founders, and there are still some who fear that this is some elaborate trick -- that he is a mole of some kind. That he comes here today is, in its own way, an attempt to dispel some of that and provide a basis of trust. What spy would willingly place himself at the epicenter of his enemy&#039;s strength?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Nonetheless, it&#039;s not quite within the Triskelion that Bucky waits. It&#039;s on the Manhattan side of the great bridge leading towards the Triskelion where the erstwhile Winter Soldier stands, leaning against a rail and staring out across the harbour water.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s just about the time that May said she would meet with Barnes, and one of the ubiquitous black SHIELD SUVs pulls up to the security gate just inside the entry of the bridge. May is driving, and there doesn&#039;t appear to be anyone with her. She stops the vehicle for a moment to speak with the guard there, then rolls slowly foward to stop next to the man waiting there. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The temptation is there to quip something but she refains. It&#039;s not enough of a temptation. Instead, the SUV&#039;s doors merely click to indicate they&#039;ve been unlocked.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier has, over the years, been a ghost walking the pages of history, the only prints he left behind corpses and wars and atrocities which-- most of them-- could only dubiously be attributed to him. Over the years, SHIELD has amassed a good deal of files all stating a certain &#039;maybe&#039;: maybe this was the Winter Soldier. It has built, over time, a picture of the so-called Soviet myth.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Not a single one of those dossiers or mission reports nor classified analyses ever mentioned anything about a sense of humor.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;On the other hand, the history books had a lot to say about Bucky Barnes&#039; sense of humor, which is why it may not be a complete surprise when -- if May&#039;s not going to make a quip -- Bucky makes one for her. The door opens, framing the tired but whole-looking form of the man.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I seem to remember my father having something to say about getting in cars with strangers,&amp;quot; he remarks as he gets in, though he seems rather resigned to the fact he will have to submit himself to certain situations that make him feel markedly uncomfortable. If anything, he probably feels he deserves it. His guilt is a powerful thing.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;If there was ever any record of May having had a sense of humor at any point in time, she likely had it classified above level seven. Or at least that&#039;s what the junior and probie agents like to say. Rogers may well have heard it in passing, and may also have shared such bits of gossip with Bucky before this meeting. Or, maybe none of the above.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I highly doubt that. Cars weren&#039;t common household commodities until the late nineteen forties and early fifties.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She waits for Barnes to close the door then turns the SUV as tightly as it can manage, heading right back to the security gate. The guard lets her through immediately as she never left his line of sight, but then she stops the vehicle again only about twenty feet onto the bridge proper and leaves the engine idling. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;So. You wanted to speak with me.&amp;quot; Her expression is the same Vulcan-neutral she seems to always present unless a person has somehow either earned her trust or her protective inclinations. And, she&#039;s wearing her everpresent jacket though that&#039;s not so much a signal of mistrust as it is a habit, plain and simple.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Steve had mentioned a bit about May before this, but mostly stuck to the important things, like &#039;don&#039;t piss her off,&#039; &#039;really don&#039;t piss her off,&#039; &#039;related to the above two, don&#039;t mention Bahrain.&#039; Bucky had not asked for context about any of this, much less the last one. He could smell old trauma when he heard it. He was deathly familiar with the idea of having entire cities ruined for him by the violence he had done while in them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He just cracks half a smirk at her rejoinder. It&#039;s a fleeting expression. &amp;quot;Military brat,&amp;quot; he makes excuse. &amp;quot;We got a lotta cool stuff earlier than it became common.&amp;quot; He pulls the car door shut, a little more strongly than necessary: he&#039;s used to the heavy old solid metal doors they used to have. &amp;quot;&#039;Course, I could be misremembering. There&#039;s more than enough to sift through.&amp;quot; A shadow crosses his features.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A brief silence descends as May brings them past the checkpoint-- then stops the vehicle. Looking out the window, up at the sweep of the Triskelion, James doesn&#039;t seem terribly surprised at the stop.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He wanted to speak to her, she begins. &amp;quot;Yeah,&amp;quot; he says. He scrubs his hand over his face, girds himself. &amp;quot;I... owed you apologies, and thanks. I figured you were more in it for the Sam kid, but still.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May watches Barnes as he quips, making note of the shadow crossing his features. She&#039;s pretty sure she knows what that one is about. And because of that, she doesn&#039;t so much as consider pointing it out. One trauma survivor to another. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;That&#039;s not the only reason I helped. Once Rogers and Natasha brought me up to speed, I would have gone in on it regardless.&amp;quot; She turns to look at the Triskelion as well for a moment. &amp;quot;I don&#039;t know what it was like during the war, but it&#039;s not in me to leave anyone behind if I know that they&#039;re there.&amp;quot; The qualifier she put on that statement might be missed by most people, but it&#039;s likely significant to Barnes. The moment she understood that the Winter Soldier was an American presumed KIA, she knew he needed to be brought home. Even if breaking his programming had ended up being impossible. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;It was the right thing to do.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May&#039;s silence is both noted and appreciated. The erstwhile Winter Soldier calls no attention to it himself, remaining still and staring out the window in a silence that would have been uncharacteristic for him when he was still just young Bucky Barnes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He finally turns his gaze towards May as she begins to speak, however. Something about the tone in her voice demands he afford the courtesy of his eyes. &amp;quot;It was exactly like that, in the war,&amp;quot; he says, his voice heavy with eighty year-old memory. &amp;quot;I&#039;m here because of that philosophy.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But he assuredly doesn&#039;t miss her qualifier. Somehow that seems to reassure him more than anything else. He nods slowly, mostly to himself, his gaze falling to his own left arm. It&#039;s tellingly hidden, the metal veiled away beneath long sleeves and a glove despite the lingering warmth of summer. His expression tightens, and so must his hand, because the faint sound of grinding metal heralds that it is there, even if it is not obvious and cannot be seen.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Yeah. I think... you would&#039;ve done the other &#039;right thing to do.&#039; If you had to. If you&#039;d seen I wasn&#039;t there after all. You or Natasha.&amp;quot; He shakes his head. &amp;quot;I... appreciated that there was someone who would. I needed that. Steve would never. Sam said he would, but I put enough on him without putting that too.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He is quiet, a few moments. &amp;quot;Steve mentioned SHIELD woke him up not too long ago. He... does okay?&amp;quot; It&#039;s got to be a shock for him -- more a shock than for Bucky. He didn&#039;t get woken up, not even periodically... didn&#039;t see things change.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May turns to look at Barnes again as he speaks, nodding at his assertion that she or Natasha would has done the right thing if his programming had not been reversible. She&#039;s inwardly very glad that it was -- both she and Nat have enough red in their ledgers and this would have been, while a mercy to Barnes, still VERY difficult. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;That&#039;s another reason I needed to be there. To make the difficult call and act on it. I know that Rogers or Winchester would have understood if it had been necessary, but...&amp;quot; she pauses before continuing, remembering that while he doesn&#039;t look it, Barnes will surely understand. &amp;quot;They&#039;re both still so young despite everything they&#039;ve seen and done in their lives.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When the man asks about how Steve has been adjusting to waking up after so many decades, she can only shrug slightly. &amp;quot;Not as well as he lets on, I think. But better in some ways than I think even he realizes. He didn&#039;t exactly wake up to the best circumstances, and he was kind of tossed right back into the fray without any real time to acclimate.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She also can&#039;t help but think Rogers&#039; very old school viewpoints on mental health might be working against him, and she is the LAST person who would be able to get away with pointing that out to anyone. &amp;quot;Having Carter here and now you can only help him in the long run.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There is an understanding, in his shadowed blue eyes, of the difficulty that it would have been to do the necessary thing. It&#039;s perhaps why he says, very quietly, &amp;quot;That&#039;s a debt I owe. Asking you or Natalia to take more blood on your hands for their sake, and for mine... even though you didn&#039;t wind up having to do it. I would&#039;ve wanted to be put down if I could not be brought back, but it&#039;s not an easy thing to ask somebody. Not an unselfish thing, either.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He hesitates. &amp;quot;Might not be entirely a past tense thing, either. If I turn again... if they get me again -- &amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He doesn&#039;t really have to finish the sentence. He just lapses into a sober sort of silence as May says that both Steve and Sam, despite all they&#039;ve been through... still remain young, in many ways. &amp;quot;They are,&amp;quot; he says, in a brief agreement that speaks volumes. &amp;quot;If there are things I can keep them from having to do, then I will.&amp;quot; He&#039;s already damaged goods, his tone says loud and clear. His hands are so bloody a little more makes no matter.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He listens in silence as May answers his questions about Steve. Concern flickers under his lowered lashes, though it&#039;s a muted sentiment. Barnes was never one to wear emotion on his sleeve, and the Winter Soldier froze away most of what expressiveness was left to him. Her opinion that his and Peggy&#039;s presence could only help brings him to frown, though that expression passes too... quick as frost fading off a windowpane. &amp;quot;Maybe,&amp;quot; he says. He looks briefly pained, as if he has severe doubts his presence could be any benefit to his best friend, but at the same time no spirit in him to deny Steve what he wants.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;ll do what I have to,&amp;quot; is all he ultimately says. &amp;quot;And whatever I need to in order to undo the damage I did. SHIELD will have everything I know.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=2411/Awkward_Awakenings&amp;diff=1550</id>
		<title>2411/Awkward Awakenings</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=2411/Awkward_Awakenings&amp;diff=1550"/>
		<updated>2017-09-12T19:41:08Z</updated>

		<summary type="html">&lt;p&gt;Altair: Created page with &amp;quot;{{Log Header |Date of Scene=2017/09/10 |Location=Mercy&amp;#039;s Garage, New York |Synopsis=Claire Temple awakens back in safety, after her harrowing experience. She and Mercy Thompso...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/09/10&lt;br /&gt;
|Location=Mercy&#039;s Garage, New York&lt;br /&gt;
|Synopsis=Claire Temple awakens back in safety, after her harrowing experience. She and Mercy Thompson catch up on all that happens. Bucky Barnes is super guilty.&lt;br /&gt;
|Cast of Characters=99, 229, 230&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Claire Temple has been saved. The Hydra cell vanquished. The group returned to the garage and from there they either stayed or dispersed.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For those that decided to stay Mercy bunked them down wherever she could. For Claire specifically, she also added some extra clothes for the other woman. Bucky, well, he was stuck in whatever he wore to help rescue Claire. Mercy did offer towels though and her bathroom for everyone to wash up in.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Now several hours have passed and one has to wonder if anyone slept. Mercy&#039;s answer to that question would be a simple no. Or if she was really feeling it a &#039;hell no&#039;.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But, whatever the case may truly be, the coyote has finally stopped pretending to sleep and is now within the kitchen. While others might try to tip-toe around Mercy doesn&#039;t. Not when there&#039;s a wolf-assassin-killer beneath her roof. So, the normal sounds of someone in the kitchen can likely be heard for those within.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As to the living areas of Mercy&#039;s, it&#039;s quite normal; entranceway, living room, kitchen and hallway that leads to the bathroom and bedroom. Perhaps the only surprising thing that can be found within is a tailless Manx cat. A mean tailless Manx cat. Bucky might have found those gold-green eyes of the cat focused primarily upon him for the majority of the night. It likely doesn&#039;t help that the cat might also have settled down near Claire.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Cat&#039;s are sensitive to a person&#039;s mood and emotional state; even mean cats like Medea.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Bucky was moments away from leaving. He didn&#039;t show it much, not outwardly, but being around Steve was the greatest source of his strain -- there was a smell of fear to him, more than anything else. A smell of fear that Steve would suddenly and abruptly see him for what he is, what he&#039;s become, and lose all love and faith in him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bucky didn&#039;t think that was something he could endure-- to lose the regard of the best man he&#039;s ever known-- and so at the very end of things, he quailed. He would have fled if not for Claire. One last look at her, wan and ravaged and broken by his hands, was all it took to keep him right where he was.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His own fears could wait. In fact, if Steve saw him for who he truly was now, that would be all the punishment he deserved. So he&#039;s lingered, as a result, seeming to make it a personal and silent duty to sentry Claire where she rests in Mercy&#039;s home. He&#039;s remarkably docile for a deadly killer, staying in a corner of Claire&#039;s room and watching her as she rests.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Well, trying to watch her. At some point, a cat came in and made no secret of the fact that she did not think very much of him at all. Already under enough strain, the disdain of a cat-- who, on top of everything else, took his job by settling down beside Claire and assuming sentry-- is the last straw.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Driven from her room, he wanders restlessly and a bit awkwardly down the hall. He walks very silently for a man of his height and weight, but Mercy doesn&#039;t exactly have the senses of a mere human.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Claire Temple never stops moving.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Even carried in Bucky Barnes&#039;s arms, she is constant, unarresting movement, the body&#039;s will to survival overriding all else: thought, feeling, expression, even the single moment a person would take to stagger and collapse and exult their own freedom.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Back at the garage, her eyes are still too-bright and wild, and every motion in her body steeps in the no man&#039;s land between fight and flight. She expects absolutely anything and everything to happen, whether it be a reprisal by the people who enslaved Barnes and tortured her, or even the possibility that sitting too long will wake her up out of a beautiful, false dream. Out of this and back on that metal slab, her limbs in restraints, and the slow dripping of --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Given privacy, given clothes, she accepts both without even speaking. She takes those gifts like a soldier takes orders, with frank obedience, because a refusal to obey in the field means death. She will listen to whatever any of them will tell her to keep them all alive.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It is too quiet after the sounds of gunfire and explosions. Claire shakes in silence. She takes constant, searching glances, and all of them seem to look for Bucky, checking he is still in attendance, still here. She asks one question of everyone, and it&#039;s a simple thing: what day is this?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then, sometime later and without fanfare, anticlimactically so -- she falls asleep. The moment comes that the body cannot take any more. The moment survival can last so long, and when she sits down on a soft, safe bed, Claire passes out. She sleeps deeply, and for hours and hours.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She&#039;s still asleep when Bucky inevitably leaves the room, driven out by little more than a housecat. Minutes later, Claire stirs. She opens her eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And she sees a room. Not the prison she was in, but still unfamiliar. Remembering everything, and no longer with adrenaline to hold her in the safety of not feeling, the woman slowly sits up, moving a blanket aside. She searches every wall. She even looks at the cat. She remembers she&#039;s supposed to dislike cats, always has.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Unable to sit still, Claire shifts her legs, and lets the soles of her bare feet touch the ground. Reality grounds her in an instant. Everything that happened. Everything that is. The tears roll free from her eyes, and she cups a hand over her mouth to hold in the sound.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Mercy starts the coffee. That&#039;s the easiest thing for her to do. Something that&#039;s typically done by rote. After that, the coyote loses herself in thought for a few minutes. She stands there in her kitchen staring sightlessly, before that idleness is shaken away. With that the sounds of cupboards and drawers opening and closing might be heard.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s only as Mercy scrounges in her fridge for appropriate breakfast food (bacon, eggs, toast) that those nearly silent footsteps are heard. That brings the mechanic&#039;s head up and causes her to straighten from her casual slouch. The carton of eggs in her hand is now set aside, as Mercy moves to the doorway.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She already knows who she&#039;s going to see when she gets to the kitchen doorway - not Claire, or Loki, or Fred, Sam or Steve, but Barnes. That thought brings an automatic tightness to her features and while she mentally berates herself for that immediate response, Mercy can&#039;t quite stop it. Either way, silence will greet Barnes for a few seconds when Mercy appears. It also might not help that Mercy&#039;s gaze shifts off of Barnes and to the hallway behind him; as Mercy looks to see if a certain nurse is there, even if she already knows Claire isn&#039;t. It&#039;s only when the silence crawls toward awkward that Mercy returns her attention back to the Soldier. &amp;quot;Come on, I&#039;m making breakfast.&amp;quot; Are the polite words from the mechanic and then, she turns to move back into the kitchen. The few steps it takes to bring Mercy back into the kitchen give way to several thoughts at once - This isn&#039;t-wasn&#039;t his fault. None of it really is-was. He&#039;s just as much a victim of circumstance as any of them are.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;So, while there&#039;s still a certain look about Mercy, something within her attitude shifts ever-so-slightly. That microscopic unbending is enough to cause the mechanic to finally say something more. A question this time. &amp;quot;What name do you prefer?&amp;quot; She asks, and while Mercy strives to make that question sound natural, it just doesn&#039;t. Instead it sounds stiff and hesitant.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while the coyote doesn&#039;t yet hear anything from within the bedroom, at least when it comes to crying, that doesn&#039;t mean the Night Nurse is all alone in her pain and despair. Medea is there and when Claire sits up, the torty Manx likewise rises with a lazy stretch and yawn. It&#039;s only as Claire Temple stifles her tears that the cat moves. The four-footed feline walks over and with very little fanfare sits down next to her. Then, like any good cat would, Medea begins to clean her front paw with intent purpose.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Perhaps not the typical definition of solidarity, but solidarity defined in the way only a cat can - with disinterest.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But Claire isn&#039;t alone.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Claire looks constantly for Bucky. He was her only grounding in that place, even if he was simultaneously her jailor, and she has acclimated to thinking of him as safety.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Now that he truly is safety, he does not leave her side. Every time she looks for him, there he is. Though his own urge to cut and flee and never stop running is almost overwhelming at times, he remains so that she has him to look at any time her eyes search for him. It is his penance for doing what he did to her. It is her needs that are important now, not his.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He can see to his own needs once she is recovered. He still has a cache of weapons. He knows where he can find more. His grace period before he is discovered to be missing, by the many other heads of Hydra, is very short, but he knows where to supply himself even if the Hydra caches of which he is aware are moved. He has contacts with which he dealt, as the Winter Soldier -- contacts in the Middle East, in the former Soviet Bloc. Just a matter of getting out there.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For now, he sits by Claire&#039;s bedside until she falls asleep. Her question of what day it is shines his eyes too-bright with emotion. He remembers asking her that himself, once, what feels like a long time ago. How easily the mind can be divorced from its grounding in the flow of time.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He stays with her a while, even after she&#039;s asleep, up until Medea unceremoniously evicts him with the judgment of her grumpy face. A little adrift, unaccustomed to idleness and freedom after decades spent living a life of extreme, targeted purpose, he wanders vaguely down the hall, at a complete loss to understand quiet. The smell of coffee eventually hits his senses, and he turns unconsciously towards it. He only stops when Mercy appears in the doorway. His eyes immediately avert, gaze dropping to the floor, a bit ashamed and a lot awkward.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;I&#039;m making breakfast, she says. That prompts an odd reaction. His expression freezes up brittle-taut, as if he were trying to prevent some sudden and unexpected well of emotion from breaking through to become visible. It&#039;s been decades, in both of his lives and both his incarnations, since he heard anything so simple and domestic as a call to breakfast. Not since he was a child--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her question about his name surprises him enough he finally looks at her. She has previously only seen them when they were those of the Winter Soldier: focused on her with predatory intensity, frosted with the utter coldness that his title implied. In color and shape they are unchanged, but the look in them speaks of an entirely different man behind the wheel. He looks like he doesn&#039;t really know what name to call /himself/. He looks apologetic about his own confusion.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;...My name is James,&amp;quot; he eventually says, his voice rusty with disuse. He says it like he&#039;s uncertain of it himself, a man rediscovering old forgotten things in a dusty box. He remembers the name &#039;Bucky&#039; -- but he also remembers that &#039;Bucky&#039; has baggage. &amp;quot;James Barnes. Call me whatever variation you want.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He shifts his weight a little, obviously uncomfortable, but follows her into the kitchen. His body turns a little as he moves, so his left side is farther from Mercy: whether to hide his arm, or protect her from it. He holds the arm stiffly, probably not wanting it to make its whirring sounds. &amp;quot;I... should see if Claire is awake,&amp;quot; he finally says, in an apparent agony of embarrassment.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The last seven weeks pour out of her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Unable to stop it now, those tears, Claire only focuses on desperate mitigation, curling in on herself and covering her mouth as her body racks with sobs. She&#039;s not going to survive torture and near-death and thank the people who got her out by calling them in with her wailing and forcing them to see her this way.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She can barely see herself this way.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But she girds down and holds herself together as it bubbles up, the fear and helplessness and shock and adrenaline and humiliation and /relief/, the sickening, knotted relief that she&#039;s still here, she&#039;s still alive. Tears squeeze free from her closed eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Minutes later, it ends, not because of any resolution but that there&#039;s simply nothing left, no energy left in her fatigued body to fuel the stress needed to cry. Certain she will no longer make any unwanted sounds, Claire takes her hand from her mouth, and breathes in deeply.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Somehow, her eyes end up finding the shape of a cat seated at her side. A cat of all things. She&#039;s always hated them, never got along with the things, because her mother always said she was too much of a cat herself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her mother, Claire remembers, with a painful twist of her heart that has her reaching out to the first and only thing she can, her hand light on the manx cat&#039;s fur. Allergies be damned, it feels good to touch something warm. It was so cold in there, always so cold --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Shock centers her, and lifting her eyes, it hits her she&#039;s alone in a room empty of Bucky. It bothers her too much, too fast, not to be able to see him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Wiping the last tears from her face, she stands free of the bed, no longer settled and able to keep still. If he&#039;s no longer here, then she needs to start moving again. Start moving toward something.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Some seconds after Bucky&#039;s last words, to both his and Mercy&#039;s keen hearing, there are the soft, careful sounds of footsteps, light in the way of someone deliberately not wanting to make more noise than she should. Dressed in one of Mercy&#039;s borrowed long-sleeved shirts, and a pair of clothy sweatpants, Claire is definitely awake, and up, standing there in the hall.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Hey,&amp;quot; she says through that first awkwardness.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;That unexpected swell of emotion from Bucky earns a subtle side-eye from Mercy. Her glance, however, might not be seen as she tries to carefully disguise it in the distraction of getting mugs from an overhead cupboard. From the cupboard several mismatched mugs are retrieved; &#039;I &#039;heart&#039; cats&#039;, &#039;I&#039;ll be in the garage if you need me&#039; and finally &#039;Don&#039;t torque me off&#039;.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Apparently there&#039;s only so many types of mugs Mercedes Thompson typically receives from people. All of those silly seeming mugs are set upon the island that sits in the middle of the kitchen. Along with those mugs are several plates and silverware.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The stove already holds several pans while next to it upon the counter a loaf of bread, a carton of eggs and a package of bacon can be found.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That uncertainty of his, at his own name, causes the mechanic to pause. That pause gives her the chance to meet his eyes and while they no longer hold the sharpness of the Winter Soldier, there&#039;s still an uncomfortable shift from Mercy.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;James.&amp;quot; Mercy states and while Mercy is normally the one who facilitates the flow of conversation it just doesn&#039;t happen today. Instead she turns back to the food and busies herself with dropping the bacon into the skillet, turning the flame on, readying some bread for the toaster.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Within Mercy&#039;s bedroom the cat sits there as she continues to studiously clean her paw. It&#039;s only when Claire reaches for the tortoise patterned fur that the feline will pause. The touch upon soft fur garners a slow blink from the feline, but that&#039;s about it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Back in the kitchen the silence continues to weigh heavily within the room. It&#039;s only when James speaks again, offering to check upon Claire, that Mercy pivots back around. She sees the way he holds himself with his arm away from her, and now perhaps the coyote gives off a sense of shame, &amp;quot;Wait.&amp;quot; She begins, &amp;quot;Look, I know it&#039;s not -&amp;quot; Your fault. That&#039;s what she was going to say, but those words never finish, not when sensitive ears pick up the sound of a second set of footsteps. Softer than the assassins, but equally as familiar. When the other woman appears Mercy can&#039;t quite contain the look of relief that colors her expression. Though perhaps the question remains what sort of relief is Mercy feeling? Relief that the woman is awake? That she seems coherent? Or possibly that Mercy is no longer alone with Bucky? Perhaps it&#039;s a combination of all those things, it&#039;s hard to say. Even Mercy might not know the answer to that one, but all of that is pushed aside, as Claire is here. Seeing her friend, Mercy steps away from the sizzling bacon, the bread and the eggs and steps toward the nurse.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Claire - how are you feeling?&amp;quot; Is the immediate question from the mechanic her tone full of worry.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;James, Mercy decides. So-named, he nods awkwardly. A long silence descends, as Mercy busies herself with cooking, and Bucky tries to decide whether to stay or to quietly flee. Ultimately he sticks around, though his discomfort worsens even though Mercy is no longer exactly paying attention to him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Finally hitting a bit of a breaking point, he determines to flee. He wants to check on Claire anyway, a fact he relays and which causes Mercy to finally turn around. He registers the sudden shame in her eyes, the words she starts to say which he knows are going to be some sort of absolution, and he doesn&#039;t think he can hear that right now--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;--and the sound of steps silences them both. Bucky turns to look, and his eyes gentle a little to the sight of Claire up and moving around. &amp;quot;Hey,&amp;quot; he says back, equally as awkward.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He doesn&#039;t try to go to her, his eyes only able to hold hers a few moments before they lower in obvious guilt. He figures Mercy will be better for her right now than he ever could be. Retreating to try to give the two women space, he finds himself idly studying the three mugs instead.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The three options are considered. The garage one does not even merit a glance. The other two are pondered. Finally, Bucky seems to decide &#039;I &#039;heart&#039; cats&#039; to be the safest option, and reaches for it. Perhaps subconsciously he&#039;s aware that it&#039;s much too soon for &#039;Don&#039;t torque me off&#039; to be funny.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;That first glimpse on Claire Temple&#039;s face is to see the relief there, her eyes on Bucky -- who is still here. Who hasn&#039;t taken off, who hasn&#039;t turned back into whatever program they put him in, who isn&#039;t lost again to the night like so many times before.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He can&#039;t hold her eyes for long. She looks after him, something unspoken in her face, weighed down with questions she wants to ask, but she lets him go. He&#039;s been forced too much.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then Mercy has Claire&#039;s attention, looking at her with that question spoken, a question so simple that she doesn&#039;t think she can answer true for the life of her. &amp;quot;I&#039;m good,&amp;quot; she settles on instead, the words empty on her own ears, though she tries to gentle it with a softening of her eyes. It&#039;s so good to see her, and what she really wants to do is touch her, hug her, but she&#039;s certain all it&#039;ll do is bring the tears back.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;So Claire instead goes for any hospitable place she can sit, finding a chair and settling with a heavy gravity of a body that still hasn&#039;t her strength back. Back stooped, shoulders forward, her hands curl loosely in her lap.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Exhaling her eyes track between the two, her brain needing more time than usual to do a mental count -- to realize the pack has thinned since last night. &amp;quot;Is everyone OK?&amp;quot; she needs to know.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There are layers of smells within Mercy&#039;s kitchen; the sizzle of bacon predominant, but beneath that heavier things, emotions that most are trying to deny. To ignore. To pretend don&#039;t exist. The byplay between Soldier and Nurse isn&#039;t lost on Mercy either, though it&#039;s the scents that tell her the most.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The coyote&#039;s gaze drops for a few seconds as she tries to give the illusion that she can&#039;t read what both of them are currently feeling. Thankfully, Claire&#039;s attention turns to Mercy and the nurse answers her question. That answer of hers earns the slightest of frowns from Mercy; hearing and smelling the lie within Claire&#039;s words. She doesn&#039;t push, however. Nor does she offer a hug, perhaps sensing some of the fragility Claire is currently feeling. Wounds need time to scab over, terrors to lessen, and so the coyote watches Claire sit down.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Now it&#039;s the coyote&#039;s turn to move. She steps back to the stove and the frying pan full of bacon. She&#039;ll flip what bacon needs to be flipped, before she spies Bucky reaching for the cats coffee mug. That&#039;s enough to jar the coyote into moving and grabbing the pot of coffee. &amp;quot;Coffee.&amp;quot; She says, setting the pot of coffee in the middle of the island, easily reachable by either Bucky or Claire. Eventually sugar and milk will likewise be pulled from the fridge. It&#039;s only when everything sensible that can be put upon the table is down that Mercy pauses.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her worried gaze is back upon Claire and it&#039;s from this concern that she&#039;ll actually voluntarily look at Bucky. A sort of &#039;what now&#039; question held within her expression.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s Claire that breaks the awkwardness for Mercy, as she asks that question of hers. &amp;quot;Yes. None of the group was seriously injured. Most of them went back home for the night. I&#039;m sure they&#039;ll come and check in. Make sure you&#039;re okay, that we&#039;re all okay.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Bucky doesn&#039;t see those questions in Claire&#039;s face, but he can feel them in her gaze on his back. He knows he should turn and face her, but coward that he is, right now -- he just can&#039;t. Mercy will be better for her right now. Yes, a lot better than he would be.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Instead, as the two women speak, he recedes into a corner and busies himself with the mugs. Mercy, quick to notice what he&#039;s up to, grabs the pot of coffee and sets it down on the kitchen island. After a moment of consideration, Bucky slowly moves towards the pot, taking it upon himself to pour all three cups, together with whatever milk or sugar both Mercy and Claire want.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy&#039;s, he leaves on the counter, as she&#039;s already standing nearby. Claire&#039;s he takes to her, something apologetic and ashamed about the way he avoids letting his hands touch hers. About the way he pulls back out of her space afterwards.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy finally glances at him. The fact the gesture is finally volitional is not lost on him. The question in her eyes is also plain to him, and though his head bows, he does not reject the responsibility that comes implied with her wordless query.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I can&#039;t say that none of you are on Hydra&#039;s radar by now. You are. You took the Winter Soldier from them,&amp;quot; he admits. &amp;quot;Among other things.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He looks down at the coffee in his mug. &amp;quot;To the best of my ability I&#039;ll protect all of you. If it means I have to tear Hydra up by the roots.&amp;quot; Between blinks, his eyes are briefly those of the Soldier. &amp;quot;I was going to do that anyway.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;With Mercy tending to the cooking food, and Bucky seeing himself to pouring coffee -- Claire can&#039;t help but stare, bemused at the strangest picture of domesticity between the two most unlikely people.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In another life, it would almost look like a bunch of friends arranging a social breakfast together. It&#039;s almost absurd to see.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her head lifts when Bucky crosses the kitchen to ultimately deliver her one mug of coffee, and Claire, in a strange bout of bravery, tries to meet his eyes. Hers are searching.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But she says nothing, accepting it silently, looking on passively as he removes himself from her proximity as if one or both of them were as scalding. Scalding-hot as the drink in her lap. She looks down at it, cradling it in her lap, having some trouble even holding on to the ceramic with more than her fingertips and nails. Like her hands are unused to having warmth back on them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Everyone&#039;s OK, Mercy confirms, and her eyelids hood with relief. She listens as Bucky gives both his warning and promise as what can and may follow -- that no one in this kitchen is out of the woods yet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire doesn&#039;t look particularly shocked by the threat of Hydra lingering too-close. He vows to destroy them, and rather than look relieved, it seems it&#039;s her turn to look guilty.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;It won&#039;t be -- &amp;quot; she replies, &amp;quot;they found something. He found something. It&#039;s bad.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;That coffee mug set near her by Bucky earns a nod of thanks from her, even if the majority of Mercy&#039;s attention stays upon the Nurse. Crispy bacon will be transferred from pan to a paper towel lined bowl. Another bowl is readied to whip up a slurry of eggs, milk and cheese for scrambling. Several pieces of bread are likewise moved from back to toaster, though the lever is not yet depressed to activate the appliance.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Not when Bucky states both that warning and then his promise. Those words pull forth a sharp look from Mercy Thompson and an equally immediate knee-jerk reaction from her, &amp;quot;NO.&amp;quot; And realizing how vehement that might sound, Mercy quickly adds, &amp;quot;No. This is no longer about one person taking responsibility for everyone. We all have a part in it, we will all help take them down and we will all protect each other against Hydra.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Much more could be said, extensively so, but the coyote pauses when Claire speaks.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Shifting her attention back to the Nurse the mechanic listens. He found something - that causes her expression to turn grim with understanding. While she might guess as to who &#039;he&#039; is, she doesn&#039;t. Instead, Mercy asks, &amp;quot;He meaning Volkav?&amp;quot; And then, &amp;quot;Something with magic, right? There was something in that room. Something magical and old, ancient. Something terribly powerful. Did they say what it was?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The oddness of this domestic scene doesn&#039;t escape Bucky, but rather than be weirded out by it, he almost seems soothed. No wonder. It&#039;s probably been decades since he experienced something so... normal. Decades of bloody work and cold imprisonment. Decades of living an austere life as a weapon of the state.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That calm breaks a little when he brings Claire her coffee, though. She looks up to try to snare his eyes, and she catches them before he can look away. Her searching gaze will catch the vivid guilt and shame in them, before his eyes tighten and he averts his eyes. He leaves the cup with her and retreats.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy, incidentally, got the &#039;Don&#039;t torque me off mug.&#039; Perhaps it was an intentional choice on his part. Especially given her reaction, a moment later, to his determination to wage one-man war on Hydra.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The response is vehement enough he blinks before swiveling a stare at her. For a moment his regard is lupine-- the stare of a wolf perhaps deciding whether to challenge another-- before he blinks that vestige of the Winter Soldier away, and looks appropriately embarrassed. &amp;quot;You all have lives,&amp;quot; he mumbles in vague protest. The unspoken implication is that he doesn&#039;t.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He pauses, too, when Claire speaks up. His gaze remains on the floor, but his expression tightens with concern. &amp;quot;I only knew they were working on something,&amp;quot; he says, looking to Claire for her elucidation. &amp;quot;But not what it was.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Thankfully, Mercy speaks with far more ferocity and vehemence what Claire just lacks the energy to repeat -- and she agrees fully.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;One person cannot bear the sins for others, especially a person made a victim for far longer than she can imagine. It astounds her just to see Bucky Barnes, here, apparently returned -- that they were able to do what she couldn&#039;t. Claire&#039;s mind churns with thoughts, and she knows she&#039;s owed a long story to catch her up. What matters, however, is that he&#039;s here. And whatever happened worked -- worked well enough that even someone as reticent as Mercy is fine to share a room with him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He won&#039;t meet Claire&#039;s eyes for long; she looks quietly down on her coffee, watching it steam, not yet daring to take a sip.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her thoughts are elsewhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;She&#039;s right,&amp;quot; she says of Mercy. &amp;quot;You should listen to her. And you have a life --&amp;quot; Claire&#039;s voice falters. Perhaps she, too, isn&#039;t sure what name to give Bucky; what name he prefers. &amp;quot;Just spent a hell of a time trying to get it back to you.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Tired humour warms her brittle words. But it doesn&#039;t last, not when talk goes back on Volkov. Bucky admits not knowing what it was.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I don&#039;t know either,&amp;quot; she concurs. &amp;quot;Only they dug something up. It was small. It looked like glass. And it --&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire&#039;s hands tighten around the mug. The fall of her dark hair hides her face. &amp;quot;I helped him,&amp;quot; she confesses.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;A lupine look. That&#039;s something the coyote is quite familiar with. And while Mercy would typically drop her gaze in deferment today she doesn&#039;t. She&#039;s quite serious with what she said and it allows her to stand firm. His protest doesn&#039;t seem to help his case either; it just earns another sharp look from the coyote, but whatever words she might say stay silent.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The fact that Claire backs her up doesn&#039;t seem help his cause either, as Mercy turns a grateful look to Claire. There is definitely a story there to tell the Nurse, but for now other matters take precedence.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The description of the magical artifact is considered by Mercy, but really nothing comes to mind. In the magical artifact world Mercy is still the novice and that vague of a description doesn&#039;t immediately trigger any real idea as to what it was. &amp;quot;Glass-like and small - did it have any runes upon it? Or symbols, sigils or writing in general?&amp;quot; The coyote asks, her voice thoughtful, &amp;quot;If so, we might be able to figure out what it is from that. Where was it dug up -&amp;quot; Mercy begins to ask, though her question doesn&#039;t quite finish. Not when Claire admits that last part. At this point, Mercy abandons her post at the stove and steps to the island that Claire sits at. The mechanic will finally reach for the other woman, a tentative touch to her shoulder, if allowed. &amp;quot;You had to.&amp;quot; Mercy states firmly, &amp;quot;It was the only way to survive while we figured out how to rescue you. Any of us would have done the same thing if we were in your place.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while the next question should really have been &#039;what did you help with&#039; Mercy doesn&#039;t even think it. Not yet. Not when offering comfort to a friend.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There&#039;s still aspects of Bucky Barnes that look like the Winter Soldier, and one of them is the way he regards Mercy, equal parts astonished and considering, when she grows so bold as to forbid him from going it alone. He almost seems liable to argue further than his initial mumbled remark, but when Claire gangs up on him, he lowers his gaze.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bucky subsides, but from the stubborn line of his jaw, it&#039;s not necessarily in agreement. That, too, is familiar... but the rest is so alien as to seem another man entirely. Which, in honesty -- he is. Bucky Barnes isn&#039;t Yasha Morozov in any way but shared body, shared patriotism, and a broadly similar history.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;You have a life. That&#039;s Claire&#039;s argument. Bucky smiles, but the expression is so profoundly bitter as to barely count for any levity at all. &amp;quot;I&#039;m grateful,&amp;quot; he says quietly. &amp;quot;But if you knew what kind of man you gave a life back to--&amp;quot; He chokes os his own words. &amp;quot;I mean... you already have an idea. But if you really knew what else--&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He shakes his head. The thought seems to mire him back into silence, his own thoughts overtaking him. The self-loathing comes off him strongly enough Mercy can smell it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He only seems to come back out of his thoughts when someone else tries to give him a run for his money in this department. He affords Claire a slightly sharp look as she confesses helping Volkov. &amp;quot;You were being tortured,&amp;quot; he says. &amp;quot;If you didn&#039;t he would have killed you.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There seems to be something else he wants to ask. He hesitates, and holds his silence.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;I /know/,&amp;quot; Claire answers Bucky, softly, firmly. She says no more, but her voice brooks little argument. Whatever doubts may plague her in others ways, she stands in fierce resolve over the nature of who he is: and believes she knows him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Or at least believes him to be someone she would like to know.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her dark eyes study him, insistent he understand she means every word, though Mercy&#039;s subsequent talk about what happened, and worse -- what Volkov may have in his possession -- sits so heavily down on Claire&#039;s shoulders that they fall to bear the weight.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;No writing on it,&amp;quot; she recalls, though the doubt is back on her voice, the unease of someone who isn&#039;t certain what she may or may not miss when it comes to the world of magic. &amp;quot;It looked like nothing. Something you&#039;d find in a landfill. I&#039;m not sure where it came from. They didn&#039;t tell me that much.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Just enough for Claire to lend assistance, it seems, and that confession shares the guilt to overlay her face. Though both Mercy and Bucky speak quickly to absolve the woman of whatever she may be thinking, she doesn&#039;t seem to look convinced, her fingertips pressing absently into the hot ceramic of her mug. She was being tortured, he says --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She looks up at that, question written across her features. How did they know? Did they /see/? Were they in there for that long?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Looking up helplessly, Claire doesn&#039;t miss another question on Bucky&#039;s face. He does not say. She is silent a beat, and looks back down.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;They told me they would. Until someone changed their mind, and they wanted to try that thing on me. It -- hurt. Just to touch. He kept saying it was going to turn him into a god, but he couldn&#039;t use it. He couldn&#039;t hold it. They were using me to see how long a person can take it, how much time --&amp;quot; her words falter, and her jaw tightens briefly. &amp;quot;I fixed it for him. I&#039;m sorry.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;That burst of righteous outrage from Mercy cools as the reality of what Bucky was-is returns with those words of his. That self-loathing is likewise picked up and while platitudes could be offered, Mercy can&#039;t quite make herself say them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Besides, what&#039;s the right platitude for this type of situation? Nothing fits good, but thankfully Claire is here. In Mercy&#039;s mind it&#039;ll likely be the Nurse&#039;s words that have the most impact. To hopefully help convince Bucky that yes, he&#039;s worth saving.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The further description of the shard is listened to and then absent-mindedly memorized by Mercy. And while she could have asked further questions she doesn&#039;t quite yet. Not when Claire looks up at the two of them. It&#039;s only when Claire lowers her gaze again that the coyote shifts her attention from the Nurse to the redeemed assassin. There&#039;s an oblique looks given by Mercy now, though that look only lasts a moment, before the coyote looks back to Claire.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Listening to what the other woman describes, Mercy&#039;s own expression turns uneasy. Several questions war within Mercy Thompson&#039;s mind, but before she asks any of them, she says, &amp;quot;No. Don&#039;t be sorry. You /were/ the prisoner. You did what you had to do to survive. There is /nothing/ wrong with that.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Nothing.&amp;quot; And while Mercy would like to leave it at that and sweep it all under the rug so everyone can heal, necessity doesn&#039;t quite allow for it. As such, the coyote asks another question quietly. &amp;quot;What was broken with it? It might help us identify what we&#039;re dealing with.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;I know, Claire cuts him off. Bucky trails into startled silence. He regards her a moment, head canted a bit, before he drops his gaze to the floor and drinks his coffee in silence.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He listens as Claire and Mercy discuss the Thing that Volkov found, though he makes no contribution of his own. He has none to make, so he must admit: he was a tool, and tools are not told of their masters&#039; grand designs. What Claire reveals about the object is as novel to him as anyone else.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When he does speak, it is to sharply dispel the guilt that wells up in Claire&#039;s voice. If she&#039;s not going to allow it in him, he&#039;s not going to allow it in her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But as she describes what they did to her-- describes how they /hurt/ her and experimented on her to figure out how to use the thing he found-- his newfound expressiveness slowly leaves his face again in favor of the implacable blankness of the Winter Soldier. His eyes go cold. His left arm has flown under the radar, /somehow/, up until now-- he found clothes with long sleeves to cover it up-- but now for the first time it makes itself fully known.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That familiar, slithering grind of metal plates sounds from his general vicinity, an unconscious locking of the mechanisms of the arm in an audible cue of his building fury. Metal fingers claw in longing to have something to close down upon.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Nothing to be sorry about,&amp;quot; he grits out. He steps towards the door, as if ready to leave right this minute to find someone, to beat some answers out of them, to /act/. But Mercy asks some important questions, and-- his jaw tightening in frustration-- he hesitates, seeing the value of the knowledge. He about-faces and heads towards the forgotten food.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;At least eat while you&#039;re at it,&amp;quot; he says, and one of the world&#039;s most lethal assassins starts plating.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Her rebuttal tightens like a tourniquet on Bucky&#039;s further arguments -- his de-valuation on whether he is technically a man deserving of a life -- and he goes quiet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire should count that as a win, but does not. She looks him over, with concern, with a searching sort of dread, knowing right here and now won&#039;t be the end of that sort of self-hatred. The loathing she heard in him. It pulls her briefly out of her own head, to think of the troubles that must be courting his. What would she do, waking up after decades and decades of doing horrible things --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- and appearing to remember it all?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Put a gun to her own head? Put a gun on the heads of the people who did it? Someone would be dying.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is hope, however, that he&#039;s /here/ with them, her and Mercy both, and apparently listening. Claire keeps her eyes on the ex-assassin, in any case.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her gaze only flicks away to Mercy&#039;s words -- Mercy, who knows how to ask the right questions. Right questions are the kinds that cause Claire to have to think, to remember, and she can do this easily now -- while the memories are fresh, while the shock is still going strong that she can dig into facts without the trappings of emotion. She and Bucky both refuse to the idea that she did anything intentional to help Volkov --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire believes it too. But it still hurts. She sets her yet-untouched coffee to the table, twining her fingers together. What was broken with it? &amp;quot;I&#039;m not sure. I think the broken thing was us. Being human, and -- when it touches you... My memory, I don&#039;t... It wants to burn through you -- and explode.&amp;quot; She exhales noisily. &amp;quot;That&#039;s where the next idea came. The glass was inert on dead tissue, on a body. They had this -- liquid. It was black. He called it media. They were using it to suspend the reaction of that glass, so a person could hold it. Ingest it. Something screwed up.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She looks down at her legs. &amp;quot;That shit -- that media -- it was a poison. They put it in me. I helped refine the dosage. It was killing me. It felt like fire. I&#039;m not sure how, if that&#039;s what magic does, but it stabilized the glass. I could touch it. It means he can too. He has the recipe to. That thing -- that glass -- I don&#039;t know, it felt like it was going to rip me /apart/, so if he turns it on any of you, or uses it, I don&#039;t think --&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Something cuts off her rambling words. It&#039;s the noisy shifting of those plates, in a sound all-too-familiar to Claire, as her eyes turn on Bucky, on the way he recoils like some animal released from its fetters. He steps to the door, and she freezes, one hand tightening on the table, looking ready to push herself up to go after him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But he doesn&#039;t, even though Claire still implores him with her quiet staring. Watching as he plates food. &amp;quot;You too,&amp;quot; she directs lightly.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;What Claire has to say about the artifact turns Mercy&#039;s uneasy expression to something close to horrified. That doesn&#039;t stop her from listening intently to what Claire has to say, it just means her expression can easily be read. Especially at the mention of the potential of ingesting it; that causes the emotions found within Mercy&#039;s features to worsen. The only respite to those terrifying experiences that Claire went through is that sudden sound of metal against metal. There&#039;s a flare of nostrils from Mercy at that familiar, somewhat hated, noise. The coyote can&#039;t help the silent stare that&#039;s fastened upon the man - wariness now found within her gaze.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That emotion doesn&#039;t seem to dissipate even as he offers those words of comfort to Claire, nor when he moves towards the door. Instead Mercy pivots slowly to keep him in her line of sight. It&#039;s only when he does the about-face and begins to plate the food that Mercy&#039;s expression turns from wariness to something close to bewilderment.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her brain can&#039;t quite align itself to what its seeing. The Winter Soldier, Hydra assassin, plating breakfast as if it&#039;s something he does every day.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy stares for a silent second, before she drags her attention back to Claire. &amp;quot;Whatever this artifact is it sounds dangerous. Too dangerous to allow Hydra to keep it. I&#039;ll talk with Liam - he might know what this thing is, or possibly how to figure out what it is. Possibly even locate it for us. It just depends on what magical defenses Hydra has put around it now that they know we&#039;re aware of it. That could make it harder to locate.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With that the coyote falls silent for a handful of seconds. It&#039;s only as she shakes herself from her own reverie that the coyote lastly adds, &amp;quot;I don&#039;t think you should return to your apartment alone, Claire. They likely know where you live -&amp;quot; An apologetic look shifts to Bucky with those words of hers, though it doesn&#039;t stop her from finishing that thought, &amp;quot;It might not be safe. You&#039;re welcome to stay here for as long as you want. Both of you.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There is much to be read in the former Winter Soldier&#039;s silence. His features are still youthful, ice-preserved in a snapshot of the young man as he was decades ago, but his eyes as he regards the floor are deep wells in which decades of atrocity reflect. He has woken from an eighty-year nightmare to find that everything in said nightmare was very real -- and most of the things that were horrifying were wrought by his own hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He plainly remembers it all. And there is enough that is self-destructive, despairing, and /furious/ in his aspect to suggest that the thought of a gun to his own head must have been very tempting -- but a gun to the heads of all the others responsible for his slavery and misuse ultimately emerged as even more alluring a thought.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He hasn&#039;t left them yet, though, for whatever inscrutable reasons he may have -- though he&#039;s briefly tempted to. He gets partway to the door before something stops him. Angry at his own inability to take any action at the moment, angry at the fact his own anger-- and its accompanying steely audio cue-- seems to have unnerved Mercy, he turns abruptly around and does the one thing he /can/ do. He starts angrily putting food on plates.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A lifelong soldier first and foremost, before ever he was a Hydra assassin, James Barnes learned well that there are a few things you always take any opportunity to do: eating, sleeping, or taking a piss. He cocks his head to Claire&#039;s reminder that he eat too, but he doesn&#039;t seem to need it. He&#039;s already given himself a plate.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He listens to Claire and Mercy in the background as he does, though he doesn&#039;t offer any additions for the moment. He doesn&#039;t know any more than they do what the thing or the &#039;media&#039; might be. &amp;quot;He&#039;s no god yet,&amp;quot; is his sole comment. &amp;quot;Just a man. And I&#039;m a great killer of men.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The deadly bravado of the comment is somewhat balanced out by the fact he hands the women plates of food a moment later. ...He seems to have put together two for himself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;That&#039;s... kind of you,&amp;quot; he adds haltingly, to Mercy&#039;s offer. He looks like he&#039;s only really half considering it, perhaps afraid of what he might do if he reverted back to the Soldier while under a roof with the two women. &amp;quot;Well -- any trouble comes to you here, I will take care of it.&amp;quot; The calm assurance in his tone probably sways the scales back towards &#039;unnerving.&#039;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It doesn&#039;t take extra-sensory abilities for Claire to parse the transparent unease between Bucky Barnes and Mercy Thompson.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Whatever resolution happened to bring Bucky back from that winter they put him in -- and it seems they succeeded where she never could -- it doesn&#039;t mean things are squared. Or things are forgotten.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The coyote won&#039;t let him at her peripheries or anywhere that isn&#039;t a direct, wary stare, set off by the metal, and all Claire can wonder is -- what did she miss? Did more happen in her absence? And what?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She sets a hand on the table, either ready to be the peacemaker or simply to keep Bucky from disappearing off /again/ -- the thought of that is not something she can take, not after what happened the last time he disappeared on her -- but she never needs to stand. He changes tacks, and Mercy&#039;s wariness seems to fold into other things.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Talk of the thing they used on her, the think Volkov has now in his possession -- Claire can follow that more easily. Relief finds her eyes to see Bucky plating everyone food, even himself, as she answers, &amp;quot;Whatever you can do to help, Mercy. I wish I could tell you more. All I know is it was --&amp;quot; her eyes slip unfocused, remembering, &amp;quot; -- bad.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s just a man, reminds Bucky, in a voice that sounds closer to the Winter Soldier. It draws Claire&#039;s eyes, the violent promise he makes -- and seems to soften them, like a quiet relief.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She takes up a forkful of egg, and eats it slowly despite her little appetite. It has even less taste, and not because of Mercy&#039;s cooking -- Claire knows well enough she&#039;s in shock. She swallows it, only pausing her slow eating to Mercy&#039;s very, very sensible -- and as Bucky says, /kind/ -- offer.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I might take you up on that for a few days,&amp;quot; she answers, quietly grateful. &amp;quot;But I should -- I should actually find out if I still have an apartment. Carl probably kept it for me. He owes me a lot. I know I can&#039;t hide here forever. I need to call my mother. I need to... I&#039;ll drive you crazy.&amp;quot; Claire pushes back a heavy lock of her black hair behind an ear. &amp;quot;But I have to go back to the neighbourhood soon. I have a lot of people who rely on me.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Soon enough Mercy finds a plate of food in her hands and she can&#039;t quite stop her gaze from dropping to it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Finally, when her manners reassert themselves, Mercy looks back up and gives a nod in thanks. His follow-up comment about being a great killer of men causes the coyote&#039;s expression to crease. It&#039;s like one step forward and two steps back for Mercy Thompson. There&#039;s one step of seeing Bucky as something other than an assassin, and then two steps of being so rudely reminded of what he was, or still is.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Still, that tension does ease somewhat for the coyote and it allows her to refocus upon the discussion at hand. Back upon Claire. &amp;quot;You&#039;ve given us more to go on than what we previously had.&amp;quot; States Mercy honestly and while she was just about to say something more, those words pause when Claire so obviously remembers the &#039;bad&#039;. Concern flares within Mercy&#039;s own eyes as she watches the nurse. However, that concern eases a bit when the Nurse seems to refocus and pull herself away; even begins to eat the food Bucky plated for her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That allows Mercy to refocus back upon Bucky for a moment. At what he says. That any &#039;trouble&#039; that comes here will be taken care of, by him. That&#039;s enough to earn a remark from the coyote, &amp;quot;We.&amp;quot; She states, her tone firm, &amp;quot;We will take care of it.&amp;quot; And while she pins a hard look upon Bucky, that look only lasts a short time, as the mechanic refocuses back upon Claire.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Stay for as long as you need.&amp;quot; Now the Nurse will find herself on the end of that &#039;brooking no arguments&#039; tone from Mercy. &amp;quot;People can wait while you heal and recuperate.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;And then -&amp;quot; Continues Mercedes Thompson, her expression flattening out with her next words, &amp;quot;- when we&#039;re /all/ ready we&#039;ll destroy Hydra.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Winter_Soldier&amp;diff=1536</id>
		<title>Winter Soldier</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Winter_Soldier&amp;diff=1536"/>
		<updated>2017-09-11T04:48:02Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{CharacterNew&lt;br /&gt;
|NameOnMUSH=Winter Soldier&lt;br /&gt;
|Color=#640000&lt;br /&gt;
|Char_id=229&lt;br /&gt;
|Img=http://i.imgur.com/lvm0bto.jpg&lt;br /&gt;
|FullName=James Buchanan Barnes&lt;br /&gt;
|Gender=Male&lt;br /&gt;
|Species=Metahuman&lt;br /&gt;
|Theme=Marvel&lt;br /&gt;
|Chartype=DFC&lt;br /&gt;
|Active=Active&lt;br /&gt;
|Occupation=killin&#039;&lt;br /&gt;
|Groups=[[SHIELD]], [[Just Cause]]&lt;br /&gt;
|Quote=&amp;quot;My bad dreams linger... but I wouldn&#039;t expect anything else.&amp;quot;&lt;br /&gt;
|PAge=30&lt;br /&gt;
|AAge=100&lt;br /&gt;
|DOB=03/10/1925&lt;br /&gt;
|Height=6&#039;0&amp;quot;&lt;br /&gt;
|Weight=250 lb&lt;br /&gt;
|Hair=Brown&lt;br /&gt;
|Eyes=Blue&lt;br /&gt;
|Actor=Sebastian Stan&lt;br /&gt;
|Song=https://tinyurl.com/y785h2k4&lt;br /&gt;
|Profile=Handpicked to be the partner of Captain America during World War II due to his natural fighting talent, James Barnes did all the morally-grey things Steve Rogers couldn&#039;t be seen doing on the newsreels. Thought lost towards the tail end of the war after a fatal fall, Bucky Barnes was declared MIA, presumed KIA. That was the end of his story... and the start of the story of the Winter Soldier. Since the mid-1950s, the Soviet horror story known as the Winter Soldier has hung like a spectre over the West and the Soviet Bloc alike, with increasing tallies of kills to his name. In that time, no one has come close to discovering or shutting him down.&lt;br /&gt;
== History ==&lt;br /&gt;
James Buchanan &#039;Bucky&#039; Barnes is a blend of his comic incarnation and MCU incarnation, with an origin following the comics, and elements drawn in later from the MCU.&lt;br /&gt;
&lt;br /&gt;
A military brat born on an Army base, he lost his mother early in life, and his father in his teenage years. His young sister was sent to a boarding school, but Bucky stayed on at the base, looked after by his father&#039;s friends, up until his delinquency and tendency to pick fights drew the eye of the military brass. He had clear authority and anger issues, but also a very clear gift for combat, and so they decided to put him to use: sending him for intensive training with the British SAS and various combat luminaries of the time, and then assigning him to be the partner of Captain America.&lt;br /&gt;
&lt;br /&gt;
The two eventually formed the core of the unit called the Invaders, a force that fought across the battlefields of World War II wherever it was needed. Of note, Bucky was captured and experimented upon by Hydra and Dr. Arnim Zola during the war, though the result of this would not come to fruition until later.&lt;br /&gt;
&lt;br /&gt;
Bucky did not &#039;live&#039; to see the end of the war. Early in 1945, he and Steve Rogers were lost in combat and presumed dead. Neither were actually killed, though their paths diverged sharply: frozen in ice, Steve would sleep in relative peace until his thaw in the present day.&lt;br /&gt;
&lt;br /&gt;
Bucky, on the other hand, was found by Soviet troops, among which were a few Hydra plants, who reported that Dr. Zola&#039;s experiment had returned to their grasp. Content to control from the shadows, Hydra let the USSR take public charge, and Bucky was taken to Department X, where he was revived -- the nascent serum in his blood, left over from Zola&#039;s earlier experimentation, had just barely kept him alive. It was found that he had no memory of his life, nothing left in his head save the reflex memories of how to fight and how to kill. The USSR and Hydra saw opportunity. His severed left arm was replaced with a bionic implant, and Dr. Zola finalized the process he had begun years before, creating him as a super-soldier with the constitution to bear the advanced prosthetic. He was reprogrammed with a new personality, one where he believed himself to be a wounded, rootless Soviet soldier who had volunteered for the project that would dictate the next eighty years of his life: the Winter Soldier Project. The most formidable weapon in the arsenal of the Soviet Union. The last word punctuating the USSR&#039;s bloody statements.&lt;br /&gt;
&lt;br /&gt;
Over time, he became a propaganda hero and boogeyman to his own adopted Russian people, a mythological ghost haunting and bleeding the West, and variously a demon, a monster, or a beast in all the other corners of the world where he was commanded to kill. He is known by various local codenames in the classified files of many nations, but ever since a crucial information leak in the 1970s, he has been properly known in the intelligence community by name: Winter Soldier. &lt;br /&gt;
|Abilities=&lt;br /&gt;
=====Bionic Arm=====&lt;br /&gt;
Bucky&#039;s left arm was lost in his fall, and a bionic arm replaced it. It is capable of applying several tons worth of force, well in excess of his existing enhanced strength, and Bucky will also use it defensively as the hardened metal is capable of deflecting bullets, and itself feels no pain. It is also much faster than his flesh right arm. The arm itself has a number of useful functions engineered in by the Soviets, one being the ability to discharge an EMP burst, another being the ability to shield itself and other metal hidden on his body.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Peak Human=====&lt;br /&gt;
Recovered by the Soviets and experimented on by Hydra after his fall from the train, Bucky was given a lesser version of the serum that was administered to Steve Rogers, a version that had been refined by Dr. Zola from the serum originally given to the Red Skull. The most important function it serves is to let him bear and use his bionic left arm appropriately, as it enhances his strength, durability, and healing factor far beyond that of a normal human. Among the benchmarks of his performance include lifting force between 800 - 1200 lb, run speed of 50-60 mph, and leaps unharmed from considerable heights, as well as enhanced senses, stamina, reflexes, agility, and improved mental processing speed.&lt;br /&gt;
|Skills=&lt;br /&gt;
=====Assassin=====&lt;br /&gt;
The primary use case of the Winter Soldier. He has dozens of assassinations credited to his name, many more than cannot conclusively be attributed to him, and-- without a doubt-- countless kills that no one even suspects him of being responsible for at all. He is a master of the stalk, the wait, the ambush, and the kill.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Black Ops=====&lt;br /&gt;
During the war, Bucky often did the dishonorable work that Captain America and the rest of the Invaders could not be seen doing. This work was stealth, infiltration, advance scouting, and intelligence gathering. Activities that often ended with someone dying with a knife in their back. Through natural talent and long experience, the Winter Soldier is gifted at moving through hostile territory undetected to secure either information or kills. He is extremely observant as a result, able to scout and size up a situation or location rapidly.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Combat Skills=====&lt;br /&gt;
James Barnes was picked out at the age of sixteen for special training to become Captain America&#039;s partner, and it was all due to his natural talent for fighting. Trained by the British SAS and by world-famous instructors in hand-to-hand combat, seventy more years of war, of refinement as living weapon by Hydra, and of being used to teach other killers, has left him a master of multiple martial arts. He is deadly at close range, whether with his bare hands or a knife. He is also well-versed in firearms, demolitions, and all forms of military armaments. During the war he was often called on to snipe, and is a deadeye marksman in general at all ranges.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Languages=====&lt;br /&gt;
The Winter Soldier knows a wide variety of languages as a necessary component of his work, among them English, German, Japanese, Russian, Italian, French, and Spanish, as well as being conversant in many of the languages spoken in the Eastern Bloc and the Middle East.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Spying=====&lt;br /&gt;
He was not used for this purpose as much as the Widows, but the Winter Soldier is still adept enough at assuming false identities, acting a part, or setting up surveillance in order to infiltrate and glean information.&lt;br /&gt;
|Resources=&lt;br /&gt;
=====Equipment=====&lt;br /&gt;
The Winter Soldier always travels heavily armed with multiple firearms, from concealed compact pistols all the way up to anti-materiel rifles, and also carries multiple combat knives and grenades on his person as a matter of course. He also carries, depending on mission and need, light body armor, surveillance gear, hacking devices, explosives, false credentials, lockpicks, and anything else necessary to getting the job done.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Hydra=====&lt;br /&gt;
One of Hydra&#039;s most prized weapons, the Winter Soldier has access to the resources of the organization, dependent of course upon his need and the organization&#039;s willingness to dispense. As a matter of course he has access to whatever resources necessary to complete missions, whether that be a contact on the ground, a place to recuperate and replenish ammunition and equipment, or plain hard cash.&lt;br /&gt;
|Weaknesses=&lt;br /&gt;
=====Brainwashed Amnesiac=====&lt;br /&gt;
The fall that should have killed him only wiped out his left arm and his memories. Unable to remember who he was or anything about his life except his muscle memory skills in fighting and killing, he was heavily brainwashed and conditioned to believe he was someone entirely different from who he was, and made to be completely obedient and loyal to Hydra and his handlers at Department X. His memories and self-identity are not completely gone, however, and every so often they start to return, though he is conditioned to experience pain when he tries to remember his true memories. This is usually when he is brutally mindwiped again through electroshock and another round of conditioning. His mind and ability of recall are heavily damaged from decades of this abuse.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Control Words=====&lt;br /&gt;
There are certain words to which the Winter Soldier is conditioned to respond. Some make him pass out on the spot. Others make him instantly, if temporarily, obedient to the speaker. The knowledge of what they are is heavily guarded, but they exist.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Wanted=====&lt;br /&gt;
The Winter Soldier has kill orders out for him in the majority of countries in the world. It is safe to say that he is quite restricted from moving about freely and must consistently guard against being caught.&lt;br /&gt;
}}&lt;br /&gt;
[[Category:Just Cause]]&lt;br /&gt;
[[Category:SHIELD]]&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Winter_Soldier&amp;diff=1535</id>
		<title>Winter Soldier</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Winter_Soldier&amp;diff=1535"/>
		<updated>2017-09-11T04:47:46Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{CharacterNew&lt;br /&gt;
|NameOnMUSH=Winter Soldier&lt;br /&gt;
|Color=#640000&lt;br /&gt;
|Char_id=229&lt;br /&gt;
|Img=http://i.imgur.com/lvm0bto.jpg&lt;br /&gt;
|FullName=James Buchanan Barnes&lt;br /&gt;
|Gender=Male&lt;br /&gt;
|Species=Metahuman&lt;br /&gt;
|Theme=Marvel&lt;br /&gt;
|Chartype=DFC&lt;br /&gt;
|Active=Active&lt;br /&gt;
|Occupation=killin&#039;&lt;br /&gt;
|Groups=[[SHIELD]], [[Just Cause]]&lt;br /&gt;
|Quote=&amp;quot;My bad dreams linger... but I wouldn&#039;t expect anything else.&amp;quot;&lt;br /&gt;
|PAge=30&lt;br /&gt;
|AAge=100&lt;br /&gt;
|DOB=03/10/1925&lt;br /&gt;
|Height=6&#039;0&amp;quot;&lt;br /&gt;
|Weight=250 lb&lt;br /&gt;
|Hair=Brown&lt;br /&gt;
|Eyes=Blue&lt;br /&gt;
|Actor=Sebastian Stan&lt;br /&gt;
|Song=https://tinyurl.com/y785h2k4&lt;br /&gt;
|Profile=Handpicked to be the partner of Captain America during World War II due to his natural fighting talent, James Barnes did all the morally-grey things Steve Rogers couldn&#039;t be seen doing on the newsreels. Thought lost towards the tail end of the war after a fatal fall, Bucky Barnes was declared MIA, presumed KIA. That was the end of his story... and the start of the story of the Winter Soldier. Since the mid-1950s, the Soviet horror story known as the Winter Soldier has hung like a spectre over the West and the Soviet Bloc alike, with increasing tallies of kills to his name. In that time, no one has come close to discovering or shutting him down.&lt;br /&gt;
== History ==&lt;br /&gt;
James Buchanan &#039;Bucky&#039; Barnes is a blend of his comic incarnation and MCU incarnation, with an origin following the comics, and elements drawn in later from the MCU.&lt;br /&gt;
&lt;br /&gt;
A military brat born on an Army base, he lost his mother early in life, and his father in his teenage years. His young sister was sent to a boarding school, but Bucky stayed on at the base, looked after by his father&#039;s friends, up until his delinquency and tendency to pick fights drew the eye of the military brass. He had clear authority and anger issues, but also a very clear gift for combat, and so they decided to put him to use: sending him for intensive training with the British SAS and various combat luminaries of the time, and then assigning him to be the partner of Captain America.&lt;br /&gt;
&lt;br /&gt;
The two eventually formed the core of the unit called the Invaders, a force that fought across the battlefields of World War II wherever it was needed. Of note, Bucky was captured and experimented upon by Hydra and Dr. Arnim Zola during the war, though the result of this would not come to fruition until later.&lt;br /&gt;
&lt;br /&gt;
Bucky did not &#039;live&#039; to see the end of the war. Early in 1945, he and Steve Rogers were lost in combat and presumed dead. Neither were actually killed, though their paths diverged sharply: frozen in ice, Steve would sleep in relative peace until his thaw in the present day.&lt;br /&gt;
&lt;br /&gt;
Bucky, on the other hand, was found by Soviet troops, among which were a few Hydra plants, who reported that Dr. Zola&#039;s experiment had returned to their grasp. Content to control from the shadows, Hydra let the USSR take public charge, and Bucky was taken to Department X, where he was revived -- the nascent serum in his blood, left over from Zola&#039;s earlier experimentation, had just barely kept him alive. It was found that he had no memory of his life, nothing left in his head save the reflex memories of how to fight and how to kill. The USSR and Hydra saw opportunity. His severed left arm was replaced with a bionic implant, and Dr. Zola finalized the process he had begun years before, creating him as a super-soldier with the constitution to bear the advanced prosthetic. He was reprogrammed with a new personality, one where he believed himself to be a wounded, rootless Soviet soldier who had volunteered for the project that would dictate the next eighty years of his life: the Winter Soldier Project. The most formidable weapon in the arsenal of the Soviet Union. The last word punctuating the USSR&#039;s bloody statements.&lt;br /&gt;
&lt;br /&gt;
Over time, he became a propaganda hero and boogeyman to his own adopted Russian people, a mythological ghost haunting and bleeding the West, and variously a demon, a monster, or a beast in all the other corners of the world where he was commanded to kill. He is known by various local codenames in the classified files of many nations, but ever since a crucial information leak in the 1970s, he has been properly known in the intelligence community by name: Winter Soldier. &lt;br /&gt;
|Abilities=&lt;br /&gt;
=====Bionic Arm=====&lt;br /&gt;
Bucky&#039;s left arm was lost in his fall, and a bionic arm replaced it. It is capable of applying several tons worth of force, well in excess of his existing enhanced strength, and Bucky will also use it defensively as the hardened metal is capable of deflecting bullets, and itself feels no pain. It is also much faster than his flesh right arm. The arm itself has a number of useful functions engineered in by the Soviets, one being the ability to discharge an EMP burst, another being the ability to shield itself and other metal hidden on his body.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Peak Human=====&lt;br /&gt;
Recovered by the Soviets and experimented on by Hydra after his fall from the train, Bucky was given a lesser version of the serum that was administered to Steve Rogers, a version that had been refined by Dr. Zola from the serum originally given to the Red Skull. The most important function it serves is to let him bear and use his bionic left arm appropriately, as it enhances his strength, durability, and healing factor far beyond that of a normal human. Among the benchmarks of his performance include lifting force between 800 - 1200 lb, run speed of 50-60 mph, and leaps unharmed from considerable heights, as well as enhanced senses, stamina, reflexes, agility, and improved mental processing speed.&lt;br /&gt;
|Skills=&lt;br /&gt;
=====Assassin=====&lt;br /&gt;
The primary use case of the Winter Soldier. He has dozens of assassinations credited to his name, many more than cannot conclusively be attributed to him, and-- without a doubt-- countless kills that no one even suspects him of being responsible for at all. He is a master of the stalk, the wait, the ambush, and the kill.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Black Ops=====&lt;br /&gt;
During the war, Bucky often did the dishonorable work that Captain America and the rest of the Invaders could not be seen doing. This work was stealth, infiltration, advance scouting, and intelligence gathering. Activities that often ended with someone dying with a knife in their back. Through natural talent and long experience, the Winter Soldier is gifted at moving through hostile territory undetected to secure either information or kills. He is extremely observant as a result, able to scout and size up a situation or location rapidly.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Combat Skills=====&lt;br /&gt;
James Barnes was picked out at the age of sixteen for special training to become Captain America&#039;s partner, and it was all due to his natural talent for fighting. Trained by the British SAS and by world-famous instructors in hand-to-hand combat, seventy more years of war, of refinement as living weapon by Hydra, and of being used to teach other killers, has left him a master of multiple martial arts. He is deadly at close range, whether with his bare hands or a knife. He is also well-versed in firearms, demolitions, and all forms of military armaments. During the war he was often called on to snipe, and is a deadeye marksman in general at all ranges.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Languages=====&lt;br /&gt;
The Winter Soldier knows a wide variety of languages as a necessary component of his work, among them English, German, Japanese, Russian, Italian, French, and Spanish, as well as being conversant in many of the languages spoken in the Eastern Bloc and the Middle East.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Spying=====&lt;br /&gt;
He was not used for this purpose as much as the Widows, but the Winter Soldier is still adept enough at assuming false identities, acting a part, or setting up surveillance in order to infiltrate and glean information.&lt;br /&gt;
|Resources=&lt;br /&gt;
=====Equipment=====&lt;br /&gt;
The Winter Soldier always travels heavily armed with multiple firearms, from concealed compact pistols all the way up to anti-materiel rifles, and also carries multiple combat knives and grenades on his person as a matter of course. He also carries, depending on mission and need, light body armor, surveillance gear, hacking devices, explosives, false credentials, lockpicks, and anything else necessary to getting the job done.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Hydra=====&lt;br /&gt;
One of Hydra&#039;s most prized weapons, the Winter Soldier has access to the resources of the organization, dependent of course upon his need and the organization&#039;s willingness to dispense. As a matter of course he has access to whatever resources necessary to complete missions, whether that be a contact on the ground, a place to recuperate and replenish ammunition and equipment, or plain hard cash.&lt;br /&gt;
|Weaknesses=&lt;br /&gt;
=====Brainwashed Amnesiac=====&lt;br /&gt;
The fall that should have killed him only wiped out his left arm and his memories. Unable to remember who he was or anything about his life except his muscle memory skills in fighting and killing, he was heavily brainwashed and conditioned to believe he was someone entirely different from who he was, and made to be completely obedient and loyal to Hydra and his handlers at Department X. His memories and self-identity are not completely gone, however, and every so often they start to return, though he is conditioned to experience pain when he tries to remember his true memories. This is usually when he is brutally mindwiped again through electroshock and another round of conditioning. His mind and ability of recall are heavily damaged from decades of this abuse.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Control Words=====&lt;br /&gt;
There are certain words to which the Winter Soldier is conditioned to respond. Some make him pass out on the spot. Others make him instantly, if temporarily, obedient to the speaker. The knowledge of what they are is heavily guarded, but they exist.&amp;lt;br /&amp;gt;&lt;br /&gt;
=====Wanted=====&lt;br /&gt;
The Winter Soldier has kill orders out for him in the majority of countries in the world. It is safe to say that he is quite restricted from moving about freely and must consistently guard against being caught.&lt;br /&gt;
}}&lt;br /&gt;
[[Category:Just Cause]]&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=2405/In_This_Together&amp;diff=1534</id>
		<title>2405/In This Together</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=2405/In_This_Together&amp;diff=1534"/>
		<updated>2017-09-11T04:19:14Z</updated>

		<summary type="html">&lt;p&gt;Altair: Created page with &amp;quot;{{Log Header |Date of Scene=2017/09/10 |Location=Outside Mercy&amp;#039;s Garage, New York |Synopsis=In the wake of his recovery from his Hydra brainwashing, a troubled Bucky Barnes re...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/09/10&lt;br /&gt;
|Location=Outside Mercy&#039;s Garage, New York&lt;br /&gt;
|Synopsis=In the wake of his recovery from his Hydra brainwashing, a troubled Bucky Barnes receives a visit from Steve Rogers. The two reconnect, and discuss the important question: what now?&lt;br /&gt;
|Cast of Characters=229, 112&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Everyone made their own way home after the Hydra base burned. Everyone except those for whom home was no longer a certain thing.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy was kind enough to put Claire up while the nurse recovered. Bucky, for his part, considered slinking off unnoticed in the confusion-- he could have done it-- but it only took one look at Claire, ravaged and abused and all his fault, to make him feel too guilty but to stay. What kind of man would he be to do this to her, and then run off?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Still, there are times he wishes he had run. He doesn&#039;t know how he&#039;s going to face... some people he once knew. It&#039;s hard enough sharing space with Mercy, whose friends he got killed. Hard enough thinking about that every time she&#039;s kinder to him than he deserves.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s stuck around, for lack of anywhere else to go, though he&#039;s in and out, and when he&#039;s in he spends a lot of time looking out the windows, his gaze shadowed by thoughts and plans he has not spoken of to anyone. He&#039;s found different clothes, even in the very short interim of time, and he looks almost normal as he sits outside the garage&#039;s side entrance. Normal except the guarded, eye-darting way he hunches by the door, smoking his way nervously through a pack of cigarettes he got God-knows-where.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Since their return from the Hydra base, Steve has been back and forth between the Triskelion, Avengers&#039; mansion, and the Garage. Between the three, he&#039;s been spending far too much time on the train, to the point that he&#039;s started to sleep on it. It almost reminds him of his war years--grabbing sleep whenever and wherever possible. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Plus the ease of sleeping on the train far outweighed that of sleeping in his bed. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It doesn&#039;t change the faces he sees when he closes his eyes though. It&#039;s fortunate that the movement of the train makes his eyelids heavier. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With that sleeping schedule, it&#039;s no wonder he looks as he does. Sallow cheeks, shadowed eyes, and wearied eyebrows greet everyone at the Garage. But, despite his fatigue, Steve manages a smile--the small upward edging of his lips as he takes to the side entrance. The cigarettes are noted, and with a tick of his eyebrows, he notes, &amp;quot;At least they aren&#039;t Gauloises.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Bucky has somehow found ways to be absent or otherwise largely avoid Steve, when his friend cycles around to visit the garage. He knows it&#039;s not really the right thing to do, but it&#039;s the only thing that feels safe to do... up until he can be sure of how he might control his reactions. Up until he&#039;s sure he&#039;s really fixed, he&#039;s really recovered, that he isn&#039;t just dreaming this small taste of freedom. This entire life that he supposes was his real one, all along.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That he won&#039;t black out and wake up with blood on his hands. Least of all the blood of those he cares for most.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This time, though, there&#039;s no avoiding it. Steve comes and finds him-- and this time, Bucky doesn&#039;t quietly pack up and run away. Steve&#039;s opener makes him laugh, albeit a short and largely humorless one. The fragment of sound exhales a burst of smoke. &amp;quot;Worse, if you can believe it. They filter the shit out of cigarettes these days. Can barely taste &#039;em.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He offers the pack. He hasn&#039;t looked at Steve up until now, but his blue eyes cut upwards-- and he pauses noticeably to see the condition his friend is in. &amp;quot;You look like shit,&amp;quot; is his familiarly gruff greeting, though he doesn&#039;t look like roses himself. &amp;quot;You haven&#039;t been sleeping.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The pack is taken and Steve extracts a cigarette he presses between his lips. He hasn&#039;t smoked since waking up, but at the moment, it seems like an olive branch. &amp;quot;Got a light?&amp;quot; He issues Bucky a one shouldered shrug. The mention of the change in cigarettes though prompts his eyebrows to lift, &amp;quot;The future isn&#039;t all it&#039;s cracked up to be,&amp;quot; Steve replies with a crack of a smile before sliding down to the floor to actually sit. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The mention of how he looks causes him to run a hand through his hair as a self-deprecating smile tugs at his lips. He&#039;s not about to deny it, but he won&#039;t affirm the point either. But he does follow it with a tuck of his chin in a vague nod. &amp;quot;Thanks.&amp;quot; His lips quirk again as his eyes stare out the door, a much easier place to consider. &amp;quot;Been working a lot. That&#039;s all.&amp;quot; With a lift of his eyebrows he adds, &amp;quot;The travel is insane,&amp;quot; as if that&#039;s why he hasn&#039;t been sleeping.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Got a light? Steve asks. Bucky fishes in a pocket and takes out a cheap little plastic lighter, which he tosses over with a vague look of apology. &amp;quot;Haven&#039;t found any better yet,&amp;quot; he makes excuse. &amp;quot;Everything we were used to... all &#039;vintage&#039; now, I guess.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He looks like he wants to grin at the jab about the future not being so great, but his expression only makes it halfway to a smile. It falters and vanishes soon enough, as the silence draws on. How do best friends speak to one another, across the gulf of decades and experiences their teenaged selves could never-- in a thousand years-- have anticipated happening to them?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Working what?&amp;quot; he says. &amp;quot;I was never... told much about you. What you were doing. How you -- /lived/. Was never much sent to America at all, unless for desperate measures.&amp;quot; He stares at the sky. &amp;quot;I guess they thought I would remember too much. I did remember enough to run away, the last time I was here.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He takes a nervous drag of his cigarette. &amp;quot;You know what I&#039;ve been doing.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The plastic lighter is caught and wins another smirk. &amp;quot;Everything&#039;s plastic now,&amp;quot; Steve&#039;s eyebrows lift at that. He plays with the mechanism, rolling his thumb over it twice to get it to light. The flame catches the end of the cigarette and Steve takes a puff. His mind wanders as he inhales, remembering his last cigarette decades ago. It was shortly before he went down over the Atlantic. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He frowns at the memory but offers, &amp;quot;These are terrible,&amp;quot; to mask any negative perceptions. The question earns a small tick of a smile though. &amp;quot;I don&#039;t even know.&amp;quot; His lips press together momentarily and then he offers, &amp;quot;SHIELD for one,&amp;quot; as he looks towards Bucky momentarily. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With another puff of smoke, he ponders what he&#039;s been doing and how he&#039;s even here, prompting his eyes to find the space outside once again. &amp;quot;I was frozen. At the tail end of the war--&amp;quot; his lips twitch &amp;quot;--or, at least, I think it was the tail end, I had to sink a plane into the ocean. It was heading for New York.&amp;quot; He finally turns to face Bucky, &amp;quot;A massive weapon that would&#039;ve caused the city to go up in flames.&amp;quot; His hand lifts as if to suggest it&#039;s something that just happens. &amp;quot;I ended up frozen in ice for... well. Awhile.&amp;quot; He shrugs again. &amp;quot;I&#039;m still getting my bearings. SHIELD woke me up.&amp;quot; There&#039;s more to that thought, but he leaves it alone.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Even the goddamn razors are plastic,&amp;quot; Bucky grumbles. &amp;quot;That&#039;s going on the list. A proper razor.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s good that he&#039;s even thinking of lists at all. Thinking about lists of items to get, to resume some sense of familiarity in his life, is better than &#039;running off and killing as much of Hydra he can find, and probably flaming out in a suicide bombing to top it all off.&#039;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Not that he&#039;s not still considering that, in his darker moments. The thought crosses his eyes briefly, in the wake of his wryness as he thinks about how everything is so different than how he remembers it...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then Steve speaks, and Buck comes back from wherever his mind went. His eyes focus again with thought as Steve says: SHIELD. As Steve explains how he &#039;died,&#039; and how he came to live again. The implication is that he was only reawoken recently, something that brings Bucky to comment with dry humor, &amp;quot;You in SHIELD. Me with Hydra. We&#039;d have wound up coming to blows, this went on too much longer.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He shakes his head. &amp;quot;Good thing you only woke up recently. Though you always did like to sleep in unless I gave your ass a kick.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bucky is silent for some time. The only thing about him that moves is the smoke drifting from the end of his cigarette. &amp;quot;I killed a lot of people, Steve,&amp;quot; he finally says, very quietly.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The mention of their potential coming-to-blows causes Steve&#039;s cheeks to puff out with a huff of air that emits smoke. He hums softly with the notion. &amp;quot;Yeah,&amp;quot; he agrees softly. Good thing it all ended and he didn&#039;t wake up earlier. He manages a laugh, but there&#039;s nothing humoured about it. The hollow noise that he offers sounds less emptier than he feels. His eyes lid lightly. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s so much in the space that he wants to say, so much he wants to offer, but there&#039;s something else begging to be said. But Bucky breaks the silence instead. Steve can feel his jaw tighten and he allows his eyes to train on the ground in front of them. &amp;quot;...I know,&amp;quot; he says quietly. There&#039;s no judgment in the words, but all the heaviness of the moment--a heaviness worn in Cap&#039;s shoulders, expression, and even his hands as they hold onto the cigarette. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the tension isn&#039;t judgment. It&#039;s something quite different. His head turns towards his friend annd then with all the earnestness that Bucky has likely come to expect from Steve, he offers, too-sincerely &amp;quot;I&#039;m sorry, Buck.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;His literal inability to face Steve is obvious in these moments. Bucky actually turns away from Steve physically, his body language tightening up, his hand curling about his cigarette. It&#039;s the posture of a beaten wolf trying to decide whether to make itself even smaller, or lash out and bite.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In the end, he does neither. Just holds still in that limbo between the two options, hunched and silent, with eyes that stare off a thousand miles away. Hearing &#039;sorry&#039; from Steve just seems to hurt worse. &amp;quot;You didn&#039;t know,&amp;quot; he says. &amp;quot;And then you were frozen.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For the first time, his left arm -- covered up under his long-sleeved shirt -- makes itself known. Its familiar clacking, steely grind advertises its lethal presence.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;m going to see them destroyed,&amp;quot; he says. &amp;quot;Don&#039;t know how. Don&#039;t know how fast. But I will. Once Claire is recovered, and I can go.&amp;quot; It sounds like a vow. It is one.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s easy to excuse a man frozen in the ice. But it&#039;s so much more than that. The remark has Steve&#039;s eyes training on Bucky, even if Bucky will avoid him at all costs. &amp;quot;I..&amp;quot; he almost chokes on the thought &amp;quot;...didn&#039;t catch you. I didn&#039;t go back. I didn&#039;t think anyone could--&amp;quot; his eyebrows knit together tightly and he cuts himself off. &amp;quot;I&#039;m sorry. I am.&amp;quot; It&#039;s so much more than the not knowing. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The vow though merits a small nod of Steve&#039;s head. His teeth toy at his bottom lip and he quietly adds, &amp;quot;Me too.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His blue eyes sweep across the room and he inhales a long breath. &amp;quot;SHIELD has resources. Hydra is still in operation. We were supposed to stop them; that&#039;s what the War was. But here they are. Changing history, engaging in strange practices, up to the same tricks,&amp;quot; he struggles to give it words. &amp;quot;We... //I// didn&#039;t finish the mission.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then, almost as if it was decades before, he admits, &amp;quot;I don&#039;t belong here. I know I don&#039;t. This time, this place, I&#039;m struggling, but this I know to be right. Hydra needs to go. We can do this together, you know... come join SHIELD...&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Bucky can feel Steve&#039;s eyes on him. He doesn&#039;t try to meet them, resolutely staring at a spot on the ground as if it&#039;s the most fascinating thing he&#039;s ever seen. The emotion in Steve&#039;s voice tightens his own expression, until finally he reaches over-- with his right hand-- and grips firmly on the other man&#039;s forearm. It&#039;s both a quelling and a forgiving gesture.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Steve,&amp;quot; he says softly. &amp;quot;There was a mission. You had to finish it. We all knew that, going in.&amp;quot; He shakes his head. &amp;quot;The snow was so deep you wouldn&#039;t have found me before the Soviets, anyway.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He falls silent as Steve admits the mission wasn&#039;t finished at all. Perhaps that one was, but the greater mission, the overarching goal of it all... &amp;quot;No,&amp;quot; he says. &amp;quot;We didn&#039;t stop them, in the end.&amp;quot; His features reflect a profound bitterness. &amp;quot;I just wound up being one of their best tools. I did so much for them, over the years. So much of what you must have been told about the last eighty years... was me.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He laughs bleakly. &amp;quot;If you failed, then I was worse. A turncoat.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He goes silent again as Steve admits he doesn&#039;t belong here. Neither does he, he thinks, and he might have said something to that effect, but Steve saying they could do it together-- that he could join SHIELD-- &amp;quot;I&#039;d be joining you,&amp;quot; he says. &amp;quot;Told you it was the skinny kid, who I first met with his face in the concrete, that I&#039;d be following.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He looks down. &amp;quot;You&#039;re still the same, in that way. Me...&amp;quot; He tenses tellingly, before instead of giving voice to whatever he was thinking about, he just shakes his head and goes silent.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The hand at his forearm steadies Steve, and it reminds him of a very different time. One where things felt a lot more straightforward. Even if they weren&#039;t, they definitely felt that way. But then Bucky describes himself as //a turncoat//. &amp;quot;Not by choice,&amp;quot; Steve replies quietly. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a long pause that follows, the kind of silence where Steve isn&#039;t sure whether what he&#039;s doing is the right thing or not. But then, it feels right. &amp;quot;Then join //me//.&amp;quot; He can feel the weight of it on him, &amp;quot;People have this idea about me... they don&#039;t know me.&amp;quot; He actually laughs at that, &amp;quot;They expect something that I&#039;m not. That I&#039;ve never been.&amp;quot; His eyebrows draw together tightly. &amp;quot;But I&#039;m just that kid from Brooklyn getting pummelled. I still have no idea when to run away from a fight.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He swallows hard around the growing lump in his throat. &amp;quot;So I hope,&amp;quot; his eyebrows lift again, &amp;quot;you believe me. We&#039;ll take them down. All of them. And we won&#039;t be done until the last is gone.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The physical contact seems to have a similar steadying effect on Bucky. This is familiar-- the two of them being one another&#039;s support when there was no one else in the world to be their support for them. Two orphans, with nothing in the world but one another. Perhaps that fact-- the way they grew up depending on one another-- is the reason why Bucky keeps avoiding Steve&#039;s eyes. Afraid of what the other man might see if he&#039;s allowed to look in them too long.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The silence stretches on, and he doesn&#039;t interrupt it. Not until Steve entreats him to join him... and speaks, with a rare vulnerability, of that great schism between Captain America and Steve Rogers. &amp;quot;The symbol you are...&amp;quot; he says, &amp;quot;that&#039;s built off what you always were. A guy who&#039;d never give up. I&#039;m with that guy. Wherever he chooses to be.&amp;quot; If that is SHIELD, it will be SHIELD.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He finally meets Steve&#039;s eyes. Only briefly, but for a few seconds, blue meets blue. We&#039;ll take them down, Steve says, and for the first time Bucky&#039;s brief smile seems genuine. &amp;quot;We started a job, and it&#039;s time to finish it.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bucky just hopes that Steve doesn&#039;t see him for who he truly is -- for who he&#039;s become -- before then. He thinks the last thing that could break his spirit would be to have Steve Rogers look at him and see the monster he has become.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The eye contact and Bucky&#039;s smile earn a hint of Steve&#039;s former warmth in return. His pale skin actually gains some of its lustre while the warmth returns colour to his cheeks. Agreement comes easily through a nod, slow, but purposive, and Steve can&#039;t help but smile in return. It&#039;s enough. The thought of regaining something in all of this grants him a sense of renewed confidence despite the fatigue. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Alright. We&#039;re in this together,&amp;quot; again. And then, more solemnly he responds to the remarks about the symbol, &amp;quot;Thanks,&amp;quot; for seeing him. But he leaves that much unspoken, choosing to finish the incredibly filtered cigarette instead. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bucky&#039;s hopes seem to be safe for the time being. Where others see a monster, Steve only sees his friend.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Tayaniye&amp;diff=1530</id>
		<title>Tayaniye</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Tayaniye&amp;diff=1530"/>
		<updated>2017-09-10T04:51:02Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{TPPage&lt;br /&gt;
|Summary=The efforts of an unlikely group to get the Winter Soldier to come in from the cold.&lt;br /&gt;
|Scale=Minor&lt;br /&gt;
|Runner=229&lt;br /&gt;
|Contacts=230&lt;br /&gt;
|Participants=229, 230, 99, 294, 306, 160, 93, 174, Melinda May, Loki, Ares, Vanya, Angel&lt;br /&gt;
|Groups=[[Just Cause]], [[SHIELD]]&lt;br /&gt;
|Audience=Street Level (generally)&lt;br /&gt;
|Genre=R, Char-focused&lt;br /&gt;
|Desc=The Winter Soldier has been a Soviet horror story for countless decades, assumed to be a Red Army soldier who transcended to become Mother Russia&#039;s most lethal weapon, responsible for deleting threats to the State both external and internal.&lt;br /&gt;
&lt;br /&gt;
Up until a few people discover his origin is not all it seems. Realizing he is in actuality a brainwashed James Buchanan Barnes, the lost partner of Captain America, they hatch a plan to try to save a man who has no awareness that he even needs to be saved.&lt;br /&gt;
&lt;br /&gt;
...Some people are much more excited about this plan than others.&lt;br /&gt;
|State=Finished&lt;br /&gt;
|Info=n/a&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=2284/Ataraxia&amp;diff=1528</id>
		<title>2284/Ataraxia</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=2284/Ataraxia&amp;diff=1528"/>
		<updated>2017-09-09T19:58:57Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/09/01&lt;br /&gt;
|Location=Staten Island, New York&lt;br /&gt;
|Synopsis=Plot finale. Having developed a plan to save Claire Temple, Steve Rogers, Mercy Thompson, Sam Winchester, and Winifred Burkle follow Bucky Barnes to the Hydra base where the former Winter Soldier knows she is held captive... but find themselves facing their personal nightmares before they can break her free.&lt;br /&gt;
|Cast of Characters=229, 112, 160, 99, 294, 230&lt;br /&gt;
|Tinyplot=Tayaniye&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Saint Michael&#039;s Medical Center-- a modest campus comprising a few buildings encircling a larger main hospital-- isn&#039;t hard to get /to/, per se. No harder than it is to get to anywhere else on Staten Island, though it&#039;s a bit of a trek from the more habitated centers of the island. The hard part about this is going to be getting /into/ the medical center, though the ragtag group that Bucky Barnes has brought back to Claire&#039;s place of incarceration has a plan. Well, at least half a plan. Maybe one-third of a plan.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bucky was able to pick out a time when workers out on the grounds of the medical center would be at a minimum, and when most construction efforts would be on the upper floors of the main building that is their objective. He hasn&#039;t brought them to the front door, however-- or at least, the side door he uses as the Winter Soldier-- because the Hydra presence starts right there, and he wouldn&#039;t want to have to execute any of them that Hydra deems rather less interesting in terms of a &#039;catch.&#039;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Instead he&#039;s brought them to a small maintenance shed, about halfway between the sparse woods surrounding the campus and one of the buildings on its very fringe. There&#039;s no immediate indication why he would pick this place over any other, up until he breaks the lock off the door with his left hand and reveals within-- instead of the expected generators or gas tanks such a place might contain-- a ring of concrete centerpieced with a heavy steel hatch.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Back door,&amp;quot; the erstwhile Winter Soldier explains tersely. &amp;quot;They only have one official way in and out, but the brass always keep a personal way out in case of emergency. Doesn&#039;t open from this side, though. Only opens for a switch in a control room on the first sublevel.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And there he left them, to dubiously trust that he is not LYING and will actually execute their plan: to have him bring Captain America in as a prisoner, and to open this back way for them once within. This required some level of... preparation in making Steve look appropriately roughed up, which Bucky did NOT appreciate, but necessity was necessity.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The plan went surprisingly well at first. Nobody at the &#039;front desk&#039; is nearly qualified to stand in the way of the returning Winter Soldier, however late he is. Once he and Steve get down to a level with some actual security, and Bucky gets questioned about his unexpected cessation of contact for two days, he is promptly forgiven-- more than forgiven-- once he displays Captain America, wrists chained behind his back, and the iconic shield.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;How long are you going to stand here asking me pointless questions?&amp;quot; Bucky eventually loses his patience, with convincing Winter Soldier frigidity. &amp;quot;Volkov is going to want to see this for himself, and he&#039;s not going to thank you for holding me up.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Such it is that Bucky and Steve find themselves occupying the freight elevator leading down to the subterranean levels beneath the hospital, the former wearing Steve&#039;s shield. There is silence, for a time.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;As long as this doesn&#039;t go like that one time with Namor,&amp;quot; Bucky mentions under his breath, &amp;quot;it&#039;ll be fine.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Dirtied, bloodied, and bruised Captain America assumes silence through the entire proceedings with his blue eyes trained solidly on the floor. It&#039;s odd, in a way, for him to so earnestly avoid eye contact, but being a prisoner meant acting the part. The skin of his wrists complains underneath the shackles, partly because he&#039;s drawn them apart from each other. Defiance seemed far more convincing than easy complicity. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His eyes trail around the elevator as the pair enter the elevator. Thanks to SHIELD, cameras in elevators have become something of a norm in Rogers&#039; life, but the murmur warrants a small pull of the Captain&#039;s lips on one side. It&#039;s not a smile, but it does reflect memory. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You know how tempted I was to leave him with them?&amp;quot; he mutters in response. &amp;quot;If they hadn&#039;t had a doomsday weapon...&amp;quot; the suggestion that he would&#039;ve left Namor with Hydra is ridiculous, and they both know it, but it&#039;s also the most normal things have felt in days, an irony that doesn&#039;t escape Steve&#039;s notice.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred doesn&#039;t trust Barnes. That has been made clear not only in her actions dealing with him, but in words that she&#039;s expressed to both Mercy and to Sam. She worries that this plan relies too heavily on him, to much on expecting him to be able to pull it off. However, she does realize that putting bombs at the main entrance as a distraction immediately puts everyone in the base on high alert to start. Without any other valid plan, this is their best bet and they don&#039;t have the time to hash out something better. That doesn&#039;t mean she has to like it. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hiding nearby the door of the shed, Winifred Burkle gives Sam a worried look - one that she has given him quite a few times since the fight at the junkyard. This is a high stress situation and she knows he&#039;s been using his powers more. That&#039;s the last thing she wants to have happen tonight, even if she knows the possibility is high due to high stakes of this infiltration. A hand readjusts the bag of firepower that is her haul that they brought with them. A few other items from the Hyperion&#039;s weapon closet are also there. She gives a glance to Mercy, checking on the coyote. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then, her attention turns to the door, willing it to open. Claire is somewhere inside and - according to Sam&#039;s vision - being tortured. They need to get in there as soon as possible. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Waiting. It&#039;s one of the worst thing about plans that are multi-pronged.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while Mercy Thompson waits in that maintenance shed, dressed in simple serviceable and dark clothing, she remains mostly silent. As with previous iterations of the group&#039;s crazy plans, ambushes and rescues, she likewise has a small messenger bag. The strap of the bag is slung diagonally across her body, with the bag filled with a variety of bombs, grenades and weaponry. She also has several hellfire molotov cocktails strapped to one arm, with the slender tubes carefully concealed under the sleeve of her black jacket. Upon her other arm, overtop the sleeve of her jacket is her trusty smartphone. Ready to detonate things should she need a remote charge.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her arms across crossed over her chest and while she keeps most of her senses attuned to the world around them, part of her mind is focused elsewhere. In a prayer. It goes something like this -&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Please let this work. Please don&#039;t let anyone die. Please let us find Claire.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The prayer is repeated like a mantra and finally after the third repetition of that prayer Mercy opens her eyes. Her gaze circles the room around them and the people within, and with that look of hers she catches Fred&#039;s own glance her way. While she doesn&#039;t necessarily smile at Fred, she does at least acknowledge the other woman&#039;s look with a nod.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s all seriousness right now from the Coyote. Then, much like Fred, Mercy turns a quick look to Sam as well.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam Winchester trusts that the Winter Soldier isn&#039;t lying. Whether or not he&#039;ll actually get to the switch that will let them all in? Well, that&#039;s another question and another concern.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The truth is, once the plan was set he spent zero time thinking about it. He swallowed a ton of Advil and took a very long nap after his disasterous attempts to scry the place. Now there&#039;s a faint, dull ache behind his hazel eyes, but nobody would know it to look at him. He has come armed to the teeth in full Winchester style, with his favored Beretta 92FS in the shoulder holster under his bulletproof plaid shirt and tactical jacket, a Smith and Wesson 5906 that he&#039;s got at a waist holster, poorly concealed but still technically concealed, the pair of tactical knives in either boot, the neck knife tucked down his shirt, and one more tucked into his belt.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Knowing a sorcerer is on site means he couldn&#039;t skimp on his normal weaponry either. He&#039;s got two flasks of holy water tucked into the inner pocket of his jacket, and two Crown Royale bags full of rock salt. Chalk if he needs sudden sigils, iron dust, twine, and one can of spray paint just in case they find themselves in need of a devil&#039;s trap or something similar.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Conspicuously absent from this kit are two items. The ICER pistol, and the bespectacled bunny he&#039;s been carrying about. The latter simply cause he doesn&#039;t want to lose Feigenbaum in some Hydra Hell-hole, and cause he needed the room for weapons. The former, because after thinking long and hard he decided that anyone willingly working for Hydra under the ground qualified as a monster in his book, and he didn&#039;t feel like they had a lot of time to play around. If he leaves a bunch of unconscious bodies there&#039;s the chance Hydra knows how to help them recover quickly, and then they might well get swarmed. It&#039;s a risk he&#039;s not willing to take, for any of them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s also probably a safe bet that he did shoot up at some point, because he needs a shot about every four to six hours to keep withdrawals, alone, at bay, let alone to feed any abilities he might want to use. At the very least, perhaps, the arsenal he&#039;s brought might indicate he&#039;s not keen on relying on those. Not here, not knowing they fit into Hydra&#039;s plan somehow.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He catches both women staring at him. He reaches over and squeezes Fred&#039;s shoulder. &amp;quot;We&#039;re going to bring her home,&amp;quot; he murmurs, with the calm assurance of someone who has walked into enough dangerous situations to have lost count of them, and who has had to lead people who were not so assured out of them safely.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Either he&#039;s unaware that they&#039;re concerned about his tainted blood and the tainted powers that come from it, or he&#039;s choosing oblivousness. Either way, he focuses on the mission.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Surprisingly, there are no cameras in the elevator. Bucky obviously knows this already. Hydra is not an organization that benefits from keeping copious recorded footage of its own doings. It&#039;s not how they really operate.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He still keeps his voice down, though, when he answers with an audible smirk in his voice, &amp;quot;We coulda left him a little longer than we did.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The time for jokes eventually comes to an end. Not soon, either: the elevator seems to descend a long time before it finally grinds to a stop, opening onto a sterile, plain, and cookie-cutter environment that seems quite part and parcel of what one might expect of an organization like Hydra, with its fetish for redundancy. Bucky gives Steve a bracing glance, and then he puts the Winter Soldier mask back on. His left hand takes his best friend harshly by the upper arm, dragging the battered-looking Captain America down the halls.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The control room they&#039;re looking for is actually on the first sublevel, which is convenient, but it&#039;s on the other side of the base from the elevator that brought them down here. Still, they don&#039;t really encounter that much in the way of resistance. In fact, they don&#039;t really encounter many others at all. The people staffed here all seem busy; idleness is not tolerated.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They do stare as the Winter Soldier passes with his singular prisoner, however. One person stares longer than the rest, unnoticed by Bucky from her position at the end of a long hall that he passes by.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s one person manning the control room when they arrive, someone very easily ordered out by the Winter Soldier. Bucky cuts a look at the door, doesn&#039;t let go of Steve&#039;s arm (&amp;quot;Sorry,&amp;quot; he says, sotto voce), and then flips the switch to open the back entry.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s audible when that heavy hatch unlocks, a resonating sound of metal. It won&#039;t be hard to heft it open. What might be hard is deciding what to do, when a look down reveals a pitch-black tunnel boring straight down into the earth. No ladder. No nothing. And it looks like it goes down a very long way.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Relief colours each corner of Captain America&#039;s face at having no eyes in the elevator, but Steve&#039;s eyes dance with amusement at the thought of leaving Namor longer. &amp;quot;Probably should&#039;ve,&amp;quot; he mutters to his feet. But moments later the doors open and Cap assumes his silence once again. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Booted feet shuffle along the cement floor. Yet his blue eyes follow the corners and edges of the room. He feels like he&#039;s being watched, prompting him to seek any signs of surveillance aside from the eyes that seem to follow them through the base. He even takes notice of the woman who stares at them, blue eyes lingering on her longer than would be considered polite. In fact, from a prisoner, it might be dubbed overtly aggressive, a thought that has his eyes flitting away moments later. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The pressure on his arm produces a dull ache, but it barely registers along the curiosity he bears. He casts a long look at Bucky. &amp;quot;How long you think until we have company?&amp;quot; he murmurs, eyes trailing towards the door.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;All of those outside are a bit on edge. That&#039;s understandable, considering what is at stake and how their previous attempts at infiltrating had gone before. The knowledge that their rescue of Sam was only &#039;mild&#039; interference has Fred on even more of an edge than she was before. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For a brief moment, when Sam puts a hand on her shoulder, she reaches up to hold it. Then, though, she nods, eyes back on the shed in front of them. &amp;quot;We&#039;ll find her,&amp;quot; she agrees.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When the hatch audibly unlocks, Fred is quick to scurry forward. She gives a quick look about her as she does so, but then she&#039;s putting her - not exactly impressive - strength behind opening up the door. With the additional help of Mercy and Sam, the door swings open. If she was expecting the waiting to be the hardest part? Well, she would be wrong. Now they need to find a way down a dark tunnel with no ladder and no means of descent. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Frowning, Fred reaches into her bag to bring out a bundle of rope. &amp;quot;I...I&#039;m not sure this&#039;ll be enough,&amp;quot; she tells the others. &amp;quot;But, we could see how far down it goes?&amp;quot; &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Mercy watches Fred and Sam and at both of their words the coyote nods. &amp;quot;We will.&amp;quot; She says, finally speaking.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And even without her sensitive ears Mercy would have heard that click and clank of the hatch unlocking. That sound is enough to cause the coyote to straighten up and drop her crossed arms down to her side.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then it&#039;s onward to help Fred lift that hatch upward. When it reveals a descent into darkness the mechanic frowns. &amp;quot;Great.&amp;quot; Mutters Mercy Thompson, perhaps echoing something of how Fred currently feels. While the more slender woman reaches into her bag for that bundle of rope, Mercy will reaches into her own bag of plenty as well. From it she pulls forth a small compact flashlight. Then the coyote is crouching down near the hatch and leaning forward slightly. With a flick of her thumb the flashlight is turned on and while it lights a good portion of the tunnel it doesn&#039;t quite reach the bottom. That&#039;s enough to cause the dark-haired woman to mutter even more beneath her breath.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Straightening up from her crouch, Mercy says, &amp;quot;I can&#039;t see the bottom. I&#039;d say let&#039;s drop the rope down and then one of us can go down and see what it looks like.&amp;quot; At this point her gaze turns to Sam versus Fred. &amp;quot;I can probably do it. I&#039;m pretty good with long drops.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam frowns thoughtfully as he stares down the shaft. Not an elevator, like he expected, but a lift from the bottom. He doesn&#039;t speak right away. &amp;quot;A better look would be wise,&amp;quot; he agrees, slowly, &amp;quot;Though I don&#039;t know if 50 feet is going to cut it. I think ultimately I&#039;ll have to float you two down there, and someone will have to send the lift up for me. But let&#039;s get more information. If you think you can go down, then I&#039;ll hold this end of the rope. And I&#039;m here to uh. Catch you. If you fall. Two different ways.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He frowns down at the shaft, contemplating how much more &#039;juice&#039; he might need for this, but decides it&#039;s not time to distress them with that yet. He gazes about, wishing there were something more solid to attach that rope /to/, but. There isn&#039;t.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Fred, if you can steady me a bit,&amp;quot; he suggests. Small and slight though she is, a bit of extra weight to keep him stable is still nothing to sneeze at, that and a pair of good set stances and his own strength ought to keep Mercy from say, dragging them down the horrific tunnel with them. &amp;quot;This is why I need to buy myself a cool drone camera,&amp;quot; he adds, apropos of nothing. &amp;quot;Or sign the paperwork at last so that when I do stuff like this, I can say &#039;hey SHIELD, can I have a cool drone camera? And they&#039;ll say yes.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He sage nods. He&#039;s dork babbling because sending Mercy down the shaft is making him nervous. Don&#039;t mind him.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Meanwhile, inside:&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In that instant, the Winter Soldier moves past with his prisoner.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&amp;quot;Is that Captain America?&amp;quot; asks one of the HYDRA personnel in the passing -- and admittedly keen -- earshot of the two passing super-soldiers. His voice lifts with undisguised shock. &amp;quot;I didn&#039;t ever hear of anything --&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Sounds like it happened,&amp;quot; another man answers, sharing that same look of disbelief. Because shared amongst all their minds is that same thought: this is a game changer.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Anastasiya Nikolaevna Zhuraleva, among that small group, lifts her head, and in that instant, meets Captain America&#039;s blue eyes with her own, pale and steely. He holds her eyes, and she looks right back, her lean, rifle-straight body shouldered against the wall. A cigarette curls smoke from between her lips.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They walk by. Her nostrils flare as she stares after them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The men continue to chat. &amp;quot;What do you think they&#039;ll do with him?&amp;quot; they say. &amp;quot;We should confirm intel from the Vila. She must have heard something from SHIELD.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Stasya isn&#039;t listening. The soldiers, jailor and prisoner, pass out of sight. She crunches her cigarette and follows.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Apparently eighty years apart aren&#039;t nearly enough to dispel how attuned Steve and Bucky are to one another, when operating together. Steve turns his head to follow someone with his eyes, and at his side Bucky&#039;s grip on his upper arm tightens in wordless question.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He doesn&#039;t ask immediately. Not until they&#039;re in the control room, clear, and they&#039;ve gotten the hatch open for the others. The actual lift control isn&#039;t there, it seems, and Bucky transparently considers whether it&#039;d be safer to stay put and avoid being seen too much, or to keep moving in case people come to the control room and find the Winter Soldier... somewhere he has no reason to be, with a prisoner.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;How long do we have? Steve wonders. &amp;quot;Up until somebody notices I didn&#039;t go where I was supposed to go with you,&amp;quot; he says grimly. &amp;quot;I could start walking you there, but I&#039;ll be damned if I&#039;ll do anything to help a fake capture turn into a real one.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This is about the time he finally asks, &amp;quot;Who did you see?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;A twist of Steve&#039;s body silently asks for the restraints to be removed from his wrists. He&#039;ll need his hands in short order, likely. His eyes trail to the shaft and he inhales a long breath while he recalls Stasya. &amp;quot;A woman. Perfect posture. Average height. Cigarette in her lips, and obviously not easily intimidated,&amp;quot; Steve&#039;s eyebrows lift. &amp;quot;Formidable, I think.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He stares at the door in silent consideration. &amp;quot;We needed to get everyone in to help... Claire,&amp;quot; the strange familiarity of using the first name of someone he&#039;s never met feels nearly foreign on his tongue, &amp;quot;but we lose any advantage we have if we all get stuck in here.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His jaw tightens, and his fingers ball into fists. &amp;quot;...you should walk me there...&amp;quot; The logic in Steve&#039;s voice is unmissable when he notes, &amp;quot;Tactically it makes the most sense. I&#039;m over a hundred years old. I&#039;ve seen enough for more than a lifetime,&amp;quot; but there&#039;s something in his expression that speaks greater volumes. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Their compatriots haven&#039;t. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then, with a grim smile he adds, &amp;quot;That... or you could rough me up again if someone inevitably walks through the door.&amp;quot; Because there needs to be a reason to be here.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Unaware of what is going on inside, Fred looks between Sam and Mercy as they debate the merits of scaling downward. There&#039;s no argument when Mercy volunteers. While Fred has many other skills, rappelling downward in the dark alone is not exactly one of them. Of course, she would do it if that were way was necessary. There&#039;s a short nod as she agrees to the plan. &amp;quot;Let us know what you see.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Handing the rope to Sam, she can&#039;t help but grin at his divergence into drone cameras. She wraps her arms about his waist first in something that is like a fond hug before she then holds him tighter and plants her feet. &amp;quot;I think a drone camera at your disposal is definitely a good reason to join SHIELD.&amp;quot; There is no sarcasm there. She truly thinks that would be a sound point. &amp;quot;But only if they let me use it, too.&amp;quot; Clearly, a dealbreaker. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is a bit of a hesitation at knowing he&#039;ll be using his abilities to float them down should the rope not be long enough to do the trick. However, again, they don&#039;t seem to have any other choices available to them should that become necessary. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam&#039;s offer to catch her should she fall, whether with rope, or telekinetic powers, earns a small smile from the coyote. Then there&#039;s a nod to Fred&#039;s question. &amp;quot;I will.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then once the two are ready Mercy will pull her bag of tricks off and set it near the two. &amp;quot;Don&#039;t let me forget that.&amp;quot; Is her quick words, before the mechanic tucks the small flashlight in one hand, while the other grabs the length of rope. Pulling in a quick fortifying breath Mercy tries to center herself as best she can, before easing over the edge.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Even with the woman trying to be careful there&#039;s still going to be a sudden pull upon the rope. A hundred and ten pounds of it - Mercy can only mitigate so much of her weight. Her flashlight illuminates the area around her as she eases her way downward and when she comes to the end of the rope she looks downward again. There&#039;s an internal battle on whether she can make the rest of the drop and while she thinks she might be /able/ to, there&#039;s enough doubt there that the coyote once again mutters. It&#039;s only after that mutter that Mercy calls up, her voice echoing oddly thanks to the walls surrounding her, &amp;quot;Sam, I&#039;m going to need your help. I&#039;ll give you a count of three then catch me!&amp;quot; And with that, Mercy waits for confirmation from above and when it&#039;s received she says, &amp;quot;1-2-3 -&amp;quot; And there she goes - letting go of the rope.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while she /expects/ Sam to catch her that doesn&#039;t seem to stop the woman from shifting slightly so both her hands and feet are near each other to potentially take the brunt of any type of impact that isn&#039;t soft.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Thankfully, for Mercy, Sam does catch her in that TK grip of his and downward she goes. Until she hits the bottom. As soon as she&#039;s down she immediately plays her flashlight over the area and it&#039;s clear what the shaft is used for. A lift. Because there it is. A way to get everyone down. &amp;quot;There&#039;s a lift!&amp;quot; Comes her far away voice, &amp;quot;Get ready!&amp;quot; And just like that, Mercy brings the lift up - the only thing?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s noisy. So. Very. Noisy. Clearly the lift is not often used.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Catching a full-sized woman and floating her gently down to an unknown, unseen spot from 150 feet up is not, as it happens, as easy as it sounds. To date, most of Sam&#039;s TK adventures have involved quick actions. A throw of a full-sized Winter Soldier being his biggest and most dramatic. He takes it really slow and really steady when he gets her, and soon he&#039;s straining, red faced, sweating, gasping, trying not to let her so much as get jostled.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It takes more energy than he&#039;s ever used in his life, and he can feel all that tainted magic burning away in his blood.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Fred,&amp;quot; he gasps, knowing she&#039;ll hate having to do this, and knowing there&#039;s no choice. Both his hands, all his energy, all his concentration, are on one thing and one thing only. &amp;quot;Lower right hand inner pocket.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The headache that he&#039;d mostly gotten rid of starts to blossom slowly behind his eyes again, and he starts to tremble. This is not an addict stopping off for a top off, this is a real need here.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fortunately, Fred sees it for herself, and shoves up his sleeve to plunge that thick, bright red serum into a good vein as quickly as possible. This allows Sam Winchester to finish the job.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He puts his hands on his knees and pants for a moment as he listens to the noisy lift come up with a grimace, but he does reach back to take Fred&#039;s hand and squeeze it ever so gently, knowing...well. Knowing that sucked. For her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But he wastes no time, either. However concerned he is about the fact that they may have blown their stealth then and there, he jumps on board and gets ready to descend this tunnel the way it was meant to be traversed.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Steve turns in a wordless request for the restraints to be removed. Bucky, looking apologetic, gets the chain by his left hand and twists, snapping it so the links slither free off his friend&#039;s wrists. He unhooks the shield from his back, too, handing it over as he listens to the answer.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He transparently doesn&#039;t like what he hears. His expression goes flat, dislike and anger burning in his eyes. &amp;quot;A bitch is what she is,&amp;quot; he grouses. &amp;quot;Our time&#039;s definitely short now. That&#039;s Volkov&#039;s right-hand woman. She&#039;ll probably alert him right away. We are f--&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The sound of the lift grating to life, down at the other end of the hall, drowns him out. Bucky shuts up and looks, briefly, appalled.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Yeah, forget walking you there,&amp;quot; he says, crossing sharply to the door of the control room and jerking it open. &amp;quot;Let&#039;s go--&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The motorized lift moves.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Lacking cables or the infrastructure of a normal elevator, it appears to be a monstrously-sized scissor lift -- one whose folded lengths seem rigged to extend beyond this floor and much deeper: possibly into those five subterranean levels Bucky Barnes mentioned in detail.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When Mercy Thompson turns it on, the sound is unmistakable. In the narrow confines of the shaft, where sound layers on itself and amplifies painfully, it is near deafening, telling of a hastily-built construction creaky with disuse -- if use ever at all.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This back entrance was picked for its reason: it&#039;s not used unless it has to be.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With all three of them finally to the ground, what awaits in the dark, emergency-light lit tunnel are a pair of heavy steel doors. It leads out to a nondescript, skeletally-built hall, with walls and doors, though unfinished -- the ceilings piped with ventilation and water, and freshly-laid wiring braiding through the foundation. The halls are marked with the floor number. The platform eventually lets them down to the first, topmost floor of those five levels. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Pro: Both Captain America and Bucky Barnes are on this level with them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Con: The too-noisy lift attracts the attention of every single HYDRA person on Level 1. Within moments, the discrepancy is being called in across their channels. So come the sounds of voices and footsteps, approaching and unfamiliar, down toward the hall on the other side of the lift doors. &amp;quot;I&#039;m not hearing an authorization for this. Is it a false positive?&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And meanwhile --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Pro and con: The control room door opens.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And Stasya stands on the other side, her pale eyes two ice picks that scrape from Bucky Barnes to Captain America beside him. Two men making a very suspicious dug-out inside a room they shouldn&#039;t be.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Pochemu ty zdes?&amp;quot; she demands, lifting her jaw in the way predator animals do, as if to sip fear from the air.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Her eyes narrow. She does not hesitate. The woman takes her sidearm in hand, cold, deliberate, barrel swung to point directly on the chained Steve Rogers. Her finger pushes the trigger.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The freedom from the cuffs has Steve stretching through a series of simple rolls while Bucky identifies Stasya. Cap&#039;s wrists roll in tight circles, and in short order, so do his shoulders, allowing everything to work itself to its regular position. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the sound of the lift earns a sharp roll of Steve&#039;s eyes. &amp;quot;So much for the element of surprise.&amp;quot; His arm slides through the sleeve while crisp purposed steps drive him behind Bucky to the door. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Where w--&amp;quot; but the thought never makes it out. The click prompts reaction rather than thought out planning, and the shield lifts to deflect the bullet. The familiar //ping// of weaponry against vibranium echoes through the room. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Good sense goes out the window. The weapon draws closer to Captain America&#039;s chest and his fingers curve around the handle inside it. His wrist flicks as the shield twists in his grasp, bringing it to a sharp angle. He groans quietly when the shield releases from his grasp on a collision course with Stasya.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred helps Sam steady himself against Mercy&#039;s descent. Honestly, it&#039;s Sam doing most of the work in ensuring Mercy doesn&#039;t plummet down the elevator shaft. When they realize the rope is significantly shorter than is necessary to make it the rest of the way, she frowns. While she still holds on to Sam, she looks up at him when she realizes he&#039;ll have to use his abilities in order to ensure the coyote&#039;s safety. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As he starts to use his power, a hand remains on him, though now it is less physical steadying than an emotional one. Soon, she starts to realize that something is wrong. The way downward is not as easy as Sam had hoped and he needs help. Quickly, she reaches into his pocket, but it&#039;s only when she pulls out a syringe of blood that she freezes. She knows exactly what he wants and what that means and - also - what is at stake. It takes her a few moments, but the fear of an injured Mercy spurs her forward to roll up his sleeve and plunge the needle into his veins. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a breath that sounds almost like a gasp as she pulls the needle out and shoves it back into her bag - loathe to leave any evidence behind them. The lift shrieks in its ascent and she winces at that, holding Sam&#039;s hand as they wait and then board it. There&#039;s a shiver she can&#039;t stop for a few moments at the knowledge of what she&#039;s done. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As they descend, she has the same thought as Sam: there&#039;s no way everyone did not hear the lift. The footsteps and conversation easily confirms it. At least they&#039;re inside now. She pushes herself against a wall, hand reaching into her bag for one of the metal grabbing bombs. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It seems all three of them are having similar thoughts; the noise. The lift, while good in some sense, also wasn&#039;t the best idea.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But, it is what it is, and with the lift already rising upward Mercy can only let it continue.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When the trio is finally down within that bare-bones room, Mercy can&#039;t stop the look she sends between the two. Does she know something happened above? Possibly. Or rather, something within both of their scents gives her a little clue that something happened. And while she&#039;d like to ask what happened, Mercy doesn&#039;t. Not when their element of surprise is potentially blown. &amp;quot;I&#039;m going to bet someone heard that.&amp;quot; Says the mechanic quietly, even as she reaches for one of the molotov cocktails beneath the sleeve of her jacket. With that molotov cocktail in hand, Mercy because to move, but within a few short steps something causes the coyote to pause. Her head now cants to the side as her gaze moves to the steel doors that lead outward. &amp;quot;There&#039;s people approaching.&amp;quot; States the woman quickly and softly again and a second after that warning of hers, Mercy adds, &amp;quot;Two. There&#039;s two people coming toward the doors.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam Winchester steps in front of Mercy and Fred and draws his Beretta in one smooth motion. &amp;quot;Stay behind me,&amp;quot; he says grimly. He draws a bead on those doors that would be about center mass for anyone but a dwarf or a giant, hopes that they don&#039;t have body armor on, red emergency light casting strange shadows over his face as his emotions shut down. The moment the doors open he&#039;s going to go right ahead and try to shoot them both in the heart, offering one smooth, aimed shot and a second slightly hastier but still practiced one.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The position makes sense to him for a variety of reasons, from their chosen weapons to his bulletproof clothing to his huge size to simply the fact that there is a streak of John Winchester-taught chivalry/chauvinism that will never be fully rooted out of him. If someone&#039;s going to take a bullet tonight, it&#039;s not going to be one of the two women with him if he has his say.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;If this clears the way forward as Mercy&#039;s senses seem to suggest, he&#039;ll cautiously take it, if not...he&#039;ll prepare for the next round. He&#039;s not in love with this position, lacking cover as it does...being fast and accurate is about all he&#039;s got for keeping them alive here.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The door opens to a very unwelcome sight. Why are you here? Stasya demands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bucky transforms instantly back into the Winter Soldier. His head lifts, his eyes frosting, his mouth curving in a sneer. &amp;quot;Ne tvoye delo,&amp;quot; he snarls back, but it&#039;s way too little and way too late. He can&#039;t bluff his way through this. And he certainly can&#039;t bluff his way through a gun aimed at his best friend.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The reaction Stasya gets out of him is so ingrained that Bucky couldn&#039;t have stopped it even if he wanted to. The truth shines out of his suddenly-desperate eyes as he moves to try to protect Steve. Who, of course, doesn&#039;t need protecting anymore.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Seeing Steve&#039;s swift deflection and counter-throw, Bucky adjusts his own approach. He pulls his own sidearm, firing a bullet for her center mass. &amp;quot;Lift is down the hall!&amp;quot; he calls back at Steve.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Meanwhile, the two people Mercy heard approaching round a corner and appear in the hallway... but the gunshots at the control room, at the far end of the hall beyond the lift, draw their attention more urgently, and they pull their weapons and start pelting in that direction.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Peeking out the lift doors and watching where they&#039;re heading will yield the sight of Steve and Bucky and their conflict with Stasya, some fifty feet distant at the end of the hall, as their intended destination.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But Claire IS, the last any of them knew of her, on level two...&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Between the control room, the distant cries of the emergency lift, and Captain America, Stasya pieces it together. Realization and rage make her eyes glacial.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She moves quickly, seamlessly to fire that shot; however, Captain America is just as fast.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Vibranium arrests the kinetics of that bullet and crumples the round to a harmless thing, dropped on the floor; the woman has only the time to snarl before the subsequent throw of the shield slams into her, knocking her backward, out of the doorway and into the opposite wall of the hallway.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The collision is thunderous. It would crumple a man on the spot --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- especially followed up with a single shot from Bucky Barnes&#039;s gun that catches her in the stomach. Stasya doubles over, ended for the count.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then straightens back up, something decidedly unnatural about the double sets of eyelids pulling away from her reopening eyes. English, thickly accented, rises from her throat, as she spits blood. &amp;quot;Amerikanski trash.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;No more time wasted, as she lunges back at them, her first strike a too-strong roundhouse at Bucky&#039;s gun. Bones crack and mulch as she moves, and a shifting of her, a too-vivid ripping apart of human into animal --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- Mercy will smell. And recognize. And know. She&#039;s a wolf.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;It earns the entire attention of Level 1. Personnel run past, backs to the three emerging from the lift entrance, most of the HYDRA workers without guns and standing in shock at the unimagined sight of the fight. And Captain America --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Not everyone is clued into his appearance here. Enough that one man is yelling into his comm, &amp;quot;Something&#039;s wrong with the Soldier! How is Captain America here?! We have a breach!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Captain America doesn&#039;t stop on his course. Upon releasing the shield from his grip, he chases after it until Stasya doubles over from the hit, giving Cap just enough time to scoop it from the ground. The change in the woman&#039;s appearance causes his eyebrows to lift as he twists to try to strike her with a shield. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s Amerikanski trash. It&#039;s not wholly untrue. &amp;quot;I dunno--&amp;quot; he uses the shield like a kind of discus as the personnel begin to converge towards them &amp;quot;--Brooklyn&#039;s nice even with the hipsters--&amp;quot; he breathes out as he tosses the shield to ricochet off one of the base&#039;s walls to one of the incoming assailants. &amp;quot;--mostly--&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s little his shield can&#039;t do. Except be a gun. Which he would very much like to have right about now. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;As Sam takes point, Fred readies herself. She did, in fact, bring a gun. However, the physicist is far more used to crossbows, bombs and other devices similar to that. Determined, she arms the magnetic bomb, but does not yet toss it - keeping it ready. Two people is not enough to expend something as valuable as one of their bombs. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Especially as they ignore them and start to run in the opposite direction. There&#039;s a look to both Mercy and Sam. They&#039;re here now and people are alerted to their presence. &amp;quot;We need to find a way to second level,&amp;quot; she tells them. &amp;quot;The drawing he showed us had some sort of way to get down there, right? We have to use this to get to Claire.&amp;quot; As far as she is concerned, Barnes can look after himself. Plus, he has Captain America with him. Even if she cared about his well being, having the legendary Avenger on his side would be enough to believe they can handle it...even with the entire floor converging on them. This is, really, their best chance to find her and she is not about to waste it. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That look turns into action as she swiftly - and quietly - starts to move forward to find a way to the second sub-level. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam steps up to point. While this causes the coyote to frown she doesn&#039;t necessarily voice her thoughts. Instead, Mercy will shift a quick glance to Fred, before it&#039;s back to the steel doors.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then the trio is moving to those doors and peering out. Already chaos is starting to hit this particular floor and in some ways that&#039;s good, while in other ways it&#039;s bad. Now Hydra knows something is going on. It&#039;ll likely get harder here on out. Not that-that will stop the teams from completing their mission.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Automatically Mercy&#039;s gaze goes to the three main combatants down the hall. The woman, the Captain and the Soldier. Mercy&#039;s expression is grim, but much like Fred she knows they can take care of themselves. They have to at this point. That doesn&#039;t stop the mechanic from turning her gaze to finding a way for them to get to the second floor. Fred&#039;s reminder of the map Bucky drew for them gives Mercy a momentary ah-ha moment. &amp;quot;Stairs. There should be stairs nearby.&amp;quot; Because the only elevator that&#039;s near the trio is the one that currently has supersoldiers and Hydra agents near it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When Fred steps out of the room Mercy can be found close behind. Her eyes are searching for a specific type of door - the kind that leads into a stairwell. It doesn&#039;t take long to spot it and when she does Mercy says, &amp;quot;There.&amp;quot; Her words are quiet, even though the majority of people have their back turned to them. &amp;quot;Let&#039;s go.&amp;quot; And then the coyote strives to casually hot-foot it to that door - only something stops her. A familiar scent. A wolf. That scent causes the coyote to nearly stop in her tracks, her attention shifting to down the hall again. It only takes seconds for her to follow that scent trail and identify what it is; or who it is. &amp;quot;There&#039;s a wolf down there. The woman. She&#039;s a wolf.&amp;quot; And while Mercy&#039;s words are softly spoken Fred and Sam should be able to hear what she says. Even if not, they&#039;ll see Mercy immediately and suddenly change directions. Towards the trio fighting down that hallway. Someone best grab the coyote before she makes a stupid mistake, especially one she can&#039;t really help with, even if her brain is telling her otherwise.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam grabs the coyote by the arm. He does it with a grip that is surprisingly strong, even given his size.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His voice is low, intense, and urgent. &amp;quot;That&#039;s a pair of super soldiers giving us the best distraction we&#039;re ever going to have. Remember: our job is to /get Claire Temple out of here/. You run in there now you&#039;ll blow this. We need you, Mercy. Let&#039;s go.&amp;quot; It&#039;s the same sort of voice he uses when he has to remind Dean of some hard but important truth, a thing that often happens when Dean&#039;s emotions explode all over the place, leaving Sam, as the steady and, in some ways, less emotional of the two to bring him back to baseline. He doesn&#039;t know Mercy well enough to know if it will work, but...it is what it is.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And if it doesn&#039;t, well, even if she starts trying to change in his hand he&#039;s going to try to bring her right along with him to those stairs until she looks like she&#039;s going to thunder down there under her own power. Now he takes rear, as Fred was ahead of him and as he had to stop and gather Mercy. It&#039;s not an arrangement he loves, but at this point either end of the chain is a danger. He puts Mercy between them, lest she feel the need to dart up again.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;A blow from the shield and a bullet to the belly should have done for Stasya, and Bucky is already moving as if expectant he&#039;ll be stepping past a corpse. But his attempt to pass her meets with something unexpected: she&#039;s not dying. In fact, something else very different is happening to her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He stares as she twists and contorts, transforming, his shock lasting a moment too long. The kick stings his hand and sends the gun spinning into a corner. &amp;quot;&amp;amp;lt;Jesus fuck,&amp;amp;gt;&amp;quot; Bucky sputters. &amp;quot;&amp;amp;lt;Everyone already knew you were a bitch. Wasn&#039;t necessary to hang it out so everyone could see.&amp;amp;gt;&amp;quot; And while Bucky was always good at picking up languages, it&#039;s still no doubt disorienting for Steve to hear him spitting words rapidly in his fluent, slangy Russian. That language wasn&#039;t one he ever had before his &#039;death.&#039;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s some things that still stay the same, though, and one of them is the way Bucky seems able to just read Steve&#039;s wants from his body language. Using the time while Steve&#039;s attacking Stasya to recover his gun into his right hand, he unholsters another sidearm, passing it seamlessly to Steve as the both of them move the engagement fluidly out into the hall. He can see, beyond the gaggle of Hydra personnel, the others hustling towards the stairs, and he registers clearly what it is they need. A distraction. He starts to move--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Something&#039;s wrong with the Soldier, Bucky Barnes hears them saying. The phrase widens his eyes in an expression mingling rage, bitter humor, a thirst to hurt as he has been hurt... and the erstwhile Winter Soldier, he starts to laugh.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Nothing is wrong with me now,&amp;quot; he says, trying to push past the engagement of Steve and Stasya, as intent on the uncertain Hydra personnel-- his longtime tormentors-- as a hawk on mice. His eyes are wild, mad with the memory of decades of ill use. &amp;quot;You lost your leash.&amp;quot; He plunges after them even though they are unarmed and have no defense against him, and who he does not try to shoot, he is content to break in half or pull limb from limb with his bare hands.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The shield, ricocheted in perfect angles off the enclosed walls, hits its mark -- the vibranium ringing as it slams into a clustering group of HYDRA guards en route to the noise of the lift. It creates an opening to allow Bucky Barnes to do his work --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- and to begin taking his vengeance out on the people who once held his fetters.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She&#039;s a wolf, says Mercy.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Anastasiya Zhuraleva demonstrates how right she is. In a matter of moments, the woman distorts and rearranges, and in the time of a lunge, she is no longer even human -- but a monstrously-sized wolf not unlike the two packmates Thompson brought to the raid --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That died for the raid. Pitch-black pelt and sharing those same, glacial-pale eyes, the wolf circles Steve Rogers. Hers is a fight of control, man&#039;s intelligence against the animal rage, and the latter tips too-heavy, and the creature leaps at him in the precious window that he is without that shield, a full-force slam of huge weight to try to bear him down. Clawed paws tear and those wicked jaws, teeth almost as long as a man&#039;s fingers, snap wildly down in violent, furious desperation for his face, his throat -- all those soft places the beast begs to rip open. For his augmented strength, the wolf is a close match -- with just enough an advantage of her fury and momentum. She wants Captain America&#039;s blood. She will HAVE this kill, the first enemy of HYDRA, and do what the Winter Soldier could never accomplish.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Blood spills, in hat moment, by his very metal hand. A growing bloodbath that calls the attention of more operatives, yelling in comms to each other -- the Soldier is malfunctioning, SHIELD is here, breach of operations, EVERYONE to level one -- that the team of Sam, Mercy, and Fred are momentarily overlooked.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They have a clean run to a door marked as the stairwell down to the next subterranean level. It is boxed cement on all sides, freshly-lain and newly built, four flights that with distance and space screen the fight above into silence.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;By the time they reach Level 2, the entire floor feels like a push through a membrane into a new reality, this one quiet, too-calm. It is one long hallway: the far end has one door marked MEDICAL.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And the opposite end, on their other sides, has a group of three, two men and a woman, arrival in tac equipment and guns, no doubt deployed to the fray above -- and coming straight for the same stairwell the group will be leaving. Interception is imminent. The question is who acts first?&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Relief tugs at Steve&#039;s expression when the gun enters his grasp, and in a matter of seconds flat, he&#039;s firing at the wolf that won&#039;t fall so easily. &amp;quot;What I wouldn&#039;t give for a silver bullet right about now,&amp;quot; he mutters. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With a loud grunt and an even louder thud, the wolf&#039;s lunge towards him creams him on the floor, and underneath powerful paws, he struggles to keep the wolf away from cutting his face. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He struggles beneath her, writhing to wrestle against the enraged beast that so desperately wants to finish him. Knowing full-well that the weight of the wolf and his disadvantaged position mean he isn&#039;t likely to be able to just push her off, he shoves hard against her with his left hand, allowing his left arm to wriggle free until he press his forearm towards her mouth, offering it to her in a strange kind of sacrifice. Or rather, forcing it to her mouth. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His experience with werewolves is few and far between, but he hopes the SHIELD-tech Kevlar of his suit will be enough to keep his skin intact enough. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This gives him enough leverage to send a punch to the wolf&#039;s neck, aiming to cut off its breath hard and fast and give him the moment he needs to get out from underneath her.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred continues through the hallway as the ample distraction ensures that they will move along - hopefully - unmolested. As she is up in front, she only barely catches the hesitance of Mercy. What she does hear is the fact that the woman attacking Captain America and Barnes is a wolf. That&#039;s certainly information to be recorded, but for now she agrees with Sam - there is not much they can do about it. This might be the only opportunity they have to find Claire and they need to take it. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She&#039;s not without sympathy, had Sam not stopped to ensure Mercy traveled with them, she would have slowed. Instead, she is the first to reach the stairwell. Pushing open the door, she holds it to ensure both Mercy and Sam make it inside. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Unable to help herself, she watches what she can of the fray as she holds the door open. Turned the right way at the right time, he sees the woman turn into a wolf and lunge for Steve Rogers. There&#039;s a momentary pause, but she knows where her action must be right now and it is, unfortunately, not on this floor. As soon as they are across the threshold, she shuts the door behind them with what she hopes is a barely audible noise amongst the other chaos. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fury. There is so much anger within Mercy Thompson right now. It&#039;s a hot knot of emotion within her chest.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That rage only grows as Mercy quickly considers just how they could have /made/ a wolf here. Darryl. Likely from Darryl, or so Mercy Thompson assumes and that assumption is what causes Mercy to momentarily lose some of her typical logicalness. Before she can commit more than a few steps Sam (thankfully) grabs her arm. That stops the coyote&#039;s forward momentum, but it also brings her angry gaze around to the tall Winchester. While not typically ruled by the coyote, or its animalistic instincts, that doesn&#039;t mean anger can&#039;t cause her to react like it does. As such, Mercy&#039;s lip curls back showing her teeth in a display of very un-Mercy-like aggression. &amp;quot;You don&#039;t understand - Darryl!&amp;quot; Which says it all for Mercy Thompson and while it does matter, it also doesn&#039;t - at least not in the here and now. There are more important things at hand and the more measured side of Mercy manages to reassert itself when Sam drops Claire&#039;s name.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That doesn&#039;t cause the mechanic&#039;s anger to abate, but it&#039;s enough to get her back on track. She admits, &amp;quot;You&#039;re right.&amp;quot; Her tone of voice is harsh, even as she continues with, &amp;quot;It&#039;s okay.&amp;quot; Then finally ends it, &amp;quot;I&#039;m okay.&amp;quot; Giving voice to a (rare) lie, as she finally continues down the hallway (under her own power) and to that door that leads to the stairwell. Upon seeing Fred, Mercy will give the other woman a wordless look of thanks, before Mercy is taking those steps two and sometimes three at a time. Four flights for the coyote doesn&#039;t take long and as soon as she&#039;s at the door to the second level Mercy all but bursts through. As soon as she&#039;s within the second level hallway her gaze immediately turns to the noise of that approaching squad. The look on her face simply reads &#039;oh shit&#039; and then Mercy&#039;s gaze is dropping to the hellfire molotov that&#039;s still held in her hand. While she hadn&#039;t really ever intended to use these against regular humans (only superhuman assassins) that slim-easily-shattered tube is /thrown/ at the approaching squad. As soon as the molotov is out of her hand Mercy shouts a warning, &amp;quot;Got a squad here!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;If there is one thing Sam Winchester is used to dealing with-- and understands really well-- it&#039;s anger. In this case, the anger and anguish of knowing that a friend has been used to give Nastya the powers she so coveted. His eyes are sympathetic, but his grip, hard and steely, does not abate until the coyote says she&#039;s okay and moves to continue down the hallway. Then he lets her go. Fred takes the rear, and he slips behind Mercy, nodding to her, appreciating her letting him...well. Be a big Winchester meat shield.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But then Mercy is sprinting, and he hustles to keep up, swearing a little under his breath. She throws molotovs, and he lifts his Beretta. He uses his superior height to fire his Beretta over her shoulder, to try to finish off anyone of those men who weren&#039;t taken by the blast of the burning flame, his features blank with focus.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;One shot. Two. Three.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He wants these people down fast, so that they can get Claire while the distraction upstairs is ongoing.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;For a few critical moments, the erstwhile Winter Soldier loses himself in pure fury against his longtime slavers. He plunges into their midst, ripping them apart bodily, a maddened animal finally loose from its cage and free to wreak a very visceral sort of vengeance. With zero compunctions, he kills everyone that comes within reach, tearing loose limbs and opening throats with the edge of a drawn knife. He would find it a poetic sort of justice, if he were capable of forming coherent thoughts. They made him the weapon he is. Let them feel what it is like to have the weapon turned on them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He snarls to himself as they shout that the Soldier is malfunctioning. The fuckers frame it that way? They don&#039;t even frame him as a man capable of volitionally turning traitor, but as a machine that has to break to go turncoat? How fucking dare they--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The only thing that snaps him out of it is the sight of Steve going down beneath the werewolf. The rage breaks beneath the weight of an instinct far older than his abuse by Hydra-- the instinct to protect Steve Rogers. It&#039;s still there, even beneath the new man he has become... a man soaked in blood from the people he&#039;s already killed. He breaks off and swivels around to run straight back, pelting down the hall to try to hit the monstrous wolf in a ruthless clothesline with his metal left arm, simultaneous with Steve&#039;s own effort to punt her off himself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It tries to follow up by wrapping about the wolf&#039;s neck in a literal steel headlock, the arm whirring loudly as Bucky leverages all its inhuman strength in a vicious attempt to throttle the breath out of her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Go, Steve,&amp;quot; he barks. &amp;quot;They&#039;re heading down to the next level, they need one of us with them.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Or they might not, though Bucky certainly isn&#039;t privy to that knowledge. Mercy, fueled by rage, starts right in with the hellfire. It doesn&#039;t look anything like a conventional explosive, so the squad doesn&#039;t seem to know quite what to do with it other than try to dodge.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The hall filling up with furious augmented flame, of course, means dodging is useless.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The flames eat into their gear, and with cries of shock they try to smother out the flames -- to strip off their outer armor when that doesn&#039;t work. This leaves them easy targets for Sam&#039;s shots, the three Hydra personnel going down as the enhanced fire burns slowly down. A path clears again...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But behind them, they can hear the distinct sound of more reinforcements coming up the stairwell from the lower levels, responding to the crisis on sublevel one.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The wolf bears mercilessly down on Captain America, and those killer jaws snap down on him --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- and stop, arrested by his forearm before they can close onto his throat, canines sinking into and through the kevlar-weave and coming so close he can feel their tips pinching force into his skin. The beast snarls and shakes her head ruthlessly, that back-and-forth rip of predators tearing flesh, trying and trying desperately to tear through his armor and taste the blood her instincts bay her to consume. That blood HYDRA has wanted for decades. Rogers, in their grasp --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The creature tries to bear down, her blunted nails digging into his shoulders to hang on -- but Captain America sneaks a punch in, augmented strength driving force into the she-wolf&#039;s neck. Stasya yelps in pain, forced off, but with a lupine quickness reorients herself back to her paws to tense anew, recoiling.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then that metal arm collars in and chokes her up, and the werewolf howls, until its locking plates brank her silent. The creature twists and struggles, jaws snapping uselessly at the air, panting as she&#039;s slowly choked.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Down on Level 2, the cleansing hellfire works as promised -- and Sam&#039;s shots hit their mark and make three corpses. And with the concussive hallway echoing the sounds with approaching forces from the levels deep below, there is one route for the group to go.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The one they&#039;re here to take, after all.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is only down the hall in a quick sprint to the door marked as MEDICAL, closed but unlocked. Opening it bears something, however, hitting senses fast for those who can sense it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Magic. The room is thick with its stain. It is old. Older that this world. Older than sin. Something primordial -- something ancient.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It hangs like a cloying ceiling down on an otherwise empty room. No doctors or medical personnel. Just unfinished walls and draping plastic to provide sterility to something barely-built. The are beds, some empty, others filled with sheet-wrapped corpses, no doubt awaiting cremation. Faces they don&#039;t recognize. All marked: TO BE DISPOSED.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Through the stink of magic, Claire Temple&#039;s scent is here. Following it is possible, and leads to one of those side-by-side rows of metal beds. She&#039;s in the AWAITING DISPOSAL line-up, bedded between two wrapped corpses. Clad in a medical gown, still left strapped to the bed, is the missing nurse: looking unmarked from captivity, physically unhurt, though her dark, vacant eyes gaze sightlessly into somewhere far away.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;While Cap&#039;s forearm makes a much safer chewtoy than his face, the feeling of sharp canines pressing into it leaves him all too aware of his own vulnerability. His punch gives him short-lived space. The wolf&#039;s weight is just too much for him to adequately kick off at this angle. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But that brief reprieve turns to rescue when Bucky headlocks the woman. Steve&#039;s shoulders fall back to the ground and he inhales a single long breath with a shake of his head before pressing himself back to his feet. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The space Steve finds with Bucky holding the woman in a headlock has him running back to where the shield ricocheted from one wall to the next. In a cloud of dust, he kicks it, causing it to lift in the air. Steadfast grasp catches the shield and his gaze slides back towards Bucky. Those same blue eyes stare at Bucky a few beats. &amp;quot;Not without you, Buck.&amp;quot; There&#039;s a short pause and then he adds, &amp;quot;They need both of us with them,&amp;quot; if the werewolf is any indication. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the statement doesn&#039;t have him lingering long. &amp;quot;We need to get them a way out of here,&amp;quot; he&#039;s moving towards the lift and then he adds, &amp;quot;and torch whatever&#039;s left on the way out.&amp;quot; Slash and burn typically doesn&#039;t suit his style, but the fact Hydra continues to exist decades later despite all of their efforts during the War wears on Steve. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The path of least resistance is the one to the elevator, and despite the seriousness of the situation, he fights the smirk on his face. He pushes the button, and the doors respond. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A tick of his head bids Bucky join.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Mercy&#039;s argument that they don&#039;t understand is met with a look of sympathy, but Sam has already said the most convincing argument as to why the need to keep moving: they need to get Claire out of here. Fred is right behind Mercy and Sam as they tear down the stairs. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Once into the &#039;it&#039;s too quiet&#039; hallway, Fred pauses at the trio of tactical clad guars coming their way. The magnet bomb is prepped, but there is no need. Mercy has a molotov bomb ready to go and Sam&#039;s Bereetta will hopefully take care of anything else. Instead of the fight, the physicist&#039;s attention is drawn to the door: Medical. That&#039;s where Sam said he saw Claire in his vision. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;While the others take care of the guards, Fred books it down the hallway. She can hear the other guards coming up the stairwell, they have no time to lose. She reaches the door, hand going for the lock picks in her back pocket, but they prove unnecessary. The door opens when she tests it. As it pushes open, she is careful, unsure of what might be inside and who might be waiting there. However, upon hearing no movement, she enters. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fred is not exactly trained, but she can feel the prickling of the hairs on her arms an at the back of her neck as she moves inside. Once inside, she pauses, horrified to see all the corpses, covered in sheets and ready to be &#039;disposed.&#039; It takes her a few moments, but - grim faced - she starts to search for the nurse. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s by following Mercy that they find her. &amp;quot;Claire!&amp;quot; she gasps, immediately moving to remove the restraints that hold her to the bed. &amp;quot;Claire! It&#039;s Mercy and Fred, we&#039;re going to get you out of here. It&#039;s going to be alright.&amp;quot; &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Mercy watches the flames ignite. She watches as the two men and one woman try to valiantly quell the flames upon the gear, but it&#039;s all for nought as Sam&#039;s gun barks three times. Finishing the job.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s enough to cause the coyote to stare for a second at the down bodies and then she resolutely turns her eyes away from the tableau of flame and death. This isn&#039;t about playing fair, it&#039;s about winning. Mercy keeps that thought in mind as she looks toward the door marked &#039;Medical&#039;. Then just like that they&#039;re on the move - to that door - and hopefully to finding their missing friend. Especially as the sounds of reinforcements (and not for them) can be heard.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;While there is a brief moment of warning for Mercy, when Fred opens that door, that something isn&#039;t all right with that room, the coyote still steps inside. As soon as she&#039;s within the room those sure-footed steps of Mercy&#039;s turn to a stagger. The heaviness within the room presses down hard upon her senses, and Mercy can only offer a mutter of, &amp;quot;My god.&amp;quot;, as she struggles with the pressure of magic. With steps that still falter Mercy tries to focus, to push past the stain of ancient magic that&#039;s within the room. This causes Mercy Thompson to focus on her other senses now. Hearing, sight, but most specifically smell. That&#039;s what allows the coyote to find a familiar scent - Claire.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;While her steps become steadier, the pinched look around Mercy&#039;s eyes and mouth continues to stay there. It&#039;s a winding path through the bodies (so many of them), but Mercy does get the two of them to Claire&#039;s bedside. Seeing their friend staring so sightlessly, Mercy can&#039;t quite stop an echoing gasp of, &amp;quot;Claire!&amp;quot; And while Fred works upon the restraints, Mercy checks for a pulse. &amp;quot;Oh thank god.&amp;quot; The coyote says, relief seen within her expression, heard within her voice, &amp;quot;She has a pulse.&amp;quot; Because for a minute there Mercy really did fear Claire was dead. &amp;quot;Let&#039;s get her out of here, I can carry her.&amp;quot; And then, &amp;quot;There&#039;s so much magic in this room. Old magic.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;I&#039;m right behind you,&amp;quot; Winchester the Younger tells the two women grimly, even as the stench of blood, viscera, and burning flesh fills his nostrils.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Why? Because Sam Winchester hears the reinforcements coming from the lower levels. He&#039;s a firm believer in &#039;fight smarter, not harder,&#039; so he bypasses the medical room and continues his charge down the stairs two and three at a time, barreling straight to the door separating level two from level three. He goes trusting Fred and Mercy to handle various Claire wranglings. He does this because he knows he&#039;s got to make sure those Hydra soldiers don&#039;t get through that door. He&#039;s holstering his gun as he sprints, drawing a knife instead, slicing hard into his hand. The blood wells up, thick, dark, red. He may consume it, now, but he sheds it just as freely. It&#039;s almost a bookend to his actions upstairs, a bookend that neatly encompasses his new dual nature. Fiend, and friend. Hero, and heretic. Demon child and do-gooder.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But of course, he&#039;s not drawing his own blood for the sake of poetry.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The principle behind a basic hedge mage&#039;s blood ward is simple: like any spell embraced by the so-called magical have-nots of the mystic community, those who do not have any inherent mana or power akin to that carried by the Harry Dresdens and Zatanna Zataras of the world, it draws upon symbols, words, and concepts that are so well-worn and ingrained into the collective consciousness that essentially every member of certain cultures ends up powering the thing with a little bit of their belief every single day, whether they actively think about the spell or not. This principle is why every hedge spell must be precise in every component, whether those components are rare ingredients, symbols, words, or gestures. It would be a mistake to think of those spells as weak; if one has the education one can do a lot very little power; a tiny bit, a spark, really, to catch into a massive flame of supernatural strength.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Today, Sam chooses the same ward that he&#039;s put on a certain storage unit, the one that hides his most precious possession right now-- the vengeance demon he&#039;s using as his personal keg.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It starts with blood, the secret of life, sacrificing some of his pain and life force to provide that tiny, necessary spark, to tell the universe that he is willing to bear the pain to enact his will along these well worn universal grooves in reality&#039;s landscape. This he uses to paint a sigil upon that door; two interlocking circles, with a square where they meet, two lines straight down from the inner line of the larger topmost circle that bisect the smaller, a pair of lines from the top of the smaller circle that run at angles, a sweep of a half circle between the topmost, with a pair of what look like horns. An ancient sigil, a bar against entry, originating, he thinks, from Eastern European witchcraft traditions-- maybe Romania, maybe Moldova, though he&#039;s certainly mongrel enough to take whatever he can from wherever he can. And the source hardly matters now, because this one is old, and familiar.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then, the incantation. In Latin, as it must be so very often, because the language spread all over the world. Certainly it spread to ancient Dacia, the same region from whence this symbol was born. The association of this so-called dead language is strengthened in spellwork thanks to the influence of the church over the centuries, then, later, books, movies, comic books, and video games, making it, and a handful of others, a powerful component in many, many hedge spells. It&#039;s a very necessary component in this one.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam&#039;s pronuncation is precise and as flawless as if he&#039;d been there, speaking the language to buy bread from street vendors under the watchful eyes of the agents of wrathful emporers.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Obstant. Facubius nulla consors nisi sanguinem.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bar the way. Let none pass save those who share my blood.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;If Misha is here, and truly a sorcerer, and below, well, that won&#039;t hold out long, the man can surely break a ward as easily as Sam can set one. But he hopes the spell jams t&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;that door long /enough/ to avoid a firefight on two fronts.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The metal arm strains and howls as it suppresses the werewolf with savage force. Bucky&#039;s features are locked in unremitting, merciless blankness as he throttles Anastasiya from behind, positioned such that she cannot claw him or twist to gain any purchase TO claw him. She tries to turn, to snap, to twist, and he meets and counters every attempt, shifting deftly to keep himself behind her and his arm locked about her throat.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You never could match me,&amp;quot; he tells her, and it&#039;s Winter Soldier talking. &amp;quot;You still can&#039;t, even with this. And now I&#039;m going to kill you.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And he might have spent a long, loving time on ensuring just that -- but Steve won&#039;t go without him, and Bucky can&#039;t honestly blame him. With a frustrated noise he twists his arm, breaking the werewolf&#039;s neck in his grip, then drawing a pistol to put a bullet in her head. He has no assurances that this will kill her, given the rather special properties of werewolves -- much less ones tampered with by Hydra -- but it&#039;s the best he can do under the circumstances and the limited time.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Come on,&amp;quot; he grunts, joining Steve in the elevator and impatiently jamming the close door button. Blood dries on his face, his left arm, his body. He makes no move to clean himself up. &amp;quot;I know a shortcut.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s one that gets them from the elevator over to the medical ward in record time. About the same time Fred and Mercy finally find Claire, amidst all the other bodies earmarked for DISPOSAL. On seeing her, he goes pale under the blood streaking his face; turning away in abrupt silence, he tries to head back towards the door to the med ward, apparently intent to defend it against enemy forces.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And this: &amp;quot;Where&#039;s Sam?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred&#039;s initial shouts of her name do not rouse Claire Temple. Her heart beats and she breathes shallowly, obviously alive, obviously conscious --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- but nonresponsive. Her opened eyes gaze at some spot that is neither her nor the approaching Mercy, neither woman recognized. It appears that she does not even realize they are there. When Fred works on undoing those leather straps around her wrists -- the skin is raw and abraised and bruised beneath it, she was /fighting/ -- her freed limbs hang limply.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her sightless eyes twitch back-and-forth as if reading some invisible script.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As Sam executes his incantation and lays down that ward --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- the timing is impeccable, wrought with the closing sounds of approaching men hiking up from the stairwell of Level 3. They push against doors that hold, solid and true, not with any sort of lock but bound with the barrier of live magic. It holds HYDRA reinforcements, unable to ascend this way up. Distantly, a man speaks something sharply: call Volkov.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The active ward moves through Sam. And it hits something else -- something strong, like two spells sharing little space.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The gruffness of Barnes&#039; manner meets odd silence from Captain Rogers in the elevator. For his part, underneath his mask, Steve appears stoic, detached, and crisp, yet his blue eyes speak to something else. The haunted expression behind them doesn&#039;t quite go away, even as he nods with confidence at the short cut. There&#039;s an implied //good//, but it doesn&#039;t even find words. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Instead, his thoughts trail to the would-be werewolf. &amp;quot;What are the chances she&#039;s actually dead?&amp;quot; There&#039;s a pause and he frowns. &amp;quot;Doesn&#039;t seem like anyone stays dead anymore.&amp;quot; Observations from a man out of time. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He trails after Bucky and eyes the hallway at the question. //Where is Sam?// &amp;quot;We&#039;ll find him--&amp;quot; and Steve is already on the move, pressing passed the space the others occupy, shield in hand, to retrieve Sam.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The sudden appearance of a bloodied Barnes and Steve startles Fred. They aren&#039;t coming from the same direction she expects Sam to enter. With Hydra coming from the stairwell, it&#039;s just as likely for them to enter from a different way. Immediately, she halts her unshackling of Claire whens he hears them coming and grabs the crossbow from her bag. She turns about to fire it at the intruders, pulling the trigger as soon as she sees the battle stained pair of super soldiers. She sees the bright red, white and blue shield a bit too late. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Sorry!&amp;quot; She hisses, horrified that she might have shot Captain America. &amp;quot;I thought you were them!&amp;quot; She would feel far less guilty if Barnes were alone, perhaps blaming him for sneaking up on them. Shoving the crossbow right back into her bag, embarrassed and slightly frantic with the need to get Claire out of here as soon as possible, she turns back to the restraints. It takes a few tries, but she unstraps the nurse, wincing as she sees the reddened bruises. As gently as possible, she attempts to help Mercy lift her so they can make a hasty retreat. Despite the fact that Claire does not answer them, she keeps talking to her in a steadying voice. &amp;quot;We&#039;ve got you, Claire. It&#039;s going to be okay.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For once, Fred does not argue with Barnes or sound petulant and angry as she answers his question. Instead, she gives information, sounding worried. &amp;quot;He said he was right behind us.&amp;quot; However, he&#039;s not in the room with them just yet. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;All the magic around them it&#039;s enough to cause Mercy&#039;s attention to keep shifting around. And while her attention is split between Claire, Fred and the magic within the room, that doesn&#039;t stop her from hearing the approaching footsteps. Nor the scents that precede them. Familiar scents, even if one is tinged horribly with blood.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s only when Fred stops with the unshackling that Mercy has a second to look perplexed, opening her mouth to ask why, before suddenly there&#039;s a crossbow in the other woman&#039;s hands. Mercy can&#039;t quite stop the widening of her eyes and then, &amp;quot;Fred, wait it&#039;s -!&amp;quot; But too late, the quarrel is already on it&#039;s way. &amp;quot;- friendlies.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;One can only hope the two super soldiers dodge out of the way. Which they should hopefully do that, right? They are super soldiers.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then it&#039;s back to Claire and when Fred finishes unbuckling the restraints Mercy quickly picks the other woman. Even with Fred&#039;s help it doesn&#039;t seem like the Nurse&#039;s weight is much of a burden, as Mercy immediately takes a step away form the beds and that &#039;disposable&#039; line. Even with those steps of hers the coyote can&#039;t quite stop the look she&#039;s turning around the room. &amp;quot;What were they messing with?&amp;quot; She asks, more to herself than anyone, and while she almost begins to walk a circuit of the room her steps pause when Sam is mentioned. That brings Mercy&#039;s attention straight back to the group and their current situation. Thankfully, Fred answers that question and Mercy helpfully nods along in agreement, and while normally she&#039;d have likely sensed those blood wards being deployed, tonight she doesn&#039;t. There&#039;s just too much magic within the room and it&#039;s drowning out her senses to anything but it.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam Winchester shivers as that second spell reverberates within his very soul. It charges him up with adrenaline, even moreso than the soldiers on the other side.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As a result, he hauls ass. They won&#039;t have to conduct much of a search for Sam. He comes charging up the stairs three at a time, those long Moose legs carrying him quickly. He&#039;s out of breath when he sticks his head back through the stairwell doors leading to the second level, taking in the whole of the team. &amp;quot;I&#039;ve trapped the reinforcements downstairs, but they&#039;re getting Volkov and the spell won&#039;t last. And there&#039;s another spell running...&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He trails off.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The moment he gets a real good look at Claire, with her twitching eyes giving off that sense that she&#039;s reading an invisible script, he knows.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Oh no,&amp;quot; he murmurs.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His head snaps up. &amp;quot;...and they&#039;re using her as the power source. The lynchpin. For all I know she&#039;s the whole spell circle. And whatever has been done would take /me/ days to study; I sure don&#039;t know what to do about it /now/. We need Liam. Not that this changes the plan much, but seriously, we&#039;d better move.&amp;quot; Because if that spell triggers while they&#039;re still trapped inside of the Hydra facility, he has a feeling they are all 10 kinds of toast.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s...not really entirely sure that they won&#039;t be ten kinds of toast no matter where they land when that thing goes off. Maybe, /maybe/, a salt circle would stop it. Or it might just contain it, and explode Claire in backlash energies.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The odd silence doesn&#039;t go unmissed. Bucky glances askance at Steve, notices the look in his friend&#039;s eyes, and pales. His own eyes avert, and he makes a cursory attempt to scrub the blood from his face that emphatically doesn&#039;t work. Looking down at the floor of the elevator, he swallows, and says a whole lot of nothing himself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His shamed silence persists until Steve speaks again. &amp;quot;Don&#039;t know,&amp;quot; he says, still subdued and avoiding his friend&#039;s eyes. &amp;quot;Probably pretty low.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;I wish I had stayed dead, he wants to say, but even he can recognize that it&#039;s probably not the best thing to say to his current company.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The sight of Claire doesn&#039;t do much to dispel or distract from the guilt -- it only adds more guilt of a different form and shape, his shoulders slumping visibly. No, what does serve as a distraction is the sudden way Fred whirls and fires a crossbow at himself and Steve. Startled, Bucky reacts on a hairtrigger, left arm snapping up to catch the bolt midflight with a metallic whir.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sorry, she says. &amp;quot;...doesn&#039;t matter,&amp;quot; Bucky answers, tossing the bolt back to her. &amp;quot;Better to be on guard than not.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He turns back towards the door at the news Sam should be &#039;right behind them,&#039; apparently intent on finding the younger man. He doesn&#039;t have far to go, however, before Sam shows up at a run with a lot of information, none of it good. Bucky frowns in silence at the news Claire is the focus of some spell being channeled. &amp;quot;Can we at least move her?&amp;quot; he asks, maintaining his position near the entrance with apparent intent to hold off any sudden arrivals.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;As Sam&#039;s ward holds strong for now, and the group reconvenes together in Medical, the room around them remains innocuously calm. Quiet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is little sound save for the distant movement of the stopped HYDRA reinforcements far below, and the exchange of the group&#039;s voices.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire Temple offers little. Set free of her restraints, she looks away and hangs in her helpless cataonia. Her eyes ring dark and raw with sleepless stress, and her heart pounds in triple-time.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With Fred and Mercy&#039;s help, she slings into the latter&#039;s arms, a boneless, slack give to her limbs of someone not home. And yet, her lips seem to be trying to move, even if sound cannot form.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam Winchester is right.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There comes a crackle of disturbed magic that he will sense and Mercy will smell, an active spell triggered --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire is the conduit, but only one half of the trap. The other is the metal bed, and freed of her mass and weight, the furniture scours over with runes. Something deliberately set -- something that activates only upon someone moving her. Something someone expected would happen with this conveniently-laid bait.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The change happens in an instant.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Magic claws into every living person here, too powerful to be denied -- like a magic older than the concepts of matter and energy and with the liberty to help itself freely to both. The world goes to black and their senses snuff out.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Like a rebirth, when everyone awakens again, it is only in one way: alone.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;-FRED-&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s both relief and a twinge of annoyance that Barnes brushes off the crossbow bolt so easily. On the one hand that&#039;s good, as she didn&#039;t hurt anyone of their raiding party. However, to know how easy it is for him to defend against her attacks just goes to show how unprepared she might have otherwise been against the Winter Soldier. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fred&#039;s face turns toward the door, intent on following the soldiers out to find Sam as soon as Claire is properly in Mercy&#039;s arms. Just as she looks in that direction, Sam bursts through and she takes a sigh of relief. He was gone for long enough that it&#039;s possible something had happened to him. The relief is incredibly short lived. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire is being used as a battery? What does that even mean? Fred tosses a worried look back at the catatonic nurse. The plan hasn&#039;t changed. They need to get her out of here before her battery is used up. &amp;quot;Okay,&amp;quot; she says softly, resolutely. The easiest way out is almost certainly the way Barnes and Cap came through. Mercy now safely has Claire. It&#039;s time to go. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Unfortunately, Fred doesn&#039;t even get a step in the right direction before the blast of magic energy hits her. Much like Indiana Jones and the golden idol, with the counter balance out of sync, the trap triggers and the spell crashes into them all. This feels almost like a sensation she&#039;s felt before, back in the LA library. Fred barely gets out a cry that sounds something like a sob before the world goes black. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Reawakening comes in the form of soft, familiar things: a slant of dawn light over her eyes. The chilly breeze of the early morning. The slow and innocuous drip drip drip of water.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Did Sam possibly not turn the bathroom tap off all the way? Thoughts like this may come to a mind still half-fettered by sleep, for this feels like a lethargic pull away from that drowse, and with that the safety of coming to someplace familiar. It is difficult to think immediately of things like the HYDRA raid, the hospital complex in Staten Island, the memories of the Winter Soldier, or the promise to find Claire Temple.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Transient, meaningless things. Images a whisper in her mind wants to convince her was all a dream.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Only the first breath in tastes cloyingly sweet on the throat: earthy, musty, like basements, like wet dirt. And that sound of dripping is closer than it should be.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Because it&#039;s falling not from some bathroom tap, but off the rock of the ceiling, collecting dew pooling down in its lazy meter. Deeply familiar sounds. The most familiar she knows.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;More familiar than her nights over at Sam&#039;s apartment. More familiar than her safe room at the Hyperion Hotel.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Because the cave that welcomes Fred, dressed back in her itchy rags, surrounded in her handmade, broken things, is the one she&#039;s awakened to every morning for years.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred&#039;s eyes blink open and she shoves herself up, as if waking from a nightmare. &amp;quot;Sam?!&amp;quot; The name slips out of her mouth, unsure of what it actually means. A hand goes to her back pocket, searching for something there. Wait, pocket? No, there&#039;s no pockets. There&#039;s nothing there. Just the rags. Of course, there&#039;s always just the rag. What was she expecting? &amp;quot;Angel?&amp;quot; What&#039;s an angel? No, that&#039;s not right. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The water drips, comforting, something she knows. &amp;quot;Mercy?&amp;quot; Is she asking for mercy? No, there&#039;s no mercy on Pylea. She knows that by now only too well. A hand adjusts the collar about her neck. No, it was just another nightmare, like all those ones where she&#039;s a physicist student and lives in a place where humans aren&#039;t slaves. There&#039;s no place actually like that. Words are just words until they&#039;re not actually words, they&#039;re just thoughts that don&#039;t make sense. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A hand snatches up her glasses on the ledge nearby where she sleeps - taking a pointed rock to scratch onto the wall at the same time. She&#039;s gotta write this out, make it go away. Finding an empty space on the entirely covered walls, she starts to scratch. &amp;quot;T minus vx over c squared divided by the square root....&amp;quot; &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The cave welcomes her the same way it does every day: in silence and cold indifference. It provides shelter but it is no home.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;All it does is provide a place, small and dark, for her to hide from Them: the demons who would find her, take her back, shock her, remove her head.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Memory fights inside her mind: it was so vivid. Was it a dream? Was it real? But she /did/ those things, right? Didn&#039;t she?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With her decision to sort it the only way she can -- with her math -- the woman takes to a clean spot on the wall for her calculations.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Minutes pass as she fills it, until there is no space --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- because that section of the wall is filled with other things. Her own writing, easily recognized --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And it comes back. New York. Angel. His friends. Her new life. Sam. The forming circle of people.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She&#039;s written &#039;Sam Winchester&#039; on the wall. Details about him. How he looks. His life as he&#039;s told it to her. A footnote: he loves me.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There are other names, spreading in the long manifesto along the walls. Chapters. Stories after another. Stories she wrote. Stories she weighed and calculated and solved.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred writes, muttering to herself as she does so, equations that almost sort of make sense. The equations and drawings on this wall are not entirely scientific, they&#039;re stories, memories, attempts to get the painful thoughts out of her head. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The nightmares linger longer this time. She can still feel the adrenaline, the fear, the need to find someone. She shakes her head - dirty hair falling in front of her eyes - trying to clear it. Thinking that there&#039;s something other than this place only leads to pain. She knows that for a fact. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then, though, the equation she was starting to write overlaps with another word. Angel. She blinks and pulls back...a vision hits her. A tall brooding man in all black, giving her a worried look. &#039;I will always try to be there to save you Fred. Always.&#039; Handsome man. Saved her from the monsters. Wait, what monsters was she saved from? They&#039;re still out there, waiting. No, that can&#039;t be right. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She moves to search out another clean space, to try and write this away, but her eyes move over more of the story and find the story of Sam Winchester. He loves her. A hand tentatively reaches forward to touch the footnote. Her eyes close for a moment and she can feel the warmth found in the circle of a strong pair of protective arms, a voice in her ear: &#039;There isn&#039;t a dimension in existence I wouldn&#039;t follow you to. You&#039;re not alone anymore.&#039; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her eyes open. Now, she studies the other chapters, the equations that equal a life away from Pylea. Building bombs in Mercy&#039;s garage, the trust she put in the coyote and the friendship she found with her. Wesley and his books, his steadying way of helping. Even Dean, calling her bro and handing her a beer. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Claire...&amp;quot; she says softly. The rock is set down beside her. She steps back from the wall and looks around her. The rocks, the smell, the dripping water...even the rags, they feel so real. They&#039;re familiar. This is what is real, right? No. Yes? No. No. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fred keeps backing up, a hand reaching up to hold onto the deactivated collar about her neck. She looks toward the mouth of the cave and then back to the wall filled with her writings. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Is it real? Yes or no?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Something presses into her mind. It tries to sound like her, like the voice everyone hears of their own self rehearsing their thoughts, but the seams are not yet straight. Like a foreign force, magic, wanting to undo and rewrite her into the reality of its choosing.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;One where the potential memory /wants/ to come forward, and wants to imprint into her mind:&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The memory of Fred, standing here alone in her cave, rock in hand, writing these stories. Making them up and writing them down. Scripting the hallucinations that are beginning to form. The human mind can only take so much. So much pain. So much despair. So much loneliness, day after day of it in this hell, with nothing for the lost Winifred Burkle but the thoughts in her head. Doesn&#039;t the mind need to make up the rest to carry on? Make up a cast? Make up a story? Make up a life for her, where she&#039;s happy?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it real? Or is she losing her mind?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s her, whispers something up from the back of her head, trying to coax those errant questions away. Just pick up the rock and keep etching. Keep writing. Write how she helps save Claire Temple. Write how everyone survives and strengthens their bonds together. Write how Sam looks as he tells her he loves her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Write something and seal it.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The hand grips the collar even tighter. Fred can feel the metal dig into the back of her neck. It feels real. She can feel the pressure, a bite of pain. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;More than that, she can feel the loneliness, the chatter of her own words in the back of her mind. That&#039;s all familiar, all readily washed back into her thoughts. It&#039;s only too easy to believe these thoughts are all made up. She believed LA and Earth was a lie for four years. How hard is it to believe that a life where she has a family, friends and someone who loves her is also a lie to make herself feel better? &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s her. This is all her. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Moving forward, she picks up the rock again. She thinks about how she would end the story of saving Claire Temple from the Hydra base. She can complete that story. There&#039;s an equation there. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then, she thinks about Sam, sitting on a bed in an abandoned hotel with a stuffed rabbit between them. She weaves the scenery of a dust covered crossroad. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No, the footnote is wrong. Her eyes drift back to it. It&#039;s inaccurate, incomplete. While she knows Sam loves her, she loves him, too. That&#039;s not just in her head. That&#039;s real. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Scrambling backward, she looks around her. This is all wrong. She&#039;s not supposed to be here. With a burst of energy, she tosses the rock at the cave&#039;s wall and she stumbles toward the entrance of the cave. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The whispers in her head beg otherwise. It -- and her, trying so badly to sound like her, to use her voice -- tells her this is /right/.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Give in. Finish the story whatever the way she wishes. It can end in whatever way she chooses. She can fall into it, lose her mind as she&#039;s meant to, and spend the rest of her little time adding to her rock-scratch story on the wall.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And when they finally do find her, the slavers she outsmarted once but not forever, perhaps there will be nothing left of her to fight them. Perhaps nothing left of her to even be afraid. She&#039;ll be safe in her story, with Sam Winchester whispering his sweet things into her head.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the woman rejects it and lets the rock go.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The entire caves statics, blurring in a single flinch. It does not like this.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As she turns, it even tries to compel her back, begging her this is wrong -- she is wrong -- and she cannot go out there.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Isn&#039;t it wrong to go out there? Isn&#039;t she meant to stay here, in the dark, in the tight, safe, confined little space? Isn&#039;t this where Winifred Burkle belongs? Isn&#039;t this what Winifred Burkle /deserves/?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Out there isn&#039;t safe. Out there isn&#039;t controlled. Nothing is sure, it pleads with her, not even those memories in her head. They&#039;re stories, just stories she made up in her madness, none of it is real, and she doesn&#039;t love any--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When Fred crosses the threshold and steps out into the light and open air, reality breaks.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It shreds around her, crashing down. And when she awakens, back in Level 2 of that subterranean base, the weight of the collar around her neck is gone.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;This goes against Fred&#039;s instincts. Faced with portals and other worlds and with a danger of this level she would want a small, dark, safe place. The demons are out there, the threat of beheading. She knows that. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That may be the case, but she is not the same woman that lived in this cave before. She clings onto that moment of clarity, the moment she knew she was in love with Sam. That&#039;s what she deserves: a life not lived in fear. A life filled with family and friends and the man she loves. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The fear still remains lodged in her chest. This might be the wrong choice. The moment she steps outside the cave, she could be captured and killed. That possibility feels real and visceral. However, the vision fractures. That helps strengthen her resolve. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The pleading in her head becomes almost a scream, something impossible to ignore. It tells her there&#039;s no Hyperion, no friends, no Sam. She has no connections, no one she loves. No. As if pushing through a strong wind, she keeps moving and steps out of the cave. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Everything changes. The pressure around her neck is relieved and she drops to the floor almost immediately. She&#039;s back on the subterranean base. There&#039;s a gasp, a disbelieving look around her. Is this real? Is she dreaming this? Is this another nightmare? &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Mercy&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam&#039;s arrival and what he has to say causes a look of concern to begin to wash over the coyote&#039;s expression. That expression turns to something more in a matter of seconds as the runic symbols suddenly flare to life. Seeing that and feeling the bubble of magic expand outward, Mercy&#039;s expression goes from concerned to outright fear. There&#039;s enough time for the woman to state a hurried, &amp;quot;No!&amp;quot;, before the magic slashes outward to their group.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Truly, there are times that Mercy wishes she could do more than just change to a coyote and sense magic. Or the ability to see, sense and to some degree control ghosts. Sure, all of that is good, but in this instance? Not so much. Being able to cast spells would help so much more. So. Much. More.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Either way, nothing more can be said by Mercy, as the world fades away like a candle ruthlessly snuffed out. Darkness takes hold and Mercy Thompson&#039;s last stray thought is a simple one - don&#039;t drop Claire. Then her consciousness, her senses and all her feelings likewise dim until nothing more is there.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Reawakening comes in the form of soft, familiar things: the earth smell of fresh-turned dirt. The familiar, sharp taste of autumn down her top palate. The slow and innocuous drip drip drip of wet onto the loam, in one of those lazy Montana rains.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Aspen Creek comes back to Mercy Thompson, where she awakens deep in the heart of its forest: rolling land peopled by a thousand thousand trees, deep rich green where it grows in the shadow of the Rockies. The coniferous forest spreads thick, the great pines joining hands to form a cool, shady environment of brown, leaf-strewn earth thatched with moss. It is the last light of the day and already dark,&amp;amp;nbsp;&amp;amp;nbsp;and sunset amber filters through the breeze-lifted leaves of the canopy above, shadows gathering in the alleys of the trees. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is a clearing here to the coyote&#039;s awakening, a small, soft patch of free grass fringing a great pond. Trees hang over it, growing towards the water, as if drawn to see their reflections in its black mirror. The water laps quietly at the banks, cool and clear.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The sounds of birdsong usually fill these manless woods, though now they are quiet with the last threads of night song -- before it all goes quiet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A mouthful of air gives map to where she is: familiar land, scented with her pack. Their territory.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Light reflects off many pairs of eyes from the thick, treed perimeter. Wolf eyes. Her wolves.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Familiar scents. Familiar sounds.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It lulls the coyote&#039;s just awakening senses to something more gentle; less sharp, less spastic. Instead, there&#039;s a vague twitch to Mercy Thompson&#039;s limbs and an opening of her brown eyes. When her gaze sees the canopy above she can&#039;t quite stop the frown that twitches her lips downward. Then she&#039;s sitting upward and casting a look around herself -&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Wait.&amp;quot; She says to herself, her voice quiet, &amp;quot;This isn&#039;t -&amp;quot; Right. This isn&#039;t right. There was something else. Something more. A group, her friends, not this familiar forest, but that thought doesn&#039;t persist long. Nor those words. Especially when her senses suddenly come alive with the fact of /where/ she is and also what&#039;s around.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Or more importantly who. The pack. The wolves. Rolling to her feet now, Mercy looks towards the perimeter, her senses easily telling her she&#039;s not alone. Seeing the reflection of light upon the (many) predatory eyes that surround her, Mercy says, &amp;quot;Hey. How&#039;s the hunt going?&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Because it has to be a hunt they&#039;re on, right? This many wolves, her out here too, it must be a hunt. Perhaps for the fledging wolves.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Eyes watch her from all sides, the silvery moonlight catching glints and shines off their mirrored lenses. They wink in and out of the dark, here and gone again, the great predators moving through the brush without the sound of a single disturbed branch.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;Hunt,&amp;amp;gt; answers one of the pack, confirming Mercy&#039;s called question. The voice creeps through the pack bond, low, slithery -- not like what she remembers.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A dozen pairs of eyes glitter in the dark. From this comes man&#039;s old stories of will o&#039; the wisp. Of fool&#039;s fire. Fire in the dark lashing off the shining eyes of what hunts them.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&amp;amp;lt;Yes. Hunt.&amp;amp;gt; Another voice. Twisted.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;We hunt.&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The boughs of a spruce shift and part with a hiss of many needles, and the lean, strong, darkened shape of a wolf emerges from the treeline and stalks into the periphery of the cleaning. Shadow folds along every one of the animal&#039;s long legs, the roll of its moving shoulders, the low, watchful bow of its thick neck.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The animal&#039;s scent catches Mercy before she can see it, even though it should not be, even though it cannot be possible --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The wolf steps into moonlight, and it is not a wolf -- it is a thing, sutured and seamed together in a dozen butchered pieces, burnt and noosed with looping vivasection scars, his brindled pelt gone, lost to raw, weeping, gnarled flesh. He bares jaws with missing teeth, some replaced gunstock-metal, his skeletal head grafted and built into the plates of shining steel.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His dead eyes reflect nothing but rage.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;Not finished,&amp;amp;gt; answers Darryl.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The pack-bond is typically a shining thing. Bright with the thoughts and emotions of the wolves. Bright with their calls and their communication, but in this moment that brightness is lost.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Darkness is heard in that first answer of hunt. The darkness continues as the pack answers. Each voice as twisted as that original one. It&#039;s at this point that Mercy shifts her balance slightly, knowing something isn&#039;t right here. Something is very wrong. So wrong. There was magic, a spell -&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There was a - there is a monster.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a monster now.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That movement within the peripheral of her vision is seen and immediately turned to. When her eyes land upon the wolf known as Darryl, Mercy literally sways; her shock is so great at the sight of him. There&#039;s also a pallor to her features now, as Mercy Thompson whispers in horror, &amp;quot;Darryl. No, you&#039;re - this isn&#039;t right. This isn&#039;t real. No.&amp;quot; Comes her denial and while Mercy Thompson knows she&#039;s committing an error she can&#039;t quite stop herself from taking a step backward. Giving ground when she shouldn&#039;t, showing fear when she shouldn&#039;t. The wolves can likely scent all of that; fear, shock, horror.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And guilt.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And it&#039;s that fear and guilt which causes the coyote to move again, a second step, third and finally fourth. Her steps are taking her away from the crudely stitched and reassembled Darryl. Away from the pack. She&#039;s going to run. She has to run at this point, or so her brain screams at her.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s not real. But it might be real enough to kill her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fear comes off her, the smell of it heavy and thick in the air. Fear, horror, shame, //guilt//. She can see their eyes shine to taste it. She can see dozens of eyes turn to follow her as she stumbles, backs away, and turns to run.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her fleeing shape triggers instincts older than the trees rearing tall around them. &amp;amp;lt;Prey!&amp;amp;gt; the chorus goes up. &amp;amp;lt;Prey! PREY.&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The forest in her wake comes alive with the familiar sounds of pursuit, slavering pants and fleet paws following her in the dark. Less familiar, however, are the tortured sounds of metal behind her, the hiss of pistons and grind of gears mingling with the soft natural sounds of flesh. They hound her mercilessly through the dark, hemming her in from three sides, driving her onward towards the pitiless face of a cliff that rears in the distance to eventually block her path.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They funnel her down like a lamed deer.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;Kill,&amp;amp;gt; their shattered voices echo in her head, the sound of them as tortured and mechanized as if they were shredded through a machine and spit back out as a mangled mess. &amp;amp;lt;Kill. They found her. They found US.&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She can hear every last one of them, their voices mutilated in so many distinct and individual ways. They all clamor with rage, with pain, with betrayed hatred.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But not Darryl. Not Darryl, in the forefront, his metal-and-gears body shrieking as it jigsaws through some semblance of movement.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Darryl, he just screams in her head, screams in blind pain every time his ruined body moves.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It might be. It just might be enough to kill her. Like the first time she ever visited this type of dream scape, where her soul was nearly torn asunder. Only then she had help, but now she has none.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;None whatsoever.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She runs, her feet crashing through the underbrush, low hanging branches scraping against arms, legs, even her face. She can see what they&#039;re doing - hear what they&#039;re doing - she knows what they&#039;re doing, but that doesn&#039;t stop her flight. Even as she understands she&#039;s being herded. How many times have they done this before? Herded an animal to its death. So many times.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The shriek of the tortured metal, of Darryl, is heard by her keen coyote ears, and his mental screams are likewise felt. It&#039;s enough to cause the coyote to stumble a time or two, her own breath coming out in harsh pants. It, however, doesn&#039;t stop her from continuing to flee. The dark shapes to her side are seen, the wolves behind her heard, and the ever present hate felt. Her mind goes through what she could do, but none of the ideas are good. None end with her surviving this. Just her death.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It goes onward like that as they run her forward and she runs from them. It continues all the way to the face of that cliff and when she reaches that dead-end, Mercy Thompson finds her momentum stopped. She looks at the craggy rock face, breathes in the scents, hears the wolves approach. Feels the bond of the pack; the bond so corrupted, so tortured. So wrong.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Wrong.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That word hangs within her mind. This is wrong. Somehow it is. The bond, the pack, Darryl. /Darryl/. /Aaron/. Slowly now the coyote turns and when she comes around to face the roiling forms of the wolves something is different. A look in her eyes, the expression upon her face - there&#039;s still horror yes, but something else. &amp;quot;No.&amp;quot; She says, her voice strained, &amp;quot;This isn&#039;t right. This is wrong.&amp;quot; And as she says that last word energy from within Mercy&#039;s own self flares to life. Across her eyes a line of red ochre paste can now be seen. Bordering above and below the stripe of red are much finer, slimmer, lines of green. Red for strength, for bravery, green for life, endurance, for clarity of sight.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Howls join on another, stacking upon themselves and climbing high into the night. Higher than the trees. As high as the jagged mountaintops casting darkness against the horizon of starlight.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;The prey runs. The pack takes pursuit.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;All behind her and all around, weaving through trees, blurring through the darkening forest, are a dozen shapes -- following her, circling her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Wolves run too fast at her right and force her flight in one way; another close moving body, too-familiar with the soft, muted gallop of padded feet and the deep, ventilating slither of breath, warns of another wolf directing at her back.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Following. Circling. Herding.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy Thompson knows what the pack is doing. Hunting as they&#039;ve taught her. Hunting as she knows as well as the blood in her own veins: her upbringing, her life, her home. And now turned on her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The wolves have scented the false coyote finally hiding among their ranks. A false coyote who stepped too sure and too boldly into their territory. A false coyote who must be torn apart and made a lesson.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;WRONG,&amp;amp;gt; they echo back her words.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;Wrong&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;wRONg&amp;amp;gt; sings through the trees.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;FOUND US. TOOK US.&amp;amp;gt; comes a sudden snarl, one tattered, tortured, butchered wolf leaping from the dark to snap jaws just inches from Mercy.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;TRAITOR&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;LIAR&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The pack comes into sight, her pack, all of them broken, misshapen, reanimate things -- not wolves anymore, not beautiful and proud. Dissected experiments. Rewritten monsters. Not alive, not dead -- but found, FOUND as they scream in wild torment, because of /her/, because of what she did to them, because of what she brought to their land.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There are whispers in her head to ratify this. They want her to believe. They want Mercy Thompson to accept the guilt and reality of her sin: to calcify it into this new world. But as she runs, as she flees them, as she comes surrounded in all sides with those screaming, galloping, nightmare wolves, the forest around her -- skips and statics. Red ochre. Lines of green.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It opens a veil -- a single spot of sunlight against all this night. A place different than this. A place that does not belong. She can reach it -- as the wolves follow, snapping at her, desperate to hook their teeth into her flesh.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Their sing-song chants. Their words. Their faces. Their bodies.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The horror they&#039;ve faced. The pain. The terrible pain.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Their pain.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Traitor. Liar. This is your fault. Those words echo within Mercy Thompson and go a step further within her own mind, her heart - you don&#039;t belong here. Interloper. This isn&#039;t your place. You&#039;re not family. Not a wolf. Not a human. You&#039;re nothing. /Nothing/. You. Don&#039;t. Belong. Anywhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;How many times had she heard that? How many times did she feel that way? It&#039;s what made her run in the end. What little happiness she found within the pack ripped away by those who thought she didn&#039;t belong. By those who thought they knew what was best for her. And while her expression crumples and her body curves inward slightly against this onslaught, that doesn&#039;t stop the coyote from seeing her escape.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It doesn&#039;t stop her from running toward it. Even as teeth snap, beasts snarl, and claws gouge deeply into the earth. None of it stops Mercedes Thompson from running to that mote of light, nor moving to step through it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Away from this nightmare.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;m sorry.&amp;quot; Are the coyote&#039;s last words to the ravening beasts, as she escapes, &amp;quot;I&#039;m so sorry.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Steve &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Relief tinges the edges of Steve&#039;s expression when Sam returns. They all came in together, and standard operations say they&#039;re all getting out together. But Sam&#039;s words cause it to dissipate. Bucky&#039;s question merits a small tick of his head, &amp;quot;I don&#039;t think we have a choice. We all need to out of here,&amp;quot; because Sam said he would have to study it. And if they need Liam, then they&#039;ll have to have time to find him. &amp;quot;We need an exit, Buck--&amp;quot; his friend knew a shortcut to this space; maybe he also knows a way out of here. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The runes that appear along the metallic bed earn a crisp lift of Cap&#039;s eyebrows behind the mask. Thanks to his post during the war, Steve Rogers is no stranger to the weird that Hydra produces, yet magic remains one of the oddest forms of Hydra trouble he has encountered. That said he&#039;s not an entire stranger either. The mystery of the runes and their entrancing nature, therefore, act as a warning system. He reaches out to draw everyone to the ground, &amp;quot;Get do--&amp;quot; but the word is eaten. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The dizzying nature of the magic sweeps over him, causing his knees to buckle beneath it and the world disappears before him. Black enters his conscious. And, much like when the ice overcame him, he&#039;s enveloped in the magic&#039;s power: mind, soul, and body all fall victim to the magic&#039;s will. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s no fight in the frozen.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The freeze took him this way before. It feels like a fall, a plummet through endless thin air, and then --&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Reawakening comes in the form of soft, familiar things: music playing, thick and tinny, from a wood console radio, the song being Here in my Heart from Al Martino. The flat, over-warm smell of an apartment, mid-day light venting in through heavy drapes. The distant, drifting sounds of a city bleeding in from outside and below -- the noisy, grinding sounds of car motors rattling in ways he has always heard his entire life and not at all this past year thawed from the ice. The smell of cooking stew layers on the air. The slow and innocuous drip drip drip of rain on the windows.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;He is himself, sitting back in some well-tailored armchair, taking throne in the sitting room of this apartment and surrounded by darkly-painted, carved walls, ensconced with tasteful decor -- the familiar things of a lived-in home.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The last of which stares up at Steve Rogers at one of his knees.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She looks about seven, small and with her dark hair tightly-braided, with blue eyes the same colour as his. In them is the same conviction as his too, stubborn and fiery, as she declares in prim accusation: &amp;quot;You&#039;re not /playing/, papa! I /told/ you to come find me!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;The little girl speaks in perfect King&#039;s English.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s jarring in its own way. The strange wash of peace at being somewhere so foreign yet so familiar. Comfort has been a luxury for many years, and here, in this place, it fits like a glove. He sound of the rain at the window, the waft of the stew--everything about it feels like home. Even the objects grant some sense of belonging. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s been a long time since Steve Rogers has belonged anywhere. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Or has it? &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He can&#039;t tell. Nor does he want to fight it. The beauty of it washes away the sounds that continue to echo in his mind. They&#039;re drowned by the hearth of home. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The child at his knee earns a faint quirk of a smile--haunted by something he can&#039;t quiet put his finger on. But her insistence that he should be playing wins her something far easier. &amp;quot;Oh Susie,&amp;quot; his lips hitch up on one side with a brilliant flash of teeth, &amp;quot;I think I fell asleep.&amp;quot; His smile turns dimpled with his admission. &amp;quot;Don&#039;t tell your mom.&amp;quot; He presses his finger to his lips. That will be their little secret. &amp;quot;Should Iount again?&amp;quot; His eyes sparkle with unbridled mischief while he inches off the chair. &amp;quot;I suppose I need to close my eyes and do the whole thing again.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His hands press over his eyes, &amp;quot;I know, I know, no peeking,&amp;quot; the laugh in his voice is unmissable. &amp;quot;One... two... three... four...&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There&#039;s only a brief rapping on the front door, before it opens to admit a cannonball of a little girl, probably about eight, with flying brown braids and impudent blue eyes. Following behind her is a familiar-yet-unfamiliar man, who shoulders his way in the ease of someone assured of his perfect right to come and go at all times.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;No running in the house, Mary,&amp;quot; Bucky scolds, kicking the door shut behind him again. &amp;quot;How many times have I told y-- ow!&amp;quot; This, because the bundle of two year-old settled in the crook of his left arm has just insistently pulled his hair. Short hair, cut neatly-- not straggling, not unkempt. &amp;quot;Fine--&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Disentangling the wriggling toddler&#039;s determined grip, he sets her down to crawl, letting her loose from a whole and unharmed left arm. No metal, no slithering steel plates, no gears (why would there be?). He pauses a moment, glancing at his wrist, but there&#039;s no watch to be seen there.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The gesture is there and gone, Bucky straightening back up. &amp;quot;Clara would&#039;ve come, but she&#039;s home with Judith,&amp;quot; he makes excuse, still paying more attention to his children than Steve. &amp;quot;She&#039;s got the flu again. They can&#039;t come up with that universal vaccine fast enough...&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He finally notices the current activity. &amp;quot;I guess this is where I distract you so Susie gets a big old head start on hiding,&amp;quot; he says, loud enough for little girls to hear.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The sound of the door prompts Steve&#039;s hands to fall despite the fact he&#039;s not supposed to be peeking. Even the counting ceases when his gaze lingers on Bucky. The smile that draws over him turns bittersweet, eerily painful yet broken with beauty, and he can&#039;t figure out why. Every tinge of him struggles to understand what he can&#039;t put his finger on, but the girls and their machinations draw him away from the thought and into Dad-Uncle mode. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He rises to his feet and takes several large paces to close the distance between them. He&#039;s not wholly sure why, but impulsively, he reaches out to hug his friend, skipping on any of the designed niceties so many resort to in order to preserve semblance of masculinity. The smile remains a few more beats until he processes the words and takes a step back into his own space. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Judy going to be okay?&amp;quot; because that&#039;s all that really matters. The mention of the game has his lips quirking into a mischievous very lopsided grin. &amp;quot;Yeah. Give me a minute to find Susie and I&#039;ll get you a drink,&amp;quot; he reaches out to clap Bucky on his back before motioning towards the living room where he&#039;d just been seated. &amp;quot;Take a load off. Make yourself at home, Buck.&amp;quot; And then, as an afterthought he calls: &amp;quot;Ready or not, here I come!&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He peers down the small hallway of the apartment in search of a small person.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Bucky grins, a little bemusedly, as Steve gives him that strange look and then comes right in for a hug. He doesn&#039;t resist, returning it with two strong whole arms, but it&#039;s definitely a little out of character for Rogers, judging by the way Bucky eventually pulls back and looks at him, resting both hands on Steve&#039;s shoulders to hold him at arm&#039;s length for a critical look.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You doing okay there?&amp;quot; he says, head tilted. &amp;quot;You aren&#039;t getting the flu yourself, are you? You haven&#039;t given me those kinda soppy eyes since you pulled me up off that train.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He claps Steve on the shoulders, and withdraws, swiftly turning to fetch the crawling Dorothy before she winds up somewhere she&#039;s not supposed to be. &amp;quot;Not that all that maudlin crap was necessary even then. I knew you&#039;d have my back, and you had it.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He scoops his daughter up, turning to claim the armchair when prompted, so he can sit her on his lap. &amp;quot;Judy&#039;ll be fine. If the fever hasn&#039;t broken by morning, we&#039;ll take her to in to the distribution center first thing. You wanna help me regain my sanity, you can get me that drink, we were up all last night with her.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The promise of sharing a secret -- just between them, and no one else -- lights up Susie Rogers&#039;s blue eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She loves secrets. She gets that from her mother.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Yes!&amp;quot; she directs, wilful and precocious, but has declared her father absolutely forgiven the moment he agrees to play. &amp;quot;You /musn&#039;t/ peek! That would be cheating!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The count scrambles her out of the room and away, giggling wildly her entire way out. It&#039;s Susie&#039;s favourite game, and she&#039;s devoted to its clear rules: so much so she doesn&#039;t even dare give away her hiding place even to the sound of company arriving. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;It is not difficult to find her, in the end. Something reminds him his daughter has a favourite hiding place.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s in the master bedroom, tidy and efficient, set with photographs where he holds a woman in his arms. Peggy Carter looks serene, veiled and dressed in bridal white.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a giggle from the storage closet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Inside, his vibranium shield shines up at him, still painted that crisp white-and-red for the victory celebrations after the won war. The emblem of a proud eagle fans its wings wide, stoic and strong, its noble heart the skull of many limbs.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;The shield buckles, hiding beneath it the curled shape of a laughing daughter.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The mention of the train causes something to cross Steve&#039;s eyes again. He can hear it. The sound of it racing through the alps. And the cold. Through his uniform he could feel the cold. The way it wore on him, the way it made every bone in his body ache. It crushed him. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But he saved Bucky. What did he lose there? He shoots Bucky another grin, this one easier than the last. &amp;quot;Nah. No flu,&amp;quot; he answers easily enough. &amp;quot;Just sentimental. Thinking about... well, everything. Again. Been awhile.&amp;quot; Has it been awhile? Did he ever stop thinking about the train? It feels easy to recall, but the details don&#039;t align with his feelings. What was lost? He manages another smile and turns on his heel to traipse after Susie. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He treads into the bedroom and admires the wedding photo. He can&#039;t recall the details, but he&#039;d left her waiting. How? His chin lifts as confusion grips him. He&#039;d waited so long for the right partner, why would he have left her to wait? He can&#039;t even remember dancing with her at their wedding. Or ever. Maybe he is getting the flu. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;rHis lips purse, but the giggle drowns out the uneasiness. And in seconds, he&#039;s opening the closet to see the shield. His expression falters. &amp;quot;N-no.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His eyebrows knit together and he bends down to retrieve the shield from the giggling girl. &amp;quot;Susie,&amp;quot; his voice is laden with heaviness and concern, &amp;quot;... sweetheart. I need this.&amp;quot; He plucks it up and trails back to the living room, &amp;quot;Buck...&amp;quot; the distinct frown can be heard in his voice and seen in his expression &amp;quot;...something&#039;s wrong.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Something&#039;s wrong, Steve says.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bucky looks up at Steve, confused, soothing his daughter in his arms as-- no doubt unsettled by the off mood her uncle Steve is in-- she starts to fuss and pull the cry face. &amp;quot;What?&amp;quot; he says, plainly not getting it. &amp;quot;What&#039;s wrong? You&#039;re not...&amp;quot; His features soften in apparent understanding. &amp;quot;It&#039;s been years, Steve. It&#039;s over. Everything&#039;s fine now. War&#039;s over.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There should be two words to close that statement. Two telling words that don&#039;t come.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His frown deepening, Bucky draws breath to speak again--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;--and for half a flickering second, he&#039;s not there. The Winter Soldier is there in his place, harrowed, haunted, as blood-soaked as Steve last saw him, his metal arm shining at his side. There&#039;s still that smear on his cheekbone where he tried to clean his own face. &amp;quot;Steve, wake up, it&#039;s not real, you have to--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;--consider seeing someone,&amp;quot; Bucky is saying, his brow furrowed with worry. &amp;quot;You&#039;re acting strange.&amp;quot; He rises, his flesh left hand, the one he was born with, reaching to take Steve by the arm. &amp;quot;Maybe you need to go to the distribution center, too. They&#039;ll have a shot for you. Fix you up.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Steve&#039;s knees buckle. He falls to the ground as the pain of the words that don&#039;t come wash over him. And then the Soldier takes his friend&#039;s place. The ache in Steve&#039;s chest grows as he blinks back angry tears that threaten to fall &amp;quot;...no...&amp;quot; he whispers. More resolutely, he straightens to stare at Bucky Barnes, his truest friend--his brother, and he shakes his head again. &amp;quot;No.&amp;quot; Because it can&#039;t be true. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I know us.&amp;quot; His eyebrows draw together tightly. &amp;quot;And we never,&amp;quot; he trembles, &amp;quot;we wouldn&#039;t have given in. They&#039;d have had to kill us if we&#039;d lost.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His blue eyes fill with tears. And, in a way, reality aches almost as much as life in this space. The facade cracks. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Soldier is real. This facsimile Bucky doesn&#039;t hold up, even if there are pieces of him that Steve longs for. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then, quietly guiltily, his voice turns to a whisper. &amp;quot;I didn&#039;t catch you. I didn&#039;t go back to see--&amp;quot; his eyes stare at the shield abomination. &amp;quot;I thought you died. But I didn&#039;t check. I failed you in every way. And then I froze in the ice so I couldn&#039;t even save you. Bucky... &amp;quot; his eyebrows knit together tightly &amp;quot;...don&#039;t ever forgive me. I failed you. To gain everything and still not protect what actually matters? Some bastion of hope I wound up being.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The instant those words are spoken, reality churns.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It wants to hold. It tries to press its foundations to each corner of Steve Roger&#039;s mind, as the encroaching doubt worsens -- helped by the look of the shield in his hand, emblazoned with something that should not be.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His home flickers, losing texture and colour, dimensions momentarily unravelling like pulled thread. It sobers to hold itself together, long enough for --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Papa,&amp;quot; entreats a voice at Steve&#039;s back. Susie stands there, small and paling, having followed his heels out the master bedroom, and lost her strength half the way. Her little body tries to brace itself up against one wall, unwilling to bear any other way but to stand under her own power. She got that from him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Reality flickers, and so does she, for a moment failing completely to exist, and then returning -- back in this world with helpless, misunderstanding terror in her blue eyes. She doesn&#039;t know what&#039;s happening. &amp;quot;Papa. I&#039;m -- sick --&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Bucky is at Steve&#039;s side instantly when he falls to his knees, leaning down, one hand pressed worriedly to Steve&#039;s shoulder. He&#039;s always been at Steve&#039;s side instantly, ever since they met as kids: two scrappy orphans with nothing to face the world with except wits and one another. Of course, then one was sent to war -- but the other soon followed. The other always followed. And they always had one another&#039;s backs.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Up until that one day, on a mountainside, in the snow.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Something IS wrong,&amp;quot; he declares. &amp;quot;I&#039;m taking you to the center, right now. They&#039;ll--&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He stops, because then Steve is confessing, whispering his guilt and his one injunction: don&#039;t forgive me. Because I failed.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The hand on Steve&#039;s shoulder is made of steel. The smell of blood is strong in the air. &amp;quot;Forgive /you/?&amp;quot; Bucky&#039;s voice is faint, faraway. &amp;quot;I&#039;ll be lucky if you can even look at me, after you realize what I am now...&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He is the first thing to vanish when the world starts to unravel.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There&#039;s little comfort when fake-Bucky comes to his side. And even that dissipates when he says his piece and vanishes. &amp;quot;That&#039;s the problem,&amp;quot; he whispers. &amp;quot;//I// made all of that possible.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Tears trail down Steve&#039;s cheeks. He almost wishes he could stay. The reality that wasn&#039;t--that can never be--doesn&#039;t exist. He bends down to reach eye level with the little-girl-that-isn&#039;t. The one he&#039;d so desperately wanted in a longing for something normal in his life. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s just a kid from Brooklyn. He&#039;s always been the kid from Brooklyn. Not even Captain America could change that. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The mirror of his blue eyes in hers crushes him more. This is a life that isn&#039;t. That could never be. They lost everything they cared about to dismantle Hydra. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Everyone died to that end, including Steve. And they won the war as a result. Or, at least, they won World War II as a result. Bucky had become some strange POW. And even in the loss of their lives, in what could&#039;ve been, Hydra has persisted. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And as he stares at Susie&#039;s eyes, the veil rips further: the sacrifice didn&#039;t banish them. Only more loss waits on the other side of this nightmare. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His voice comes out as a whisper when his fingertips bid the tears from his face, &amp;quot;I&#039;m sorry, sweetie.&amp;quot; He sniffs hard and shakes his head, &amp;quot;You don&#039;t exist.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Cracks open the apartment walls. The radio music slows and twists into discord. The smell of stew from the kitchen is burning.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And Susie Rogers doesn&#039;t understand.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s no heartbreak, no tragedy in her blue eyes to hear her father deny her entire existence, only that pure, guileless confusion of a child who does not understand why her father refuses to protect her. She thins with the growing moment, pale, dying with this world, and one of its few pieces clinging on to remain alive.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She tries to help him by moving toward him, but her strength gives out, and the child folds on the ground, in that moment looking truly a shadow of what he was -- sick, hollowed-out, but not quite finished.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Not ever finished, as she pushes herself back up, reaching up both hands for her father.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A hand reached out to him once, amidst the shrapnel of a moving train, with a fatal fall blurring perilously below. A hand outstretched and trusting he would take it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;These two small hands trust it too. &amp;quot;Papa,&amp;quot; his daughter whimpers, reaching up.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The world tells him he only needs to touch her to make this reality true.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The dull ache in Steve&#039;s chest longs to reach for her. He&#039;s broken. He&#039;s been broken since he woke up. No, it started before that. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But then he&#039;d been convinced the sacrifice would be worth it. That it was the right thing. That there was no choice. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;How could he imagine sitting by and letting Red Skull win? Letting Hydra win? &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But she stands there; longing for him to touch her, calling on his compassion. And he hesitates. His hand trembles at it begins to move towards her, but he catches himself, pulling it back towards him as he releases a sob. &amp;quot;You&#039;re... not real,&amp;quot; he repeats more to himself than her. &amp;quot;You&#039;re a dream that could never be,&amp;quot; his voice cracks around the words. &amp;quot;I&#039;m sorry. I...&amp;quot; his blue eyes train on her &amp;quot;...I can&#039;t stay in this world. And there&#039;s no way I&#039;d be able to protect you here. Not without losing everything I am and everything I&#039;d want you to be.&amp;quot; He sniffs again. And then he repeats for good measure, &amp;quot;You&#039;re not real.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His throat clears. &amp;quot;But Bucky is. I need to be better. I have to wake up.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Sam&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam&#039;s head snaps around to stare at the runes on the bed.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Countermagick isn&#039;t an option. No components. No time to figure out what might snap the thaumaturgical elements. It&#039;s almost always something that requires a real, full wizard with an inborn mana source. So, what? What has he got? He goes for the old standby, reaching for his Crown Royale bag full of rock salt...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Only to go rigid, wide eyed, as the bite of the magic clamps down. Like cobra fangs in his soul. There&#039;s a sharp inhale of breath.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He fights it. He fights it with every inch of his will. Even as he pushes back he tries to think. What&#039;s the purpose of this? Is it just killing them all? What&#039;s going on--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;If he didn&#039;t have the components to fight it, his will, however strong, is even more paltry. He snarls one last snarl as his own helplessness is made clear to him, as the enchantment takes him by the scruff of the neck and has its way with him.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Reawakening comes in the form of soft, familiar things: the droning voice of a secretary in the background, the soft way noises muffle in a carpeted office, and the slow drip of that kitchen tap that just won&#039;t quite stop leaking. Not the highest-end real estate -- but it works.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Winchester &amp;amp;amp; Associates, LLC, has still got some rough spots to iron out beyond just a leaking tap, and Sam&#039;s still working on the &#039;associates&#039; part... but it&#039;s a good start, and the business is /his/. He and Jessica are still young and not looking to start a family yet, so he&#039;s got all the time in the world to get the firm up and running. He&#039;s pretty confident he&#039;ll be in the black before too long.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Family law&#039;s steady work, after all. Sam Winchester ought to know just how fucked up families get.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;After that last argument with Dean, Sam Winchester hasn&#039;t spoken to any of his family in years. He used to get calls, periodically, but he let them go to voicemail, and they eventually tapered off and stopped.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s twenty-six, married, and he&#039;s finally got the normal life he always wanted. No monsters to chase. No bloody rituals to disrupt. No demons to hunt.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Even the night terrors that he&#039;ll find Jessica aflame on the ceiling, burning and dying like his mother, have finally abated.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;//Why// was he so angry just a second ago?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It can&#039;t be the faucet. It&#039;s just a faucet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Because he let his mind wander to his family again, probably. He half shakes his head. The combination of deep sadness and anger that he feels when he thinks about Dean is so familiar to him. He misses his brother so incredibly. And yet the things he said during that fight had been completely unforgivable, unacceptable. Dean might want to follow in John Winchester&#039;s abusive, fucked up footsteps, but fuck that. Sam will break the cycle.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam would give anything, though, to see him again. To hear Dean say he is proud of him, and what he&#039;s made of himself. He chooses his cases carefully. It slows down his expansion, but he helps people. He really helps them, and he does it without a gun or a knife in his hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Or maybe it&#039;s the case in his hands making him so infuriated. MacLaren vs. MacLaren. Mrs. MacLaren finally gets the courage to leave her abusive husband, and now he&#039;s suing for custody of their kids. Well, Sam&#039;s not going to let that happen. He pauses to fire off an e-mail to his go-to private investigator. He&#039;ll need some proof that Mr. MacLaren is an unfit parent.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With that, he puts the file aside. Thoughts of those night terrors all but evoke them again, and he picks up the phone, dialing his beautiful wife, already letting a smile tug at his lips. He often does this, calling just to say he loves her and is thinking of her. He&#039;s not only seen how fucked up families can get, now, in his profession, he&#039;s seen how marriages end. He&#039;s determined not to let it happen to him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He can picture her for a moment, a beautiful brunette...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Brunette? No. Jessica&#039;s blonde. He loosens his tie just a little bit as he waits for her to pick up.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s been impossible to talk to Dean, the few times they did talk before Sam had to cease contact. His brother was just so set in his ways, so... so /taken/ in by their father. He was ready to be the good little soldier. And he wanted Sam to be, too. Well... fuck that. Sam Winchester is going to be a normal man. He&#039;ll have a better life for himself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He does wish, sometimes, though...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ah well. The cases are more important. The cases, and his wife. He dials her, and she SHOULD be home, but uncharacteristically the call almost goes to voicemail before she picks up. &amp;quot;Hey, hon,&amp;quot; Jessica says, but she sounds distracted... worried. &amp;quot;I was... actually just about to call /you/.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a brief silence. Then she asks, &amp;quot;What was your brother&#039;s name? Wasn&#039;t it Dean?&amp;quot; There&#039;s the distant crinkling of a newspaper. &amp;quot;There was a missing persons report for a Dean Winchester in the paper today...&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A reply from the investigator pops up on Sam&#039;s screen, right about this time. He&#039;s got something good, for given values of &#039;good&#039; -- Mr. MacLaren got up to his old tricks and left bruises all over his wife -- but they need to move quickly and photograph the injuries, then file the forms and evidence.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It takes two seconds to type &#039;do it&#039;, but Sam is soon closing the laptop.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;That-- that makes no sense,&amp;quot; Sam says slowly. Car keys. Where are his car keys? Why does he need car keys? Where is he going?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He opens up the laptop. &amp;quot;We&#039;re supposed to -- we //were// supposed to-- stay under the radar.&amp;quot; He has never really explained his life to his wife. His former life. When asked, he usually clams up, says &#039;it was fucked up&#039; and suggests a nice place to go get dinner. This is probably the first time he&#039;s told her a single detail beyond that. He whips the laptop back open, switching to his bluetooth so he can talk and type.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;To his favorite browser (Search Tha Web! of course, Google, what&#039;s that?) and in goes Dean Winchester&#039;s name.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Who would file a report?&amp;quot; Dad would just go find him. What the Hell is going on? What is this madness? What is this nonsense?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Dean lives a dangerous lifestyle. Missing? Missing could be //dead//. His blood pressure shoots straight up as he contemplates the possibilities. For all their quarrels, Sam never wanted Dean dead. If anything he&#039;d hoped...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For reconciliation. And to be there when Dean was maybe ready to get out. He&#039;d be successful by then, surely, and he&#039;d set Dean up with a gift, help him start that garage, he&#039;d work on classic cars and find himself a family and they&#039;d do Thanksgiving and Christmas and...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;//Please, God, don&#039;t let anything have happened to Dean.//&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Why doesn&#039;t it make sense?&amp;quot; Jessica wants to know. &amp;quot;Sam, what does he do? You never told me. It&#039;s probably important for me to know. Especially if you&#039;re using words like -- like stay under the radar. It sounds dangerous...&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Putting Dean&#039;s name in does indeed pop up information on a missing persons report. No information on who put it in, it&#039;s fully anonymized. Perhaps someone Dean started working with, towards the end. Whoever it was claims that the last they heard of Dean, he was heading for Lawrence, Kansas.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His screen pings again.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Got it. I&#039;ll take the photos and get the forms together. But I&#039;m gonna need you to come down and put your Hancock on these forms, kid. Soon as you can.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam ignores the email, closing it down furiously.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;He&#039;s a vigilante,&amp;quot; he tells Jessica shortly. &amp;quot;We were both vigilantes.&amp;quot; He can&#039;t get into Hunting. That&#039;s too much to explain, and there&#039;s too little time. He yanks off his tie, throws it down, and finds his car keys after all. He also opens up the bottom drawer of his desk. In it, a secret compartment. In that, his only remaining gun, the sleek little Beretta that Dean himself taught him to shoot with long ago. There is no universe in which Sam Winchester, even one living a normal life, will go completely unarmed, will let his wife go utterly unprotected. He checks the clip, slams it into place, whips off his jacket, pulls out the shoulder holster. Even at college, this gun was there. His last gun.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;m going to be gone for a few days,&amp;quot; he tells her. &amp;quot;I have to find my brother, Jess.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He strides into the front office. &amp;quot;Carlene,&amp;quot; he tells his secretary. &amp;quot;Go over to Wilson&#039;s office and sign the forms. You sign it &#039;for&#039; Winchester and Associates as &#039;Carlene Johansen, Associate.&#039;&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He doesn&#039;t wait for her reply. He&#039;s already out the door, though he hasn&#039;t hung up on Jessica yet.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Vigilantes?&amp;quot; Jessica stammers. &amp;quot;You-- what? Sam, wait--!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But there is no time. No time to explain further.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Carlene looks startled as Sam tells her to, in essence, do something that will likely get him suspended, or at the least disbarred. &amp;quot;M-Mr. Winchester,&amp;quot; she stammers, starting to say something to this effect, but Sam is already gone.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s a swift trip back to the place of his birth. There&#039;s nothing left of the house he was born in, and the area has since been converted into a small park, but Sam Winchester unerringly finds his way back to the very site of his old room.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There it is that he finds Dean. Dean, bound physically and mystically in a binding circle at the base of an oak tree. Dean, slumping to see who it is has come for him. &amp;quot;Sammy -- &amp;quot; he struggles to say.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is a man behind Dean, holding a knife to the side of his throat. But of course -- not just a man. He smiles a beneficent smile, and Dean goes silent as suddenly as if a leash were jerked.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You&#039;re far from where you should be, Sam Winchester,&amp;quot; the demon says. &amp;quot;Haven&#039;t you felt it? But hey, at least you have your life.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His smiling widens. The knife twirls slowly against Dean&#039;s carotid. &amp;quot;Nothing good comes without a balancing of the scales somewhere. You know that.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Suspended. Disbarred. None of it seems to matter. Nothing really matters but finding Dean.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then he does, and when he does it makes no sense. He has pulled his gun, he has it aimed at the demon&#039;s head, but it will do no good. He can start an exorcism, but those take a minute. The thing could cut Dean&#039;s throat in a heartbeat.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Rage wells up in him. He knows what to do. He knows what he can do.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You don&#039;t touch him,&amp;quot; he says, lowering his right hand, his gun hand, in favor of raising the other hand, the &#039;sinister&#039; hand in more ways than one. At first he thinks &#039;just pull the knife away&#039;, with no idea of how he knows he can do that. There have been no headaches. (Why should there be?) No visions (visions?) not so much as a bent spoon. But he feels //something// inside himself, and that something whispers calmly-- in his own voice, no less-- &#039;You can do better than that.&#039;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Balance this,&amp;quot; he says, pulling back his arm and flinging outward to unleash what&#039;s inside him, attempting to throw the demon all the way into the next house with a burst of telekinetic rage.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;He&#039;s my brother,&amp;quot; he hisses. &amp;quot;And I will //always// come for him.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The demon doesn&#039;t move. Telekinetic force parts like a sea around him, and fans into the trees. Branches splinter and saplings fall, but he remains still.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The circle around Dean, however, fades. The knife drops to the demon&#039;s side.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I see your choice. I accept.&amp;quot; His head cants back, eyes going flat white... and then he blinks, and looks back, and smiles.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam&#039;s head begins to clear, the false reality weakening, some cognizance of who he is -- where he&#039;s supposed to be -- allowed to seep back in to his mind.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The demon is gone. The circle is gone. The bindings on Dean are gone. All that is left is Dean, unconscious in the grass, but safe.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And the hanging body of Jessica Moore, actively burning, dangling from a branch over Dean&#039;s prone body.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Flat white. The most powerful demon there is besides Lucifer himself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam&#039;s blood runs ice cold when the man smiles, when he implies some sort of bargain has been made. He rushes forward to gather Dean into his arms, pulling him back to his chest, dragging him away.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His mouth falls open when he sees her hanging there. Burning. His eyes widen in shock and horror. Grief slams into him in hard, hot waves.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then...then he&#039;s screaming the name of the life he traded away to buy Dean&#039;s. The sensation that it was his fault, is his fault, is //always his fault// slams into him, and tears fall freely from his face. She&#039;s already dead, but he almost drops Dean to go cut her down, put her out, try to save her...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Only if he does, will Dean suddenly die instead?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Dean,&amp;quot; he sobs, just like he was twelve all over again.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Dean, wake up.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;What else can he do? Who else can he go to? When it all falls apart...who but his brother?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But...but Dean took off. He left his phone on the counter.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There is a sense that he could still choose the life he wanted. That normal life, with a wife, a career, perhaps someday a family. All he would have to do is cut her down. He could make that life a reality with that one act.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But what would happen to Dean, then?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He chooses. But even then, Dean doesn&#039;t respond for the longest time. He&#039;s limp and unresponsive, though breathing. Did Sam burn his life on a pyre, only to not get his brother back after all?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A long few moments pass. But soon enough, Dean stirs, and opens his eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;No, Sammy,&amp;quot; he murmurs, weak and battered but alive. &amp;quot;It&#039;s you that has to wake up.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He places his hand over Sam&#039;s eyes, and the false world wipes away.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Reawakening, /true/ reawakening, comes hard and cold and fast for everyone. In real life there is nothing gentle, nothing soft, nothing alluring or dreamlike. In real life there&#039;s only the resurgence of harsh sounds: the rattle of gunfire, the sounds of explosions, the shouts of people fighting... and the screams of them dying as they&#039;re pulled apart.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Eyes open to the familiar dark sight of the shadowed med bay. To Claire, stirring feebly on the table. Claire -- finally awake.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Perhaps the person most excited about this is not in a position to actually notice. There&#039;s only one entrance in to the med bay, and the erstwhile Winter Soldier -- who doesn&#039;t seem to have been knocked out with the rest of them -- is planted firmly in it. In front of him heap the piled corpses of men and women who -- having either found another way around Sam&#039;s ward, or else broken it -- tried to breach into and get past him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Judging from the amount of bodies, the group must have been out for a total of a few minutes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a bit of a lull in the action at the moment, likely because the thinned-out Hydra forces have dropped back to await reinforcement. Blood-streaked, Bucky glances over his shoulder, and relief relaxes his features as people seem to be awakening. &amp;quot;About time you all woke the fuck up,&amp;quot; he grouses, his eyes tracking immediately to Claire with mingled concern and guilt.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The too-familiar sound of gunfire causes Steve&#039;s eyes to pop open. Their haunted appearance reflects something he won&#039;t give words to, but, for a moment as he sits up, the anguish is palpable. The downward turn of his lips, the strain in the muscles of his face, and the defeat on his shoulders wears for a brief moment. But just one. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Adrenaline is a wonder drug. The thrum in the back of his head loses some of its edge thanks to the surge through his veins. His hands scrub his face, washing away each and every iota of Susie&#039;s non-existence. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When his hands drop back to his sides, his expression steels, save for that haunted reflection in his eyes. He jumps to his feet. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s time they got up. &amp;quot;...right...&amp;quot; But something in word finds no relief. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But movement in his periphery catches his notice. His head turns towards Claire and his eyebrows lift, &amp;quot;You alright to walk?&amp;quot; because there are plenty of volunteers who would carry her. &amp;quot;We need to find a way out of here. Buck? Any ideas?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred&#039;s knees buckled the moment she opened her eyes here. There&#039;s a gasp and Fred shivers uncontrollably, looking about her in disbelief. Is this place real? It&#039;s not the cave, it&#039;s not Pylea. But, so many other things seemed real that weren&#039;t. She can make herself believe anything is a dream or is not a dream. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She is dimly aware of the gunfire, the bodies that have piled up outside of the ward that Sam placed. Sam. She knows that name. That&#039;s real, right? Yes, that is real. Eyes cast about the medical bay as they take everything in. She remembers this, she thinks. The rescue of Claire. She wrote an ending for this in her head already. They were already safe, back in Mercy&#039;s garage - toasting and happy. Wait, no, she made that ending up on Pylea. That wasn&#039;t real. Right? &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Unlike Steve, she is not quick to get back on her feet. The disorientation has hit Fred hard and she finds it difficult to tell this reality from the spell. This could just be a dream within a dream. The nightmare she is unable to wake up from. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Awake. No longer trapped in that dream world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy is thankful for that, even if this world is filled with the racket of war and death. While she doesn&#039;t necessarily visibly shake herself, internally she&#039;s doing just that. Striving to get her brain back upon the task at hand. Thankfully, the Soldier and the Captain help push her sluggish brain along when they speak. Fred&#039;s movements are likewise seen and for a second Mercy just looks at the other woman. Then the coyote is rising to her feet. A hand will be offered to Fred, as Mercy says, &amp;quot;You okay, Fred?&amp;quot; Mercy&#039;s voice sounds a little rough around the edges, but concern can still be heard within.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Even as she offers to help pull Fred to her feet, Mercy can&#039;t quite stop her gaze from immediately darting to the door, with Bucky and those bodies, and then quickly to Claire. To see how the other woman is doing.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam Winchester awakens with tears flowing unabashedly down his face, but he moves to wrap a protective arm around Fred almost immediately. He&#039;s a quick thinker, and he has his guesses about things she might have seen. Then the Soldier is speaking, and there&#039;s a pile of bodies and they&#039;re...well. Possibly trapped in a creepy underground hospital a floor down from their escape route.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Uhhhhh,&amp;quot; Sam says, his admission that he&#039;s got nothing. And then, maybe he thinks he has something. The Winter Soldier has just filled the room with death energies. All this lingering magic is right here. It&#039;s a medbay which may even have its share of magical and ritual components considering what it was used for. He springs to Claire&#039;s erstwhile bed, trying to decide if he can decipher the script, reuse it, channel the energies through the dead bodies and send all that away from the room and back through the base to trap everyone attacking them in their own nightmare worlds so they can just...just...//walk out//.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;First, though, he has to figure out if that&#039;s even possible, and what it might take, and if he can pull it off. Someone might have a simpler, better solution, but he goes with what he knows.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It occurs to him, for the first time ever, to maybe communicate some measure of this. &amp;quot;I might have something, but I don&#039;t know yet. If someone has something faster or better it might be better to go with that.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Half-communciation. Working on it. But he&#039;s already distracted trying to read the runework.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Those half-shuttered, sightless eyes, gazing up and off into the middle distance -- suddenly focus.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Left heaped along that metal table, Claire Temple finally stirs, broken from her stupor -- from her own nightmare made of curl magics. For a moment, she trembles, eyes darting this way and that, a feverish light to her staring: the guarded incomprehension of someone who is no longer sure what or who is real.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s sensation what grounds her, the chill of the subterranean base needling through the paper-thin medical gown they&#039;ve dressed her, and drawing in on herself --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- Claire animates, first touching her own abused wrists, then an injection site on the crook of her left elbow, the skin burnt-raw, the blood vessels looking black against her dark skin. She rubs over the spot even though it must be painful, the gesture something like a disturbed relief, before she hears voices, sees movement, and emboldened again by the ability to move after so long in restraints, she tries to push herself half-way up.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Familiar voices. Familiar faces. Claire looks from person to person, a look on her face like for a moment she&#039;s convinced it&#039;s not real. But it is. Because it has to be. They&#039;re here. Mercy, Fred, Sam --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire&#039;s eyes stop where they meet Bucky&#039;s. She looks back, raw-eyed, relieved.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s Steve who speaks first to her, and she looks up, pallid under the bright overhead lights. She doesn&#039;t recognize him until she does -- Captain America? -- and finds words enough to speak. Her voice is raspy, abused. &amp;quot;I can,&amp;quot; she whispers, and then pauses.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The runes are old, a system of spellwork not unfamiliar to Sam -- though the magic feels overlain with something else. Something oppressive. And before there&#039;s time for any deeper study --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She remembers. &amp;quot;He has -- he -- they dug it up -- we have to --&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A man&#039;s papery voice cuts her off, droning through every hall in the building -- intercommed into the medical ward. &amp;quot;Code White is in effect,&amp;quot; he directs. His voice is familiar to some -- Volkov. &amp;quot;To my brothers, thank you. To my guests, forgive me for no introduction. Chistka.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Any ideas? Steve asks.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bucky glances back at him. There&#039;s little in his gaze to say whether he was really in that nightmare or how much he saw. It&#039;s highly likely he would look as sad and guilty as he does, regardless of whether he was. &amp;quot;There&#039;s only one way out of the medbay, and I&#039;m standing in it,&amp;quot; he says, shoving bodies out of the way with his foot. &amp;quot;I&#039;d say, straight shot to the stairs and just run. You and I together can probably mow through whatever they throw, so long as everyone keeps up behind.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He glances towards Mercy and Fred. &amp;quot;Didn&#039;t you both make a shitload of bombs?&amp;quot; he asks. &amp;quot;Can you remote detonate? Drop &#039;em along the way if you can. Drop &#039;em all. The explosive should be sufficient to take out this place -- &amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A voice interrupts him. The erstwhile Winter Soldier hackles visibly at it, recoiling like a struck dog.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That single word Volkov closes with has him haring right out the door. He scoops up someone&#039;s fallen assault rifle along the way. &amp;quot;Gotta go. No time!&amp;quot; he urges. &amp;quot;Now, now, now!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s resistance along the way, armed men and women pelting up from the lower levels, but as Bucky promised -- nothing that cannot be handled. So far.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It takes little time and no hesitation to have Steve nabbing the shield attached to his back, bearing it as his weapon of choice. But once it&#039;s in his hand, his face blanches. Queasiness threatens to bring him down. Strangely, in the same moment, he mentally switches. And, for the first time in a long time, his expression looks remarkably like the picture in the Captain America comics. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;If there&#039;s only one route, &amp;quot;Nowhere to go but through,&amp;quot; he agrees. A quick scan of the others draws a hint of concern and a quiet but still insistent, &amp;quot;I&#039;m sorry, but we&#039;ve got to -- &amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the voice comes through the intercom and Barnes ushers all of them out. While Cap won&#039;t swear aloud, his expression speaks volumes. In an instant the curse written over his features can&#039;t be missed before it rights it, resorting back to the mission itself. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Like Bucky, he nabs a weapon that is holstered on his uniform. The shield operates as his primary weapon of choice. Instead of shooting from afar, he literally positions it to bulldoze through the early forces. Cap uses the infamous red, white, and blue to push through.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Suddenly there are people there. For a moment, Fred recoils from both Sam and Mercy. It&#039;s not that she thinks they will hurt her. Instead, she&#039;s afraid that - like ghosts - they will go through her and therefore prove she is actually back in Pylea and this is just a story she is telling herself to cope. A very elaborate one, but she is a smart woman. That&#039;s not beyond her. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;However, the touch of both Mercy and Sam are solid. She allows Mercy to try and pull her up, though the smaller physicist is almost like dead weight. It matters little to the stronger coyote, but Fred stands on unsteady feet for a moment before Sam wraps an arm about her. She&#039;s stiff in his grasp, but there are more important matters at hand. The questions and the plans...she feels as if she has little to contribute. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When Barnes looks at them and demands something, Fred bristles - a bit of the woman before the spell coming to the forefront. The idea of the Winter Soldier ordering her what to do does not sit right with her, especially as he seems the only one unaffected by the spell and possibly led them right into a trap. Perhaps he protected them, but it could be for other reasons. She shakes her head just slightly. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The voice over the speaker makes her shiver, though. People are starting to run, to push through. Fred doesn&#039;t think about the bombs and she pauses for a moment, debating whether to trust this. However, she moves with the rest of the group - unsteadily at first before picking up speed. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;With Fred back upon her feet Mercy moves to Claire&#039;s bedside. Upon seeing the other woman awake, alert (mostly) and moving, Mercy looks relieved. &amp;quot;Claire.&amp;quot; She says in greeting, even as the coyote begins to shrug out of her jacket. Once free of that light coat Mercy will offer it to Claire. &amp;quot;Here. Take this.&amp;quot; Then Mercy&#039;s attention shifts away from the Night Nurse and back to Bucky when the man speaks.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The mention of bombs and remote detonating allows for a nod to be given. Agreement within that movement of hers. Before she can verbalize that exact sentiment the intercoms suddenly blare to life. The mention of code white earns a furrow of brow from Mercy, but that perplexed expression soon turns to anger and hardness when the unknown man finally states his name.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Volkov.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A butcherer.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That thought brings her gaze back to Bucky and when Mercy sees the assassin visibly react to the man&#039;s words, Mercy swears beneath her breath. Turning back to Claire, the coyote says, &amp;quot;Time to go.&amp;quot; And should Claire need help Mercy will gladly give it - almost this makes her think of the Wendigo that hunted them through similar hospital hallways; albeit the Wendigo wasn&#039;t quite as scary as this.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then it&#039;s off to running and Mercy moves as quick as she can. She doesn&#039;t grab any of the discarded weaponry, not when she has quite the bag of bombs at her side.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;That voice has haunted Sam&#039;s nightmares, and the sound of it freezes him, turns him pale, sends fear rocketing across a face that is so open that May has despaired of ever teaching him how to hide his emotions. It comes hard on the heels of his realization that he can&#039;t do jack crap with the complex spellwork, but in the end it doesn&#039;t matter one bit. Because in the end, he&#039;s hearing Barnes tell him to move, and he instinctively does. He tries to shield Fred with his body as they run, but he contributes in his own way, flinging telekinetic power out left and right to simply attempt to pick up assailants and //fling// them into each other, all to the aim of helping to //keep them off//.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He never looks to see if he&#039;s hit, never stops moving. He trusts Mercy to keep Claire protected and on the move.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The sound of her own name draws Claire&#039;s eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Seeing Mercy there, meeting her eyes, makes the woman sag a little, like a too-long knot of worry finally released, to see her friend in one piece -- and here. She doesn&#039;t say anything back, perhaps unable to with her thready, too-rough voice -- spent on screaming, probably -- or unwanting to, because with the way her eyes shine, she can&#039;t trust speaking will make other, more emotional sounds come out too.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But she does accept that jacket gratefully, pulling it on, her expression twisting as the fabric touches that deep burn at her elbow. But she hides in that extra layer, desperate for its cover --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Memory comes to her, and she knows more important than any &#039;thank yous&#039; or &#039;I am so happy to see you&#039;, she needs to warn them --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- and then that voice on the intercom. It affects Claire, the sound of it like a dagger between her ribs, and she tightens up and goes still. She doesn&#039;t breathe. Her eyes close, girding down, waiting it out like someone anticipating pain.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It doesn&#039;t come, only those beckons to /move/ instead, and sobering back, the woman doesn&#039;t waste time. She pushes off from the table and immediately buckles, her legs rubbery like they haven&#039;t been used for days, and she grasps down onto Mercy&#039;s closest arm for balance. &amp;quot;Sorry,&amp;quot; Claire rasps, but seems intent to move under her own power, trying to meet the other woman&#039;s stride in flight out of medical. She looks at the corpses, and the guns on them. She stares at one sidearm like she wishes desperately to take it for herself, but even bending down feels like it might be too much to do. She forgets it and keeps going.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That feverish light is still in her eyes, someone probably on auto-pilot, survival warring with the fear at seeing the initial push of HYDRA reprisal. Claire would probably shout at their numbers, had she a voice; it comes as a thickened whisper at Mercy&#039;s side.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And they come for them. They try to assume a blockade between the group and the stairwell out, rifles pointed with an initial wave of shots. The two supersoldiers help in absorbing the bullets -- Captain&#039;s shield and Bucky&#039;s arm. Sam&#039;s telekinetic swipe steals rifles from personnel&#039;s hands, then knocking them brutally aside -- hitting the walls in cracks of flesh and bone.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The former Soldier can practically smell the suspicion coming off Fred -- can read the curtness in Mercy&#039;s nod and continuing refusal to address him aloud. His jaw tightens and his eyes avert. He supposes they have reason enough. He doesn&#039;t blame them for not wanting to speak to or hear him, and if they have other designs for their explosives, that&#039;s on them. They probably think, he ruminates bleakly, he wants them to dump them so they&#039;ll be left defenseless for the eventual betrayal.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;More pressing matters arise, at any rate, forcing them into flight. Bucky looks back every so often, an Orphean impulse -- and about as potentially deadly, given the opposition coming down the hall. But he can&#039;t help but to keep checking if Claire is still there, if she needs help, if she is alive and okay and intact.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He might almost double back to carry her -- but the blocking Hydra forces demand his attention. He cannot leave the people behind him unguarded, and while Steve&#039;s shield is excellent at deflecting and blocking the hail of gunfire, Bucky&#039;s best defense was always a violent offense. There&#039;s only so much his arm can deflect.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He lunges forward to that end. Sam&#039;s telekinetic efforts help keep him from taking too much fire, men shouting in alarm as they&#039;re forcibly disarmed and thrown about by a force they cannot see. The former Winter Soldier is a force they certainly can see, in contrast, forcing a path through the crowds of Hydra opposition with no real regard for whether he disables or outright kills.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In this fashion they&#039;re able to gain the stairwell fairly quickly, where it appears Sam&#039;s ward has been broken. The door is smashed open -- presumably from the efforts of the group they just mowed through -- and it sounds like more reinforcements are on the way, though they&#039;re not quite to the stairs yet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This gives them a brief, lucky window of time to get the hell up the stairs, back to the ground level, emerging from what presumably is the actual main entrance to the underground base. It opens into a narrow hallway leading one way only: back to the hospital center&#039;s main lobby.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A narrow hallway almost completely filled by the monstrous form of a wolf, fangs bared, fur bloodied, eyes furiously resolute. The healing bullet hole in the side of Anastasiya Zhuraleva&#039;s head still drips, blood matting one side of her face.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There&#039;s both safety and focus behind the shield. The shield offers a mission, a purpose, an important truth. Captain America uses it to take down oncoming defences as the former Winter Soldier attacks. Cap throws it once, letting it ricochet across metallic walls before returning to his grasp as he runs to collect it. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Cap casts a glance over his shoulder to spy the others and their current state. His eyes flit towards Fred, lingering there longer than they probably ought, but as they spill into the lobby, his gaze returns forward. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Only to flatten. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Cap&#039;s patriotic stoicism fails, melting into Steve-exasperation. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;//Does no one die anymore?// the tinge of guilt that follows the thought pushes away, and just as quickly as the exasperation presents, it&#039;s bidden away. Captain America twists as he pulls the shield back like an athlete would a discuss. And with a shift of his weight, rotating to send it with all the strength he can muster, the shield flies through the air on trajectory with the wolf. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Cap sprints while his hand trails to the holster on his uniform. He draws the weapon, and still running, opens fire on the Zhuraleva.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred doesn&#039;t know the voice as instinctively as Sam does. However, she sees the look on his face. As much as the visions have shaken her, she can recognize a similar expression that he wears. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Through the hallways she runs, somewhere in the middle of the pack. She turns a look to Mercy and Claire as they run. A part of her still wonders if this is some sort of fantasy, but the fear feels very real. That must mean something. Through the firefights, the telekinetic tossing, the broken doorways and bodies Fred runs. She only stops when those in front of her do. She doesn&#039;t realize why until she sees the large, blood covered wolf that blocks their path. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fred didn&#039;t see the battle between Steve and Bucky against Anastasiya, however the bullet wound to the head does certainly tell a certain kind of story. They&#039;re trapped. Looking toward Mercy and then to the sound of more soldiers coming up the stairwell behind them, she takes a few deep breaths and then moves back to the stairwell. Then, she pulls out multiple bombs. First is the magnet bomb, which she arms and tosses downward, readying her timer. Then, it&#039;s quite a few molotov bombs. Scrambling back upward, she waits till she hears them closing in. Ideally she&#039;ll set it off as they are running over the body of the Hydra wolf, but she&#039;ll blow everything up earlier should it be necessary. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Claire&#039;s added weight doesn&#039;t cause Mercy any real trouble. In fact, the two of them have done this before, so it takes very little time for Mercy to start helpfully hauling Claire down the hallway. Mercy&#039;s attention only shifts when keen ears catch that rough apology from the Nurse. &amp;quot;You&#039;ve nothing to be sorry for.&amp;quot; Is the quick rebuttal to Claire&#039;s words, even as the two continues to race alongside the group.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When Mercy can, she&#039;ll gladly kick a fallen Hydra agent in the head, or gut, to make sure they stay down. She could do more, but for now, Mercy&#039;s main job is making sure Claire stays alive. So, any attacks from Mercy are truly conservative. Then it&#039;s into the hallway and up the steps, even as the sound of reinforcements reaches their ears. Thankfully there&#039;s not much of a chance for those reinforcements to reach them before they&#039;re out of the stairwell and into that hallway. It&#039;s here where Mercy&#039;s world narrows. All other sound dampens, becomes muffled. All Mercy can hear is the thump of her heart, the harshness of her breath, as her attention focuses fully upon the black-furred and bleeding wolf.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The one created from the dissection and death of Darryl. The abomination; even if that thought is ironic in its own way.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;/You/.&amp;quot; Mercy says hoarsely, the word being pulled almost unwillingly from her. Shifting her gaze to Claire, Mercy says almost apologetically, &amp;quot;Stay here - there&#039;s something I need to do.&amp;quot;, and with those words of hers, Mercy will set Claire aside as gently as she can.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In the time it takes Captain America to toss his shield and fire his gun, Mercy has already pulled a little over half of her remaining hellfire molotovs and started to move. She knows the gun and the shield won&#039;t be enough to kill the wolf. What they really need is silver or water. With neither of those things available to them, then it&#039;s fire, and fire is what Mercy has. Those bottled bits of magical flame are now ruthlessly tossed - two at the beast&#039;s face, to hopefully blind her, then three at her feet to trip her. The last two are held in reserve and here is where Mercy waits. She waits for the wolf to open it&#039;s maw, whether from pain, or rage, and when that occurs Mercy savagely hurls the last two cylinders straight for that open mouth.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The two bomb-making women of their crew are ready with hell-fires, and that&#039;s good, because Sam Winchester did not bring the right tools. Ruefully he thinks about all the silver bullets he left behind, because //werewolves// were not expected. But really. Shouldn&#039;t werewolves always be expected? He resolves to carry silver always now.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy sets Claire gently aside, Fred moves forward and he is there, a hand out and ready to catch and steady Claire if she needs it, but //only// if she needs it, aware that the horrors she has seen and endured might make touch a little fraught for her. All the same, he all but mantles over the nurse they&#039;ve come to rescue, gun out and up, ready to defend her with his life if that&#039;s what becomes necessary. At this time, and at this moment, others are better suited to Hunting than he is, so he Protects. It&#039;s an irony that really doesn&#039;t escape him, but...neither does it concern him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s certainly out of juice for any more TK. He&#039;s been burning way too much power tonight. If he burns too much more right now he&#039;s going to become their next problem, and that&#039;s the last thing he wants.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The sight of it makes Claire stop in her tracks, having never in her life seen anything like -- a werewolf. Her pupils shrink to take that in on top of everything else. Her hand tightens on Mercy&#039;s arm. Her lips move articulately, soundlessly with the words too hard to say: holy shit.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;The werewolf fills the hall -- roots herself firmly between the group and the only way out. Murder reflects against the animal lenses of her eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy asks to be let go, and Claire only half-attentively unwinds free from her arm, still staring at the monster. She only seems to animate once Mercy is no longer in arm&#039;s reach, her body unsteady -- and takes Sam&#039;s arm silently, gratefully in needed balance to stay upright. After a moment, and wordlessly, her hand tightens, needing something else. Needing to touch someone to tell herself this is all still real.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Blood drips from the wound that has not -- cannot -- kill her. And stepping forward, her blunted claws dragging against the tiled floor, the wolf takes in their scents -- the fear and grief -- and it wet her jaws worse, lips curling away from canine teeth the lengths of their hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Stasya, or that monster she has become, does not waste a moment more lunging forward. Like before, her first target is Captain America, any intelligence left in her monstrous head that hatred for him, and she bears toward him, an instant before a lunge --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- before the shield hits true, the powerful vibranium coupled with his powerful throw catching the animal with violence, sending her back and nearly through a wall. It dents and collapses under her weight, disturbed electrical making the lights stutter, before she screams in animal fury and tears back out.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Animal or not, there&#039;s enough human intelligence that she sights -- and smells -- at her periphery --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- Fred, and her work to arm a series of IEDs. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;With a two powerful twist of her body, the werewolf tries to use her size and momentum to break through the vanguard line of supersoldiers to reach the soft underbelly of the group, because if she cannot tear apart Captain America and the traitor dog, she&#039;ll rip apart the soft, weak things that accompany them, starting with the smallest soft thing of them all --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Lobbed fire, however, catches the werewolf in the face. The molotov shatters and covers her, alcohol-soaked fur burning nauseously, flesh bubbling and charring, as the monster HOWLS in surprise and agony. She abandons her attack and recoils, tripping on her own legs, shaking her head wildly to snuff the fire. It only carries it along her body, cooking her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Misha, Stasya thinks, as fire opens in her jaws and engulfs her her throat. It cooks her from the inside-out. The wolf collapses to the ground, and this time does not get back up.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There is an odd sort of look to the way the once-Yasha watches Stasya, as she holds the line against their group&#039;s last chance at escape. It is a look of realization, of understanding, and then of pity. Not a pity that will inspire him to speak or act to save her life, of course -- but a pity, nonetheless.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;&amp;amp;lt;He commanded you here to die for him, Anastasiya Nikolaevna,&amp;amp;gt;&amp;quot; he says softly. &amp;quot;&amp;amp;lt;Did he love you enough it was worth it?&amp;amp;gt;&amp;quot; None of the rest can understand Russian; perhaps why he chooses that language to say what he does.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It does not stop him from readying to face her, but in the end Mercy -- spurred by vengeance on behalf of her lost friends -- acts with sudden decisiveness. The magical flames catch easily in her fur, setting her ruthlessly ablaze, the monster a brief flare of horrible burning light before the last two bombs burn her out from within. One of the few effective ways to kill a werewolf.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is a brief silence from James Barnes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You were going to use that shit on me?&amp;quot; he mutters incredulously, mostly to himself, though he seems neither defensive or surprised about it, nor even offended. He&#039;d have used that shit on himself too.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The clatter of men on the stairs behind them -- too close -- rouses him from his reverie. Fred&#039;s magnet bomb seems to cause a stir down the stairwell, the clatter of weapons suggesting most of the men lost hold of their rifles, delaying the assault a few precious moments, but it won&#039;t delay forever. He shakes his head sharply and urges the group onward. &amp;quot;Exit in two hundred yards,&amp;quot; he estimates. &amp;quot;Dump whatever you&#039;ve got left and detonate when we&#039;re clear.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred sets her bombs to do their work and then turns about to join the others. An ear is given to the stairwell - she needs to know when to detonate the other bombs she has planted. However, what she faces when she turns around is a werewolf intent on ending her. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The scientist freezes, eyes wide as she realizes the intent of Anastasiya. There&#039;s little she has that will stop this. A normally lethal bullet didn&#039;t stop her, what chance does she have? However, her moment of frozen panic is quickly laid to rest as Mercy steps in with the molotovs available to her. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;An unimpeded gasp escapes Fred as the wolf - instead of lethally lunging at her - is brought down by magical fire. There is little sympathy there, though there is certainly a bit of fear and awe that the weapons she helped made are capable of such a thing. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The question from Barnes about them wanting to use that on him is met with a bit of a look, but no other response. How else would they combat a murderous assassin that otherwise seems impenetrable? Now, though, she starts to shed more of what is available in her bag - linking them up with the detonation app from Mercy. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Another person might look away when the wolf catches fire, but not Mercy.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For Darryl, Mercy witnesses the burning of the wolf. The death of this one. It&#039;s not a pretty sight, or smell, but Mercy watches until Stasya no longer moves.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then the coyote&#039;s gaze moves away from the corpse. Her eyes turn to Bucky first, the notes of his pity picked out from the sharper notes of burnt fur, burned flesh, before she nods to his muttered question. &amp;quot;We were.&amp;quot; She says in agreement, then she looks to Claire, Sam, Fred and the Captain. When Fred starts dropping her available bombs to the ground, Mercy does similar. The last of her molotovs will likewise be set (carefully) down upon the ground. They&#039;ll explode once the main detonation is triggered.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Once everything is in place Mercy will touch the screen of her smartphone. The screen brightens from that touch of hers, even as the coyote begins to move. Her steps will either take her back to Claire, if need be, or forward down the hallway. &amp;quot;Ready.&amp;quot; Calls out the coyote as she now runs, her gaze and attention shifting between the group, her phone, and their way out.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Two hundred yards is two hundred too many in Sam&#039;s estimation.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He doesn&#039;t care to watch the werewolf burn. He&#039;s seen literally hundreds of monsters burn, having been on what amounts to something like an average of 2 hunts per month every month for thirteen years.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; The ladies are dropping bombs, and he&#039;s moving Claire gently closer to that entrance, not at all put out to have her clinging to his arm. Right now he chalks every one of her reactions up to the shock of her captivity, but later he&#039;ll remember that she still has had very little grounding in the supernatural world, and will take steps to give her the knowledge that is, 100% and in every major way, power when it comes to such things. Even Dean couldn&#039;t do his job without some of that knowledge. The stuff in one&#039;s head helps one survive better than the ability to weild a gun.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He won&#039;t break off from the group of course, and certainly doesn&#039;t want to get far from Fred, but his protective stance for the woman they&#039;ve come to save never falters. Forward down the hallway for Mercy might well be a logical choice, but should Claire want to go back to the friend she&#039;s closest to he will certainly take a step back, sensitive, as he is, to what one might need to feel even somewhat functional. And she needs to be as functional as possible, cause they&#039;re not out of the woods yet.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Ultimately Bucky seems to shrug off his own incredulity for the mild joke it was, especially when it just gets deadpan reactions from Fred and Mercy. He&#039;s not surprised about that either. As is typical of most of his humor after eighty-five years of killing -- it&#039;s not actually very funny at all.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Running is the imperative now, anyway, and once Fred and Mercy get their linked array of explosives set, he pushes them onwards. Their pursuit in the stairwell has sorted itself out already from Fred&#039;s magnet bombing, and they&#039;re starting to pour into the hall behind them. There&#039;s no longer any way to fight, only to flee, and that in mind Bucky finally doubles back.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Without asking permission or forgiveness of Claire, he relieves Sam of his guarding task with a brief nod and hefts the nurse up, because they&#039;re going to need to go fast and she&#039;s in no condition. &amp;quot;Let&#039;s go,&amp;quot; he says, and turns to run, apparently completely unburdened by carrying Claire.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is no resistance to stop them from pelting out of the center. None to stop them from clearing to the tree line. All the possible resistance is still within the building, already desperately trying to dismantle the set explosives. They&#039;ve got a few disabled, but not enough yet to stop the chain reaction set to blow.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They could try to flee, but they won&#039;t. The gestalt of Hydra was always far more important than any insignificant individual life...&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;With her explosives laid and set, Fred is quick behind the others as they run. The fact that Barnes was attempting a joke is completely lost on her and, honestly, not dwelled upon. Instead she focuses on that tree line. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Once Barnes removes Claire from Sam&#039;s care, a hand reaches out and grabs onto Sam as they run. Her other hand holds onto the phone that holds her link to the bombs that she set. There&#039;s the anticipatory fear that everything has gone wrong, that they will run and hear the unmistakable sound of a sniper or a gunshot or a different kind of explosion. It&#039;s coming, she knows it. This is supposed to be the Real World, things do not happen like this. They don&#039;t manage to escape. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;/Nothing good ever happens here./ The thought comes unbidden to her head. She attempts to suppress it, but there it remains. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Attempting to dislodge the thought, she looks to Mercy for confirmation before setting her own explosives to detonate. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Perhaps after this is all over Mercy will take a minute to realize what she did. What they all did. Choosing life and death for the people (and wolf) within that cursed building. It&#039;s going to leave a mark, definitely, but that price won&#039;t be seen just this moment.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When Fred looks to Mercy for confirmation, the coyote nods, before she touches the screen of her own phone.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With several swipes of her fingertip the bombs within the building are armed and then set to detonate in one fell swoop.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam nods to Bucky in return. There is no distrust there, in sharp contrast to most of the group, and no guilt or anguish, in sharp contrast to poor Steve. He lets Claire go without complaints, trading her for Fred&#039;s hand, which he squeezes with his own broad one as they run. He could all but wish he had strength enough to repeat Bucky&#039;s feat with Fred, scooping her up into his arms and running, but for all that he seems weirdly stronger these days he&#039;s not about to push his luck when they&#039;ve got bombs to flee. He watches her detonate those bombs, once the trees are sheltering them, but he doesn&#039;t let her go, not even for a second. He needs that hand, suddenly, needs it fiercely.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He has, in the span of minutes through their strange fight and flight, compartmentalized basically everything about everything. There will be time enough to process the dark revelations of his ugly vision, time enough to bow his head in guilt and grief and wonder at the implications of what he has bought and sold. For now, though, there is only a dull ache in the center of his chest, ignored for the most part while they handle the work of getting free of this place, soothed by Fred&#039;s fingers entwined with his.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Soothed by that, and by this...it seems they have won, carved an incredible, unlikely victory out of nearly thin air. This time, he doesn&#039;t think anyone gave any orders to offer /no significant resistance/. For all that he doesn&#039;t yet understand the purpose of the vision spell...perhaps because none of them really fell permanent victim to it, thank God...springing that trap was a serious expenditure in terms of resources, components, energy, focus, and time. No, they were expected, perhaps, but they were resisted. Significantly.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It almost gives him a tiny kernel of hope for the future. Their strange group may be &#039;rag-tag&#039;, as May has so-often named it to be. Scrappy and strange. Hunters, soldiers, healers, shapeshifters, mystics, vigilantes, touched by darkness, reaching for light, and damned if they don&#039;t manage to accomplish a little good from time to time.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Here, in this moment, as explosions wipe out a group of zealous, insane human monsters...it is, for one Sam Winchester, enough. Perhaps more than enough.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This is who he is. Bought and paid for.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And the fact that he and Dean don&#039;t have to be /who they are/ as islands unto themselves, that they can now have friends, a team, a home base, well. That&#039;s a sort of cosmic customer loyalty gift of some kind. He looks into each of their faces.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His smile is there-and-gone again, but it&#039;s one of brief, sincere gratitude all the same.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Claire Temple is one of those people who looks away as a wolf monster burns.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The too-bright, too-hot burn of hellfire turns her head, and with a quiet desperation she turns her face, eyes shut. Maybe in another day, another life, she would have more courage, more cold patience --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- but it&#039;s too much, and the last month swiftly hits a horrifying limit. She can&#039;t look, and a moment later, can no longer move, paralyzed on the spot, a perfect, eery silence as her hand grips tight to Sam&#039;s arm and her heart beats painfully in her chest. It&#039;s more than she can take, and for the first time in years, the smell of burning flesh makes her insides twist.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fortunately -- though maybe some in this group would question that -- Bucky Barnes slips in and takes Claire into his arms. The action pulls pulls her hand free from Sam&#039;s arm, and animating to the touch, she turns a strange look askance onto the man whom, for the last eight years, was the Winter Soldier.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Even more strange is the way she gentles, closing her eyes and tightening her hands on him as he runs.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The main floor rigged with the last of those homemade explosives, the group takes flight from that complex, blurring through the night and retreating to the overgrown Staten Island brush, its thick, overpopulated treeline hiding them in its shadow --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- while HYDRA&#039;s remaining reinforcements, those who were not pre-selected for immediate evacuation on Volkov&#039;s orders, reach the main level. And with pointed rifles, find waiting not the malfunctioning Soldier, or Captain America, or the mysterious rest of the group, but a tithe left in consolation. Bombs upon bombs all around them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The men and women process what will happen in all of a moment. So it must be. The mission is already complete, and success assured. This will change nothing. They are all only one head, and on a beast with many necks --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The unit commander lowers his gun. And tells his men, &amp;quot;Hail Hydr--&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The complex detonates by the remote command. The main building shatters all its remaining glass, exploding outwards in licking tongues of fire, before it folds in and collapses to the earth.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=2284/Ataraxia&amp;diff=1527</id>
		<title>2284/Ataraxia</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=2284/Ataraxia&amp;diff=1527"/>
		<updated>2017-09-09T19:57:44Z</updated>

		<summary type="html">&lt;p&gt;Altair: Created page with &amp;quot;{{Log Header |Date of Scene=2017/09/01 |Location=Staten Island, New York |Synopsis=Plot finale. Having developed a plan to save Claire Temple, Steve Rogers, Mercy Thompson, Sa...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/09/01&lt;br /&gt;
|Location=Staten Island, New York&lt;br /&gt;
|Synopsis=Plot finale. Having developed a plan to save Claire Temple, Steve Rogers, Mercy Thompson, Sam Winchester, and Winifred Burkle follow Bucky Barnes to the Hydra base where the former Winter Soldier knows she is held captive.&lt;br /&gt;
|Cast of Characters=229, 112, 160, 99, 294, 230&lt;br /&gt;
|Tinyplot=Tayaniye&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Saint Michael&#039;s Medical Center-- a modest campus comprising a few buildings encircling a larger main hospital-- isn&#039;t hard to get /to/, per se. No harder than it is to get to anywhere else on Staten Island, though it&#039;s a bit of a trek from the more habitated centers of the island. The hard part about this is going to be getting /into/ the medical center, though the ragtag group that Bucky Barnes has brought back to Claire&#039;s place of incarceration has a plan. Well, at least half a plan. Maybe one-third of a plan.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bucky was able to pick out a time when workers out on the grounds of the medical center would be at a minimum, and when most construction efforts would be on the upper floors of the main building that is their objective. He hasn&#039;t brought them to the front door, however-- or at least, the side door he uses as the Winter Soldier-- because the Hydra presence starts right there, and he wouldn&#039;t want to have to execute any of them that Hydra deems rather less interesting in terms of a &#039;catch.&#039;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Instead he&#039;s brought them to a small maintenance shed, about halfway between the sparse woods surrounding the campus and one of the buildings on its very fringe. There&#039;s no immediate indication why he would pick this place over any other, up until he breaks the lock off the door with his left hand and reveals within-- instead of the expected generators or gas tanks such a place might contain-- a ring of concrete centerpieced with a heavy steel hatch.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Back door,&amp;quot; the erstwhile Winter Soldier explains tersely. &amp;quot;They only have one official way in and out, but the brass always keep a personal way out in case of emergency. Doesn&#039;t open from this side, though. Only opens for a switch in a control room on the first sublevel.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And there he left them, to dubiously trust that he is not LYING and will actually execute their plan: to have him bring Captain America in as a prisoner, and to open this back way for them once within. This required some level of... preparation in making Steve look appropriately roughed up, which Bucky did NOT appreciate, but necessity was necessity.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The plan went surprisingly well at first. Nobody at the &#039;front desk&#039; is nearly qualified to stand in the way of the returning Winter Soldier, however late he is. Once he and Steve get down to a level with some actual security, and Bucky gets questioned about his unexpected cessation of contact for two days, he is promptly forgiven-- more than forgiven-- once he displays Captain America, wrists chained behind his back, and the iconic shield.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;How long are you going to stand here asking me pointless questions?&amp;quot; Bucky eventually loses his patience, with convincing Winter Soldier frigidity. &amp;quot;Volkov is going to want to see this for himself, and he&#039;s not going to thank you for holding me up.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Such it is that Bucky and Steve find themselves occupying the freight elevator leading down to the subterranean levels beneath the hospital, the former wearing Steve&#039;s shield. There is silence, for a time.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;As long as this doesn&#039;t go like that one time with Namor,&amp;quot; Bucky mentions under his breath, &amp;quot;it&#039;ll be fine.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Dirtied, bloodied, and bruised Captain America assumes silence through the entire proceedings with his blue eyes trained solidly on the floor. It&#039;s odd, in a way, for him to so earnestly avoid eye contact, but being a prisoner meant acting the part. The skin of his wrists complains underneath the shackles, partly because he&#039;s drawn them apart from each other. Defiance seemed far more convincing than easy complicity. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His eyes trail around the elevator as the pair enter the elevator. Thanks to SHIELD, cameras in elevators have become something of a norm in Rogers&#039; life, but the murmur warrants a small pull of the Captain&#039;s lips on one side. It&#039;s not a smile, but it does reflect memory. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You know how tempted I was to leave him with them?&amp;quot; he mutters in response. &amp;quot;If they hadn&#039;t had a doomsday weapon...&amp;quot; the suggestion that he would&#039;ve left Namor with Hydra is ridiculous, and they both know it, but it&#039;s also the most normal things have felt in days, an irony that doesn&#039;t escape Steve&#039;s notice.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred doesn&#039;t trust Barnes. That has been made clear not only in her actions dealing with him, but in words that she&#039;s expressed to both Mercy and to Sam. She worries that this plan relies too heavily on him, to much on expecting him to be able to pull it off. However, she does realize that putting bombs at the main entrance as a distraction immediately puts everyone in the base on high alert to start. Without any other valid plan, this is their best bet and they don&#039;t have the time to hash out something better. That doesn&#039;t mean she has to like it. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hiding nearby the door of the shed, Winifred Burkle gives Sam a worried look - one that she has given him quite a few times since the fight at the junkyard. This is a high stress situation and she knows he&#039;s been using his powers more. That&#039;s the last thing she wants to have happen tonight, even if she knows the possibility is high due to high stakes of this infiltration. A hand readjusts the bag of firepower that is her haul that they brought with them. A few other items from the Hyperion&#039;s weapon closet are also there. She gives a glance to Mercy, checking on the coyote. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then, her attention turns to the door, willing it to open. Claire is somewhere inside and - according to Sam&#039;s vision - being tortured. They need to get in there as soon as possible. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Waiting. It&#039;s one of the worst thing about plans that are multi-pronged.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while Mercy Thompson waits in that maintenance shed, dressed in simple serviceable and dark clothing, she remains mostly silent. As with previous iterations of the group&#039;s crazy plans, ambushes and rescues, she likewise has a small messenger bag. The strap of the bag is slung diagonally across her body, with the bag filled with a variety of bombs, grenades and weaponry. She also has several hellfire molotov cocktails strapped to one arm, with the slender tubes carefully concealed under the sleeve of her black jacket. Upon her other arm, overtop the sleeve of her jacket is her trusty smartphone. Ready to detonate things should she need a remote charge.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her arms across crossed over her chest and while she keeps most of her senses attuned to the world around them, part of her mind is focused elsewhere. In a prayer. It goes something like this -&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Please let this work. Please don&#039;t let anyone die. Please let us find Claire.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The prayer is repeated like a mantra and finally after the third repetition of that prayer Mercy opens her eyes. Her gaze circles the room around them and the people within, and with that look of hers she catches Fred&#039;s own glance her way. While she doesn&#039;t necessarily smile at Fred, she does at least acknowledge the other woman&#039;s look with a nod.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s all seriousness right now from the Coyote. Then, much like Fred, Mercy turns a quick look to Sam as well.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam Winchester trusts that the Winter Soldier isn&#039;t lying. Whether or not he&#039;ll actually get to the switch that will let them all in? Well, that&#039;s another question and another concern.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The truth is, once the plan was set he spent zero time thinking about it. He swallowed a ton of Advil and took a very long nap after his disasterous attempts to scry the place. Now there&#039;s a faint, dull ache behind his hazel eyes, but nobody would know it to look at him. He has come armed to the teeth in full Winchester style, with his favored Beretta 92FS in the shoulder holster under his bulletproof plaid shirt and tactical jacket, a Smith and Wesson 5906 that he&#039;s got at a waist holster, poorly concealed but still technically concealed, the pair of tactical knives in either boot, the neck knife tucked down his shirt, and one more tucked into his belt.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Knowing a sorcerer is on site means he couldn&#039;t skimp on his normal weaponry either. He&#039;s got two flasks of holy water tucked into the inner pocket of his jacket, and two Crown Royale bags full of rock salt. Chalk if he needs sudden sigils, iron dust, twine, and one can of spray paint just in case they find themselves in need of a devil&#039;s trap or something similar.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Conspicuously absent from this kit are two items. The ICER pistol, and the bespectacled bunny he&#039;s been carrying about. The latter simply cause he doesn&#039;t want to lose Feigenbaum in some Hydra Hell-hole, and cause he needed the room for weapons. The former, because after thinking long and hard he decided that anyone willingly working for Hydra under the ground qualified as a monster in his book, and he didn&#039;t feel like they had a lot of time to play around. If he leaves a bunch of unconscious bodies there&#039;s the chance Hydra knows how to help them recover quickly, and then they might well get swarmed. It&#039;s a risk he&#039;s not willing to take, for any of them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s also probably a safe bet that he did shoot up at some point, because he needs a shot about every four to six hours to keep withdrawals, alone, at bay, let alone to feed any abilities he might want to use. At the very least, perhaps, the arsenal he&#039;s brought might indicate he&#039;s not keen on relying on those. Not here, not knowing they fit into Hydra&#039;s plan somehow.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He catches both women staring at him. He reaches over and squeezes Fred&#039;s shoulder. &amp;quot;We&#039;re going to bring her home,&amp;quot; he murmurs, with the calm assurance of someone who has walked into enough dangerous situations to have lost count of them, and who has had to lead people who were not so assured out of them safely.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Either he&#039;s unaware that they&#039;re concerned about his tainted blood and the tainted powers that come from it, or he&#039;s choosing oblivousness. Either way, he focuses on the mission.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Surprisingly, there are no cameras in the elevator. Bucky obviously knows this already. Hydra is not an organization that benefits from keeping copious recorded footage of its own doings. It&#039;s not how they really operate.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He still keeps his voice down, though, when he answers with an audible smirk in his voice, &amp;quot;We coulda left him a little longer than we did.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The time for jokes eventually comes to an end. Not soon, either: the elevator seems to descend a long time before it finally grinds to a stop, opening onto a sterile, plain, and cookie-cutter environment that seems quite part and parcel of what one might expect of an organization like Hydra, with its fetish for redundancy. Bucky gives Steve a bracing glance, and then he puts the Winter Soldier mask back on. His left hand takes his best friend harshly by the upper arm, dragging the battered-looking Captain America down the halls.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The control room they&#039;re looking for is actually on the first sublevel, which is convenient, but it&#039;s on the other side of the base from the elevator that brought them down here. Still, they don&#039;t really encounter that much in the way of resistance. In fact, they don&#039;t really encounter many others at all. The people staffed here all seem busy; idleness is not tolerated.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They do stare as the Winter Soldier passes with his singular prisoner, however. One person stares longer than the rest, unnoticed by Bucky from her position at the end of a long hall that he passes by.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s one person manning the control room when they arrive, someone very easily ordered out by the Winter Soldier. Bucky cuts a look at the door, doesn&#039;t let go of Steve&#039;s arm (&amp;quot;Sorry,&amp;quot; he says, sotto voce), and then flips the switch to open the back entry.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s audible when that heavy hatch unlocks, a resonating sound of metal. It won&#039;t be hard to heft it open. What might be hard is deciding what to do, when a look down reveals a pitch-black tunnel boring straight down into the earth. No ladder. No nothing. And it looks like it goes down a very long way.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Relief colours each corner of Captain America&#039;s face at having no eyes in the elevator, but Steve&#039;s eyes dance with amusement at the thought of leaving Namor longer. &amp;quot;Probably should&#039;ve,&amp;quot; he mutters to his feet. But moments later the doors open and Cap assumes his silence once again. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Booted feet shuffle along the cement floor. Yet his blue eyes follow the corners and edges of the room. He feels like he&#039;s being watched, prompting him to seek any signs of surveillance aside from the eyes that seem to follow them through the base. He even takes notice of the woman who stares at them, blue eyes lingering on her longer than would be considered polite. In fact, from a prisoner, it might be dubbed overtly aggressive, a thought that has his eyes flitting away moments later. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The pressure on his arm produces a dull ache, but it barely registers along the curiosity he bears. He casts a long look at Bucky. &amp;quot;How long you think until we have company?&amp;quot; he murmurs, eyes trailing towards the door.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;All of those outside are a bit on edge. That&#039;s understandable, considering what is at stake and how their previous attempts at infiltrating had gone before. The knowledge that their rescue of Sam was only &#039;mild&#039; interference has Fred on even more of an edge than she was before. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For a brief moment, when Sam puts a hand on her shoulder, she reaches up to hold it. Then, though, she nods, eyes back on the shed in front of them. &amp;quot;We&#039;ll find her,&amp;quot; she agrees.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When the hatch audibly unlocks, Fred is quick to scurry forward. She gives a quick look about her as she does so, but then she&#039;s putting her - not exactly impressive - strength behind opening up the door. With the additional help of Mercy and Sam, the door swings open. If she was expecting the waiting to be the hardest part? Well, she would be wrong. Now they need to find a way down a dark tunnel with no ladder and no means of descent. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Frowning, Fred reaches into her bag to bring out a bundle of rope. &amp;quot;I...I&#039;m not sure this&#039;ll be enough,&amp;quot; she tells the others. &amp;quot;But, we could see how far down it goes?&amp;quot; &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Mercy watches Fred and Sam and at both of their words the coyote nods. &amp;quot;We will.&amp;quot; She says, finally speaking.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And even without her sensitive ears Mercy would have heard that click and clank of the hatch unlocking. That sound is enough to cause the coyote to straighten up and drop her crossed arms down to her side.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then it&#039;s onward to help Fred lift that hatch upward. When it reveals a descent into darkness the mechanic frowns. &amp;quot;Great.&amp;quot; Mutters Mercy Thompson, perhaps echoing something of how Fred currently feels. While the more slender woman reaches into her bag for that bundle of rope, Mercy will reaches into her own bag of plenty as well. From it she pulls forth a small compact flashlight. Then the coyote is crouching down near the hatch and leaning forward slightly. With a flick of her thumb the flashlight is turned on and while it lights a good portion of the tunnel it doesn&#039;t quite reach the bottom. That&#039;s enough to cause the dark-haired woman to mutter even more beneath her breath.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Straightening up from her crouch, Mercy says, &amp;quot;I can&#039;t see the bottom. I&#039;d say let&#039;s drop the rope down and then one of us can go down and see what it looks like.&amp;quot; At this point her gaze turns to Sam versus Fred. &amp;quot;I can probably do it. I&#039;m pretty good with long drops.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam frowns thoughtfully as he stares down the shaft. Not an elevator, like he expected, but a lift from the bottom. He doesn&#039;t speak right away. &amp;quot;A better look would be wise,&amp;quot; he agrees, slowly, &amp;quot;Though I don&#039;t know if 50 feet is going to cut it. I think ultimately I&#039;ll have to float you two down there, and someone will have to send the lift up for me. But let&#039;s get more information. If you think you can go down, then I&#039;ll hold this end of the rope. And I&#039;m here to uh. Catch you. If you fall. Two different ways.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He frowns down at the shaft, contemplating how much more &#039;juice&#039; he might need for this, but decides it&#039;s not time to distress them with that yet. He gazes about, wishing there were something more solid to attach that rope /to/, but. There isn&#039;t.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Fred, if you can steady me a bit,&amp;quot; he suggests. Small and slight though she is, a bit of extra weight to keep him stable is still nothing to sneeze at, that and a pair of good set stances and his own strength ought to keep Mercy from say, dragging them down the horrific tunnel with them. &amp;quot;This is why I need to buy myself a cool drone camera,&amp;quot; he adds, apropos of nothing. &amp;quot;Or sign the paperwork at last so that when I do stuff like this, I can say &#039;hey SHIELD, can I have a cool drone camera? And they&#039;ll say yes.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He sage nods. He&#039;s dork babbling because sending Mercy down the shaft is making him nervous. Don&#039;t mind him.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Meanwhile, inside:&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In that instant, the Winter Soldier moves past with his prisoner.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&amp;quot;Is that Captain America?&amp;quot; asks one of the HYDRA personnel in the passing -- and admittedly keen -- earshot of the two passing super-soldiers. His voice lifts with undisguised shock. &amp;quot;I didn&#039;t ever hear of anything --&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Sounds like it happened,&amp;quot; another man answers, sharing that same look of disbelief. Because shared amongst all their minds is that same thought: this is a game changer.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Anastasiya Nikolaevna Zhuraleva, among that small group, lifts her head, and in that instant, meets Captain America&#039;s blue eyes with her own, pale and steely. He holds her eyes, and she looks right back, her lean, rifle-straight body shouldered against the wall. A cigarette curls smoke from between her lips.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They walk by. Her nostrils flare as she stares after them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The men continue to chat. &amp;quot;What do you think they&#039;ll do with him?&amp;quot; they say. &amp;quot;We should confirm intel from the Vila. She must have heard something from SHIELD.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Stasya isn&#039;t listening. The soldiers, jailor and prisoner, pass out of sight. She crunches her cigarette and follows.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Apparently eighty years apart aren&#039;t nearly enough to dispel how attuned Steve and Bucky are to one another, when operating together. Steve turns his head to follow someone with his eyes, and at his side Bucky&#039;s grip on his upper arm tightens in wordless question.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He doesn&#039;t ask immediately. Not until they&#039;re in the control room, clear, and they&#039;ve gotten the hatch open for the others. The actual lift control isn&#039;t there, it seems, and Bucky transparently considers whether it&#039;d be safer to stay put and avoid being seen too much, or to keep moving in case people come to the control room and find the Winter Soldier... somewhere he has no reason to be, with a prisoner.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;How long do we have? Steve wonders. &amp;quot;Up until somebody notices I didn&#039;t go where I was supposed to go with you,&amp;quot; he says grimly. &amp;quot;I could start walking you there, but I&#039;ll be damned if I&#039;ll do anything to help a fake capture turn into a real one.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This is about the time he finally asks, &amp;quot;Who did you see?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;A twist of Steve&#039;s body silently asks for the restraints to be removed from his wrists. He&#039;ll need his hands in short order, likely. His eyes trail to the shaft and he inhales a long breath while he recalls Stasya. &amp;quot;A woman. Perfect posture. Average height. Cigarette in her lips, and obviously not easily intimidated,&amp;quot; Steve&#039;s eyebrows lift. &amp;quot;Formidable, I think.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He stares at the door in silent consideration. &amp;quot;We needed to get everyone in to help... Claire,&amp;quot; the strange familiarity of using the first name of someone he&#039;s never met feels nearly foreign on his tongue, &amp;quot;but we lose any advantage we have if we all get stuck in here.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His jaw tightens, and his fingers ball into fists. &amp;quot;...you should walk me there...&amp;quot; The logic in Steve&#039;s voice is unmissable when he notes, &amp;quot;Tactically it makes the most sense. I&#039;m over a hundred years old. I&#039;ve seen enough for more than a lifetime,&amp;quot; but there&#039;s something in his expression that speaks greater volumes. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Their compatriots haven&#039;t. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then, with a grim smile he adds, &amp;quot;That... or you could rough me up again if someone inevitably walks through the door.&amp;quot; Because there needs to be a reason to be here.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Unaware of what is going on inside, Fred looks between Sam and Mercy as they debate the merits of scaling downward. There&#039;s no argument when Mercy volunteers. While Fred has many other skills, rappelling downward in the dark alone is not exactly one of them. Of course, she would do it if that were way was necessary. There&#039;s a short nod as she agrees to the plan. &amp;quot;Let us know what you see.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Handing the rope to Sam, she can&#039;t help but grin at his divergence into drone cameras. She wraps her arms about his waist first in something that is like a fond hug before she then holds him tighter and plants her feet. &amp;quot;I think a drone camera at your disposal is definitely a good reason to join SHIELD.&amp;quot; There is no sarcasm there. She truly thinks that would be a sound point. &amp;quot;But only if they let me use it, too.&amp;quot; Clearly, a dealbreaker. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is a bit of a hesitation at knowing he&#039;ll be using his abilities to float them down should the rope not be long enough to do the trick. However, again, they don&#039;t seem to have any other choices available to them should that become necessary. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam&#039;s offer to catch her should she fall, whether with rope, or telekinetic powers, earns a small smile from the coyote. Then there&#039;s a nod to Fred&#039;s question. &amp;quot;I will.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then once the two are ready Mercy will pull her bag of tricks off and set it near the two. &amp;quot;Don&#039;t let me forget that.&amp;quot; Is her quick words, before the mechanic tucks the small flashlight in one hand, while the other grabs the length of rope. Pulling in a quick fortifying breath Mercy tries to center herself as best she can, before easing over the edge.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Even with the woman trying to be careful there&#039;s still going to be a sudden pull upon the rope. A hundred and ten pounds of it - Mercy can only mitigate so much of her weight. Her flashlight illuminates the area around her as she eases her way downward and when she comes to the end of the rope she looks downward again. There&#039;s an internal battle on whether she can make the rest of the drop and while she thinks she might be /able/ to, there&#039;s enough doubt there that the coyote once again mutters. It&#039;s only after that mutter that Mercy calls up, her voice echoing oddly thanks to the walls surrounding her, &amp;quot;Sam, I&#039;m going to need your help. I&#039;ll give you a count of three then catch me!&amp;quot; And with that, Mercy waits for confirmation from above and when it&#039;s received she says, &amp;quot;1-2-3 -&amp;quot; And there she goes - letting go of the rope.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while she /expects/ Sam to catch her that doesn&#039;t seem to stop the woman from shifting slightly so both her hands and feet are near each other to potentially take the brunt of any type of impact that isn&#039;t soft.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Thankfully, for Mercy, Sam does catch her in that TK grip of his and downward she goes. Until she hits the bottom. As soon as she&#039;s down she immediately plays her flashlight over the area and it&#039;s clear what the shaft is used for. A lift. Because there it is. A way to get everyone down. &amp;quot;There&#039;s a lift!&amp;quot; Comes her far away voice, &amp;quot;Get ready!&amp;quot; And just like that, Mercy brings the lift up - the only thing?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s noisy. So. Very. Noisy. Clearly the lift is not often used.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Catching a full-sized woman and floating her gently down to an unknown, unseen spot from 150 feet up is not, as it happens, as easy as it sounds. To date, most of Sam&#039;s TK adventures have involved quick actions. A throw of a full-sized Winter Soldier being his biggest and most dramatic. He takes it really slow and really steady when he gets her, and soon he&#039;s straining, red faced, sweating, gasping, trying not to let her so much as get jostled.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It takes more energy than he&#039;s ever used in his life, and he can feel all that tainted magic burning away in his blood.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Fred,&amp;quot; he gasps, knowing she&#039;ll hate having to do this, and knowing there&#039;s no choice. Both his hands, all his energy, all his concentration, are on one thing and one thing only. &amp;quot;Lower right hand inner pocket.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The headache that he&#039;d mostly gotten rid of starts to blossom slowly behind his eyes again, and he starts to tremble. This is not an addict stopping off for a top off, this is a real need here.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fortunately, Fred sees it for herself, and shoves up his sleeve to plunge that thick, bright red serum into a good vein as quickly as possible. This allows Sam Winchester to finish the job.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He puts his hands on his knees and pants for a moment as he listens to the noisy lift come up with a grimace, but he does reach back to take Fred&#039;s hand and squeeze it ever so gently, knowing...well. Knowing that sucked. For her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But he wastes no time, either. However concerned he is about the fact that they may have blown their stealth then and there, he jumps on board and gets ready to descend this tunnel the way it was meant to be traversed.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Steve turns in a wordless request for the restraints to be removed. Bucky, looking apologetic, gets the chain by his left hand and twists, snapping it so the links slither free off his friend&#039;s wrists. He unhooks the shield from his back, too, handing it over as he listens to the answer.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He transparently doesn&#039;t like what he hears. His expression goes flat, dislike and anger burning in his eyes. &amp;quot;A bitch is what she is,&amp;quot; he grouses. &amp;quot;Our time&#039;s definitely short now. That&#039;s Volkov&#039;s right-hand woman. She&#039;ll probably alert him right away. We are f--&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The sound of the lift grating to life, down at the other end of the hall, drowns him out. Bucky shuts up and looks, briefly, appalled.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Yeah, forget walking you there,&amp;quot; he says, crossing sharply to the door of the control room and jerking it open. &amp;quot;Let&#039;s go--&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The motorized lift moves.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Lacking cables or the infrastructure of a normal elevator, it appears to be a monstrously-sized scissor lift -- one whose folded lengths seem rigged to extend beyond this floor and much deeper: possibly into those five subterranean levels Bucky Barnes mentioned in detail.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When Mercy Thompson turns it on, the sound is unmistakable. In the narrow confines of the shaft, where sound layers on itself and amplifies painfully, it is near deafening, telling of a hastily-built construction creaky with disuse -- if use ever at all.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This back entrance was picked for its reason: it&#039;s not used unless it has to be.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With all three of them finally to the ground, what awaits in the dark, emergency-light lit tunnel are a pair of heavy steel doors. It leads out to a nondescript, skeletally-built hall, with walls and doors, though unfinished -- the ceilings piped with ventilation and water, and freshly-laid wiring braiding through the foundation. The halls are marked with the floor number. The platform eventually lets them down to the first, topmost floor of those five levels. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Pro: Both Captain America and Bucky Barnes are on this level with them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Con: The too-noisy lift attracts the attention of every single HYDRA person on Level 1. Within moments, the discrepancy is being called in across their channels. So come the sounds of voices and footsteps, approaching and unfamiliar, down toward the hall on the other side of the lift doors. &amp;quot;I&#039;m not hearing an authorization for this. Is it a false positive?&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And meanwhile --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Pro and con: The control room door opens.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And Stasya stands on the other side, her pale eyes two ice picks that scrape from Bucky Barnes to Captain America beside him. Two men making a very suspicious dug-out inside a room they shouldn&#039;t be.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Pochemu ty zdes?&amp;quot; she demands, lifting her jaw in the way predator animals do, as if to sip fear from the air.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Her eyes narrow. She does not hesitate. The woman takes her sidearm in hand, cold, deliberate, barrel swung to point directly on the chained Steve Rogers. Her finger pushes the trigger.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The freedom from the cuffs has Steve stretching through a series of simple rolls while Bucky identifies Stasya. Cap&#039;s wrists roll in tight circles, and in short order, so do his shoulders, allowing everything to work itself to its regular position. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the sound of the lift earns a sharp roll of Steve&#039;s eyes. &amp;quot;So much for the element of surprise.&amp;quot; His arm slides through the sleeve while crisp purposed steps drive him behind Bucky to the door. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Where w--&amp;quot; but the thought never makes it out. The click prompts reaction rather than thought out planning, and the shield lifts to deflect the bullet. The familiar //ping// of weaponry against vibranium echoes through the room. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Good sense goes out the window. The weapon draws closer to Captain America&#039;s chest and his fingers curve around the handle inside it. His wrist flicks as the shield twists in his grasp, bringing it to a sharp angle. He groans quietly when the shield releases from his grasp on a collision course with Stasya.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred helps Sam steady himself against Mercy&#039;s descent. Honestly, it&#039;s Sam doing most of the work in ensuring Mercy doesn&#039;t plummet down the elevator shaft. When they realize the rope is significantly shorter than is necessary to make it the rest of the way, she frowns. While she still holds on to Sam, she looks up at him when she realizes he&#039;ll have to use his abilities in order to ensure the coyote&#039;s safety. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As he starts to use his power, a hand remains on him, though now it is less physical steadying than an emotional one. Soon, she starts to realize that something is wrong. The way downward is not as easy as Sam had hoped and he needs help. Quickly, she reaches into his pocket, but it&#039;s only when she pulls out a syringe of blood that she freezes. She knows exactly what he wants and what that means and - also - what is at stake. It takes her a few moments, but the fear of an injured Mercy spurs her forward to roll up his sleeve and plunge the needle into his veins. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a breath that sounds almost like a gasp as she pulls the needle out and shoves it back into her bag - loathe to leave any evidence behind them. The lift shrieks in its ascent and she winces at that, holding Sam&#039;s hand as they wait and then board it. There&#039;s a shiver she can&#039;t stop for a few moments at the knowledge of what she&#039;s done. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As they descend, she has the same thought as Sam: there&#039;s no way everyone did not hear the lift. The footsteps and conversation easily confirms it. At least they&#039;re inside now. She pushes herself against a wall, hand reaching into her bag for one of the metal grabbing bombs. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It seems all three of them are having similar thoughts; the noise. The lift, while good in some sense, also wasn&#039;t the best idea.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But, it is what it is, and with the lift already rising upward Mercy can only let it continue.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When the trio is finally down within that bare-bones room, Mercy can&#039;t stop the look she sends between the two. Does she know something happened above? Possibly. Or rather, something within both of their scents gives her a little clue that something happened. And while she&#039;d like to ask what happened, Mercy doesn&#039;t. Not when their element of surprise is potentially blown. &amp;quot;I&#039;m going to bet someone heard that.&amp;quot; Says the mechanic quietly, even as she reaches for one of the molotov cocktails beneath the sleeve of her jacket. With that molotov cocktail in hand, Mercy because to move, but within a few short steps something causes the coyote to pause. Her head now cants to the side as her gaze moves to the steel doors that lead outward. &amp;quot;There&#039;s people approaching.&amp;quot; States the woman quickly and softly again and a second after that warning of hers, Mercy adds, &amp;quot;Two. There&#039;s two people coming toward the doors.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam Winchester steps in front of Mercy and Fred and draws his Beretta in one smooth motion. &amp;quot;Stay behind me,&amp;quot; he says grimly. He draws a bead on those doors that would be about center mass for anyone but a dwarf or a giant, hopes that they don&#039;t have body armor on, red emergency light casting strange shadows over his face as his emotions shut down. The moment the doors open he&#039;s going to go right ahead and try to shoot them both in the heart, offering one smooth, aimed shot and a second slightly hastier but still practiced one.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The position makes sense to him for a variety of reasons, from their chosen weapons to his bulletproof clothing to his huge size to simply the fact that there is a streak of John Winchester-taught chivalry/chauvinism that will never be fully rooted out of him. If someone&#039;s going to take a bullet tonight, it&#039;s not going to be one of the two women with him if he has his say.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;If this clears the way forward as Mercy&#039;s senses seem to suggest, he&#039;ll cautiously take it, if not...he&#039;ll prepare for the next round. He&#039;s not in love with this position, lacking cover as it does...being fast and accurate is about all he&#039;s got for keeping them alive here.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The door opens to a very unwelcome sight. Why are you here? Stasya demands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bucky transforms instantly back into the Winter Soldier. His head lifts, his eyes frosting, his mouth curving in a sneer. &amp;quot;Ne tvoye delo,&amp;quot; he snarls back, but it&#039;s way too little and way too late. He can&#039;t bluff his way through this. And he certainly can&#039;t bluff his way through a gun aimed at his best friend.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The reaction Stasya gets out of him is so ingrained that Bucky couldn&#039;t have stopped it even if he wanted to. The truth shines out of his suddenly-desperate eyes as he moves to try to protect Steve. Who, of course, doesn&#039;t need protecting anymore.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Seeing Steve&#039;s swift deflection and counter-throw, Bucky adjusts his own approach. He pulls his own sidearm, firing a bullet for her center mass. &amp;quot;Lift is down the hall!&amp;quot; he calls back at Steve.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Meanwhile, the two people Mercy heard approaching round a corner and appear in the hallway... but the gunshots at the control room, at the far end of the hall beyond the lift, draw their attention more urgently, and they pull their weapons and start pelting in that direction.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Peeking out the lift doors and watching where they&#039;re heading will yield the sight of Steve and Bucky and their conflict with Stasya, some fifty feet distant at the end of the hall, as their intended destination.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But Claire IS, the last any of them knew of her, on level two...&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Between the control room, the distant cries of the emergency lift, and Captain America, Stasya pieces it together. Realization and rage make her eyes glacial.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She moves quickly, seamlessly to fire that shot; however, Captain America is just as fast.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Vibranium arrests the kinetics of that bullet and crumples the round to a harmless thing, dropped on the floor; the woman has only the time to snarl before the subsequent throw of the shield slams into her, knocking her backward, out of the doorway and into the opposite wall of the hallway.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The collision is thunderous. It would crumple a man on the spot --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- especially followed up with a single shot from Bucky Barnes&#039;s gun that catches her in the stomach. Stasya doubles over, ended for the count.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then straightens back up, something decidedly unnatural about the double sets of eyelids pulling away from her reopening eyes. English, thickly accented, rises from her throat, as she spits blood. &amp;quot;Amerikanski trash.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;No more time wasted, as she lunges back at them, her first strike a too-strong roundhouse at Bucky&#039;s gun. Bones crack and mulch as she moves, and a shifting of her, a too-vivid ripping apart of human into animal --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- Mercy will smell. And recognize. And know. She&#039;s a wolf.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;It earns the entire attention of Level 1. Personnel run past, backs to the three emerging from the lift entrance, most of the HYDRA workers without guns and standing in shock at the unimagined sight of the fight. And Captain America --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Not everyone is clued into his appearance here. Enough that one man is yelling into his comm, &amp;quot;Something&#039;s wrong with the Soldier! How is Captain America here?! We have a breach!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Captain America doesn&#039;t stop on his course. Upon releasing the shield from his grip, he chases after it until Stasya doubles over from the hit, giving Cap just enough time to scoop it from the ground. The change in the woman&#039;s appearance causes his eyebrows to lift as he twists to try to strike her with a shield. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s Amerikanski trash. It&#039;s not wholly untrue. &amp;quot;I dunno--&amp;quot; he uses the shield like a kind of discus as the personnel begin to converge towards them &amp;quot;--Brooklyn&#039;s nice even with the hipsters--&amp;quot; he breathes out as he tosses the shield to ricochet off one of the base&#039;s walls to one of the incoming assailants. &amp;quot;--mostly--&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s little his shield can&#039;t do. Except be a gun. Which he would very much like to have right about now. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;As Sam takes point, Fred readies herself. She did, in fact, bring a gun. However, the physicist is far more used to crossbows, bombs and other devices similar to that. Determined, she arms the magnetic bomb, but does not yet toss it - keeping it ready. Two people is not enough to expend something as valuable as one of their bombs. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Especially as they ignore them and start to run in the opposite direction. There&#039;s a look to both Mercy and Sam. They&#039;re here now and people are alerted to their presence. &amp;quot;We need to find a way to second level,&amp;quot; she tells them. &amp;quot;The drawing he showed us had some sort of way to get down there, right? We have to use this to get to Claire.&amp;quot; As far as she is concerned, Barnes can look after himself. Plus, he has Captain America with him. Even if she cared about his well being, having the legendary Avenger on his side would be enough to believe they can handle it...even with the entire floor converging on them. This is, really, their best chance to find her and she is not about to waste it. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That look turns into action as she swiftly - and quietly - starts to move forward to find a way to the second sub-level. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam steps up to point. While this causes the coyote to frown she doesn&#039;t necessarily voice her thoughts. Instead, Mercy will shift a quick glance to Fred, before it&#039;s back to the steel doors.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then the trio is moving to those doors and peering out. Already chaos is starting to hit this particular floor and in some ways that&#039;s good, while in other ways it&#039;s bad. Now Hydra knows something is going on. It&#039;ll likely get harder here on out. Not that-that will stop the teams from completing their mission.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Automatically Mercy&#039;s gaze goes to the three main combatants down the hall. The woman, the Captain and the Soldier. Mercy&#039;s expression is grim, but much like Fred she knows they can take care of themselves. They have to at this point. That doesn&#039;t stop the mechanic from turning her gaze to finding a way for them to get to the second floor. Fred&#039;s reminder of the map Bucky drew for them gives Mercy a momentary ah-ha moment. &amp;quot;Stairs. There should be stairs nearby.&amp;quot; Because the only elevator that&#039;s near the trio is the one that currently has supersoldiers and Hydra agents near it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When Fred steps out of the room Mercy can be found close behind. Her eyes are searching for a specific type of door - the kind that leads into a stairwell. It doesn&#039;t take long to spot it and when she does Mercy says, &amp;quot;There.&amp;quot; Her words are quiet, even though the majority of people have their back turned to them. &amp;quot;Let&#039;s go.&amp;quot; And then the coyote strives to casually hot-foot it to that door - only something stops her. A familiar scent. A wolf. That scent causes the coyote to nearly stop in her tracks, her attention shifting to down the hall again. It only takes seconds for her to follow that scent trail and identify what it is; or who it is. &amp;quot;There&#039;s a wolf down there. The woman. She&#039;s a wolf.&amp;quot; And while Mercy&#039;s words are softly spoken Fred and Sam should be able to hear what she says. Even if not, they&#039;ll see Mercy immediately and suddenly change directions. Towards the trio fighting down that hallway. Someone best grab the coyote before she makes a stupid mistake, especially one she can&#039;t really help with, even if her brain is telling her otherwise.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam grabs the coyote by the arm. He does it with a grip that is surprisingly strong, even given his size.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His voice is low, intense, and urgent. &amp;quot;That&#039;s a pair of super soldiers giving us the best distraction we&#039;re ever going to have. Remember: our job is to /get Claire Temple out of here/. You run in there now you&#039;ll blow this. We need you, Mercy. Let&#039;s go.&amp;quot; It&#039;s the same sort of voice he uses when he has to remind Dean of some hard but important truth, a thing that often happens when Dean&#039;s emotions explode all over the place, leaving Sam, as the steady and, in some ways, less emotional of the two to bring him back to baseline. He doesn&#039;t know Mercy well enough to know if it will work, but...it is what it is.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And if it doesn&#039;t, well, even if she starts trying to change in his hand he&#039;s going to try to bring her right along with him to those stairs until she looks like she&#039;s going to thunder down there under her own power. Now he takes rear, as Fred was ahead of him and as he had to stop and gather Mercy. It&#039;s not an arrangement he loves, but at this point either end of the chain is a danger. He puts Mercy between them, lest she feel the need to dart up again.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;A blow from the shield and a bullet to the belly should have done for Stasya, and Bucky is already moving as if expectant he&#039;ll be stepping past a corpse. But his attempt to pass her meets with something unexpected: she&#039;s not dying. In fact, something else very different is happening to her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He stares as she twists and contorts, transforming, his shock lasting a moment too long. The kick stings his hand and sends the gun spinning into a corner. &amp;quot;&amp;amp;lt;Jesus fuck,&amp;amp;gt;&amp;quot; Bucky sputters. &amp;quot;&amp;amp;lt;Everyone already knew you were a bitch. Wasn&#039;t necessary to hang it out so everyone could see.&amp;amp;gt;&amp;quot; And while Bucky was always good at picking up languages, it&#039;s still no doubt disorienting for Steve to hear him spitting words rapidly in his fluent, slangy Russian. That language wasn&#039;t one he ever had before his &#039;death.&#039;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s some things that still stay the same, though, and one of them is the way Bucky seems able to just read Steve&#039;s wants from his body language. Using the time while Steve&#039;s attacking Stasya to recover his gun into his right hand, he unholsters another sidearm, passing it seamlessly to Steve as the both of them move the engagement fluidly out into the hall. He can see, beyond the gaggle of Hydra personnel, the others hustling towards the stairs, and he registers clearly what it is they need. A distraction. He starts to move--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Something&#039;s wrong with the Soldier, Bucky Barnes hears them saying. The phrase widens his eyes in an expression mingling rage, bitter humor, a thirst to hurt as he has been hurt... and the erstwhile Winter Soldier, he starts to laugh.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Nothing is wrong with me now,&amp;quot; he says, trying to push past the engagement of Steve and Stasya, as intent on the uncertain Hydra personnel-- his longtime tormentors-- as a hawk on mice. His eyes are wild, mad with the memory of decades of ill use. &amp;quot;You lost your leash.&amp;quot; He plunges after them even though they are unarmed and have no defense against him, and who he does not try to shoot, he is content to break in half or pull limb from limb with his bare hands.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The shield, ricocheted in perfect angles off the enclosed walls, hits its mark -- the vibranium ringing as it slams into a clustering group of HYDRA guards en route to the noise of the lift. It creates an opening to allow Bucky Barnes to do his work --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- and to begin taking his vengeance out on the people who once held his fetters.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She&#039;s a wolf, says Mercy.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Anastasiya Zhuraleva demonstrates how right she is. In a matter of moments, the woman distorts and rearranges, and in the time of a lunge, she is no longer even human -- but a monstrously-sized wolf not unlike the two packmates Thompson brought to the raid --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That died for the raid. Pitch-black pelt and sharing those same, glacial-pale eyes, the wolf circles Steve Rogers. Hers is a fight of control, man&#039;s intelligence against the animal rage, and the latter tips too-heavy, and the creature leaps at him in the precious window that he is without that shield, a full-force slam of huge weight to try to bear him down. Clawed paws tear and those wicked jaws, teeth almost as long as a man&#039;s fingers, snap wildly down in violent, furious desperation for his face, his throat -- all those soft places the beast begs to rip open. For his augmented strength, the wolf is a close match -- with just enough an advantage of her fury and momentum. She wants Captain America&#039;s blood. She will HAVE this kill, the first enemy of HYDRA, and do what the Winter Soldier could never accomplish.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Blood spills, in hat moment, by his very metal hand. A growing bloodbath that calls the attention of more operatives, yelling in comms to each other -- the Soldier is malfunctioning, SHIELD is here, breach of operations, EVERYONE to level one -- that the team of Sam, Mercy, and Fred are momentarily overlooked.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They have a clean run to a door marked as the stairwell down to the next subterranean level. It is boxed cement on all sides, freshly-lain and newly built, four flights that with distance and space screen the fight above into silence.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;By the time they reach Level 2, the entire floor feels like a push through a membrane into a new reality, this one quiet, too-calm. It is one long hallway: the far end has one door marked MEDICAL.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And the opposite end, on their other sides, has a group of three, two men and a woman, arrival in tac equipment and guns, no doubt deployed to the fray above -- and coming straight for the same stairwell the group will be leaving. Interception is imminent. The question is who acts first?&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Relief tugs at Steve&#039;s expression when the gun enters his grasp, and in a matter of seconds flat, he&#039;s firing at the wolf that won&#039;t fall so easily. &amp;quot;What I wouldn&#039;t give for a silver bullet right about now,&amp;quot; he mutters. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With a loud grunt and an even louder thud, the wolf&#039;s lunge towards him creams him on the floor, and underneath powerful paws, he struggles to keep the wolf away from cutting his face. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He struggles beneath her, writhing to wrestle against the enraged beast that so desperately wants to finish him. Knowing full-well that the weight of the wolf and his disadvantaged position mean he isn&#039;t likely to be able to just push her off, he shoves hard against her with his left hand, allowing his left arm to wriggle free until he press his forearm towards her mouth, offering it to her in a strange kind of sacrifice. Or rather, forcing it to her mouth. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His experience with werewolves is few and far between, but he hopes the SHIELD-tech Kevlar of his suit will be enough to keep his skin intact enough. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This gives him enough leverage to send a punch to the wolf&#039;s neck, aiming to cut off its breath hard and fast and give him the moment he needs to get out from underneath her.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred continues through the hallway as the ample distraction ensures that they will move along - hopefully - unmolested. As she is up in front, she only barely catches the hesitance of Mercy. What she does hear is the fact that the woman attacking Captain America and Barnes is a wolf. That&#039;s certainly information to be recorded, but for now she agrees with Sam - there is not much they can do about it. This might be the only opportunity they have to find Claire and they need to take it. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She&#039;s not without sympathy, had Sam not stopped to ensure Mercy traveled with them, she would have slowed. Instead, she is the first to reach the stairwell. Pushing open the door, she holds it to ensure both Mercy and Sam make it inside. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Unable to help herself, she watches what she can of the fray as she holds the door open. Turned the right way at the right time, he sees the woman turn into a wolf and lunge for Steve Rogers. There&#039;s a momentary pause, but she knows where her action must be right now and it is, unfortunately, not on this floor. As soon as they are across the threshold, she shuts the door behind them with what she hopes is a barely audible noise amongst the other chaos. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fury. There is so much anger within Mercy Thompson right now. It&#039;s a hot knot of emotion within her chest.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That rage only grows as Mercy quickly considers just how they could have /made/ a wolf here. Darryl. Likely from Darryl, or so Mercy Thompson assumes and that assumption is what causes Mercy to momentarily lose some of her typical logicalness. Before she can commit more than a few steps Sam (thankfully) grabs her arm. That stops the coyote&#039;s forward momentum, but it also brings her angry gaze around to the tall Winchester. While not typically ruled by the coyote, or its animalistic instincts, that doesn&#039;t mean anger can&#039;t cause her to react like it does. As such, Mercy&#039;s lip curls back showing her teeth in a display of very un-Mercy-like aggression. &amp;quot;You don&#039;t understand - Darryl!&amp;quot; Which says it all for Mercy Thompson and while it does matter, it also doesn&#039;t - at least not in the here and now. There are more important things at hand and the more measured side of Mercy manages to reassert itself when Sam drops Claire&#039;s name.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That doesn&#039;t cause the mechanic&#039;s anger to abate, but it&#039;s enough to get her back on track. She admits, &amp;quot;You&#039;re right.&amp;quot; Her tone of voice is harsh, even as she continues with, &amp;quot;It&#039;s okay.&amp;quot; Then finally ends it, &amp;quot;I&#039;m okay.&amp;quot; Giving voice to a (rare) lie, as she finally continues down the hallway (under her own power) and to that door that leads to the stairwell. Upon seeing Fred, Mercy will give the other woman a wordless look of thanks, before Mercy is taking those steps two and sometimes three at a time. Four flights for the coyote doesn&#039;t take long and as soon as she&#039;s at the door to the second level Mercy all but bursts through. As soon as she&#039;s within the second level hallway her gaze immediately turns to the noise of that approaching squad. The look on her face simply reads &#039;oh shit&#039; and then Mercy&#039;s gaze is dropping to the hellfire molotov that&#039;s still held in her hand. While she hadn&#039;t really ever intended to use these against regular humans (only superhuman assassins) that slim-easily-shattered tube is /thrown/ at the approaching squad. As soon as the molotov is out of her hand Mercy shouts a warning, &amp;quot;Got a squad here!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;If there is one thing Sam Winchester is used to dealing with-- and understands really well-- it&#039;s anger. In this case, the anger and anguish of knowing that a friend has been used to give Nastya the powers she so coveted. His eyes are sympathetic, but his grip, hard and steely, does not abate until the coyote says she&#039;s okay and moves to continue down the hallway. Then he lets her go. Fred takes the rear, and he slips behind Mercy, nodding to her, appreciating her letting him...well. Be a big Winchester meat shield.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But then Mercy is sprinting, and he hustles to keep up, swearing a little under his breath. She throws molotovs, and he lifts his Beretta. He uses his superior height to fire his Beretta over her shoulder, to try to finish off anyone of those men who weren&#039;t taken by the blast of the burning flame, his features blank with focus.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;One shot. Two. Three.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He wants these people down fast, so that they can get Claire while the distraction upstairs is ongoing.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;For a few critical moments, the erstwhile Winter Soldier loses himself in pure fury against his longtime slavers. He plunges into their midst, ripping them apart bodily, a maddened animal finally loose from its cage and free to wreak a very visceral sort of vengeance. With zero compunctions, he kills everyone that comes within reach, tearing loose limbs and opening throats with the edge of a drawn knife. He would find it a poetic sort of justice, if he were capable of forming coherent thoughts. They made him the weapon he is. Let them feel what it is like to have the weapon turned on them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He snarls to himself as they shout that the Soldier is malfunctioning. The fuckers frame it that way? They don&#039;t even frame him as a man capable of volitionally turning traitor, but as a machine that has to break to go turncoat? How fucking dare they--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The only thing that snaps him out of it is the sight of Steve going down beneath the werewolf. The rage breaks beneath the weight of an instinct far older than his abuse by Hydra-- the instinct to protect Steve Rogers. It&#039;s still there, even beneath the new man he has become... a man soaked in blood from the people he&#039;s already killed. He breaks off and swivels around to run straight back, pelting down the hall to try to hit the monstrous wolf in a ruthless clothesline with his metal left arm, simultaneous with Steve&#039;s own effort to punt her off himself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It tries to follow up by wrapping about the wolf&#039;s neck in a literal steel headlock, the arm whirring loudly as Bucky leverages all its inhuman strength in a vicious attempt to throttle the breath out of her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Go, Steve,&amp;quot; he barks. &amp;quot;They&#039;re heading down to the next level, they need one of us with them.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Or they might not, though Bucky certainly isn&#039;t privy to that knowledge. Mercy, fueled by rage, starts right in with the hellfire. It doesn&#039;t look anything like a conventional explosive, so the squad doesn&#039;t seem to know quite what to do with it other than try to dodge.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The hall filling up with furious augmented flame, of course, means dodging is useless.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The flames eat into their gear, and with cries of shock they try to smother out the flames -- to strip off their outer armor when that doesn&#039;t work. This leaves them easy targets for Sam&#039;s shots, the three Hydra personnel going down as the enhanced fire burns slowly down. A path clears again...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But behind them, they can hear the distinct sound of more reinforcements coming up the stairwell from the lower levels, responding to the crisis on sublevel one.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The wolf bears mercilessly down on Captain America, and those killer jaws snap down on him --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- and stop, arrested by his forearm before they can close onto his throat, canines sinking into and through the kevlar-weave and coming so close he can feel their tips pinching force into his skin. The beast snarls and shakes her head ruthlessly, that back-and-forth rip of predators tearing flesh, trying and trying desperately to tear through his armor and taste the blood her instincts bay her to consume. That blood HYDRA has wanted for decades. Rogers, in their grasp --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The creature tries to bear down, her blunted nails digging into his shoulders to hang on -- but Captain America sneaks a punch in, augmented strength driving force into the she-wolf&#039;s neck. Stasya yelps in pain, forced off, but with a lupine quickness reorients herself back to her paws to tense anew, recoiling.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then that metal arm collars in and chokes her up, and the werewolf howls, until its locking plates brank her silent. The creature twists and struggles, jaws snapping uselessly at the air, panting as she&#039;s slowly choked.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Down on Level 2, the cleansing hellfire works as promised -- and Sam&#039;s shots hit their mark and make three corpses. And with the concussive hallway echoing the sounds with approaching forces from the levels deep below, there is one route for the group to go.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The one they&#039;re here to take, after all.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is only down the hall in a quick sprint to the door marked as MEDICAL, closed but unlocked. Opening it bears something, however, hitting senses fast for those who can sense it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Magic. The room is thick with its stain. It is old. Older that this world. Older than sin. Something primordial -- something ancient.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It hangs like a cloying ceiling down on an otherwise empty room. No doctors or medical personnel. Just unfinished walls and draping plastic to provide sterility to something barely-built. The are beds, some empty, others filled with sheet-wrapped corpses, no doubt awaiting cremation. Faces they don&#039;t recognize. All marked: TO BE DISPOSED.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Through the stink of magic, Claire Temple&#039;s scent is here. Following it is possible, and leads to one of those side-by-side rows of metal beds. She&#039;s in the AWAITING DISPOSAL line-up, bedded between two wrapped corpses. Clad in a medical gown, still left strapped to the bed, is the missing nurse: looking unmarked from captivity, physically unhurt, though her dark, vacant eyes gaze sightlessly into somewhere far away.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;While Cap&#039;s forearm makes a much safer chewtoy than his face, the feeling of sharp canines pressing into it leaves him all too aware of his own vulnerability. His punch gives him short-lived space. The wolf&#039;s weight is just too much for him to adequately kick off at this angle. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But that brief reprieve turns to rescue when Bucky headlocks the woman. Steve&#039;s shoulders fall back to the ground and he inhales a single long breath with a shake of his head before pressing himself back to his feet. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The space Steve finds with Bucky holding the woman in a headlock has him running back to where the shield ricocheted from one wall to the next. In a cloud of dust, he kicks it, causing it to lift in the air. Steadfast grasp catches the shield and his gaze slides back towards Bucky. Those same blue eyes stare at Bucky a few beats. &amp;quot;Not without you, Buck.&amp;quot; There&#039;s a short pause and then he adds, &amp;quot;They need both of us with them,&amp;quot; if the werewolf is any indication. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the statement doesn&#039;t have him lingering long. &amp;quot;We need to get them a way out of here,&amp;quot; he&#039;s moving towards the lift and then he adds, &amp;quot;and torch whatever&#039;s left on the way out.&amp;quot; Slash and burn typically doesn&#039;t suit his style, but the fact Hydra continues to exist decades later despite all of their efforts during the War wears on Steve. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The path of least resistance is the one to the elevator, and despite the seriousness of the situation, he fights the smirk on his face. He pushes the button, and the doors respond. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A tick of his head bids Bucky join.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Mercy&#039;s argument that they don&#039;t understand is met with a look of sympathy, but Sam has already said the most convincing argument as to why the need to keep moving: they need to get Claire out of here. Fred is right behind Mercy and Sam as they tear down the stairs. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Once into the &#039;it&#039;s too quiet&#039; hallway, Fred pauses at the trio of tactical clad guars coming their way. The magnet bomb is prepped, but there is no need. Mercy has a molotov bomb ready to go and Sam&#039;s Bereetta will hopefully take care of anything else. Instead of the fight, the physicist&#039;s attention is drawn to the door: Medical. That&#039;s where Sam said he saw Claire in his vision. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;While the others take care of the guards, Fred books it down the hallway. She can hear the other guards coming up the stairwell, they have no time to lose. She reaches the door, hand going for the lock picks in her back pocket, but they prove unnecessary. The door opens when she tests it. As it pushes open, she is careful, unsure of what might be inside and who might be waiting there. However, upon hearing no movement, she enters. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fred is not exactly trained, but she can feel the prickling of the hairs on her arms an at the back of her neck as she moves inside. Once inside, she pauses, horrified to see all the corpses, covered in sheets and ready to be &#039;disposed.&#039; It takes her a few moments, but - grim faced - she starts to search for the nurse. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s by following Mercy that they find her. &amp;quot;Claire!&amp;quot; she gasps, immediately moving to remove the restraints that hold her to the bed. &amp;quot;Claire! It&#039;s Mercy and Fred, we&#039;re going to get you out of here. It&#039;s going to be alright.&amp;quot; &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Mercy watches the flames ignite. She watches as the two men and one woman try to valiantly quell the flames upon the gear, but it&#039;s all for nought as Sam&#039;s gun barks three times. Finishing the job.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s enough to cause the coyote to stare for a second at the down bodies and then she resolutely turns her eyes away from the tableau of flame and death. This isn&#039;t about playing fair, it&#039;s about winning. Mercy keeps that thought in mind as she looks toward the door marked &#039;Medical&#039;. Then just like that they&#039;re on the move - to that door - and hopefully to finding their missing friend. Especially as the sounds of reinforcements (and not for them) can be heard.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;While there is a brief moment of warning for Mercy, when Fred opens that door, that something isn&#039;t all right with that room, the coyote still steps inside. As soon as she&#039;s within the room those sure-footed steps of Mercy&#039;s turn to a stagger. The heaviness within the room presses down hard upon her senses, and Mercy can only offer a mutter of, &amp;quot;My god.&amp;quot;, as she struggles with the pressure of magic. With steps that still falter Mercy tries to focus, to push past the stain of ancient magic that&#039;s within the room. This causes Mercy Thompson to focus on her other senses now. Hearing, sight, but most specifically smell. That&#039;s what allows the coyote to find a familiar scent - Claire.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;While her steps become steadier, the pinched look around Mercy&#039;s eyes and mouth continues to stay there. It&#039;s a winding path through the bodies (so many of them), but Mercy does get the two of them to Claire&#039;s bedside. Seeing their friend staring so sightlessly, Mercy can&#039;t quite stop an echoing gasp of, &amp;quot;Claire!&amp;quot; And while Fred works upon the restraints, Mercy checks for a pulse. &amp;quot;Oh thank god.&amp;quot; The coyote says, relief seen within her expression, heard within her voice, &amp;quot;She has a pulse.&amp;quot; Because for a minute there Mercy really did fear Claire was dead. &amp;quot;Let&#039;s get her out of here, I can carry her.&amp;quot; And then, &amp;quot;There&#039;s so much magic in this room. Old magic.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;I&#039;m right behind you,&amp;quot; Winchester the Younger tells the two women grimly, even as the stench of blood, viscera, and burning flesh fills his nostrils.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Why? Because Sam Winchester hears the reinforcements coming from the lower levels. He&#039;s a firm believer in &#039;fight smarter, not harder,&#039; so he bypasses the medical room and continues his charge down the stairs two and three at a time, barreling straight to the door separating level two from level three. He goes trusting Fred and Mercy to handle various Claire wranglings. He does this because he knows he&#039;s got to make sure those Hydra soldiers don&#039;t get through that door. He&#039;s holstering his gun as he sprints, drawing a knife instead, slicing hard into his hand. The blood wells up, thick, dark, red. He may consume it, now, but he sheds it just as freely. It&#039;s almost a bookend to his actions upstairs, a bookend that neatly encompasses his new dual nature. Fiend, and friend. Hero, and heretic. Demon child and do-gooder.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But of course, he&#039;s not drawing his own blood for the sake of poetry.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The principle behind a basic hedge mage&#039;s blood ward is simple: like any spell embraced by the so-called magical have-nots of the mystic community, those who do not have any inherent mana or power akin to that carried by the Harry Dresdens and Zatanna Zataras of the world, it draws upon symbols, words, and concepts that are so well-worn and ingrained into the collective consciousness that essentially every member of certain cultures ends up powering the thing with a little bit of their belief every single day, whether they actively think about the spell or not. This principle is why every hedge spell must be precise in every component, whether those components are rare ingredients, symbols, words, or gestures. It would be a mistake to think of those spells as weak; if one has the education one can do a lot very little power; a tiny bit, a spark, really, to catch into a massive flame of supernatural strength.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Today, Sam chooses the same ward that he&#039;s put on a certain storage unit, the one that hides his most precious possession right now-- the vengeance demon he&#039;s using as his personal keg.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It starts with blood, the secret of life, sacrificing some of his pain and life force to provide that tiny, necessary spark, to tell the universe that he is willing to bear the pain to enact his will along these well worn universal grooves in reality&#039;s landscape. This he uses to paint a sigil upon that door; two interlocking circles, with a square where they meet, two lines straight down from the inner line of the larger topmost circle that bisect the smaller, a pair of lines from the top of the smaller circle that run at angles, a sweep of a half circle between the topmost, with a pair of what look like horns. An ancient sigil, a bar against entry, originating, he thinks, from Eastern European witchcraft traditions-- maybe Romania, maybe Moldova, though he&#039;s certainly mongrel enough to take whatever he can from wherever he can. And the source hardly matters now, because this one is old, and familiar.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then, the incantation. In Latin, as it must be so very often, because the language spread all over the world. Certainly it spread to ancient Dacia, the same region from whence this symbol was born. The association of this so-called dead language is strengthened in spellwork thanks to the influence of the church over the centuries, then, later, books, movies, comic books, and video games, making it, and a handful of others, a powerful component in many, many hedge spells. It&#039;s a very necessary component in this one.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam&#039;s pronuncation is precise and as flawless as if he&#039;d been there, speaking the language to buy bread from street vendors under the watchful eyes of the agents of wrathful emporers.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Obstant. Facubius nulla consors nisi sanguinem.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bar the way. Let none pass save those who share my blood.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;If Misha is here, and truly a sorcerer, and below, well, that won&#039;t hold out long, the man can surely break a ward as easily as Sam can set one. But he hopes the spell jams t&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;that door long /enough/ to avoid a firefight on two fronts.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The metal arm strains and howls as it suppresses the werewolf with savage force. Bucky&#039;s features are locked in unremitting, merciless blankness as he throttles Anastasiya from behind, positioned such that she cannot claw him or twist to gain any purchase TO claw him. She tries to turn, to snap, to twist, and he meets and counters every attempt, shifting deftly to keep himself behind her and his arm locked about her throat.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You never could match me,&amp;quot; he tells her, and it&#039;s Winter Soldier talking. &amp;quot;You still can&#039;t, even with this. And now I&#039;m going to kill you.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And he might have spent a long, loving time on ensuring just that -- but Steve won&#039;t go without him, and Bucky can&#039;t honestly blame him. With a frustrated noise he twists his arm, breaking the werewolf&#039;s neck in his grip, then drawing a pistol to put a bullet in her head. He has no assurances that this will kill her, given the rather special properties of werewolves -- much less ones tampered with by Hydra -- but it&#039;s the best he can do under the circumstances and the limited time.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Come on,&amp;quot; he grunts, joining Steve in the elevator and impatiently jamming the close door button. Blood dries on his face, his left arm, his body. He makes no move to clean himself up. &amp;quot;I know a shortcut.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s one that gets them from the elevator over to the medical ward in record time. About the same time Fred and Mercy finally find Claire, amidst all the other bodies earmarked for DISPOSAL. On seeing her, he goes pale under the blood streaking his face; turning away in abrupt silence, he tries to head back towards the door to the med ward, apparently intent to defend it against enemy forces.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And this: &amp;quot;Where&#039;s Sam?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred&#039;s initial shouts of her name do not rouse Claire Temple. Her heart beats and she breathes shallowly, obviously alive, obviously conscious --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- but nonresponsive. Her opened eyes gaze at some spot that is neither her nor the approaching Mercy, neither woman recognized. It appears that she does not even realize they are there. When Fred works on undoing those leather straps around her wrists -- the skin is raw and abraised and bruised beneath it, she was /fighting/ -- her freed limbs hang limply.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her sightless eyes twitch back-and-forth as if reading some invisible script.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As Sam executes his incantation and lays down that ward --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- the timing is impeccable, wrought with the closing sounds of approaching men hiking up from the stairwell of Level 3. They push against doors that hold, solid and true, not with any sort of lock but bound with the barrier of live magic. It holds HYDRA reinforcements, unable to ascend this way up. Distantly, a man speaks something sharply: call Volkov.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The active ward moves through Sam. And it hits something else -- something strong, like two spells sharing little space.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The gruffness of Barnes&#039; manner meets odd silence from Captain Rogers in the elevator. For his part, underneath his mask, Steve appears stoic, detached, and crisp, yet his blue eyes speak to something else. The haunted expression behind them doesn&#039;t quite go away, even as he nods with confidence at the short cut. There&#039;s an implied //good//, but it doesn&#039;t even find words. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Instead, his thoughts trail to the would-be werewolf. &amp;quot;What are the chances she&#039;s actually dead?&amp;quot; There&#039;s a pause and he frowns. &amp;quot;Doesn&#039;t seem like anyone stays dead anymore.&amp;quot; Observations from a man out of time. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He trails after Bucky and eyes the hallway at the question. //Where is Sam?// &amp;quot;We&#039;ll find him--&amp;quot; and Steve is already on the move, pressing passed the space the others occupy, shield in hand, to retrieve Sam.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The sudden appearance of a bloodied Barnes and Steve startles Fred. They aren&#039;t coming from the same direction she expects Sam to enter. With Hydra coming from the stairwell, it&#039;s just as likely for them to enter from a different way. Immediately, she halts her unshackling of Claire whens he hears them coming and grabs the crossbow from her bag. She turns about to fire it at the intruders, pulling the trigger as soon as she sees the battle stained pair of super soldiers. She sees the bright red, white and blue shield a bit too late. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Sorry!&amp;quot; She hisses, horrified that she might have shot Captain America. &amp;quot;I thought you were them!&amp;quot; She would feel far less guilty if Barnes were alone, perhaps blaming him for sneaking up on them. Shoving the crossbow right back into her bag, embarrassed and slightly frantic with the need to get Claire out of here as soon as possible, she turns back to the restraints. It takes a few tries, but she unstraps the nurse, wincing as she sees the reddened bruises. As gently as possible, she attempts to help Mercy lift her so they can make a hasty retreat. Despite the fact that Claire does not answer them, she keeps talking to her in a steadying voice. &amp;quot;We&#039;ve got you, Claire. It&#039;s going to be okay.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For once, Fred does not argue with Barnes or sound petulant and angry as she answers his question. Instead, she gives information, sounding worried. &amp;quot;He said he was right behind us.&amp;quot; However, he&#039;s not in the room with them just yet. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;All the magic around them it&#039;s enough to cause Mercy&#039;s attention to keep shifting around. And while her attention is split between Claire, Fred and the magic within the room, that doesn&#039;t stop her from hearing the approaching footsteps. Nor the scents that precede them. Familiar scents, even if one is tinged horribly with blood.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s only when Fred stops with the unshackling that Mercy has a second to look perplexed, opening her mouth to ask why, before suddenly there&#039;s a crossbow in the other woman&#039;s hands. Mercy can&#039;t quite stop the widening of her eyes and then, &amp;quot;Fred, wait it&#039;s -!&amp;quot; But too late, the quarrel is already on it&#039;s way. &amp;quot;- friendlies.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;One can only hope the two super soldiers dodge out of the way. Which they should hopefully do that, right? They are super soldiers.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then it&#039;s back to Claire and when Fred finishes unbuckling the restraints Mercy quickly picks the other woman. Even with Fred&#039;s help it doesn&#039;t seem like the Nurse&#039;s weight is much of a burden, as Mercy immediately takes a step away form the beds and that &#039;disposable&#039; line. Even with those steps of hers the coyote can&#039;t quite stop the look she&#039;s turning around the room. &amp;quot;What were they messing with?&amp;quot; She asks, more to herself than anyone, and while she almost begins to walk a circuit of the room her steps pause when Sam is mentioned. That brings Mercy&#039;s attention straight back to the group and their current situation. Thankfully, Fred answers that question and Mercy helpfully nods along in agreement, and while normally she&#039;d have likely sensed those blood wards being deployed, tonight she doesn&#039;t. There&#039;s just too much magic within the room and it&#039;s drowning out her senses to anything but it.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam Winchester shivers as that second spell reverberates within his very soul. It charges him up with adrenaline, even moreso than the soldiers on the other side.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As a result, he hauls ass. They won&#039;t have to conduct much of a search for Sam. He comes charging up the stairs three at a time, those long Moose legs carrying him quickly. He&#039;s out of breath when he sticks his head back through the stairwell doors leading to the second level, taking in the whole of the team. &amp;quot;I&#039;ve trapped the reinforcements downstairs, but they&#039;re getting Volkov and the spell won&#039;t last. And there&#039;s another spell running...&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He trails off.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The moment he gets a real good look at Claire, with her twitching eyes giving off that sense that she&#039;s reading an invisible script, he knows.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Oh no,&amp;quot; he murmurs.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His head snaps up. &amp;quot;...and they&#039;re using her as the power source. The lynchpin. For all I know she&#039;s the whole spell circle. And whatever has been done would take /me/ days to study; I sure don&#039;t know what to do about it /now/. We need Liam. Not that this changes the plan much, but seriously, we&#039;d better move.&amp;quot; Because if that spell triggers while they&#039;re still trapped inside of the Hydra facility, he has a feeling they are all 10 kinds of toast.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s...not really entirely sure that they won&#039;t be ten kinds of toast no matter where they land when that thing goes off. Maybe, /maybe/, a salt circle would stop it. Or it might just contain it, and explode Claire in backlash energies.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The odd silence doesn&#039;t go unmissed. Bucky glances askance at Steve, notices the look in his friend&#039;s eyes, and pales. His own eyes avert, and he makes a cursory attempt to scrub the blood from his face that emphatically doesn&#039;t work. Looking down at the floor of the elevator, he swallows, and says a whole lot of nothing himself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His shamed silence persists until Steve speaks again. &amp;quot;Don&#039;t know,&amp;quot; he says, still subdued and avoiding his friend&#039;s eyes. &amp;quot;Probably pretty low.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;I wish I had stayed dead, he wants to say, but even he can recognize that it&#039;s probably not the best thing to say to his current company.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The sight of Claire doesn&#039;t do much to dispel or distract from the guilt -- it only adds more guilt of a different form and shape, his shoulders slumping visibly. No, what does serve as a distraction is the sudden way Fred whirls and fires a crossbow at himself and Steve. Startled, Bucky reacts on a hairtrigger, left arm snapping up to catch the bolt midflight with a metallic whir.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sorry, she says. &amp;quot;...doesn&#039;t matter,&amp;quot; Bucky answers, tossing the bolt back to her. &amp;quot;Better to be on guard than not.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He turns back towards the door at the news Sam should be &#039;right behind them,&#039; apparently intent on finding the younger man. He doesn&#039;t have far to go, however, before Sam shows up at a run with a lot of information, none of it good. Bucky frowns in silence at the news Claire is the focus of some spell being channeled. &amp;quot;Can we at least move her?&amp;quot; he asks, maintaining his position near the entrance with apparent intent to hold off any sudden arrivals.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;As Sam&#039;s ward holds strong for now, and the group reconvenes together in Medical, the room around them remains innocuously calm. Quiet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is little sound save for the distant movement of the stopped HYDRA reinforcements far below, and the exchange of the group&#039;s voices.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire Temple offers little. Set free of her restraints, she looks away and hangs in her helpless cataonia. Her eyes ring dark and raw with sleepless stress, and her heart pounds in triple-time.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With Fred and Mercy&#039;s help, she slings into the latter&#039;s arms, a boneless, slack give to her limbs of someone not home. And yet, her lips seem to be trying to move, even if sound cannot form.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam Winchester is right.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There comes a crackle of disturbed magic that he will sense and Mercy will smell, an active spell triggered --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire is the conduit, but only one half of the trap. The other is the metal bed, and freed of her mass and weight, the furniture scours over with runes. Something deliberately set -- something that activates only upon someone moving her. Something someone expected would happen with this conveniently-laid bait.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The change happens in an instant.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Magic claws into every living person here, too powerful to be denied -- like a magic older than the concepts of matter and energy and with the liberty to help itself freely to both. The world goes to black and their senses snuff out.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Like a rebirth, when everyone awakens again, it is only in one way: alone.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;-FRED-&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s both relief and a twinge of annoyance that Barnes brushes off the crossbow bolt so easily. On the one hand that&#039;s good, as she didn&#039;t hurt anyone of their raiding party. However, to know how easy it is for him to defend against her attacks just goes to show how unprepared she might have otherwise been against the Winter Soldier. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fred&#039;s face turns toward the door, intent on following the soldiers out to find Sam as soon as Claire is properly in Mercy&#039;s arms. Just as she looks in that direction, Sam bursts through and she takes a sigh of relief. He was gone for long enough that it&#039;s possible something had happened to him. The relief is incredibly short lived. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire is being used as a battery? What does that even mean? Fred tosses a worried look back at the catatonic nurse. The plan hasn&#039;t changed. They need to get her out of here before her battery is used up. &amp;quot;Okay,&amp;quot; she says softly, resolutely. The easiest way out is almost certainly the way Barnes and Cap came through. Mercy now safely has Claire. It&#039;s time to go. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Unfortunately, Fred doesn&#039;t even get a step in the right direction before the blast of magic energy hits her. Much like Indiana Jones and the golden idol, with the counter balance out of sync, the trap triggers and the spell crashes into them all. This feels almost like a sensation she&#039;s felt before, back in the LA library. Fred barely gets out a cry that sounds something like a sob before the world goes black. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Reawakening comes in the form of soft, familiar things: a slant of dawn light over her eyes. The chilly breeze of the early morning. The slow and innocuous drip drip drip of water.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Did Sam possibly not turn the bathroom tap off all the way? Thoughts like this may come to a mind still half-fettered by sleep, for this feels like a lethargic pull away from that drowse, and with that the safety of coming to someplace familiar. It is difficult to think immediately of things like the HYDRA raid, the hospital complex in Staten Island, the memories of the Winter Soldier, or the promise to find Claire Temple.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Transient, meaningless things. Images a whisper in her mind wants to convince her was all a dream.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Only the first breath in tastes cloyingly sweet on the throat: earthy, musty, like basements, like wet dirt. And that sound of dripping is closer than it should be.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Because it&#039;s falling not from some bathroom tap, but off the rock of the ceiling, collecting dew pooling down in its lazy meter. Deeply familiar sounds. The most familiar she knows.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;More familiar than her nights over at Sam&#039;s apartment. More familiar than her safe room at the Hyperion Hotel.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Because the cave that welcomes Fred, dressed back in her itchy rags, surrounded in her handmade, broken things, is the one she&#039;s awakened to every morning for years.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred&#039;s eyes blink open and she shoves herself up, as if waking from a nightmare. &amp;quot;Sam?!&amp;quot; The name slips out of her mouth, unsure of what it actually means. A hand goes to her back pocket, searching for something there. Wait, pocket? No, there&#039;s no pockets. There&#039;s nothing there. Just the rags. Of course, there&#039;s always just the rag. What was she expecting? &amp;quot;Angel?&amp;quot; What&#039;s an angel? No, that&#039;s not right. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The water drips, comforting, something she knows. &amp;quot;Mercy?&amp;quot; Is she asking for mercy? No, there&#039;s no mercy on Pylea. She knows that by now only too well. A hand adjusts the collar about her neck. No, it was just another nightmare, like all those ones where she&#039;s a physicist student and lives in a place where humans aren&#039;t slaves. There&#039;s no place actually like that. Words are just words until they&#039;re not actually words, they&#039;re just thoughts that don&#039;t make sense. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A hand snatches up her glasses on the ledge nearby where she sleeps - taking a pointed rock to scratch onto the wall at the same time. She&#039;s gotta write this out, make it go away. Finding an empty space on the entirely covered walls, she starts to scratch. &amp;quot;T minus vx over c squared divided by the square root....&amp;quot; &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The cave welcomes her the same way it does every day: in silence and cold indifference. It provides shelter but it is no home.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;All it does is provide a place, small and dark, for her to hide from Them: the demons who would find her, take her back, shock her, remove her head.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Memory fights inside her mind: it was so vivid. Was it a dream? Was it real? But she /did/ those things, right? Didn&#039;t she?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With her decision to sort it the only way she can -- with her math -- the woman takes to a clean spot on the wall for her calculations.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Minutes pass as she fills it, until there is no space --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- because that section of the wall is filled with other things. Her own writing, easily recognized --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And it comes back. New York. Angel. His friends. Her new life. Sam. The forming circle of people.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She&#039;s written &#039;Sam Winchester&#039; on the wall. Details about him. How he looks. His life as he&#039;s told it to her. A footnote: he loves me.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There are other names, spreading in the long manifesto along the walls. Chapters. Stories after another. Stories she wrote. Stories she weighed and calculated and solved.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred writes, muttering to herself as she does so, equations that almost sort of make sense. The equations and drawings on this wall are not entirely scientific, they&#039;re stories, memories, attempts to get the painful thoughts out of her head. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The nightmares linger longer this time. She can still feel the adrenaline, the fear, the need to find someone. She shakes her head - dirty hair falling in front of her eyes - trying to clear it. Thinking that there&#039;s something other than this place only leads to pain. She knows that for a fact. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then, though, the equation she was starting to write overlaps with another word. Angel. She blinks and pulls back...a vision hits her. A tall brooding man in all black, giving her a worried look. &#039;I will always try to be there to save you Fred. Always.&#039; Handsome man. Saved her from the monsters. Wait, what monsters was she saved from? They&#039;re still out there, waiting. No, that can&#039;t be right. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She moves to search out another clean space, to try and write this away, but her eyes move over more of the story and find the story of Sam Winchester. He loves her. A hand tentatively reaches forward to touch the footnote. Her eyes close for a moment and she can feel the warmth found in the circle of a strong pair of protective arms, a voice in her ear: &#039;There isn&#039;t a dimension in existence I wouldn&#039;t follow you to. You&#039;re not alone anymore.&#039; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her eyes open. Now, she studies the other chapters, the equations that equal a life away from Pylea. Building bombs in Mercy&#039;s garage, the trust she put in the coyote and the friendship she found with her. Wesley and his books, his steadying way of helping. Even Dean, calling her bro and handing her a beer. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Claire...&amp;quot; she says softly. The rock is set down beside her. She steps back from the wall and looks around her. The rocks, the smell, the dripping water...even the rags, they feel so real. They&#039;re familiar. This is what is real, right? No. Yes? No. No. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fred keeps backing up, a hand reaching up to hold onto the deactivated collar about her neck. She looks toward the mouth of the cave and then back to the wall filled with her writings. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Is it real? Yes or no?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Something presses into her mind. It tries to sound like her, like the voice everyone hears of their own self rehearsing their thoughts, but the seams are not yet straight. Like a foreign force, magic, wanting to undo and rewrite her into the reality of its choosing.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;One where the potential memory /wants/ to come forward, and wants to imprint into her mind:&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The memory of Fred, standing here alone in her cave, rock in hand, writing these stories. Making them up and writing them down. Scripting the hallucinations that are beginning to form. The human mind can only take so much. So much pain. So much despair. So much loneliness, day after day of it in this hell, with nothing for the lost Winifred Burkle but the thoughts in her head. Doesn&#039;t the mind need to make up the rest to carry on? Make up a cast? Make up a story? Make up a life for her, where she&#039;s happy?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it real? Or is she losing her mind?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s her, whispers something up from the back of her head, trying to coax those errant questions away. Just pick up the rock and keep etching. Keep writing. Write how she helps save Claire Temple. Write how everyone survives and strengthens their bonds together. Write how Sam looks as he tells her he loves her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Write something and seal it.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The hand grips the collar even tighter. Fred can feel the metal dig into the back of her neck. It feels real. She can feel the pressure, a bite of pain. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;More than that, she can feel the loneliness, the chatter of her own words in the back of her mind. That&#039;s all familiar, all readily washed back into her thoughts. It&#039;s only too easy to believe these thoughts are all made up. She believed LA and Earth was a lie for four years. How hard is it to believe that a life where she has a family, friends and someone who loves her is also a lie to make herself feel better? &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s her. This is all her. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Moving forward, she picks up the rock again. She thinks about how she would end the story of saving Claire Temple from the Hydra base. She can complete that story. There&#039;s an equation there. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then, she thinks about Sam, sitting on a bed in an abandoned hotel with a stuffed rabbit between them. She weaves the scenery of a dust covered crossroad. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No, the footnote is wrong. Her eyes drift back to it. It&#039;s inaccurate, incomplete. While she knows Sam loves her, she loves him, too. That&#039;s not just in her head. That&#039;s real. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Scrambling backward, she looks around her. This is all wrong. She&#039;s not supposed to be here. With a burst of energy, she tosses the rock at the cave&#039;s wall and she stumbles toward the entrance of the cave. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The whispers in her head beg otherwise. It -- and her, trying so badly to sound like her, to use her voice -- tells her this is /right/.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Give in. Finish the story whatever the way she wishes. It can end in whatever way she chooses. She can fall into it, lose her mind as she&#039;s meant to, and spend the rest of her little time adding to her rock-scratch story on the wall.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And when they finally do find her, the slavers she outsmarted once but not forever, perhaps there will be nothing left of her to fight them. Perhaps nothing left of her to even be afraid. She&#039;ll be safe in her story, with Sam Winchester whispering his sweet things into her head.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the woman rejects it and lets the rock go.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The entire caves statics, blurring in a single flinch. It does not like this.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As she turns, it even tries to compel her back, begging her this is wrong -- she is wrong -- and she cannot go out there.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Isn&#039;t it wrong to go out there? Isn&#039;t she meant to stay here, in the dark, in the tight, safe, confined little space? Isn&#039;t this where Winifred Burkle belongs? Isn&#039;t this what Winifred Burkle /deserves/?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Out there isn&#039;t safe. Out there isn&#039;t controlled. Nothing is sure, it pleads with her, not even those memories in her head. They&#039;re stories, just stories she made up in her madness, none of it is real, and she doesn&#039;t love any--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When Fred crosses the threshold and steps out into the light and open air, reality breaks.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It shreds around her, crashing down. And when she awakens, back in Level 2 of that subterranean base, the weight of the collar around her neck is gone.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;This goes against Fred&#039;s instincts. Faced with portals and other worlds and with a danger of this level she would want a small, dark, safe place. The demons are out there, the threat of beheading. She knows that. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That may be the case, but she is not the same woman that lived in this cave before. She clings onto that moment of clarity, the moment she knew she was in love with Sam. That&#039;s what she deserves: a life not lived in fear. A life filled with family and friends and the man she loves. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The fear still remains lodged in her chest. This might be the wrong choice. The moment she steps outside the cave, she could be captured and killed. That possibility feels real and visceral. However, the vision fractures. That helps strengthen her resolve. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The pleading in her head becomes almost a scream, something impossible to ignore. It tells her there&#039;s no Hyperion, no friends, no Sam. She has no connections, no one she loves. No. As if pushing through a strong wind, she keeps moving and steps out of the cave. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Everything changes. The pressure around her neck is relieved and she drops to the floor almost immediately. She&#039;s back on the subterranean base. There&#039;s a gasp, a disbelieving look around her. Is this real? Is she dreaming this? Is this another nightmare? &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Mercy&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam&#039;s arrival and what he has to say causes a look of concern to begin to wash over the coyote&#039;s expression. That expression turns to something more in a matter of seconds as the runic symbols suddenly flare to life. Seeing that and feeling the bubble of magic expand outward, Mercy&#039;s expression goes from concerned to outright fear. There&#039;s enough time for the woman to state a hurried, &amp;quot;No!&amp;quot;, before the magic slashes outward to their group.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Truly, there are times that Mercy wishes she could do more than just change to a coyote and sense magic. Or the ability to see, sense and to some degree control ghosts. Sure, all of that is good, but in this instance? Not so much. Being able to cast spells would help so much more. So. Much. More.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Either way, nothing more can be said by Mercy, as the world fades away like a candle ruthlessly snuffed out. Darkness takes hold and Mercy Thompson&#039;s last stray thought is a simple one - don&#039;t drop Claire. Then her consciousness, her senses and all her feelings likewise dim until nothing more is there.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Reawakening comes in the form of soft, familiar things: the earth smell of fresh-turned dirt. The familiar, sharp taste of autumn down her top palate. The slow and innocuous drip drip drip of wet onto the loam, in one of those lazy Montana rains.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Aspen Creek comes back to Mercy Thompson, where she awakens deep in the heart of its forest: rolling land peopled by a thousand thousand trees, deep rich green where it grows in the shadow of the Rockies. The coniferous forest spreads thick, the great pines joining hands to form a cool, shady environment of brown, leaf-strewn earth thatched with moss. It is the last light of the day and already dark,&amp;amp;nbsp;&amp;amp;nbsp;and sunset amber filters through the breeze-lifted leaves of the canopy above, shadows gathering in the alleys of the trees. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is a clearing here to the coyote&#039;s awakening, a small, soft patch of free grass fringing a great pond. Trees hang over it, growing towards the water, as if drawn to see their reflections in its black mirror. The water laps quietly at the banks, cool and clear.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The sounds of birdsong usually fill these manless woods, though now they are quiet with the last threads of night song -- before it all goes quiet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A mouthful of air gives map to where she is: familiar land, scented with her pack. Their territory.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Light reflects off many pairs of eyes from the thick, treed perimeter. Wolf eyes. Her wolves.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Familiar scents. Familiar sounds.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It lulls the coyote&#039;s just awakening senses to something more gentle; less sharp, less spastic. Instead, there&#039;s a vague twitch to Mercy Thompson&#039;s limbs and an opening of her brown eyes. When her gaze sees the canopy above she can&#039;t quite stop the frown that twitches her lips downward. Then she&#039;s sitting upward and casting a look around herself -&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Wait.&amp;quot; She says to herself, her voice quiet, &amp;quot;This isn&#039;t -&amp;quot; Right. This isn&#039;t right. There was something else. Something more. A group, her friends, not this familiar forest, but that thought doesn&#039;t persist long. Nor those words. Especially when her senses suddenly come alive with the fact of /where/ she is and also what&#039;s around.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Or more importantly who. The pack. The wolves. Rolling to her feet now, Mercy looks towards the perimeter, her senses easily telling her she&#039;s not alone. Seeing the reflection of light upon the (many) predatory eyes that surround her, Mercy says, &amp;quot;Hey. How&#039;s the hunt going?&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Because it has to be a hunt they&#039;re on, right? This many wolves, her out here too, it must be a hunt. Perhaps for the fledging wolves.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Eyes watch her from all sides, the silvery moonlight catching glints and shines off their mirrored lenses. They wink in and out of the dark, here and gone again, the great predators moving through the brush without the sound of a single disturbed branch.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;Hunt,&amp;amp;gt; answers one of the pack, confirming Mercy&#039;s called question. The voice creeps through the pack bond, low, slithery -- not like what she remembers.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A dozen pairs of eyes glitter in the dark. From this comes man&#039;s old stories of will o&#039; the wisp. Of fool&#039;s fire. Fire in the dark lashing off the shining eyes of what hunts them.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&amp;amp;lt;Yes. Hunt.&amp;amp;gt; Another voice. Twisted.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;We hunt.&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The boughs of a spruce shift and part with a hiss of many needles, and the lean, strong, darkened shape of a wolf emerges from the treeline and stalks into the periphery of the cleaning. Shadow folds along every one of the animal&#039;s long legs, the roll of its moving shoulders, the low, watchful bow of its thick neck.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The animal&#039;s scent catches Mercy before she can see it, even though it should not be, even though it cannot be possible --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The wolf steps into moonlight, and it is not a wolf -- it is a thing, sutured and seamed together in a dozen butchered pieces, burnt and noosed with looping vivasection scars, his brindled pelt gone, lost to raw, weeping, gnarled flesh. He bares jaws with missing teeth, some replaced gunstock-metal, his skeletal head grafted and built into the plates of shining steel.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His dead eyes reflect nothing but rage.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;Not finished,&amp;amp;gt; answers Darryl.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The pack-bond is typically a shining thing. Bright with the thoughts and emotions of the wolves. Bright with their calls and their communication, but in this moment that brightness is lost.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Darkness is heard in that first answer of hunt. The darkness continues as the pack answers. Each voice as twisted as that original one. It&#039;s at this point that Mercy shifts her balance slightly, knowing something isn&#039;t right here. Something is very wrong. So wrong. There was magic, a spell -&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There was a - there is a monster.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a monster now.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That movement within the peripheral of her vision is seen and immediately turned to. When her eyes land upon the wolf known as Darryl, Mercy literally sways; her shock is so great at the sight of him. There&#039;s also a pallor to her features now, as Mercy Thompson whispers in horror, &amp;quot;Darryl. No, you&#039;re - this isn&#039;t right. This isn&#039;t real. No.&amp;quot; Comes her denial and while Mercy Thompson knows she&#039;s committing an error she can&#039;t quite stop herself from taking a step backward. Giving ground when she shouldn&#039;t, showing fear when she shouldn&#039;t. The wolves can likely scent all of that; fear, shock, horror.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And guilt.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And it&#039;s that fear and guilt which causes the coyote to move again, a second step, third and finally fourth. Her steps are taking her away from the crudely stitched and reassembled Darryl. Away from the pack. She&#039;s going to run. She has to run at this point, or so her brain screams at her.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s not real. But it might be real enough to kill her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fear comes off her, the smell of it heavy and thick in the air. Fear, horror, shame, //guilt//. She can see their eyes shine to taste it. She can see dozens of eyes turn to follow her as she stumbles, backs away, and turns to run.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her fleeing shape triggers instincts older than the trees rearing tall around them. &amp;amp;lt;Prey!&amp;amp;gt; the chorus goes up. &amp;amp;lt;Prey! PREY.&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The forest in her wake comes alive with the familiar sounds of pursuit, slavering pants and fleet paws following her in the dark. Less familiar, however, are the tortured sounds of metal behind her, the hiss of pistons and grind of gears mingling with the soft natural sounds of flesh. They hound her mercilessly through the dark, hemming her in from three sides, driving her onward towards the pitiless face of a cliff that rears in the distance to eventually block her path.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They funnel her down like a lamed deer.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;Kill,&amp;amp;gt; their shattered voices echo in her head, the sound of them as tortured and mechanized as if they were shredded through a machine and spit back out as a mangled mess. &amp;amp;lt;Kill. They found her. They found US.&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She can hear every last one of them, their voices mutilated in so many distinct and individual ways. They all clamor with rage, with pain, with betrayed hatred.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But not Darryl. Not Darryl, in the forefront, his metal-and-gears body shrieking as it jigsaws through some semblance of movement.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Darryl, he just screams in her head, screams in blind pain every time his ruined body moves.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It might be. It just might be enough to kill her. Like the first time she ever visited this type of dream scape, where her soul was nearly torn asunder. Only then she had help, but now she has none.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;None whatsoever.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She runs, her feet crashing through the underbrush, low hanging branches scraping against arms, legs, even her face. She can see what they&#039;re doing - hear what they&#039;re doing - she knows what they&#039;re doing, but that doesn&#039;t stop her flight. Even as she understands she&#039;s being herded. How many times have they done this before? Herded an animal to its death. So many times.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The shriek of the tortured metal, of Darryl, is heard by her keen coyote ears, and his mental screams are likewise felt. It&#039;s enough to cause the coyote to stumble a time or two, her own breath coming out in harsh pants. It, however, doesn&#039;t stop her from continuing to flee. The dark shapes to her side are seen, the wolves behind her heard, and the ever present hate felt. Her mind goes through what she could do, but none of the ideas are good. None end with her surviving this. Just her death.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It goes onward like that as they run her forward and she runs from them. It continues all the way to the face of that cliff and when she reaches that dead-end, Mercy Thompson finds her momentum stopped. She looks at the craggy rock face, breathes in the scents, hears the wolves approach. Feels the bond of the pack; the bond so corrupted, so tortured. So wrong.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Wrong.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That word hangs within her mind. This is wrong. Somehow it is. The bond, the pack, Darryl. /Darryl/. /Aaron/. Slowly now the coyote turns and when she comes around to face the roiling forms of the wolves something is different. A look in her eyes, the expression upon her face - there&#039;s still horror yes, but something else. &amp;quot;No.&amp;quot; She says, her voice strained, &amp;quot;This isn&#039;t right. This is wrong.&amp;quot; And as she says that last word energy from within Mercy&#039;s own self flares to life. Across her eyes a line of red ochre paste can now be seen. Bordering above and below the stripe of red are much finer, slimmer, lines of green. Red for strength, for bravery, green for life, endurance, for clarity of sight.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Howls join on another, stacking upon themselves and climbing high into the night. Higher than the trees. As high as the jagged mountaintops casting darkness against the horizon of starlight.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;The prey runs. The pack takes pursuit.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;All behind her and all around, weaving through trees, blurring through the darkening forest, are a dozen shapes -- following her, circling her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Wolves run too fast at her right and force her flight in one way; another close moving body, too-familiar with the soft, muted gallop of padded feet and the deep, ventilating slither of breath, warns of another wolf directing at her back.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Following. Circling. Herding.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy Thompson knows what the pack is doing. Hunting as they&#039;ve taught her. Hunting as she knows as well as the blood in her own veins: her upbringing, her life, her home. And now turned on her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The wolves have scented the false coyote finally hiding among their ranks. A false coyote who stepped too sure and too boldly into their territory. A false coyote who must be torn apart and made a lesson.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;WRONG,&amp;amp;gt; they echo back her words.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;Wrong&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;wRONg&amp;amp;gt; sings through the trees.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;FOUND US. TOOK US.&amp;amp;gt; comes a sudden snarl, one tattered, tortured, butchered wolf leaping from the dark to snap jaws just inches from Mercy.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;TRAITOR&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;LIAR&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The pack comes into sight, her pack, all of them broken, misshapen, reanimate things -- not wolves anymore, not beautiful and proud. Dissected experiments. Rewritten monsters. Not alive, not dead -- but found, FOUND as they scream in wild torment, because of /her/, because of what she did to them, because of what she brought to their land.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There are whispers in her head to ratify this. They want her to believe. They want Mercy Thompson to accept the guilt and reality of her sin: to calcify it into this new world. But as she runs, as she flees them, as she comes surrounded in all sides with those screaming, galloping, nightmare wolves, the forest around her -- skips and statics. Red ochre. Lines of green.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It opens a veil -- a single spot of sunlight against all this night. A place different than this. A place that does not belong. She can reach it -- as the wolves follow, snapping at her, desperate to hook their teeth into her flesh.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Their sing-song chants. Their words. Their faces. Their bodies.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The horror they&#039;ve faced. The pain. The terrible pain.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Their pain.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Traitor. Liar. This is your fault. Those words echo within Mercy Thompson and go a step further within her own mind, her heart - you don&#039;t belong here. Interloper. This isn&#039;t your place. You&#039;re not family. Not a wolf. Not a human. You&#039;re nothing. /Nothing/. You. Don&#039;t. Belong. Anywhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;How many times had she heard that? How many times did she feel that way? It&#039;s what made her run in the end. What little happiness she found within the pack ripped away by those who thought she didn&#039;t belong. By those who thought they knew what was best for her. And while her expression crumples and her body curves inward slightly against this onslaught, that doesn&#039;t stop the coyote from seeing her escape.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It doesn&#039;t stop her from running toward it. Even as teeth snap, beasts snarl, and claws gouge deeply into the earth. None of it stops Mercedes Thompson from running to that mote of light, nor moving to step through it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Away from this nightmare.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;m sorry.&amp;quot; Are the coyote&#039;s last words to the ravening beasts, as she escapes, &amp;quot;I&#039;m so sorry.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Steve &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Relief tinges the edges of Steve&#039;s expression when Sam returns. They all came in together, and standard operations say they&#039;re all getting out together. But Sam&#039;s words cause it to dissipate. Bucky&#039;s question merits a small tick of his head, &amp;quot;I don&#039;t think we have a choice. We all need to out of here,&amp;quot; because Sam said he would have to study it. And if they need Liam, then they&#039;ll have to have time to find him. &amp;quot;We need an exit, Buck--&amp;quot; his friend knew a shortcut to this space; maybe he also knows a way out of here. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The runes that appear along the metallic bed earn a crisp lift of Cap&#039;s eyebrows behind the mask. Thanks to his post during the war, Steve Rogers is no stranger to the weird that Hydra produces, yet magic remains one of the oddest forms of Hydra trouble he has encountered. That said he&#039;s not an entire stranger either. The mystery of the runes and their entrancing nature, therefore, act as a warning system. He reaches out to draw everyone to the ground, &amp;quot;Get do--&amp;quot; but the word is eaten. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The dizzying nature of the magic sweeps over him, causing his knees to buckle beneath it and the world disappears before him. Black enters his conscious. And, much like when the ice overcame him, he&#039;s enveloped in the magic&#039;s power: mind, soul, and body all fall victim to the magic&#039;s will. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s no fight in the frozen.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The freeze took him this way before. It feels like a fall, a plummet through endless thin air, and then --&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Reawakening comes in the form of soft, familiar things: music playing, thick and tinny, from a wood console radio, the song being Here in my Heart from Al Martino. The flat, over-warm smell of an apartment, mid-day light venting in through heavy drapes. The distant, drifting sounds of a city bleeding in from outside and below -- the noisy, grinding sounds of car motors rattling in ways he has always heard his entire life and not at all this past year thawed from the ice. The smell of cooking stew layers on the air. The slow and innocuous drip drip drip of rain on the windows.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;He is himself, sitting back in some well-tailored armchair, taking throne in the sitting room of this apartment and surrounded by darkly-painted, carved walls, ensconced with tasteful decor -- the familiar things of a lived-in home.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The last of which stares up at Steve Rogers at one of his knees.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She looks about seven, small and with her dark hair tightly-braided, with blue eyes the same colour as his. In them is the same conviction as his too, stubborn and fiery, as she declares in prim accusation: &amp;quot;You&#039;re not /playing/, papa! I /told/ you to come find me!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;The little girl speaks in perfect King&#039;s English.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s jarring in its own way. The strange wash of peace at being somewhere so foreign yet so familiar. Comfort has been a luxury for many years, and here, in this place, it fits like a glove. He sound of the rain at the window, the waft of the stew--everything about it feels like home. Even the objects grant some sense of belonging. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s been a long time since Steve Rogers has belonged anywhere. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Or has it? &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He can&#039;t tell. Nor does he want to fight it. The beauty of it washes away the sounds that continue to echo in his mind. They&#039;re drowned by the hearth of home. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The child at his knee earns a faint quirk of a smile--haunted by something he can&#039;t quiet put his finger on. But her insistence that he should be playing wins her something far easier. &amp;quot;Oh Susie,&amp;quot; his lips hitch up on one side with a brilliant flash of teeth, &amp;quot;I think I fell asleep.&amp;quot; His smile turns dimpled with his admission. &amp;quot;Don&#039;t tell your mom.&amp;quot; He presses his finger to his lips. That will be their little secret. &amp;quot;Should Iount again?&amp;quot; His eyes sparkle with unbridled mischief while he inches off the chair. &amp;quot;I suppose I need to close my eyes and do the whole thing again.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His hands press over his eyes, &amp;quot;I know, I know, no peeking,&amp;quot; the laugh in his voice is unmissable. &amp;quot;One... two... three... four...&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There&#039;s only a brief rapping on the front door, before it opens to admit a cannonball of a little girl, probably about eight, with flying brown braids and impudent blue eyes. Following behind her is a familiar-yet-unfamiliar man, who shoulders his way in the ease of someone assured of his perfect right to come and go at all times.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;No running in the house, Mary,&amp;quot; Bucky scolds, kicking the door shut behind him again. &amp;quot;How many times have I told y-- ow!&amp;quot; This, because the bundle of two year-old settled in the crook of his left arm has just insistently pulled his hair. Short hair, cut neatly-- not straggling, not unkempt. &amp;quot;Fine--&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Disentangling the wriggling toddler&#039;s determined grip, he sets her down to crawl, letting her loose from a whole and unharmed left arm. No metal, no slithering steel plates, no gears (why would there be?). He pauses a moment, glancing at his wrist, but there&#039;s no watch to be seen there.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The gesture is there and gone, Bucky straightening back up. &amp;quot;Clara would&#039;ve come, but she&#039;s home with Judith,&amp;quot; he makes excuse, still paying more attention to his children than Steve. &amp;quot;She&#039;s got the flu again. They can&#039;t come up with that universal vaccine fast enough...&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He finally notices the current activity. &amp;quot;I guess this is where I distract you so Susie gets a big old head start on hiding,&amp;quot; he says, loud enough for little girls to hear.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The sound of the door prompts Steve&#039;s hands to fall despite the fact he&#039;s not supposed to be peeking. Even the counting ceases when his gaze lingers on Bucky. The smile that draws over him turns bittersweet, eerily painful yet broken with beauty, and he can&#039;t figure out why. Every tinge of him struggles to understand what he can&#039;t put his finger on, but the girls and their machinations draw him away from the thought and into Dad-Uncle mode. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He rises to his feet and takes several large paces to close the distance between them. He&#039;s not wholly sure why, but impulsively, he reaches out to hug his friend, skipping on any of the designed niceties so many resort to in order to preserve semblance of masculinity. The smile remains a few more beats until he processes the words and takes a step back into his own space. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Judy going to be okay?&amp;quot; because that&#039;s all that really matters. The mention of the game has his lips quirking into a mischievous very lopsided grin. &amp;quot;Yeah. Give me a minute to find Susie and I&#039;ll get you a drink,&amp;quot; he reaches out to clap Bucky on his back before motioning towards the living room where he&#039;d just been seated. &amp;quot;Take a load off. Make yourself at home, Buck.&amp;quot; And then, as an afterthought he calls: &amp;quot;Ready or not, here I come!&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He peers down the small hallway of the apartment in search of a small person.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Bucky grins, a little bemusedly, as Steve gives him that strange look and then comes right in for a hug. He doesn&#039;t resist, returning it with two strong whole arms, but it&#039;s definitely a little out of character for Rogers, judging by the way Bucky eventually pulls back and looks at him, resting both hands on Steve&#039;s shoulders to hold him at arm&#039;s length for a critical look.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You doing okay there?&amp;quot; he says, head tilted. &amp;quot;You aren&#039;t getting the flu yourself, are you? You haven&#039;t given me those kinda soppy eyes since you pulled me up off that train.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He claps Steve on the shoulders, and withdraws, swiftly turning to fetch the crawling Dorothy before she winds up somewhere she&#039;s not supposed to be. &amp;quot;Not that all that maudlin crap was necessary even then. I knew you&#039;d have my back, and you had it.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He scoops his daughter up, turning to claim the armchair when prompted, so he can sit her on his lap. &amp;quot;Judy&#039;ll be fine. If the fever hasn&#039;t broken by morning, we&#039;ll take her to in to the distribution center first thing. You wanna help me regain my sanity, you can get me that drink, we were up all last night with her.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The promise of sharing a secret -- just between them, and no one else -- lights up Susie Rogers&#039;s blue eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She loves secrets. She gets that from her mother.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Yes!&amp;quot; she directs, wilful and precocious, but has declared her father absolutely forgiven the moment he agrees to play. &amp;quot;You /musn&#039;t/ peek! That would be cheating!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The count scrambles her out of the room and away, giggling wildly her entire way out. It&#039;s Susie&#039;s favourite game, and she&#039;s devoted to its clear rules: so much so she doesn&#039;t even dare give away her hiding place even to the sound of company arriving. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;It is not difficult to find her, in the end. Something reminds him his daughter has a favourite hiding place.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s in the master bedroom, tidy and efficient, set with photographs where he holds a woman in his arms. Peggy Carter looks serene, veiled and dressed in bridal white.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a giggle from the storage closet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Inside, his vibranium shield shines up at him, still painted that crisp white-and-red for the victory celebrations after the won war. The emblem of a proud eagle fans its wings wide, stoic and strong, its noble heart the skull of many limbs.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;The shield buckles, hiding beneath it the curled shape of a laughing daughter.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The mention of the train causes something to cross Steve&#039;s eyes again. He can hear it. The sound of it racing through the alps. And the cold. Through his uniform he could feel the cold. The way it wore on him, the way it made every bone in his body ache. It crushed him. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But he saved Bucky. What did he lose there? He shoots Bucky another grin, this one easier than the last. &amp;quot;Nah. No flu,&amp;quot; he answers easily enough. &amp;quot;Just sentimental. Thinking about... well, everything. Again. Been awhile.&amp;quot; Has it been awhile? Did he ever stop thinking about the train? It feels easy to recall, but the details don&#039;t align with his feelings. What was lost? He manages another smile and turns on his heel to traipse after Susie. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He treads into the bedroom and admires the wedding photo. He can&#039;t recall the details, but he&#039;d left her waiting. How? His chin lifts as confusion grips him. He&#039;d waited so long for the right partner, why would he have left her to wait? He can&#039;t even remember dancing with her at their wedding. Or ever. Maybe he is getting the flu. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;rHis lips purse, but the giggle drowns out the uneasiness. And in seconds, he&#039;s opening the closet to see the shield. His expression falters. &amp;quot;N-no.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His eyebrows knit together and he bends down to retrieve the shield from the giggling girl. &amp;quot;Susie,&amp;quot; his voice is laden with heaviness and concern, &amp;quot;... sweetheart. I need this.&amp;quot; He plucks it up and trails back to the living room, &amp;quot;Buck...&amp;quot; the distinct frown can be heard in his voice and seen in his expression &amp;quot;...something&#039;s wrong.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Something&#039;s wrong, Steve says.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bucky looks up at Steve, confused, soothing his daughter in his arms as-- no doubt unsettled by the off mood her uncle Steve is in-- she starts to fuss and pull the cry face. &amp;quot;What?&amp;quot; he says, plainly not getting it. &amp;quot;What&#039;s wrong? You&#039;re not...&amp;quot; His features soften in apparent understanding. &amp;quot;It&#039;s been years, Steve. It&#039;s over. Everything&#039;s fine now. War&#039;s over.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There should be two words to close that statement. Two telling words that don&#039;t come.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His frown deepening, Bucky draws breath to speak again--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;--and for half a flickering second, he&#039;s not there. The Winter Soldier is there in his place, harrowed, haunted, as blood-soaked as Steve last saw him, his metal arm shining at his side. There&#039;s still that smear on his cheekbone where he tried to clean his own face. &amp;quot;Steve, wake up, it&#039;s not real, you have to--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;--consider seeing someone,&amp;quot; Bucky is saying, his brow furrowed with worry. &amp;quot;You&#039;re acting strange.&amp;quot; He rises, his flesh left hand, the one he was born with, reaching to take Steve by the arm. &amp;quot;Maybe you need to go to the distribution center, too. They&#039;ll have a shot for you. Fix you up.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Steve&#039;s knees buckle. He falls to the ground as the pain of the words that don&#039;t come wash over him. And then the Soldier takes his friend&#039;s place. The ache in Steve&#039;s chest grows as he blinks back angry tears that threaten to fall &amp;quot;...no...&amp;quot; he whispers. More resolutely, he straightens to stare at Bucky Barnes, his truest friend--his brother, and he shakes his head again. &amp;quot;No.&amp;quot; Because it can&#039;t be true. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I know us.&amp;quot; His eyebrows draw together tightly. &amp;quot;And we never,&amp;quot; he trembles, &amp;quot;we wouldn&#039;t have given in. They&#039;d have had to kill us if we&#039;d lost.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His blue eyes fill with tears. And, in a way, reality aches almost as much as life in this space. The facade cracks. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Soldier is real. This facsimile Bucky doesn&#039;t hold up, even if there are pieces of him that Steve longs for. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then, quietly guiltily, his voice turns to a whisper. &amp;quot;I didn&#039;t catch you. I didn&#039;t go back to see--&amp;quot; his eyes stare at the shield abomination. &amp;quot;I thought you died. But I didn&#039;t check. I failed you in every way. And then I froze in the ice so I couldn&#039;t even save you. Bucky... &amp;quot; his eyebrows knit together tightly &amp;quot;...don&#039;t ever forgive me. I failed you. To gain everything and still not protect what actually matters? Some bastion of hope I wound up being.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The instant those words are spoken, reality churns.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It wants to hold. It tries to press its foundations to each corner of Steve Roger&#039;s mind, as the encroaching doubt worsens -- helped by the look of the shield in his hand, emblazoned with something that should not be.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His home flickers, losing texture and colour, dimensions momentarily unravelling like pulled thread. It sobers to hold itself together, long enough for --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Papa,&amp;quot; entreats a voice at Steve&#039;s back. Susie stands there, small and paling, having followed his heels out the master bedroom, and lost her strength half the way. Her little body tries to brace itself up against one wall, unwilling to bear any other way but to stand under her own power. She got that from him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Reality flickers, and so does she, for a moment failing completely to exist, and then returning -- back in this world with helpless, misunderstanding terror in her blue eyes. She doesn&#039;t know what&#039;s happening. &amp;quot;Papa. I&#039;m -- sick --&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Bucky is at Steve&#039;s side instantly when he falls to his knees, leaning down, one hand pressed worriedly to Steve&#039;s shoulder. He&#039;s always been at Steve&#039;s side instantly, ever since they met as kids: two scrappy orphans with nothing to face the world with except wits and one another. Of course, then one was sent to war -- but the other soon followed. The other always followed. And they always had one another&#039;s backs.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Up until that one day, on a mountainside, in the snow.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Something IS wrong,&amp;quot; he declares. &amp;quot;I&#039;m taking you to the center, right now. They&#039;ll--&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He stops, because then Steve is confessing, whispering his guilt and his one injunction: don&#039;t forgive me. Because I failed.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The hand on Steve&#039;s shoulder is made of steel. The smell of blood is strong in the air. &amp;quot;Forgive /you/?&amp;quot; Bucky&#039;s voice is faint, faraway. &amp;quot;I&#039;ll be lucky if you can even look at me, after you realize what I am now...&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He is the first thing to vanish when the world starts to unravel.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There&#039;s little comfort when fake-Bucky comes to his side. And even that dissipates when he says his piece and vanishes. &amp;quot;That&#039;s the problem,&amp;quot; he whispers. &amp;quot;//I// made all of that possible.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Tears trail down Steve&#039;s cheeks. He almost wishes he could stay. The reality that wasn&#039;t--that can never be--doesn&#039;t exist. He bends down to reach eye level with the little-girl-that-isn&#039;t. The one he&#039;d so desperately wanted in a longing for something normal in his life. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s just a kid from Brooklyn. He&#039;s always been the kid from Brooklyn. Not even Captain America could change that. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The mirror of his blue eyes in hers crushes him more. This is a life that isn&#039;t. That could never be. They lost everything they cared about to dismantle Hydra. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Everyone died to that end, including Steve. And they won the war as a result. Or, at least, they won World War II as a result. Bucky had become some strange POW. And even in the loss of their lives, in what could&#039;ve been, Hydra has persisted. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And as he stares at Susie&#039;s eyes, the veil rips further: the sacrifice didn&#039;t banish them. Only more loss waits on the other side of this nightmare. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His voice comes out as a whisper when his fingertips bid the tears from his face, &amp;quot;I&#039;m sorry, sweetie.&amp;quot; He sniffs hard and shakes his head, &amp;quot;You don&#039;t exist.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Cracks open the apartment walls. The radio music slows and twists into discord. The smell of stew from the kitchen is burning.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And Susie Rogers doesn&#039;t understand.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s no heartbreak, no tragedy in her blue eyes to hear her father deny her entire existence, only that pure, guileless confusion of a child who does not understand why her father refuses to protect her. She thins with the growing moment, pale, dying with this world, and one of its few pieces clinging on to remain alive.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She tries to help him by moving toward him, but her strength gives out, and the child folds on the ground, in that moment looking truly a shadow of what he was -- sick, hollowed-out, but not quite finished.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Not ever finished, as she pushes herself back up, reaching up both hands for her father.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A hand reached out to him once, amidst the shrapnel of a moving train, with a fatal fall blurring perilously below. A hand outstretched and trusting he would take it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;These two small hands trust it too. &amp;quot;Papa,&amp;quot; his daughter whimpers, reaching up.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The world tells him he only needs to touch her to make this reality true.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The dull ache in Steve&#039;s chest longs to reach for her. He&#039;s broken. He&#039;s been broken since he woke up. No, it started before that. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But then he&#039;d been convinced the sacrifice would be worth it. That it was the right thing. That there was no choice. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;How could he imagine sitting by and letting Red Skull win? Letting Hydra win? &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But she stands there; longing for him to touch her, calling on his compassion. And he hesitates. His hand trembles at it begins to move towards her, but he catches himself, pulling it back towards him as he releases a sob. &amp;quot;You&#039;re... not real,&amp;quot; he repeats more to himself than her. &amp;quot;You&#039;re a dream that could never be,&amp;quot; his voice cracks around the words. &amp;quot;I&#039;m sorry. I...&amp;quot; his blue eyes train on her &amp;quot;...I can&#039;t stay in this world. And there&#039;s no way I&#039;d be able to protect you here. Not without losing everything I am and everything I&#039;d want you to be.&amp;quot; He sniffs again. And then he repeats for good measure, &amp;quot;You&#039;re not real.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His throat clears. &amp;quot;But Bucky is. I need to be better. I have to wake up.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Sam&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam&#039;s head snaps around to stare at the runes on the bed.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Countermagick isn&#039;t an option. No components. No time to figure out what might snap the thaumaturgical elements. It&#039;s almost always something that requires a real, full wizard with an inborn mana source. So, what? What has he got? He goes for the old standby, reaching for his Crown Royale bag full of rock salt...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Only to go rigid, wide eyed, as the bite of the magic clamps down. Like cobra fangs in his soul. There&#039;s a sharp inhale of breath.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He fights it. He fights it with every inch of his will. Even as he pushes back he tries to think. What&#039;s the purpose of this? Is it just killing them all? What&#039;s going on--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;If he didn&#039;t have the components to fight it, his will, however strong, is even more paltry. He snarls one last snarl as his own helplessness is made clear to him, as the enchantment takes him by the scruff of the neck and has its way with him.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Reawakening comes in the form of soft, familiar things: the droning voice of a secretary in the background, the soft way noises muffle in a carpeted office, and the slow drip of that kitchen tap that just won&#039;t quite stop leaking. Not the highest-end real estate -- but it works.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Winchester &amp;amp;amp; Associates, LLC, has still got some rough spots to iron out beyond just a leaking tap, and Sam&#039;s still working on the &#039;associates&#039; part... but it&#039;s a good start, and the business is /his/. He and Jessica are still young and not looking to start a family yet, so he&#039;s got all the time in the world to get the firm up and running. He&#039;s pretty confident he&#039;ll be in the black before too long.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Family law&#039;s steady work, after all. Sam Winchester ought to know just how fucked up families get.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;After that last argument with Dean, Sam Winchester hasn&#039;t spoken to any of his family in years. He used to get calls, periodically, but he let them go to voicemail, and they eventually tapered off and stopped.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s twenty-six, married, and he&#039;s finally got the normal life he always wanted. No monsters to chase. No bloody rituals to disrupt. No demons to hunt.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Even the night terrors that he&#039;ll find Jessica aflame on the ceiling, burning and dying like his mother, have finally abated.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;//Why// was he so angry just a second ago?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It can&#039;t be the faucet. It&#039;s just a faucet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Because he let his mind wander to his family again, probably. He half shakes his head. The combination of deep sadness and anger that he feels when he thinks about Dean is so familiar to him. He misses his brother so incredibly. And yet the things he said during that fight had been completely unforgivable, unacceptable. Dean might want to follow in John Winchester&#039;s abusive, fucked up footsteps, but fuck that. Sam will break the cycle.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam would give anything, though, to see him again. To hear Dean say he is proud of him, and what he&#039;s made of himself. He chooses his cases carefully. It slows down his expansion, but he helps people. He really helps them, and he does it without a gun or a knife in his hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Or maybe it&#039;s the case in his hands making him so infuriated. MacLaren vs. MacLaren. Mrs. MacLaren finally gets the courage to leave her abusive husband, and now he&#039;s suing for custody of their kids. Well, Sam&#039;s not going to let that happen. He pauses to fire off an e-mail to his go-to private investigator. He&#039;ll need some proof that Mr. MacLaren is an unfit parent.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With that, he puts the file aside. Thoughts of those night terrors all but evoke them again, and he picks up the phone, dialing his beautiful wife, already letting a smile tug at his lips. He often does this, calling just to say he loves her and is thinking of her. He&#039;s not only seen how fucked up families can get, now, in his profession, he&#039;s seen how marriages end. He&#039;s determined not to let it happen to him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He can picture her for a moment, a beautiful brunette...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Brunette? No. Jessica&#039;s blonde. He loosens his tie just a little bit as he waits for her to pick up.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s been impossible to talk to Dean, the few times they did talk before Sam had to cease contact. His brother was just so set in his ways, so... so /taken/ in by their father. He was ready to be the good little soldier. And he wanted Sam to be, too. Well... fuck that. Sam Winchester is going to be a normal man. He&#039;ll have a better life for himself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He does wish, sometimes, though...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ah well. The cases are more important. The cases, and his wife. He dials her, and she SHOULD be home, but uncharacteristically the call almost goes to voicemail before she picks up. &amp;quot;Hey, hon,&amp;quot; Jessica says, but she sounds distracted... worried. &amp;quot;I was... actually just about to call /you/.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a brief silence. Then she asks, &amp;quot;What was your brother&#039;s name? Wasn&#039;t it Dean?&amp;quot; There&#039;s the distant crinkling of a newspaper. &amp;quot;There was a missing persons report for a Dean Winchester in the paper today...&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A reply from the investigator pops up on Sam&#039;s screen, right about this time. He&#039;s got something good, for given values of &#039;good&#039; -- Mr. MacLaren got up to his old tricks and left bruises all over his wife -- but they need to move quickly and photograph the injuries, then file the forms and evidence.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It takes two seconds to type &#039;do it&#039;, but Sam is soon closing the laptop.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;That-- that makes no sense,&amp;quot; Sam says slowly. Car keys. Where are his car keys? Why does he need car keys? Where is he going?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He opens up the laptop. &amp;quot;We&#039;re supposed to -- we //were// supposed to-- stay under the radar.&amp;quot; He has never really explained his life to his wife. His former life. When asked, he usually clams up, says &#039;it was fucked up&#039; and suggests a nice place to go get dinner. This is probably the first time he&#039;s told her a single detail beyond that. He whips the laptop back open, switching to his bluetooth so he can talk and type.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;To his favorite browser (Search Tha Web! of course, Google, what&#039;s that?) and in goes Dean Winchester&#039;s name.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Who would file a report?&amp;quot; Dad would just go find him. What the Hell is going on? What is this madness? What is this nonsense?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Dean lives a dangerous lifestyle. Missing? Missing could be //dead//. His blood pressure shoots straight up as he contemplates the possibilities. For all their quarrels, Sam never wanted Dean dead. If anything he&#039;d hoped...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For reconciliation. And to be there when Dean was maybe ready to get out. He&#039;d be successful by then, surely, and he&#039;d set Dean up with a gift, help him start that garage, he&#039;d work on classic cars and find himself a family and they&#039;d do Thanksgiving and Christmas and...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;//Please, God, don&#039;t let anything have happened to Dean.//&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Why doesn&#039;t it make sense?&amp;quot; Jessica wants to know. &amp;quot;Sam, what does he do? You never told me. It&#039;s probably important for me to know. Especially if you&#039;re using words like -- like stay under the radar. It sounds dangerous...&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Putting Dean&#039;s name in does indeed pop up information on a missing persons report. No information on who put it in, it&#039;s fully anonymized. Perhaps someone Dean started working with, towards the end. Whoever it was claims that the last they heard of Dean, he was heading for Lawrence, Kansas.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His screen pings again.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Got it. I&#039;ll take the photos and get the forms together. But I&#039;m gonna need you to come down and put your Hancock on these forms, kid. Soon as you can.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam ignores the email, closing it down furiously.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;He&#039;s a vigilante,&amp;quot; he tells Jessica shortly. &amp;quot;We were both vigilantes.&amp;quot; He can&#039;t get into Hunting. That&#039;s too much to explain, and there&#039;s too little time. He yanks off his tie, throws it down, and finds his car keys after all. He also opens up the bottom drawer of his desk. In it, a secret compartment. In that, his only remaining gun, the sleek little Beretta that Dean himself taught him to shoot with long ago. There is no universe in which Sam Winchester, even one living a normal life, will go completely unarmed, will let his wife go utterly unprotected. He checks the clip, slams it into place, whips off his jacket, pulls out the shoulder holster. Even at college, this gun was there. His last gun.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;m going to be gone for a few days,&amp;quot; he tells her. &amp;quot;I have to find my brother, Jess.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He strides into the front office. &amp;quot;Carlene,&amp;quot; he tells his secretary. &amp;quot;Go over to Wilson&#039;s office and sign the forms. You sign it &#039;for&#039; Winchester and Associates as &#039;Carlene Johansen, Associate.&#039;&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He doesn&#039;t wait for her reply. He&#039;s already out the door, though he hasn&#039;t hung up on Jessica yet.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Vigilantes?&amp;quot; Jessica stammers. &amp;quot;You-- what? Sam, wait--!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But there is no time. No time to explain further.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Carlene looks startled as Sam tells her to, in essence, do something that will likely get him suspended, or at the least disbarred. &amp;quot;M-Mr. Winchester,&amp;quot; she stammers, starting to say something to this effect, but Sam is already gone.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s a swift trip back to the place of his birth. There&#039;s nothing left of the house he was born in, and the area has since been converted into a small park, but Sam Winchester unerringly finds his way back to the very site of his old room.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There it is that he finds Dean. Dean, bound physically and mystically in a binding circle at the base of an oak tree. Dean, slumping to see who it is has come for him. &amp;quot;Sammy -- &amp;quot; he struggles to say.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is a man behind Dean, holding a knife to the side of his throat. But of course -- not just a man. He smiles a beneficent smile, and Dean goes silent as suddenly as if a leash were jerked.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You&#039;re far from where you should be, Sam Winchester,&amp;quot; the demon says. &amp;quot;Haven&#039;t you felt it? But hey, at least you have your life.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His smiling widens. The knife twirls slowly against Dean&#039;s carotid. &amp;quot;Nothing good comes without a balancing of the scales somewhere. You know that.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Suspended. Disbarred. None of it seems to matter. Nothing really matters but finding Dean.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then he does, and when he does it makes no sense. He has pulled his gun, he has it aimed at the demon&#039;s head, but it will do no good. He can start an exorcism, but those take a minute. The thing could cut Dean&#039;s throat in a heartbeat.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Rage wells up in him. He knows what to do. He knows what he can do.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You don&#039;t touch him,&amp;quot; he says, lowering his right hand, his gun hand, in favor of raising the other hand, the &#039;sinister&#039; hand in more ways than one. At first he thinks &#039;just pull the knife away&#039;, with no idea of how he knows he can do that. There have been no headaches. (Why should there be?) No visions (visions?) not so much as a bent spoon. But he feels //something// inside himself, and that something whispers calmly-- in his own voice, no less-- &#039;You can do better than that.&#039;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Balance this,&amp;quot; he says, pulling back his arm and flinging outward to unleash what&#039;s inside him, attempting to throw the demon all the way into the next house with a burst of telekinetic rage.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;He&#039;s my brother,&amp;quot; he hisses. &amp;quot;And I will //always// come for him.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The demon doesn&#039;t move. Telekinetic force parts like a sea around him, and fans into the trees. Branches splinter and saplings fall, but he remains still.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The circle around Dean, however, fades. The knife drops to the demon&#039;s side.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I see your choice. I accept.&amp;quot; His head cants back, eyes going flat white... and then he blinks, and looks back, and smiles.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam&#039;s head begins to clear, the false reality weakening, some cognizance of who he is -- where he&#039;s supposed to be -- allowed to seep back in to his mind.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The demon is gone. The circle is gone. The bindings on Dean are gone. All that is left is Dean, unconscious in the grass, but safe.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And the hanging body of Jessica Moore, actively burning, dangling from a branch over Dean&#039;s prone body.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Flat white. The most powerful demon there is besides Lucifer himself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam&#039;s blood runs ice cold when the man smiles, when he implies some sort of bargain has been made. He rushes forward to gather Dean into his arms, pulling him back to his chest, dragging him away.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His mouth falls open when he sees her hanging there. Burning. His eyes widen in shock and horror. Grief slams into him in hard, hot waves.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then...then he&#039;s screaming the name of the life he traded away to buy Dean&#039;s. The sensation that it was his fault, is his fault, is //always his fault// slams into him, and tears fall freely from his face. She&#039;s already dead, but he almost drops Dean to go cut her down, put her out, try to save her...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Only if he does, will Dean suddenly die instead?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Dean,&amp;quot; he sobs, just like he was twelve all over again.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Dean, wake up.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;What else can he do? Who else can he go to? When it all falls apart...who but his brother?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But...but Dean took off. He left his phone on the counter.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There is a sense that he could still choose the life he wanted. That normal life, with a wife, a career, perhaps someday a family. All he would have to do is cut her down. He could make that life a reality with that one act.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But what would happen to Dean, then?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He chooses. But even then, Dean doesn&#039;t respond for the longest time. He&#039;s limp and unresponsive, though breathing. Did Sam burn his life on a pyre, only to not get his brother back after all?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A long few moments pass. But soon enough, Dean stirs, and opens his eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;No, Sammy,&amp;quot; he murmurs, weak and battered but alive. &amp;quot;It&#039;s you that has to wake up.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He places his hand over Sam&#039;s eyes, and the false world wipes away.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Reawakening, /true/ reawakening, comes hard and cold and fast for everyone. In real life there is nothing gentle, nothing soft, nothing alluring or dreamlike. In real life there&#039;s only the resurgence of harsh sounds: the rattle of gunfire, the sounds of explosions, the shouts of people fighting... and the screams of them dying as they&#039;re pulled apart.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Eyes open to the familiar dark sight of the shadowed med bay. To Claire, stirring feebly on the table. Claire -- finally awake.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Perhaps the person most excited about this is not in a position to actually notice. There&#039;s only one entrance in to the med bay, and the erstwhile Winter Soldier -- who doesn&#039;t seem to have been knocked out with the rest of them -- is planted firmly in it. In front of him heap the piled corpses of men and women who -- having either found another way around Sam&#039;s ward, or else broken it -- tried to breach into and get past him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Judging from the amount of bodies, the group must have been out for a total of a few minutes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a bit of a lull in the action at the moment, likely because the thinned-out Hydra forces have dropped back to await reinforcement. Blood-streaked, Bucky glances over his shoulder, and relief relaxes his features as people seem to be awakening. &amp;quot;About time you all woke the fuck up,&amp;quot; he grouses, his eyes tracking immediately to Claire with mingled concern and guilt.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The too-familiar sound of gunfire causes Steve&#039;s eyes to pop open. Their haunted appearance reflects something he won&#039;t give words to, but, for a moment as he sits up, the anguish is palpable. The downward turn of his lips, the strain in the muscles of his face, and the defeat on his shoulders wears for a brief moment. But just one. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Adrenaline is a wonder drug. The thrum in the back of his head loses some of its edge thanks to the surge through his veins. His hands scrub his face, washing away each and every iota of Susie&#039;s non-existence. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When his hands drop back to his sides, his expression steels, save for that haunted reflection in his eyes. He jumps to his feet. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s time they got up. &amp;quot;...right...&amp;quot; But something in word finds no relief. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But movement in his periphery catches his notice. His head turns towards Claire and his eyebrows lift, &amp;quot;You alright to walk?&amp;quot; because there are plenty of volunteers who would carry her. &amp;quot;We need to find a way out of here. Buck? Any ideas?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred&#039;s knees buckled the moment she opened her eyes here. There&#039;s a gasp and Fred shivers uncontrollably, looking about her in disbelief. Is this place real? It&#039;s not the cave, it&#039;s not Pylea. But, so many other things seemed real that weren&#039;t. She can make herself believe anything is a dream or is not a dream. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She is dimly aware of the gunfire, the bodies that have piled up outside of the ward that Sam placed. Sam. She knows that name. That&#039;s real, right? Yes, that is real. Eyes cast about the medical bay as they take everything in. She remembers this, she thinks. The rescue of Claire. She wrote an ending for this in her head already. They were already safe, back in Mercy&#039;s garage - toasting and happy. Wait, no, she made that ending up on Pylea. That wasn&#039;t real. Right? &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Unlike Steve, she is not quick to get back on her feet. The disorientation has hit Fred hard and she finds it difficult to tell this reality from the spell. This could just be a dream within a dream. The nightmare she is unable to wake up from. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Awake. No longer trapped in that dream world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy is thankful for that, even if this world is filled with the racket of war and death. While she doesn&#039;t necessarily visibly shake herself, internally she&#039;s doing just that. Striving to get her brain back upon the task at hand. Thankfully, the Soldier and the Captain help push her sluggish brain along when they speak. Fred&#039;s movements are likewise seen and for a second Mercy just looks at the other woman. Then the coyote is rising to her feet. A hand will be offered to Fred, as Mercy says, &amp;quot;You okay, Fred?&amp;quot; Mercy&#039;s voice sounds a little rough around the edges, but concern can still be heard within.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Even as she offers to help pull Fred to her feet, Mercy can&#039;t quite stop her gaze from immediately darting to the door, with Bucky and those bodies, and then quickly to Claire. To see how the other woman is doing.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam Winchester awakens with tears flowing unabashedly down his face, but he moves to wrap a protective arm around Fred almost immediately. He&#039;s a quick thinker, and he has his guesses about things she might have seen. Then the Soldier is speaking, and there&#039;s a pile of bodies and they&#039;re...well. Possibly trapped in a creepy underground hospital a floor down from their escape route.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Uhhhhh,&amp;quot; Sam says, his admission that he&#039;s got nothing. And then, maybe he thinks he has something. The Winter Soldier has just filled the room with death energies. All this lingering magic is right here. It&#039;s a medbay which may even have its share of magical and ritual components considering what it was used for. He springs to Claire&#039;s erstwhile bed, trying to decide if he can decipher the script, reuse it, channel the energies through the dead bodies and send all that away from the room and back through the base to trap everyone attacking them in their own nightmare worlds so they can just...just...//walk out//.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;First, though, he has to figure out if that&#039;s even possible, and what it might take, and if he can pull it off. Someone might have a simpler, better solution, but he goes with what he knows.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It occurs to him, for the first time ever, to maybe communicate some measure of this. &amp;quot;I might have something, but I don&#039;t know yet. If someone has something faster or better it might be better to go with that.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Half-communciation. Working on it. But he&#039;s already distracted trying to read the runework.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Those half-shuttered, sightless eyes, gazing up and off into the middle distance -- suddenly focus.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Left heaped along that metal table, Claire Temple finally stirs, broken from her stupor -- from her own nightmare made of curl magics. For a moment, she trembles, eyes darting this way and that, a feverish light to her staring: the guarded incomprehension of someone who is no longer sure what or who is real.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s sensation what grounds her, the chill of the subterranean base needling through the paper-thin medical gown they&#039;ve dressed her, and drawing in on herself --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- Claire animates, first touching her own abused wrists, then an injection site on the crook of her left elbow, the skin burnt-raw, the blood vessels looking black against her dark skin. She rubs over the spot even though it must be painful, the gesture something like a disturbed relief, before she hears voices, sees movement, and emboldened again by the ability to move after so long in restraints, she tries to push herself half-way up.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Familiar voices. Familiar faces. Claire looks from person to person, a look on her face like for a moment she&#039;s convinced it&#039;s not real. But it is. Because it has to be. They&#039;re here. Mercy, Fred, Sam --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire&#039;s eyes stop where they meet Bucky&#039;s. She looks back, raw-eyed, relieved.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s Steve who speaks first to her, and she looks up, pallid under the bright overhead lights. She doesn&#039;t recognize him until she does -- Captain America? -- and finds words enough to speak. Her voice is raspy, abused. &amp;quot;I can,&amp;quot; she whispers, and then pauses.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The runes are old, a system of spellwork not unfamiliar to Sam -- though the magic feels overlain with something else. Something oppressive. And before there&#039;s time for any deeper study --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She remembers. &amp;quot;He has -- he -- they dug it up -- we have to --&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A man&#039;s papery voice cuts her off, droning through every hall in the building -- intercommed into the medical ward. &amp;quot;Code White is in effect,&amp;quot; he directs. His voice is familiar to some -- Volkov. &amp;quot;To my brothers, thank you. To my guests, forgive me for no introduction. Chistka.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Any ideas? Steve asks.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bucky glances back at him. There&#039;s little in his gaze to say whether he was really in that nightmare or how much he saw. It&#039;s highly likely he would look as sad and guilty as he does, regardless of whether he was. &amp;quot;There&#039;s only one way out of the medbay, and I&#039;m standing in it,&amp;quot; he says, shoving bodies out of the way with his foot. &amp;quot;I&#039;d say, straight shot to the stairs and just run. You and I together can probably mow through whatever they throw, so long as everyone keeps up behind.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He glances towards Mercy and Fred. &amp;quot;Didn&#039;t you both make a shitload of bombs?&amp;quot; he asks. &amp;quot;Can you remote detonate? Drop &#039;em along the way if you can. Drop &#039;em all. The explosive should be sufficient to take out this place -- &amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A voice interrupts him. The erstwhile Winter Soldier hackles visibly at it, recoiling like a struck dog.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That single word Volkov closes with has him haring right out the door. He scoops up someone&#039;s fallen assault rifle along the way. &amp;quot;Gotta go. No time!&amp;quot; he urges. &amp;quot;Now, now, now!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s resistance along the way, armed men and women pelting up from the lower levels, but as Bucky promised -- nothing that cannot be handled. So far.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It takes little time and no hesitation to have Steve nabbing the shield attached to his back, bearing it as his weapon of choice. But once it&#039;s in his hand, his face blanches. Queasiness threatens to bring him down. Strangely, in the same moment, he mentally switches. And, for the first time in a long time, his expression looks remarkably like the picture in the Captain America comics. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;If there&#039;s only one route, &amp;quot;Nowhere to go but through,&amp;quot; he agrees. A quick scan of the others draws a hint of concern and a quiet but still insistent, &amp;quot;I&#039;m sorry, but we&#039;ve got to -- &amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the voice comes through the intercom and Barnes ushers all of them out. While Cap won&#039;t swear aloud, his expression speaks volumes. In an instant the curse written over his features can&#039;t be missed before it rights it, resorting back to the mission itself. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Like Bucky, he nabs a weapon that is holstered on his uniform. The shield operates as his primary weapon of choice. Instead of shooting from afar, he literally positions it to bulldoze through the early forces. Cap uses the infamous red, white, and blue to push through.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Suddenly there are people there. For a moment, Fred recoils from both Sam and Mercy. It&#039;s not that she thinks they will hurt her. Instead, she&#039;s afraid that - like ghosts - they will go through her and therefore prove she is actually back in Pylea and this is just a story she is telling herself to cope. A very elaborate one, but she is a smart woman. That&#039;s not beyond her. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;However, the touch of both Mercy and Sam are solid. She allows Mercy to try and pull her up, though the smaller physicist is almost like dead weight. It matters little to the stronger coyote, but Fred stands on unsteady feet for a moment before Sam wraps an arm about her. She&#039;s stiff in his grasp, but there are more important matters at hand. The questions and the plans...she feels as if she has little to contribute. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When Barnes looks at them and demands something, Fred bristles - a bit of the woman before the spell coming to the forefront. The idea of the Winter Soldier ordering her what to do does not sit right with her, especially as he seems the only one unaffected by the spell and possibly led them right into a trap. Perhaps he protected them, but it could be for other reasons. She shakes her head just slightly. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The voice over the speaker makes her shiver, though. People are starting to run, to push through. Fred doesn&#039;t think about the bombs and she pauses for a moment, debating whether to trust this. However, she moves with the rest of the group - unsteadily at first before picking up speed. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;With Fred back upon her feet Mercy moves to Claire&#039;s bedside. Upon seeing the other woman awake, alert (mostly) and moving, Mercy looks relieved. &amp;quot;Claire.&amp;quot; She says in greeting, even as the coyote begins to shrug out of her jacket. Once free of that light coat Mercy will offer it to Claire. &amp;quot;Here. Take this.&amp;quot; Then Mercy&#039;s attention shifts away from the Night Nurse and back to Bucky when the man speaks.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The mention of bombs and remote detonating allows for a nod to be given. Agreement within that movement of hers. Before she can verbalize that exact sentiment the intercoms suddenly blare to life. The mention of code white earns a furrow of brow from Mercy, but that perplexed expression soon turns to anger and hardness when the unknown man finally states his name.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Volkov.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A butcherer.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That thought brings her gaze back to Bucky and when Mercy sees the assassin visibly react to the man&#039;s words, Mercy swears beneath her breath. Turning back to Claire, the coyote says, &amp;quot;Time to go.&amp;quot; And should Claire need help Mercy will gladly give it - almost this makes her think of the Wendigo that hunted them through similar hospital hallways; albeit the Wendigo wasn&#039;t quite as scary as this.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then it&#039;s off to running and Mercy moves as quick as she can. She doesn&#039;t grab any of the discarded weaponry, not when she has quite the bag of bombs at her side.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;That voice has haunted Sam&#039;s nightmares, and the sound of it freezes him, turns him pale, sends fear rocketing across a face that is so open that May has despaired of ever teaching him how to hide his emotions. It comes hard on the heels of his realization that he can&#039;t do jack crap with the complex spellwork, but in the end it doesn&#039;t matter one bit. Because in the end, he&#039;s hearing Barnes tell him to move, and he instinctively does. He tries to shield Fred with his body as they run, but he contributes in his own way, flinging telekinetic power out left and right to simply attempt to pick up assailants and //fling// them into each other, all to the aim of helping to //keep them off//.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He never looks to see if he&#039;s hit, never stops moving. He trusts Mercy to keep Claire protected and on the move.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The sound of her own name draws Claire&#039;s eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Seeing Mercy there, meeting her eyes, makes the woman sag a little, like a too-long knot of worry finally released, to see her friend in one piece -- and here. She doesn&#039;t say anything back, perhaps unable to with her thready, too-rough voice -- spent on screaming, probably -- or unwanting to, because with the way her eyes shine, she can&#039;t trust speaking will make other, more emotional sounds come out too.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But she does accept that jacket gratefully, pulling it on, her expression twisting as the fabric touches that deep burn at her elbow. But she hides in that extra layer, desperate for its cover --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Memory comes to her, and she knows more important than any &#039;thank yous&#039; or &#039;I am so happy to see you&#039;, she needs to warn them --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- and then that voice on the intercom. It affects Claire, the sound of it like a dagger between her ribs, and she tightens up and goes still. She doesn&#039;t breathe. Her eyes close, girding down, waiting it out like someone anticipating pain.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It doesn&#039;t come, only those beckons to /move/ instead, and sobering back, the woman doesn&#039;t waste time. She pushes off from the table and immediately buckles, her legs rubbery like they haven&#039;t been used for days, and she grasps down onto Mercy&#039;s closest arm for balance. &amp;quot;Sorry,&amp;quot; Claire rasps, but seems intent to move under her own power, trying to meet the other woman&#039;s stride in flight out of medical. She looks at the corpses, and the guns on them. She stares at one sidearm like she wishes desperately to take it for herself, but even bending down feels like it might be too much to do. She forgets it and keeps going.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That feverish light is still in her eyes, someone probably on auto-pilot, survival warring with the fear at seeing the initial push of HYDRA reprisal. Claire would probably shout at their numbers, had she a voice; it comes as a thickened whisper at Mercy&#039;s side.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And they come for them. They try to assume a blockade between the group and the stairwell out, rifles pointed with an initial wave of shots. The two supersoldiers help in absorbing the bullets -- Captain&#039;s shield and Bucky&#039;s arm. Sam&#039;s telekinetic swipe steals rifles from personnel&#039;s hands, then knocking them brutally aside -- hitting the walls in cracks of flesh and bone.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The former Soldier can practically smell the suspicion coming off Fred -- can read the curtness in Mercy&#039;s nod and continuing refusal to address him aloud. His jaw tightens and his eyes avert. He supposes they have reason enough. He doesn&#039;t blame them for not wanting to speak to or hear him, and if they have other designs for their explosives, that&#039;s on them. They probably think, he ruminates bleakly, he wants them to dump them so they&#039;ll be left defenseless for the eventual betrayal.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;More pressing matters arise, at any rate, forcing them into flight. Bucky looks back every so often, an Orphean impulse -- and about as potentially deadly, given the opposition coming down the hall. But he can&#039;t help but to keep checking if Claire is still there, if she needs help, if she is alive and okay and intact.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He might almost double back to carry her -- but the blocking Hydra forces demand his attention. He cannot leave the people behind him unguarded, and while Steve&#039;s shield is excellent at deflecting and blocking the hail of gunfire, Bucky&#039;s best defense was always a violent offense. There&#039;s only so much his arm can deflect.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He lunges forward to that end. Sam&#039;s telekinetic efforts help keep him from taking too much fire, men shouting in alarm as they&#039;re forcibly disarmed and thrown about by a force they cannot see. The former Winter Soldier is a force they certainly can see, in contrast, forcing a path through the crowds of Hydra opposition with no real regard for whether he disables or outright kills.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In this fashion they&#039;re able to gain the stairwell fairly quickly, where it appears Sam&#039;s ward has been broken. The door is smashed open -- presumably from the efforts of the group they just mowed through -- and it sounds like more reinforcements are on the way, though they&#039;re not quite to the stairs yet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This gives them a brief, lucky window of time to get the hell up the stairs, back to the ground level, emerging from what presumably is the actual main entrance to the underground base. It opens into a narrow hallway leading one way only: back to the hospital center&#039;s main lobby.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A narrow hallway almost completely filled by the monstrous form of a wolf, fangs bared, fur bloodied, eyes furiously resolute. The healing bullet hole in the side of Anastasiya Zhuraleva&#039;s head still drips, blood matting one side of her face.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There&#039;s both safety and focus behind the shield. The shield offers a mission, a purpose, an important truth. Captain America uses it to take down oncoming defences as the former Winter Soldier attacks. Cap throws it once, letting it ricochet across metallic walls before returning to his grasp as he runs to collect it. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Cap casts a glance over his shoulder to spy the others and their current state. His eyes flit towards Fred, lingering there longer than they probably ought, but as they spill into the lobby, his gaze returns forward. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Only to flatten. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Cap&#039;s patriotic stoicism fails, melting into Steve-exasperation. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;//Does no one die anymore?// the tinge of guilt that follows the thought pushes away, and just as quickly as the exasperation presents, it&#039;s bidden away. Captain America twists as he pulls the shield back like an athlete would a discuss. And with a shift of his weight, rotating to send it with all the strength he can muster, the shield flies through the air on trajectory with the wolf. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Cap sprints while his hand trails to the holster on his uniform. He draws the weapon, and still running, opens fire on the Zhuraleva.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred doesn&#039;t know the voice as instinctively as Sam does. However, she sees the look on his face. As much as the visions have shaken her, she can recognize a similar expression that he wears. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Through the hallways she runs, somewhere in the middle of the pack. She turns a look to Mercy and Claire as they run. A part of her still wonders if this is some sort of fantasy, but the fear feels very real. That must mean something. Through the firefights, the telekinetic tossing, the broken doorways and bodies Fred runs. She only stops when those in front of her do. She doesn&#039;t realize why until she sees the large, blood covered wolf that blocks their path. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fred didn&#039;t see the battle between Steve and Bucky against Anastasiya, however the bullet wound to the head does certainly tell a certain kind of story. They&#039;re trapped. Looking toward Mercy and then to the sound of more soldiers coming up the stairwell behind them, she takes a few deep breaths and then moves back to the stairwell. Then, she pulls out multiple bombs. First is the magnet bomb, which she arms and tosses downward, readying her timer. Then, it&#039;s quite a few molotov bombs. Scrambling back upward, she waits till she hears them closing in. Ideally she&#039;ll set it off as they are running over the body of the Hydra wolf, but she&#039;ll blow everything up earlier should it be necessary. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Claire&#039;s added weight doesn&#039;t cause Mercy any real trouble. In fact, the two of them have done this before, so it takes very little time for Mercy to start helpfully hauling Claire down the hallway. Mercy&#039;s attention only shifts when keen ears catch that rough apology from the Nurse. &amp;quot;You&#039;ve nothing to be sorry for.&amp;quot; Is the quick rebuttal to Claire&#039;s words, even as the two continues to race alongside the group.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When Mercy can, she&#039;ll gladly kick a fallen Hydra agent in the head, or gut, to make sure they stay down. She could do more, but for now, Mercy&#039;s main job is making sure Claire stays alive. So, any attacks from Mercy are truly conservative. Then it&#039;s into the hallway and up the steps, even as the sound of reinforcements reaches their ears. Thankfully there&#039;s not much of a chance for those reinforcements to reach them before they&#039;re out of the stairwell and into that hallway. It&#039;s here where Mercy&#039;s world narrows. All other sound dampens, becomes muffled. All Mercy can hear is the thump of her heart, the harshness of her breath, as her attention focuses fully upon the black-furred and bleeding wolf.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The one created from the dissection and death of Darryl. The abomination; even if that thought is ironic in its own way.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;/You/.&amp;quot; Mercy says hoarsely, the word being pulled almost unwillingly from her. Shifting her gaze to Claire, Mercy says almost apologetically, &amp;quot;Stay here - there&#039;s something I need to do.&amp;quot;, and with those words of hers, Mercy will set Claire aside as gently as she can.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In the time it takes Captain America to toss his shield and fire his gun, Mercy has already pulled a little over half of her remaining hellfire molotovs and started to move. She knows the gun and the shield won&#039;t be enough to kill the wolf. What they really need is silver or water. With neither of those things available to them, then it&#039;s fire, and fire is what Mercy has. Those bottled bits of magical flame are now ruthlessly tossed - two at the beast&#039;s face, to hopefully blind her, then three at her feet to trip her. The last two are held in reserve and here is where Mercy waits. She waits for the wolf to open it&#039;s maw, whether from pain, or rage, and when that occurs Mercy savagely hurls the last two cylinders straight for that open mouth.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The two bomb-making women of their crew are ready with hell-fires, and that&#039;s good, because Sam Winchester did not bring the right tools. Ruefully he thinks about all the silver bullets he left behind, because //werewolves// were not expected. But really. Shouldn&#039;t werewolves always be expected? He resolves to carry silver always now.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy sets Claire gently aside, Fred moves forward and he is there, a hand out and ready to catch and steady Claire if she needs it, but //only// if she needs it, aware that the horrors she has seen and endured might make touch a little fraught for her. All the same, he all but mantles over the nurse they&#039;ve come to rescue, gun out and up, ready to defend her with his life if that&#039;s what becomes necessary. At this time, and at this moment, others are better suited to Hunting than he is, so he Protects. It&#039;s an irony that really doesn&#039;t escape him, but...neither does it concern him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s certainly out of juice for any more TK. He&#039;s been burning way too much power tonight. If he burns too much more right now he&#039;s going to become their next problem, and that&#039;s the last thing he wants.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The sight of it makes Claire stop in her tracks, having never in her life seen anything like -- a werewolf. Her pupils shrink to take that in on top of everything else. Her hand tightens on Mercy&#039;s arm. Her lips move articulately, soundlessly with the words too hard to say: holy shit.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;The werewolf fills the hall -- roots herself firmly between the group and the only way out. Murder reflects against the animal lenses of her eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy asks to be let go, and Claire only half-attentively unwinds free from her arm, still staring at the monster. She only seems to animate once Mercy is no longer in arm&#039;s reach, her body unsteady -- and takes Sam&#039;s arm silently, gratefully in needed balance to stay upright. After a moment, and wordlessly, her hand tightens, needing something else. Needing to touch someone to tell herself this is all still real.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Blood drips from the wound that has not -- cannot -- kill her. And stepping forward, her blunted claws dragging against the tiled floor, the wolf takes in their scents -- the fear and grief -- and it wet her jaws worse, lips curling away from canine teeth the lengths of their hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Stasya, or that monster she has become, does not waste a moment more lunging forward. Like before, her first target is Captain America, any intelligence left in her monstrous head that hatred for him, and she bears toward him, an instant before a lunge --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- before the shield hits true, the powerful vibranium coupled with his powerful throw catching the animal with violence, sending her back and nearly through a wall. It dents and collapses under her weight, disturbed electrical making the lights stutter, before she screams in animal fury and tears back out.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Animal or not, there&#039;s enough human intelligence that she sights -- and smells -- at her periphery --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- Fred, and her work to arm a series of IEDs. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;With a two powerful twist of her body, the werewolf tries to use her size and momentum to break through the vanguard line of supersoldiers to reach the soft underbelly of the group, because if she cannot tear apart Captain America and the traitor dog, she&#039;ll rip apart the soft, weak things that accompany them, starting with the smallest soft thing of them all --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Lobbed fire, however, catches the werewolf in the face. The molotov shatters and covers her, alcohol-soaked fur burning nauseously, flesh bubbling and charring, as the monster HOWLS in surprise and agony. She abandons her attack and recoils, tripping on her own legs, shaking her head wildly to snuff the fire. It only carries it along her body, cooking her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Misha, Stasya thinks, as fire opens in her jaws and engulfs her her throat. It cooks her from the inside-out. The wolf collapses to the ground, and this time does not get back up.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There is an odd sort of look to the way the once-Yasha watches Stasya, as she holds the line against their group&#039;s last chance at escape. It is a look of realization, of understanding, and then of pity. Not a pity that will inspire him to speak or act to save her life, of course -- but a pity, nonetheless.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;&amp;amp;lt;He commanded you here to die for him, Anastasiya Nikolaevna,&amp;amp;gt;&amp;quot; he says softly. &amp;quot;&amp;amp;lt;Did he love you enough it was worth it?&amp;amp;gt;&amp;quot; None of the rest can understand Russian; perhaps why he chooses that language to say what he does.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It does not stop him from readying to face her, but in the end Mercy -- spurred by vengeance on behalf of her lost friends -- acts with sudden decisiveness. The magical flames catch easily in her fur, setting her ruthlessly ablaze, the monster a brief flare of horrible burning light before the last two bombs burn her out from within. One of the few effective ways to kill a werewolf.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is a brief silence from James Barnes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You were going to use that shit on me?&amp;quot; he mutters incredulously, mostly to himself, though he seems neither defensive or surprised about it, nor even offended. He&#039;d have used that shit on himself too.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The clatter of men on the stairs behind them -- too close -- rouses him from his reverie. Fred&#039;s magnet bomb seems to cause a stir down the stairwell, the clatter of weapons suggesting most of the men lost hold of their rifles, delaying the assault a few precious moments, but it won&#039;t delay forever. He shakes his head sharply and urges the group onward. &amp;quot;Exit in two hundred yards,&amp;quot; he estimates. &amp;quot;Dump whatever you&#039;ve got left and detonate when we&#039;re clear.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred sets her bombs to do their work and then turns about to join the others. An ear is given to the stairwell - she needs to know when to detonate the other bombs she has planted. However, what she faces when she turns around is a werewolf intent on ending her. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The scientist freezes, eyes wide as she realizes the intent of Anastasiya. There&#039;s little she has that will stop this. A normally lethal bullet didn&#039;t stop her, what chance does she have? However, her moment of frozen panic is quickly laid to rest as Mercy steps in with the molotovs available to her. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;An unimpeded gasp escapes Fred as the wolf - instead of lethally lunging at her - is brought down by magical fire. There is little sympathy there, though there is certainly a bit of fear and awe that the weapons she helped made are capable of such a thing. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The question from Barnes about them wanting to use that on him is met with a bit of a look, but no other response. How else would they combat a murderous assassin that otherwise seems impenetrable? Now, though, she starts to shed more of what is available in her bag - linking them up with the detonation app from Mercy. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Another person might look away when the wolf catches fire, but not Mercy.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For Darryl, Mercy witnesses the burning of the wolf. The death of this one. It&#039;s not a pretty sight, or smell, but Mercy watches until Stasya no longer moves.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then the coyote&#039;s gaze moves away from the corpse. Her eyes turn to Bucky first, the notes of his pity picked out from the sharper notes of burnt fur, burned flesh, before she nods to his muttered question. &amp;quot;We were.&amp;quot; She says in agreement, then she looks to Claire, Sam, Fred and the Captain. When Fred starts dropping her available bombs to the ground, Mercy does similar. The last of her molotovs will likewise be set (carefully) down upon the ground. They&#039;ll explode once the main detonation is triggered.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Once everything is in place Mercy will touch the screen of her smartphone. The screen brightens from that touch of hers, even as the coyote begins to move. Her steps will either take her back to Claire, if need be, or forward down the hallway. &amp;quot;Ready.&amp;quot; Calls out the coyote as she now runs, her gaze and attention shifting between the group, her phone, and their way out.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Two hundred yards is two hundred too many in Sam&#039;s estimation.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He doesn&#039;t care to watch the werewolf burn. He&#039;s seen literally hundreds of monsters burn, having been on what amounts to something like an average of 2 hunts per month every month for thirteen years.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; The ladies are dropping bombs, and he&#039;s moving Claire gently closer to that entrance, not at all put out to have her clinging to his arm. Right now he chalks every one of her reactions up to the shock of her captivity, but later he&#039;ll remember that she still has had very little grounding in the supernatural world, and will take steps to give her the knowledge that is, 100% and in every major way, power when it comes to such things. Even Dean couldn&#039;t do his job without some of that knowledge. The stuff in one&#039;s head helps one survive better than the ability to weild a gun.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He won&#039;t break off from the group of course, and certainly doesn&#039;t want to get far from Fred, but his protective stance for the woman they&#039;ve come to save never falters. Forward down the hallway for Mercy might well be a logical choice, but should Claire want to go back to the friend she&#039;s closest to he will certainly take a step back, sensitive, as he is, to what one might need to feel even somewhat functional. And she needs to be as functional as possible, cause they&#039;re not out of the woods yet.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Ultimately Bucky seems to shrug off his own incredulity for the mild joke it was, especially when it just gets deadpan reactions from Fred and Mercy. He&#039;s not surprised about that either. As is typical of most of his humor after eighty-five years of killing -- it&#039;s not actually very funny at all.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Running is the imperative now, anyway, and once Fred and Mercy get their linked array of explosives set, he pushes them onwards. Their pursuit in the stairwell has sorted itself out already from Fred&#039;s magnet bombing, and they&#039;re starting to pour into the hall behind them. There&#039;s no longer any way to fight, only to flee, and that in mind Bucky finally doubles back.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Without asking permission or forgiveness of Claire, he relieves Sam of his guarding task with a brief nod and hefts the nurse up, because they&#039;re going to need to go fast and she&#039;s in no condition. &amp;quot;Let&#039;s go,&amp;quot; he says, and turns to run, apparently completely unburdened by carrying Claire.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is no resistance to stop them from pelting out of the center. None to stop them from clearing to the tree line. All the possible resistance is still within the building, already desperately trying to dismantle the set explosives. They&#039;ve got a few disabled, but not enough yet to stop the chain reaction set to blow.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They could try to flee, but they won&#039;t. The gestalt of Hydra was always far more important than any insignificant individual life...&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;With her explosives laid and set, Fred is quick behind the others as they run. The fact that Barnes was attempting a joke is completely lost on her and, honestly, not dwelled upon. Instead she focuses on that tree line. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Once Barnes removes Claire from Sam&#039;s care, a hand reaches out and grabs onto Sam as they run. Her other hand holds onto the phone that holds her link to the bombs that she set. There&#039;s the anticipatory fear that everything has gone wrong, that they will run and hear the unmistakable sound of a sniper or a gunshot or a different kind of explosion. It&#039;s coming, she knows it. This is supposed to be the Real World, things do not happen like this. They don&#039;t manage to escape. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;/Nothing good ever happens here./ The thought comes unbidden to her head. She attempts to suppress it, but there it remains. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Attempting to dislodge the thought, she looks to Mercy for confirmation before setting her own explosives to detonate. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Perhaps after this is all over Mercy will take a minute to realize what she did. What they all did. Choosing life and death for the people (and wolf) within that cursed building. It&#039;s going to leave a mark, definitely, but that price won&#039;t be seen just this moment.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When Fred looks to Mercy for confirmation, the coyote nods, before she touches the screen of her own phone.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With several swipes of her fingertip the bombs within the building are armed and then set to detonate in one fell swoop.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam nods to Bucky in return. There is no distrust there, in sharp contrast to most of the group, and no guilt or anguish, in sharp contrast to poor Steve. He lets Claire go without complaints, trading her for Fred&#039;s hand, which he squeezes with his own broad one as they run. He could all but wish he had strength enough to repeat Bucky&#039;s feat with Fred, scooping her up into his arms and running, but for all that he seems weirdly stronger these days he&#039;s not about to push his luck when they&#039;ve got bombs to flee. He watches her detonate those bombs, once the trees are sheltering them, but he doesn&#039;t let her go, not even for a second. He needs that hand, suddenly, needs it fiercely.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He has, in the span of minutes through their strange fight and flight, compartmentalized basically everything about everything. There will be time enough to process the dark revelations of his ugly vision, time enough to bow his head in guilt and grief and wonder at the implications of what he has bought and sold. For now, though, there is only a dull ache in the center of his chest, ignored for the most part while they handle the work of getting free of this place, soothed by Fred&#039;s fingers entwined with his.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Soothed by that, and by this...it seems they have won, carved an incredible, unlikely victory out of nearly thin air. This time, he doesn&#039;t think anyone gave any orders to offer /no significant resistance/. For all that he doesn&#039;t yet understand the purpose of the vision spell...perhaps because none of them really fell permanent victim to it, thank God...springing that trap was a serious expenditure in terms of resources, components, energy, focus, and time. No, they were expected, perhaps, but they were resisted. Significantly.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It almost gives him a tiny kernel of hope for the future. Their strange group may be &#039;rag-tag&#039;, as May has so-often named it to be. Scrappy and strange. Hunters, soldiers, healers, shapeshifters, mystics, vigilantes, touched by darkness, reaching for light, and damned if they don&#039;t manage to accomplish a little good from time to time.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Here, in this moment, as explosions wipe out a group of zealous, insane human monsters...it is, for one Sam Winchester, enough. Perhaps more than enough.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This is who he is. Bought and paid for.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And the fact that he and Dean don&#039;t have to be /who they are/ as islands unto themselves, that they can now have friends, a team, a home base, well. That&#039;s a sort of cosmic customer loyalty gift of some kind. He looks into each of their faces.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His smile is there-and-gone again, but it&#039;s one of brief, sincere gratitude all the same.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Claire Temple is one of those people who looks away as a wolf monster burns.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The too-bright, too-hot burn of hellfire turns her head, and with a quiet desperation she turns her face, eyes shut. Maybe in another day, another life, she would have more courage, more cold patience --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- but it&#039;s too much, and the last month swiftly hits a horrifying limit. She can&#039;t look, and a moment later, can no longer move, paralyzed on the spot, a perfect, eery silence as her hand grips tight to Sam&#039;s arm and her heart beats painfully in her chest. It&#039;s more than she can take, and for the first time in years, the smell of burning flesh makes her insides twist.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fortunately -- though maybe some in this group would question that -- Bucky Barnes slips in and takes Claire into his arms. The action pulls pulls her hand free from Sam&#039;s arm, and animating to the touch, she turns a strange look askance onto the man whom, for the last eight years, was the Winter Soldier.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Even more strange is the way she gentles, closing her eyes and tightening her hands on him as he runs.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The main floor rigged with the last of those homemade explosives, the group takes flight from that complex, blurring through the night and retreating to the overgrown Staten Island brush, its thick, overpopulated treeline hiding them in its shadow --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- while HYDRA&#039;s remaining reinforcements, those who were not pre-selected for immediate evacuation on Volkov&#039;s orders, reach the main level. And with pointed rifles, find waiting not the malfunctioning Soldier, or Captain America, or the mysterious rest of the group, but a tithe left in consolation. Bombs upon bombs all around them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The men and women process what will happen in all of a moment. So it must be. The mission is already complete, and success assured. This will change nothing. They are all only one head, and on a beast with many necks --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The unit commander lowers his gun. And tells his men, &amp;quot;Hail Hydr--&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The complex detonates by the remote command. The main building shatters all its remaining glass, exploding outwards in licking tongues of fire, before it folds in and collapses to the earth.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=2103/Apokolips_Now:_Prelude_to_Intergang&amp;diff=1492</id>
		<title>2103/Apokolips Now: Prelude to Intergang</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=2103/Apokolips_Now:_Prelude_to_Intergang&amp;diff=1492"/>
		<updated>2017-09-02T20:46:29Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/09/01&lt;br /&gt;
|Location=Gotham&lt;br /&gt;
|Synopsis=Something is happening in the city of Gotham ... the small gangs have all disappeared. The GCPD and several heroes investigate.&lt;br /&gt;
|Cast of Characters=1037, 84, 58, 276, 973&lt;br /&gt;
|Tinyplot=Apokolips Now&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:1037|Renee Montoya (1037)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;News hand trickled down. Odd rumors of curious deliveries. And, small gangs - suddenly inactive. And, some of the numbers of the other bosses had - well, dwindled. Rapidly. Shifted, strangely. The movements, and lack thereof, were strange, even for Gotham.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Something had changed. Something had shifted. And it was no subtle thing. Not something over time. Over a week. Over a month.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;This was - overnight. As if someone had, literally, flipped a switch in Gotham and everything had changed.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Detective Montoya had been the first of the force to notice it. Not that anything strange was going - but, the lack of anything. Afterall, one only notices their addiction when it is gone. A lack of air, for example. Gotham was like that. As if it needed the darkness, the despair to breathe. And, when one was at peace -- when the weight was lifted -- it felt wrong, like a metal head in the midst of a monestary.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Gotham was quiet.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Many patrol cars were enjoying the lull. The ease of workload.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Not Renee Montoya. The detective was watching a series of buildings that had been known to belong to a newly rising gang in Gotham. Petty theft, simple crimes so far. But, they were trying to muscle in on other territory. Bit by bit. Like, a puppy, nipping at a larger dogs heels - considered unimportant for now, too little for the big dog to turn around and bark at, just yet.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Renee didn&#039;t like the weight off her shoulders. And she was waiting for something to happen. Sitting in the dark, dimly lit street, in her beat-up vehicle, the detective&#039;s eyes were on those buildings.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:84|Kate Bishop (84)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;Did I miss a memo?&amp;quot; Hawkeye wondered as she had been encoutering fewer and fewer gangers to take down. At first she just thought it was her spending more time at Stark&#039;s office, but no... the bastards seemed to have jjst pulled up stakes and gone.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Still, there were trails to follow. New blood. New guns. Probably nothing, but still, recon is a good thing. So, Kate too is sitting on a nearby rooftop in her black suit and white shemagh, watching the same buildings though the optics in her glasses, so far unaware of the detective&#039;s presence.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:58|Barbara Gordon (58)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Barbara&#039;s stretching her legs... figuratively, while she&#039;s cursing she didn&#039;t think to do it literally, as all this stealthy rooftop jumping and running is... well, a real pain in a lot of things, but right now her calves. She takes a break on a fire escape, eyebrows lifting behind her cowl as she sweeps her gaze around the area and spots a familiar beat-up car and hums softly. &amp;quot;Wellll.... if -I- was betting on where there were a bunch of &#039;laser guns&#039; or something in the hands of a Gotham gang, I&#039;d say a warehouse with a hard-nose detective who doesn&#039;t seem to ever -actually- end her shift might work.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Babs sighs out, arms crossing on the railing of the fire escape... she&#039;s -totally- stalling for time. Sure, the purple and yellow costume still fits... the snaps for her cape are even still snappy, but she hasn&#039;t done -serious- vigilante work in awhile. Even her training with Cass has mostly been flopping around like a training dummy and hitting a lot of air. She starts looking a little more intently at the series of buildings, for anything out of place, mostly the sort of surveillance system Gotham gangs don&#039;t bother with. The kind that&#039;s electronic and not just some schmuck in a suit yelling &#039;It&#039;s the Bat!&#039;. She glances back over her shoulder, murmuring out dryly. &amp;quot;So, what do you think? We just sneak up? Or do we go knock on the door and ask them politely about their business?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:276|Dinah Lance (276)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Told you you were slacking on the free running.&amp;quot; says the blonde bombshell easily keeping pace with Oracle...well, setting pace, really. Black Canary slows to a stop as they reach a good point to observe, breathing a little bit faster from the run, before she puts her hands on her hips, considering as she peers down. &amp;quot;Hmmm....well...she&#039;s got a good nose for this...&amp;quot; she says of Detective Montoya, spotting her as the other woman points her out. &amp;quot;But no...if she&#039;s staking it out to see what happens...we don&#039;t want to scare off whatever fish she&#039;s trying to lure in.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Canary leans back against an AC unit, her blue eyes watching the building too now. &amp;quot;Give it a little bit...if we don&#039;t see anything obvious...we can always try to slip over and find a skylight.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:973|Damian Wayne (973)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp; Most costumes crime fighters may take the day off after escaping the clutches of an evil organization like HIVE, and of course, Robin is not most heroes. The youngest of the Bat clan had been patrolling alone again tonight. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;Robin used his cape to glide around, making it over to West Chelsea Hill. Damian had seen Montoya&#039;s car, so he decided to at least see what the detective was up to. He didn&#039;t expect to see a certain former Batgirl here though. His swift feet land on the roof where Black Canary and Oracle had been. He drapes his cape over his shoulders, hood up and making that all too familiar Bat-stance. He doesn&#039;t really say anything at first, probably thinking his eyes may be deceiving him.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1037|Renee Montoya (1037)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;A thin man, in a suit, rather expensive looking at that, tall, dark hair turns the corner and starts walking down the otherwise empty street. He does not see Montoya, of course. Because she is slouched low. And, the darkness obscures much. It is only one part of how people like Batman, or the Black Canary, or Oracle are effective. But it is certainly a contributor. Tonight, Renee Montoya shows she, too, can take advantage of that.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;The man, if one were to encounter him in the daylight, in downtown Gotham, might seem a perfect fit. A manager of some establishment or bank, perhaps a member of a board of one of Gotham&#039;s many companies, or, someone here on a business trip. The pinstriped suit looks both fashionable, and curious on him given the circumstances. It is also, some keen eyed detectives may note - extraordinarily expensive. Decadent. The sort of suit you buy to impress people with. The sort of suit you buy because you&#039;ve got an extra $10,000 sitting in your account and you really have nothing better to buy. Or, because you want it to appear that way.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;The man moves to the door of the middle building, knocks a few times. The door opens a crack - and, an eerie blue light flashes. Once. Like someone had flicked on and off a powerful blacklight or UV light just as the door opened.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;The door closes behind the man.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Depending on how sensitive Barbara, the Canary, or Damian are? They may feel the building shift. Just a bit. Like a small earthquake just rumbled through Gotham -- the sort that makes cars shift a bit. People question their sanity because their desk shimmied for two or three seconds but nothing really moved or shook.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;A few moments later, there is another shimmy of the building.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:84|Kate Bishop (84)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;_That_ was weird.&amp;quot; Kate mutters to herself, taking off her glasses and rubbing her eyes. &amp;quot;Maybe I&#039;ve been doing too much?&amp;quot; She puts her glasses back on and zooms in with magnification. &amp;quot;There it is again! The hell?&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Hawkeye draws an arrow and puts it to the string but doesn&#039;t pull back yet. It&#039;s just in case. &amp;quot;I don&#039;t like this. I have a bad feeling.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:58|Barbara Gordon (58)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Barbara lets out a soft little noise, just enough to draw attention as she gestures down to the well-dressed man, murmuring out. &amp;quot;C&#039;mon, who dresses up that nice at night in Gotham? Like, it&#039;s no neon &#039;Mug me&#039; sign, but...&amp;quot; And then that little flash through the door happens and she frowns.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Babs gives a quick shake of her head and she murmurs out. &amp;quot;Well, -that&#039;s- not a usual gang thing. Retinal scanner or something? They don&#039;t usually flash, but who knows, maybe they&#039;ve started taking pictures in case the scanner says &#039;Bill&#039; and it&#039;s really some grumpy guy in a bat suit...&amp;quot; Not that she really figures Gotham gangs have -that- level of smarts. Hell, they can barely figure out not to tangle with murderous clowns.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Babs sighs and begins to move down the fire escape, &amp;quot;Well, we should -probably- say hi to Renee and offer our help instead of just... busting in without a hello. I mean, vigilante justice doesn&#039;t have to be impolite, you know?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:276|Dinah Lance (276)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Canary slits her eyes a bit, frowning as she catches the flash...then wobbles as she looks around sharply as she feels the shaking. &amp;quot;...the hell?&amp;quot; she mutters, frowning deeply. &amp;quot;...no. A new gang like this, having money to spend on something like that?&amp;quot; She shakes her head, moving to follow Oracle down. &amp;quot;Something&#039;s majorly off here...&amp;quot; she says, on alert now. &amp;quot;Someone like that, here, dealing with a newbie gang like this?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:973|Damian Wayne (973)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp; Damian also feels the slight shake of the building, but it only confirms something is up here for the young hero. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;I never thanked her for letting me use her car...&amp;quot; Damian offers before he follows suit, though the boy jumps off the roof rather than scaling the fire escape. Robin makes his way over slowly, keeping his black and gold cape draped around himself as he moved towards the Defective&#039;s car.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1037|Renee Montoya (1037)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Montoya, of course, does not see the building shake. She does not, for that matter, feel her car rumble. The experience did not translate that far.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;However, upon seeing the strange flash of blue light, Renee&#039;s seen something that has interested her. And she knows sitting in her car isn&#039;t going to get her what she needs. She pushes out of the door, and slowly moves towards the building, wearing simple street clothes. That&#039;s when she sees the group of three moving down, and one at least she knows well. The other - well, she knows, but she doesn&#039;t know she knows she knows. Yet. And, the other? Well. She&#039;s heard of the Black Canary. Who hasn&#039;t?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Renee moves to the side of the building, not stopping, and inclines her head to them. She speaks quietly. &amp;quot;Nice night for a walk?&amp;quot; Her gun holster is resting on her hip, slung across her chest and shoulder, hidden by her leather jacket.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Hawkeye, for her part, will see nothing strange happening further. Instead, it&#039;s like Gotham yawned - and then went back to sleep. Which is stranger, still.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;A black, unmarked, delivery vehicle begins to turn down the street, now, headlights off. It turns into a side alley against the building of interest on the far side from Renee, and the others hitting the ground.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;In the silence, the engine can be heard cutting off, and then nothing again.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:84|Kate Bishop (84)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;Guess I&#039;m going to have to take a closer look.&amp;quot; Hawkeye says to herself, and fires her arrow - it anchors itself in the roof of the watched warehouse, the other end she secures on the roof she&#039;s standing on. She hooks a gadget to the line that had deployed btween the two ends and uses it to motor herself across the gap. It wouldn&#039;t be a surprise if the motion through space and her landing on the far end was noticed by sharp-eyed vigilantes on the ground.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:58|Barbara Gordon (58)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Babs does her best to keep her face stern and serious, and not grin and wave to Renee like some sort of teenage vigilante who&#039;s out for fun... she hasn&#039;t been that in like -six years-. Still, she&#039;s quick to pull out a small camera, snapping pictures. At least they&#039;re not selfies, they&#039;re just broad views of the buildings, and then a series of shots of that black van. She can&#039;t help but whisper out. &amp;quot;Ohhhhhh.... a black delivery van driving around with no lights on. That must be like... -all- kinds of legitimate stuff.&amp;quot; She stops and looks up at motion and then lifts her eyebrows, whispering out a little more urgently.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;Uhhh... did anyone call anyone -else- in on this? There&#039;s someone ziplining down or something. God, these guys are just... -not- going to have a good night. But hey, the more the merrier. It&#039;d be neat not to be outnumbered by guns for once.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:276|Dinah Lance (276)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Black Canary shoots Renee a quick grin. &amp;quot;...amazing the interesting people you meet walking this neighborhood at night, isn&#039;t?&amp;quot; she whispers, faintly teasing, then turns more serious, making a little &#039;this way&#039; motion as she quietly slinks over to the side of the building, glancing up for signs of any cameras...and if she doesn&#039;t find any nearby, trying to get to the corner so she can peek around the corner to see what the van is doing.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:973|Damian Wayne (973)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp; &amp;quot;You could say that...&amp;quot; Robin offers, paying attention to the delivery truck that just rolled up to the building. &amp;quot;I didn&#039;t call any Titans on this.&amp;quot; He offers to Barbara, looking up. &amp;quot;Not sure who else would know about any of this.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1037|Renee Montoya (1037)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;By her expression, Renee&#039;s internal monologue must be -really- interesting as she regards the three that are with her, and the shadow of the fourth. &amp;quot;I&#039;m going to go around the building. Look for anything suspicious.&amp;quot; There are, for those excellent in reading body language, or with heavy intuition, to get Renee&#039;s meaning. The Detective has no reason to act. So she&#039;s looking for a reason. But -- well, vigilantees? In some ways, they are above the constrictions of the law.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;Don&#039;t do anything stupid. I&#039;ll have to call in backup.&amp;quot; You know. To arrest the guys that are probably breaking the law inside the building.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;She begins to walk around the dark corner. The Detective, perhaps, has some brass on her, figureatively speaking. Who knows, afterall, what&#039;s back there? Besides, that is, the delivery vehicle.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:84|Kate Bishop (84)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Keep to the high ground, Katiemonster.&amp;quot; Hawkeye tells herself as she looks for security measures up on the roof as well as a way into the building from up there. She switches her optics to infra and turns on a small infrared light clipped to her weapon harness. She&#039;s got another arrow to the string - one with a taser warhead. Crouching, she makes her way to that ingress.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:58|Barbara Gordon (58)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Babs can&#039;t help but hide a grin, poor Renee... she really does get stuck in these situations, but it&#039;s probably better than waiting for GCPD to show up, given response times and the propensity for officers to somehow make enough money to afford beach houses out of town. Vigilantes are at least off their nut enough to not be taking bribes from the criminals they facepunch.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;But Babs puts on her serious face for real, slowly beginning to creep along the side of the building towards the door, eyes sweeping for tripwires and the like, with the occasional glance back to make sure Dinah is following... and she even gives a little nod to Damian. Look, he&#039;s out teaming up! This should be good for him. He might even get -positive reinforcement-, she idly thinks. Sure, Bruce is just looking out for them, but his management style is a little... draining, with all the focusing on mistakes and skipping over the good moves. She keeps glancing back to Dinah, figuring she&#039;ll alert her if anything&#039;s going on around the corner. That flash really has Babs&#039; interest though. Gotham tech usually doesn&#039;t flash blue. It makes carnival music or shoots ice beams or... makes penguin noises or whatever. Sinister blue light? That sounds out of town for sure.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:276|Dinah Lance (276)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Canary raises a brow as Renee goes around the corner, then finds herself peering after her, then back at Babs as the two promptly go in different directions...she rolls her eyes a bit and sighs. Well then. She remains where she is where she can be lookout for both of them, ready to jump in if they do stumble into something.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:973|Damian Wayne (973)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp; Damian follows along for now, keeping an eye out for any errant thug or someone who would need to be silenced. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;It is a bit unusual that Robin would choose to team up like this, but he&#039;s curious to see Barbara actually in the field. He&#039;s seen nearly everyone else in their &#039;family&#039; except her.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1037|Renee Montoya (1037)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Behind the alley, where Renee disappeared, there are no sounds. No gunshots, no yells of surprise, no sounds of any truck being started again.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;As Hawkeye makes her way into the rooftop, ... well, there&#039;s no defenses on the door that leads down into the building. In fact, the stairwell, too, is empty. There&#039;s almost a severe lack of any sort of security. Probably, there hasn&#039;t been time to set any up.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Yet, as Hawkeye makes her way down, the infared will show ... massive heat influxes. Glaring. From the position of the main floor..&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;And when she gets down to the base of the building, there is ... a hole. In the floor. A rather large hole. Perfectly made. It smells, unpleasently, of molten rock. Wood. Dirt. And, cement.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Several boxes are around, opened. Whatever was in them is gone, now. But the obvious things about those boxes, those crates? Well. They seem to have been made to house weapons.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;The men, though? The men are gone.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;And the man in the suit? Gone. But the hole in the floor? Seems to be a tunnel. Headed into the adjacent building.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Outside, in the streets, the flash of blue light appears, breifly, in one corner where the board, in the boarded window had cracked due to rocks or other objects thrown into it. It&#039;s as brief, and as strange, as the one in the first building.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:84|Kate Bishop (84)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;This is _weird_.&amp;quot; Kate tells herself. No sign of anyone, nothing except the hole at the bottom level. She crouches near the pit, holding her hand out near the edge, expecting to feel radiated heat and quite a lot of it. &amp;quot;Who can melt holes in solid rock, and who would want to... but there aren&#039;t even any bodies! This makes no sense.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:58|Barbara Gordon (58)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Babs freezes, her eyes widening as she catches that flash, letting out a sharp little whistle, just a brief one -not- quite exactly like a bird call. She waves her hand to get Dinah&#039;s attention, pointing to the other building, and shifting from the door of the first to begin moving over there. She keeps low, moving from shadow to shadow, and by the time she&#039;s nearing the window she&#039;s almost as smooth as she was when she was doing this full time. It&#039;s like riding a crazy bicycle. &amp;quot;Okayyy... weird blue lights in -two- buildings... yeah, I&#039;ve got a good feeling about this. This is definitely not a situation about to explode in my face at all...&amp;quot;&amp;lt;br&amp;gt; She barely mumbles it, before moving in and creeping up to the window, trying to peek through the crack in the board. Why -not- go low tech? Or old school or whatever?&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:276|Dinah Lance (276)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Dinah turns, then nods and moves to follow Babs, staying close to her as she crouches down. &amp;quot;...are they moving something between the buildings? But why bother?&amp;quot; she murmurs, as she flattens against the wall, letting Oracle peer through the window. No reason for both of them to poke their heads over....besides, she knows Oracle is trained and perfectly capable of figuring things out without her literally looking over her shoulder.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:973|Damian Wayne (973)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp; Damian changed his mask&#039;s vision mode to what the clan had come to call &#039;detective mode&#039; a blend of night vision, infrared, and HUD overlays. He mainly wanted to look for temperature variations, but the flashes had definitely been strange, even in Gotham. So he was on the lookout for anything strange around them. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;The bird call goes a little unnoticed for now, though Robin keeps low, and out of the light, just like any good stealth operative would.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1037|Renee Montoya (1037)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Renee comes through the opening of door - pushes it open hesitantly, carefully, as it wasn&#039;t locked. So, it&#039;s not breaking and entering. Seeing no one inside, hearing no voices, the Detective moves in. She looks over at Kate, frowning, &amp;quot;What the hell, ...,&amp;quot; she asks, coming upon the hole, looking around for dead bodies, or incapacitated perps. She sees none.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Only those boxes. She knows what they were for, and she looks back down into the hole, &amp;quot;Don&#039;t suppose you jumped down there, yet?&amp;quot; She asks Hawkeye, wryly.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Barbara will see several men inside the building. Each of them has a gun. Coated in some kind of odd white metal? Maybe plastic? Hard to tell from this distance. They don&#039;t look like any guns Barbara has ever seen. Ever. On any internet forum. Ever. Not even something that one of the megalomaniacs like the Doctor Doom&#039;s of the world have made in one of their attempts. They look - almost science-fictiony. Like movie props. If movie props looked as real in real life as they did on-screen.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Two more men appear, having climbed up into Barbara&#039;s line of sight, seemingly from the floor. They&#039;re all talking in low whispers, too low to be heard. And then the man in the suit gestures, and they head out of the room, towards the back of the building as one.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Inside? From what Barbara can see, there&#039;s - well, signs of life. Unlike the bulding Kate and Renee are in. Chairs. Finished bottles. Signs of human life.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:84|Kate Bishop (84)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Hawkeye starts to draw her sword but it&#039;s only a touch out of the scabbard set into the quiver before she decides Renee isn&#039;t a blue-light blasting rock melter. &amp;quot;No.&amp;quot; she says. &amp;quot;I need to get some drones. This not seeing things around corners sucks. &amp;quot;Here, though. let&#039;s see what we can see.&amp;quot; and the draws an arrow, stands back and shoots it into the hole. She has a hunch this is tunnel, so she&#039;s trying to aim in such a way that the flare arrow will end up on the floor of said tunnel rather than the bottom of the abyss. then she looks back to Montoya. &amp;quot;Heard of anything that makes holes like that?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:58|Barbara Gordon (58)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Babs works at the board once the men are headed into the back, out of sight. Once she&#039;s through, she&#039;s taking more pictures... she -really- should have gotten fully kitted up with all the gadgets, but the camera&#039;s gizmoriffic enough she&#039;ll be able to pull finger prints off the bottles and do all that tech voodoo she do. She&#039;ll have to check out the property info for these warehouses, too. Weird lights, signs of living. There&#039;s no way these guys are the usual sort of Gotham squatters that get run out of warehouses every few days. That means shell companies and papertrails, and the sort of thing she&#039;s better at than swinging from grappling hooks and kicking people. Although, she&#039;s got to admit, this sneaking around in the field stuff is... still a little fun.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:276|Dinah Lance (276)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Dinah tilts her head. &amp;quot;Whatcha see?&amp;quot; she says finally, quietly, to Babs as she seems to be taking a lot of pictures. And hell, why not peer in at that point to see herself! She cautiously does so, then raises a brow. &amp;quot;...the hell....&amp;quot; she murmurs softly. &amp;quot;Where are they going?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:973|Damian Wayne (973)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp; At Dinah&#039;s questioning, Damian can only follow suit. &amp;quot;This...is something wrong...&amp;quot; He knew exactly what it reminded him of, but it definitely couldn&#039;t be League, but it was something akin to their kind of operations. Near occult-like, Damian had his theories for now. But this wasn&#039;t the place to bring it up.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1037|Renee Montoya (1037)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;There is the sound of the delivery van starting, and as immediately as it starts, it begins to drive away -- none of the men remain. They, at least for now? Are gone. All of them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;Not a damn thing,&amp;quot; Montoya conceeds towards Hawkeye. The flare arrow she fires down shows the tunnel goes on, and the smokey-hot creation is cooling, but, it&#039;s tall and wide enough for men to walk through, and seems to move into the adjacent billing. She&#039;s not so impulsive, though, that she&#039;s jumping down just yet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Oracle may be able to see a laptop, on one of the tables. But, the room is empty that she&#039;s looking into, now.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:58|Barbara Gordon (58)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Babs figures she can get away with a little... well, is it really vandalism? Either way, she&#039;s prying the boards off the window with a bit more speed than care, so she can make her way in and scoop up the laptop, after a quick look over it to make sure it&#039;s not boobytrapped. Hey, even weird fancier-than-they-should-be criminals make mistakes sometimes... boy are they going to regret it! She holds the laptop up as she makes her way towards the door the men went through, just to peek around the corner. But given that she doesn&#039;t hear talking or movement, she&#039;s betting they were just waiting in here for whatever happened with those flashes, and now they&#039;ve gone slinking off into the night. &amp;quot;Well, at least I&#039;ve got their computer... but this is... -weird-. I don&#039;t like it. Feels like one of those big... -bad- things that starts going out of control. Gang wars and the like.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:84|Kate Bishop (84)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;Doesn&#039;t look too deep.&amp;quot; Hawkeye says. &amp;quot;What&#039;s over in that direction?&amp;quot; Kate asks, pointing for Renee in the direction the tunnel goes. &amp;quot;Well, if there&#039;s anyone down there, we can find out.&amp;quot; and she draws another arrow and fires it after the first, expecting it to go as far down the tunnel as possible. There it should explode with a bright flash and a loud bang - that&#039;s what it&#039;s for. &amp;quot;Leroy Jenkins?&amp;quot; she says, more a question than a warcry.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:276|Dinah Lance (276)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Dinah follows Babs in as she slides inside, wiggling in to land in a crouch, then padding quietly over after her, on guard as she looks around slowly. &amp;quot;...missed the party.&#039; She folds her arms, nodding slightly. &amp;quot;...that was..some sort of weird tech. NEver seen anything like it. Think someone&#039;s handing out advanced firearms or something?&amp;quot; She frowns. &amp;quot;But why? Something like that is sure to get attention as soon as they use them in a job...&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;She gestures towards the computer. &amp;quot;...well, if anyone can get something off that, it&#039;s you. Maybe it&#039;ll have a few more clues we can leak to our friendly detective out there anonymously...&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:973|Damian Wayne (973)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp; Damian follows suit, if only to keep looking around for any type of clue or anything he can analyze back at the cave. First there was mention of the Pits yesterday, now strange science fiction type guys. &amp;quot;Forensic data recovery, Oracle?&amp;quot; He offers, giving up on trying to recover anything after a while.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1037|Renee Montoya (1037)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;There&#039;s a scrawl on a piece of paper, half torn, beneath the laptop which will state: Gotham First National Bank. Take everything. Welcome, to Intergang. Use what we&#039;ve given you wisely.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;B.M.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Of coruse, the connecting hole to the adjacent building that Hawkeye and Montoya are in is in the middle of the floor as well. And while Montoya isn&#039;t about to take that venture, perhaps Hawkeye does? Either way, Montoya shakes her head, &amp;quot;Really don&#039;t think they have a building permit for this. Might want to tell your friends. They have about ten minutes, before GCPD gets here. They&#039;d better do what they need to do. Not everyone is as accomodating as I am. We&#039;re going to need to sweep this. Figure out what the hell is going on.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;There are other vauge clues to be found, as well. No doubt GCPD will find them, as they comb the area, once they arrive. Renee is already on her phone, calling it in.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=2185/Anamnesis&amp;diff=1456</id>
		<title>2185/Anamnesis</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=2185/Anamnesis&amp;diff=1456"/>
		<updated>2017-08-29T04:17:21Z</updated>

		<summary type="html">&lt;p&gt;Altair: Created page with &amp;quot;{{Log Header |Date of Scene=2017/08/26 |Location=Various(?) |Synopsis=With the Winter Soldier captured, the difficult task of undoing decades of brainwashing awaits. Loki, mak...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/08/26&lt;br /&gt;
|Location=Various(?)&lt;br /&gt;
|Synopsis=With the Winter Soldier captured, the difficult task of undoing decades of brainwashing awaits. Loki, making use of the Mind Stone, sets out to do just that, enabling Steve Rogers, Mercy Thompson, Sam Winchester, Melinda May, and a very cross Winifred Burkle to assist him in the repair of the Soldier&#039;s fragmented mind. Additional guidance comes in the periodic appearance of Claire Temple(?).&lt;br /&gt;
|Cast of Characters=99, 294, 138, 5, 112, 229, 230, 160&lt;br /&gt;
|Tinyplot=Tayaniye&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The last two to three days have been a whirlwind of activity.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A trap for the Winter Soldier was laid at a junkyard. It was there that Mercy, Sam, Fred and Dean managed to capture the brainwashed assassin. And while Mercy would love to say it was from their skill-sets, really, it was pure luck. Luck and the fates smiling kindly on them that night.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Messages were left at SHIELD for those that needed to know. A simple message of &#039;We got our friend secured. Please send back-up.&#039;.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Now it&#039;s evening at Mercy&#039;s Garage. The garage itself is locked up tight from unknown visitors, as well as regular customers. The only ones that have been allowed in or out is the small rag-tag group that&#039;s set out to capture the Winter Soldier and eventually save Claire. The main garage area is where most people can be found, including the Winter Soldier. His metallic arm has been strapped neatly to his torso thanks to a large bulky chain that&#039;s been wrapped around him. The ends of that chain rise high upward to the ceiling and have been secured by rebar and weld to one of the heavy foundational beams of the garage. Anything that was within reach of the Winter Soldier has likewise been removed and the room is never without a guard.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Though tonight perhaps there&#039;s more than one guard on duty, as Mercy Thompson finds her way into the garage proper. Unobtrusively she&#039;s tucking a small phone back into the pocket of her coveralls and as soon as she&#039;s inside her gaze will move to the Winter Soldier&#039;s form, before she looks up to see how the chain is holding up under pressure. &amp;quot;Okay, everyone is on their way.&amp;quot; Is what she&#039;ll say to those assembled within.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Despite all the drama and tension that has been going on for Sam Winchester outside of this garage, he still has a vested interest in seeing the matter of the Winter Soldier and his missing captive through. Given he can&#039;t find any answer for Dean&#039;s dilemma-- and given Dean seems to have flat out taken off again-- he has gladly volunteered to play extra guard duty on this night, of all nights. He&#039;s there in his bulletproof clothes, there with his Beretta, and there with a grim, tight look on his face (bruised, as it happens, from a fight with Dean, though that was the case all three days he&#039;s been in and out of here) that doesn&#039;t give away much more than readiness.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He has taken up a position in the corner of the room, and he nods quietly as Mercy speaks. This is it...either their plan works tonight or Claire is pretty much lost.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And so, too, will Bucky Barnes be, because their list of plays will shrink down to exactly one.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This is not a thought he&#039;s discussed with anyone else. It seems particularly ironic in light of his assurances to Fred that he wouldn&#039;t prey on or hurt other people willingly. But then again, he isn&#039;t sure his girl would fault him for this thought in particular.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He exhales, banishing all of it. This just has to work. Period.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I did another walk of the neighborhood about 15 minutes ago,&amp;quot; he reports. &amp;quot;I didn&#039;t see any signs of trouble.&amp;quot; They might have time to make this happen, is what he means, but it&#039;s a stark reminder that they could be attacked by Hydra at any time. It won&#039;t take them that long to figure out what happened, and even less time to track them down once they do.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:138|Loki (138)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Four lattes in a cardboard carrier may well be an impressive display of dexterity, a feat matched only by the entire server body of the food service industry. A jaunty step carries a perfectly nice man employed as a perfectly respectable art consultant with the world&#039;s pre-eminent auction house. The fact those shoes cost enough to rent a house in most American cities doesn&#039;t detract from his readiness to go to battle in style with the necessary accessories. A few good women, some dodgy men, and a flat white in his left hand just in case lattes prepared with fair trade, sourced beans by seasoned coffee connoisseurs who don&#039;t wear green aprons aren&#039;t to anyone&#039;s taste.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Loki Odinson, prince of Asgard, master of spells, the trickster, god of stories and mischief, cuppa joe delivery service. Fine, for exactly one mortal ever.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He has a dim view of doors standing in his way, and more of a concept for an entrance. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;So the lattes show up in front of Sam on the nearest table or shelf, and barring a table, floating in midair. One has a frownie face puppy -- golden retriever, as it happens -- to considerable artistic detail staring right at him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hey, those baristas earn their keep when tipped in good luck, gold, and the occasional sly grin. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Loki himself, in his typical Liam appearance, cruises through an inner doorway to take up a proper spot against the wall. He crosses his arms over his chest and adopts that casual half-smile one shade off deserving of a slap to clean it off his expression.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The message left at SHIELD did not go unnoticed. While the more invested party seems to have been unable to be here, May has managed to arrive instead. She enters shortly after Liam, visually taking stock of everyone in the room and then approaching Sam. As last time, she&#039;s going to have nothing to do with the coffee.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Any word from Dean yet?&amp;quot; she asks Sam quietly while watching Liam and Mercy moving about.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Since arriving yesterday, Steve Rogers hasn&#039;t really left the garage. He&#039;s undoubtedly Steve, not Captain America, but Steve. The suit had been left at SHIELD. And in a way, leaving it made him feel less like himself than wearing it. But something about it felt off, which is why his appearance is relatively nondescript save for the haircut. His shield, however, hadn&#039;t been left behind. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The symbol, worn on his back, remains there as he crouches on the floor of the garage, along one of the back walls. He hasn&#039;t really spoken to his friend--not since the warning from Mercy or the way things turned so awry, but he also hasn&#039;t left either. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But despite the silence, his blue eyes continue to reflect sheer determination. But behind that determination, his heart aches. Hope keeps him steady and staying the course. But the thought of time, of what Hydra did to his friend, and his inability to act weighs on him. Just enough.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam in that corner of his. It&#039;s enough to earn a nod from the coyote. A second nod is added when he apprises her of the absence of trouble. So far.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Loki&#039;s arrival isn&#039;t missed either. Or perhaps the initial arrival of the coffee and then the man himself. Upon seeing him Mercy offers a fleeting smile, but overall her countenance is pretty serious. Grim, even. Then it&#039;s onward to May&#039;s arrival and Mercy says, &amp;quot;Agent May, I&#039;m glad you could make it.&amp;quot; And finally the Captain or rather Steve Rogers. The coyote will turn a not-unsympathetic look upon him, but that&#039;s about all. There&#039;s things to do and those things need to happen now. Lives are in danger.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As such, Mercy&#039;s gaze takes the whole group in for a singular minute, before she speaks again, &amp;quot;The sedative I gave him will only last three to four hours tops - we should get to work.&amp;quot; And those last five words are meant mostly for Loki, as Mercy&#039;s gaze returns to the Asgardian Prince. &amp;quot;Which means you&#039;re up, Liam. Just tell us what you need us to do.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam doesn&#039;t know whether to chuff a laugh at the coffee cup or...or frown at it. But...if he frowns at it, he might prove the point? Either way, he finally shoots a tense, quick grin to Liam. &amp;quot;Thanks,&amp;quot; he says.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s worth noting that Sam is willing to drink convenience store coffee that&#039;s been sitting in a Sip and Go for 6 hours, so he really lacks the rarefied tastes to appreciate everything Liam has done for them in this department. The fair trade beans, the true freshness, the exquisite flavor notes...all missed. It&#039;s coffee. It&#039;s hot. It&#039;s good. He salutes Liam with it and he takes a sip with apparent satisfaction.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s a heathen.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;May&#039;s query gets a quick grimace and a shake of his head. But he doesn&#039;t want to talk about Dean right now, or go down that rabbit hole in the least. He focuses his attention on Liam, instead, all to the goal of learning exactly what it is he needs to do to right the wrong they&#039;ve all been struggling so hard to correct, this thing that has brought this strange, unlikely group together and forged for them a bond.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:138|Loki (138)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Loki reserves the flat white for himself, and he certainly has no reason to bother drinking it. Not as yet, anyways, for the caffeine hit promised within the milk-coffee concoction comes later. A number of different substances might be consumed by the time the night is through, and not a moment until then. Anyone remotely capable of detecting such might easily observe his aura is supercharged by an abundance of magical energy, the excess occasionally bleeding off in a wavering glimmer of his green eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Each person receives a look in turn, a nod for Melinda and a pointed look at Captain America&#039;s shield. Professional interest. How /do/ you apply paint to vibranium and is there anything which doesn&#039;t just run right off with the merest scratch? Wrong line of inquiry there. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Good evening, naturally.&amp;quot; He has the capacity to smile, although the thin hunter&#039;s smile of a hunting cat. &amp;quot;What you need to do, friends.&amp;quot; And Captain America. He&#039;s an unknown. &amp;quot;This is bound to be somewhat tricky and fine-tuned work. I&#039;m only reworking the entire story of a man from the beginning to the end, exactly what he is, with your assistance. Be clear in your goals and remember him as he should be, as you&#039;d like him to be if you don&#039;t have that.&amp;quot; He glances up, collecting his thoughts. &amp;quot;Bloody hell, how to tell you what you need to know.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Simple, then. &amp;quot;Let me set up expectations in advance. Do not, under any circumstances, touch the object I&#039;m using. I don&#039;t believe in hyperbole but in this case you&#039;ll suffer a fate worse than whatever unpleasant death your minds can conjure and it will last for an eternity. Anything goes wrong before, flee together. None of this no man left behind business. Unnecessary sentiment under the circumstances. Believe me, I&#039;ll survive whatever happens.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May nods to Sam at his grimaced non-answer, then as she also turns her attention toward Liam she blinks, then pulls a phone out of a pocket inside her jacket. Reading something on the display, she quickly sends a reply message then leans to tell Sam sotto voce, &amp;quot;I have his location now, and I&#039;ll be getting updates on his movements.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then Liam speaks up and her attention is on him again. As he explains, she resolves in her mind that she wants Barnes to have the chance at freedom again. No expectations about who he&#039;s supposed to be, that&#039;s not up to her to decide. Simply that he have the freedom and peace to make that choice for himself. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;At the directive to run should something go wrong, May can&#039;t help but look toward Rogers. That is going to be the single most difficult thing the man might have to do. And if need be, she&#039;ll drag him out of her by the ear herself. She doens&#039;t care if he&#039;s nearly a foot extra height and double her body mass in muscle, she WILL drag him out of here.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Steve nods towards Mercy in vague acknowledgement before finally straightening to a stand. His gaze lingers on Sam a few beats, but it&#039;s Liam&#039;s look at his shield that prompts his eyebrows to lift and his trademark smile to appear. His arms cross over his chest, and in a strange impression of his WWII action figure, his smile turns grim. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The explanation about what&#039;s going to happen causes every muscle in his body to tighten. He&#039;s one of the few here who has genuine memories of /Bucky/. Everyone else who would is long gone. His head lulls to the side, catching May&#039;s look. His eyebrows lift with a not-spoken question and comically the grimness in his smile fades. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s reasonably sure that Agent May can read minds.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The extra shine to Loki&#039;s aura isn&#039;t missed by the coyote. It&#039;s like a beacon to her senses and something that isn&#039;t easily missed.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But, like everyone else, Mercy&#039;s attention stays upon the man that most know as Liam. She&#039;ll listen to what he has to say and while his last words earn a furrowed brow full of concern, she doesn&#039;t offer any type of refute to them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;At this point all she can do is simply trust. Trust him. The people around her. Trust that they all will live through whatever is about to happen.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The byplay between the various people within the group isn&#039;t lost upon Mercy, but again, there are other priorities right now. &amp;quot;I&#039;m ready.&amp;quot; Comes her words, resolve easily heard within them, even as the coyote now turns to look towards the sedated man.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam nods a wordless thanks to May, marveling for a brief moment at how intent she is on taking care of them. It&#039;s warming, but it&#039;s also very strange.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He compartmentalizes well though, and soon May&#039;s mothering is put out of his mind in favor of the task ahead. He grimaces faintly. All he knows are the comic books...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But that&#039;s not true. He remembers the man who spoke to him in the park, too. The man who was just trying to find his way. He thinks he can do a bit with that. &amp;quot;Ready,&amp;quot; he says quietly.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He rather believes Loki will survive, so yes, he&#039;ll even pay attention to the other instructions. Hunting 104: sometimes you run like Hell cause that is the only play you&#039;ve got left. As to not touching the thing? He grips his coffee as if he is afraid that his hand might accidentally twitch out and slap atop it. It won&#039;t, and it doesn&#039;t, but sometimes the mind can do weird things upon hearing there&#039;s an instadeath item in the room.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:138|Loki (138)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;For a moment of fanfare? There simply isn&#039;t any. &amp;quot;Liam&amp;quot; opens his hand, reaching for something clearly not present in the still hush of the garage. One instant, nothing; the next, Mercy&#039;s senses may be bombarded off the scale that even he&#039;s displayed before her and that includes a certain garden at the foot of his mother&#039;s Tower. Gilded segments woven around one another form the shaft solidifying from the empty aether, curved to support a glittering blue stone that defines blue better than anything like sea, sky, Hope Diamond. To be fair the Hope Diamond would sulk and cry at that piece of the universe&#039;s formation caught in a metallic form. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then there&#039;s no simple Liam in a fine suit, there&#039;s the Asgardian prince as himself. The clothes stay put, but he naturally walks around much taller than even Sam. In another lifetime, he might have pressed the pointed tip of the sceptre to the sedated Winter Soldier&#039;s chest. Not here.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A sip of the flat white and down the cup goes, but within arm&#039;s reach. He looks up and the Mind Stone flares in response to some mental command, the microcosm of every shining star fomented in the cauldron of the Creator&#039;s mind pulsating and throwing white motes all around. A strobing pulsation runs through the staff, a conduit through him as he paints a burning sigil on the air. The mark is plain as day. It etches out the meaning and essence of a person: James Buchanan Barnes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Similar small runes are likely to appear in rapid profusion over each person, spidery crawl or bold glyph or rough-hewn. He doesn&#039;t need to speak his own; the Stone knows his mind, and he masters its. Unleashing the story while binding them together is almost too easy. And so it is not. No story ever ends as intended at the start, the first time.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Directed by Loki, the energy of the stone wipes away all perception of the physical world. It attunes, linking minds, bridging connections, and offering the group a window in to essentially... repair the damaged mind of a man lied to for eight decades.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;What form would such a reconfiguration job take?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The stone does not answer at first. But then, eventually, it presents something. The group&#039;s senses begin to work again.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;m disappointed in you.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I know, dad.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The voices are the first thing to resolve. Images are slower. The setting is the main room of a military base&#039;s family housing, spare and plain, but well-kept. There&#039;s a young boy sitting at the table, probably no more than ten, watching a little girl playing with a doll across the room. An older man, perhaps mid-thirties, watches them both. Nothing about the scene is particularly interactive for the group. Not yet. This is a memory, with the faint faded gloss that recollection tends to have.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You really let me down here,&amp;quot; the man says, exhaling a sigh. &amp;quot;You can&#039;t keep picking all these fights. It doesn&#039;t matter what the other kids say.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The boy looks at the floor. &amp;quot;I&#039;m sorry.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The man shakes his head. &amp;quot;We&#039;ll talk about this when I get back.&amp;quot; He moves to the front door, and there he exits.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The boy stares at the closed door. &amp;quot;I promise I won&#039;t do it anymore,&amp;quot; he says, but there&#039;s no one to hear. Maybe he&#039;s just rehearsing for when his father gets back. Though of course, certain people among the group would be well aware -- James Barnes&#039; father never did actually come back. Not that day. Not ever.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Which is why it might be a surprise when, after a few moments, the back door of the small home opens and another man comes in. He&#039;s dressed all wrong for America of this time period, his clothing that of a Red Army officer, and when he speaks to the boy it is in Russian.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Idi syuda, syn,&amp;quot; he says, gesturing the boy to come with him. &amp;quot;&amp;amp;lt;Your father, he is dead. You must come with me, now.&amp;amp;gt;&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;As is normal for may, she analyzes everything she sees and hears, noticing immediately when Liam seems ... more. And the sigils indicating each individual in the room. Those she attempts to memorize, though whether or not she succeeded... &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s the memory of a young boy and the Red Army soldier that elicits a frown, and she can&#039;t help but think (likely loudly enough that any telepath in the room would pick it up), &#039;You can choose to say no. It&#039;s okay to say no.&#039; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She also flicks a glance at Sam then at Steve to see how they&#039;re faring, knowing that both of them for varying reasons have cause for this to affect them rather badly.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Steve stares at the memory, not quite sure what is to be said or done, or even if interjection is needed. The beginning feels right. The hallmarks of the gloss, the way it sheens, and even the early somber mood at the declared disappointment all feel right. The real-ness of the memory actually causes his gaze to settle on the floor, semi-embarrassed at being an uninvited spectator in his friend&#039;s mind. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the uniform catches his attention. His features tighten and his gaze lingers on the figures in the memory. &amp;quot;Come on, Buck,&amp;quot; he whispers softly. The reprimand is gentle, but still present. &amp;quot;You&#039;ve got this,&amp;quot; his voice remains low. His gaze hones in on the child&#039;s face and he coaxes quietly. &amp;quot;You didn&#039;t even know Russian back then,&amp;quot; he scratches the back of his neck and his weight shifts from one foot to the other. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The power emanating off of the mind stone is enough to bring the coyote&#039;s gaze back to Loki. In fact, it&#039;s enough to cause the dark-haired woman to stare, nearly dumbfounded by the amount of energy around that magical artifact.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then Loki is there, not Liam, even for all the Migardian clothes that he wears.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The initial sigil that&#039;s drawn pulls Mercy&#039;s attention away from Loki and now onto it. Mercy will stare for long seconds at it, before her gaze moves to the rune that suddenly appears above her. Seeing that sigil above her, Mercy&#039;s expression shifts from concern and grimness to resolve. For those that know Mercy, her thoughts are simple to read. This will work. It has to. They will save him and Claire. They will.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And like that the group is within the mental scape of the Winter Soldier. It might be disorientating for Mercy if this was her first visit upon another plane, but this isn&#039;t. And so, the coyote immediately looks about herself. First at everyone near, to make sure all of them are there, and then at the memory that plays out before them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Those words of Steve&#039;s causes the coyote to look away from the boy and the Russian soldier and back to the Captain. Then it&#039;s back to the scene before them. &amp;quot;If he goes with him we should follow.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The scene...of a father telling a son that he&#039;s disappointed in him makes one Sam Winchester flinch, because it hits way too close to home. For just one moment, what he thinks he&#039;s seeing is a father berating his son for not taking care of his younger sibling well enough.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But then he realizes he&#039;s hearing Bucky&#039;s dad chastize him for getting into fights. That it&#039;s not the same thing at all, really, and that the parallels are really actually pretty loose. That allows him to concentrate on thinking of what might need to be done here, because he surely is not certain in the least. Still, the others have tried one thing. He&#039;ll try another.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He addresses the Russian soldier, just in case. &amp;quot;You weren&#039;t here,&amp;quot; he tells that Russian. &amp;quot;His father was speaking English. That&#039;s an American doll. This is an American home. There&#039;s no reason why he should go with you. Now if you were an /American/ soldier...&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam even tries to /visualize/ the man at the door as an American soldier, to fix this thing that&#039;s broken.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:138|Loki (138)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Telepathy is well within Loki&#039;s capacity, among a gamut of other abilities. The raw energy spilling through every atomic iota, filling out the spaces, energizing him with the limitless abundance of consciousness. For an instant, for a lifetime, his psyche spreads through the building and into the city. His green eyes brighten to the magnitude of stars as he swallows the power down into himself. Embers sparkle at the edges of memory when he drops in on a vision he shouldn&#039;t see, the stone lost in his grip when the staff vanishes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Narrowing his thoughts down to one point, one place, is harder than he might ever mention to anyone alive. His mouth clamps down and his expression forms a mask without pleasure or pain, wiped clean. He could imagine, if he tried, a father telling a son he doesn&#039;t live up to expectations. That he&#039;s not good enough. That he isn&#039;t like the other, the brother, the friend, the right -- &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No. When his mouth slides up a little, the smirk settles in. Let them do their work. For now.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Wrong. All wrong. None of you are guests here, so don&#039;t start acting like one.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That voice stirs up at their backs -- soft, tired, but as direct as a fist. A voice some people here have heard before -- and not heard again in some time.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire Temple sits along the dusty floor, wearing white, the long hem of some immaculate dress lain silent over the hardwood. Her head bows, burdened by the weight of a metal collar welded around her throat, bridled with a silvery length of chain that fetters her to one wall.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She was not there a moment ago. A figment, like the rest? A memory fused and grafted until this patchwork mind?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Lymphocytes keep the body alive,&amp;quot; says the nurse, and though she lifts her dark eyes, she does not look on any of the group. As if some rule of this landscape disallows her to. She shifts, and her ornate chain slithers noise from its many links. &amp;quot;They target the cell they decide&#039;s gone wrong. The cell that&#039;s been messed with. Corrupted. Infected. The immune system makes its call and it sends out the lymphocytes to induce apoptosis. They don&#039;t talk it down. They don&#039;t reason.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire tilts her head, the heavy fall of her hair casting her turned face in shadow. &amp;quot;If you&#039;re here to fix, then fix.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The images flicker. American army base. Soviet army base. Here English lettering, there Cyrillic. The chatter of passing soldiers outside veers between English and Russian. Even the color of Bucky&#039;s little sister&#039;s hair changes, between glances. It&#039;s supposed to be brown. Sometimes, it&#039;s blonde.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In his chair, the boy clutches briefly at his head, as conflicting voices speak to him. Tell him not to go. They hold him in place.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam focuses on the thought of the soldier being //American//. His outline... shorts out, wavering, and he flickers too. For half a second, he&#039;s an army major, with pensive sad eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then he snaps back. The enforced reality, the declared lie, is too strong. The world &#039;&#039;twitches&#039;&#039;, the fabric of its reality spasming in invisible displeasure. It yanks the chain locked around Claire&#039;s throat -- or the image of Claire -- strangling her silent and stapling her back against the wall to brake her advice away.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;&amp;amp;lt;They will not wait&amp;amp;gt;,&amp;quot; the soldier says, and seizes the boy by the arm to drag him away.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May startles at Claire&#039;s voice suddenly there and pulls a weapon before she fully realizes that the woman is a part of this...well, Vision Quest is as close an analogy as she can come up with. The chances of more startles is too high, and she doesn&#039;t want to risk injuring anyone actually here. So she does something that Sam has likely seen her do only once before and the others likely never. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She removes her jacket. It behaves like a much heavier garment than it appears to be, and she moves near-silently set it on the floor behind Steve -- where she can&#039;t get to it easily. Added to the pile are knife sheaths from her forearms and a small pistol holster from her right hip. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Moving back so that now both Steve and Sam are between her and her discarded weapons, she returns her attention to what&#039;s unfolding around them, unconsciously crossing her arms as if chilled as she again thinks toward the boy being dragged by the Red soldier. &#039;They might take your body, but they can&#039;t claim your mind.&#039;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Steve has no idea who Claire is, but it doesn&#039;t change the reaction to the advice. His blue eyes lid and he inhales a long breath, holds it, and releases it slowly. His own thoughts push to somewhere else. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Camp Lehigh had looked like almost every other American army base Steve ever toured, but the warmth he feels towards it is wholly different. The place changed him. And as such, the image etches permanently onto his memory. He recalls the smell of the Virginia summer and the way the humidity hung in the air, thick and heavy. His mind maps the dusty trails around the base, locating each important building in turn.. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But towards the soldier, he prods his thoughts, //You were... kinder than that// he hones in on the few details he&#039;d picked up over the years. //..and broken up that you had to tell a kid he lost his only parent.// His lips twitch into a side-smile. //And he was fast talking. Persuasive. Convinced the lot of you he should stay. I still don&#039;t know how he did that.// Even with just the thought, the admiration colours every corner of his face.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The changes to the memory is watched by Mercy. Her gaze is pensive as she considers what to do. While she&#039;s had some experience within the astral plane, for the most part, it&#039;s still a vastly unknown thing to her. She can only let instinct guide her at this point.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That doesn&#039;t stop her from sliding a look towards Loki. She considers asking a question of him, but before the words can leave her mouth a familiar voice is heard.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A familiar person seen. At the sight of her friend Mercy can&#039;t quite stop herself from exclaiming, &amp;quot;Claire!&amp;quot; Which probably isn&#039;t the best reaction, since time is of the essence here, and Mercy knows this isn&#039;t the real Claire. A shadow of her, but not the real one. That doesn&#039;t mean she isn&#039;t listening to her friend&#039;s words. She is. No matter that she only understood some of Claire&#039;s rather technical speech. Thankfully, Mercy still gets the gist of what she&#039;s saying.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Kill the soldier!&amp;quot; The mechanic suddenly blurts out and along with those words a handgun will likewise appear within her hands, and while she stares at the gun with some surprise, that doesn&#039;t stop her from moving. The gun itself will be raised and pointed at the soldier. The trigger pulled and one singular bullet sent towards the Russian man. It&#039;s aimed for the man&#039;s torso, the largest part of him, because Mercy is not a sharpshooter in any sense of the word. Once the gun is fired Mercy turns to May and tosses the gun at her. &amp;quot;Agent May! Use this.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For May it&#039;ll feel like any sort of handgun she ever felt, heavy, solid, with a weight to it - even if it&#039;s not necessarily a &#039;real&#039; gun.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And as soon as the gun is out of her hands Mercy turns back to the now silenced Claire. &amp;quot;I promise we&#039;ll be there soon.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The image of what Claire is going through sets Sam&#039;s mouth into a grim, tight line.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fix it, she says, and it&#039;s clear that talking, visualizing, and all of that isn&#039;t working. In fact, it seems to be hurting Bucky to do that. He&#039;s clutching his head. That&#039;s the opposite of what they want.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They are the immune system. He knows that analogy. It&#039;s one that his entire family uses while conducting The Family Business. They target the cancerous cells of the world so the body of humanity can live. But surely pulling his Beretta and peppering a vision with bullets...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s thinking that even as Loki shoves a mental construct at him. A knife. Somehow, he understands this will work within the confines of the vision without sending bullets to ricochet all over Mercy Thompson&#039;s garage.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s familiar. It&#039;s right. Mercy shoots and commands them to kill, verifying what must be done. She shoots him in the torso, but that might not be enough to end him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;So Sam doesn&#039;t hesitate. He steps forward in one swift motion, slashing over the boy Barnes&#039; head so that he might attempt to slit the throat of the Russian who thinks to drag him away. It&#039;s a motion of smooth, savage violence, efficiently and brutally carried out.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:138|Loki (138)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Claire&#039;s appearance draws a stir of ultramarine motes picking out a halo around her head. Not much to see there, dust suspended in a sunbeam that trickles along the chain link by link on its way to the ground of the cell. Through every brief point of contact, Loki senses the nature of the thick chain, whether constructed of thought, will, divine oath or curse for all it matters. He can spare that much.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Congealing the mercurial form of the Mind Stone into tangible constructs requires another diversion of effort, but little enough. He spins his creations by visualization in his mind, and projecting the outcome where they may most be needed. For you, a present, for you a present, for *you* a present! Reality bends within the astral, defining intent in a focused form. His contribution to the moment is, predictably, unpredictable.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Dancing shards form a handful in his palm, standing edge upright. He blows cold air across them, the glistening facets frosted over briefly and containing the sum of heartbeat images from a life lived. Two of them move in elbow&#039;s reach of Steve. Inviting him to take them, use them, fling the remembrance glass-knives if necessary.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The rest? He spins around them, a blurring array possibly intended defensively. Loki might also be considering assaulting any of the eyes of chaos in the eddying memory-scape that the Winter Soldier has. Little girl with blonde hair? Pinned; forced to be brunette. Wall shows a Cyrillic stream when it used to be Latin alphabetic? Pinned down.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May reaches to snag the pistol that Mercy throws at her and ends up with ... two objects in her hands. One is the pistol she just caught, the other a set of bolt cutters. She immediately aims the pistol at the Red soldier, but then Sam&#039;s there proving that he learned his Hunting skills well. And spoiling her aim. So she drops the pistol and doesn&#039;t wait to hear it clatter to the floor. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She moves as fast as Sam did. But not toward the soldier. Toward Claire. And she reaches to cut through the chain linking the woman to the wall. She WILL cut through it. She refuses to believe otherwise.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The shout of her own name does not turn Claire&#039;s head.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The figment only turns her face away, each and every minute movement of her body heralded by the constant whisper of that chain, holding her in place -- the mind&#039;s authority maintaining dominion over its constructs.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is a constant tremor to her hands of someone counting the moments of her own borrowed time. She waits --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And at the first gunshot, Claire animates. The chain shifts as she lifts her head. Through her black hair, the ambient light plays off her dark eyes. The first signs of violence make her voice hitch in relief.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Yes,&amp;quot; she pleads, &amp;quot;you need to --&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The chain pulls tight. It pulls Claire backward, newly-formed halo and all, hands grasping uselessly at the collar around her throat. She fetches up painfully against the wall, strangling silently.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When May comes for her, she looks up, with no air to speak more words. Dying, the woman only fixes May with an impatient look, questioning --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The chain cuts, and Claire falls bonelessly forward. She gasps for air, and speaks with what time she has, &amp;quot;Go save h --&amp;quot; before she sinks down, losing texture and form, the figment folded back into the mind.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The boy struggles fitfully as he is dragged, but the false memory is too strong for whatever fragment of true recollection still exists in Bucky Barnes&#039; fractured mind. He fights harder, it seems, when May and Steve speak, their encouragements and factual recollections giving the true personality some strength to resist being dragged back into its comfortable lie.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the bolstering effects of the truth must, it seems, be coupled with severe action against the lies planted in his mind.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy and Sam act swiftly on the advice of the guide that wears Claire&#039;s face. The bullet hits home in the torso of the false soldier, staggering him in place for the finishing slash of Sam&#039;s knife. The throat opens with no resistance at all, but oddly enough there is no blood. What spews forth is a sort of falsity, a negative energy, a miasma of wrongness that slowly dissipates.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The false vision simply crumples, wrinkling up and evaporating, wisping into nothing. The memory shudders a last time and //snaps// into place, its last lingering incorrect details ironed out by Loki&#039;s surgical attentions.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The boy looks up, and his eyes finally recognize a face. &amp;quot;Steve?&amp;quot; he asks. &amp;quot;Steve, I -- &amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The world //pulls//, stretching and fading out of all color, the scene changing. The image of Bucky is wrenched away. Their surroundings shift to a blaring whiteness, a blankness adorned only by the crawling patterns of frost spidering over glass in an intricate lacework.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The only thing to be felt is the cold. A cold so intense it settles straight down into the bones. A cold great enough to freeze a man into pseudo-immortality.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Eventually a pinpoint of light winks in the distance, in a wordless guide.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The way the images move, the encouragement and incitement to violence, has a dizzying effect as does the Loki provided weaponry. Steve reaches for one of the glass-knives. He steps backwards, a near stagger, as the soldier is destroyed. The movement of the energy and its lines has his expression turning to a frown. The assault on his friend had been severe. No question. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His lips part at the sound of his name and his eyes train on the boy&#039;s face. &amp;quot;Buck!&amp;quot; he calls loudly. The pang of it is unmissable as it echoes in his voice when he calls back to his friend, frantically willing Bucky to return. Hope. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;To the white ever expanding cold, he calls again, not losing that same warmth, even amid the chill that threatens to reach his bones and freeze him again, &amp;quot;Bucky!&amp;quot; The ice hasn&#039;t been kind. It stole decades. And its intensity causes Steve&#039;s shoulders to draw together as it threatens to stifle out any sense of warmth. But the light in the distance ignites that hope more. &amp;quot;Come on, Bucky,&amp;quot; he murmurs softly.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam&#039;s attack is seen and the only thing Mercy can think is good. Hopefully that ends the soldier if her bullet didn&#039;t.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then May too. The clatter of the gun brings the coyote&#039;s attention to the fallen weapon. She&#039;ll reaches for it then, intending to keep it and bring it with them. It&#039;ll have other uses, she&#039;s certain. Then it&#039;s back to Claire and Agent May. &amp;quot;You can do this.&amp;quot; Mutters the coyote to the SHIELD agent and when the links break, Mercy looks relieved. That relief is only momentary as the shadow Claire slumps and then dissipates to nothing. &amp;quot;We will.&amp;quot; Comes Mercy&#039;s promise to the air as she once more turns back to the memory at large. Her gaze track around the &#039;room&#039; to everyone. Sam, Loki, May, Steve and then the little boy. When the boy looks to Steve, recognizes him even, Mercy&#039;s attention goes to the first Avenger. She watches the very brief interplay between the two, before the young man is stolen away once more. And while Mercy has to wonder what Bucky might have been about to say that question within her mind doesn&#039;t last long.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Not when the shift takes them to a place even more inhospitable than before. Immediately Mercy can&#039;t stop the automatic gesture of her arms folding around herself, trying to ward off the wild shift in temperature. Her eyes quickly move around the group, looking for anything that can be seen and like Steve, Mercy sees that speck of light in the distance. &amp;quot;There!&amp;quot; She exclaims, &amp;quot;That way.&amp;quot; Mercy states the obvious once more, then, &amp;quot;Remember, none of this is real. It&#039;s a mind over matter sort of thing. Believe you&#039;re not going to freeze to death and you won&#039;t.&amp;quot; Or so she believes, thanks to her own lesson learned from a previous encounter upon this more mystical plane and something Mercy will likely never forget.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The reminder is needed, because Sam&#039;s teeth start chattering violently. He draws in on himself, glad he&#039;s wearing three layers, but they aren&#039;t enough layers. He believes he won&#039;t freeze to death, but that doesn&#039;t make him comfortable.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But it doesn&#039;t matter. It doesn&#039;t matter in the least. Grimly he plunges forward towards that light, looking for the next thing they have to correct, the next target that he needs to plunge his knife into. The fact that he is grimly silence is mostly a matter of focus; there is little he can say that will be helpful now, and there is a job of work to do. A bloody job of work that is as familiar to him as breathing, as sleeping. But he is a little afraid to think overmuch, afraid, now, that he will somehow insert his own memories into Bucky&#039;s own mind, foul things up further.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fortunately, this is all very straightforward. Identify threats. End threats. As long as they don&#039;t target the wrong bits, this will work out.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:138|Loki (138)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Cold in a memory isn&#039;t much concern for the rightful ruler of a kingdom cloaked in ice, clothed in the raiment of winter from which all life began and will inevitably end. Loki fears no ice, incarnated in memory or not. His contribution is the roiling confidence that pierces minds, injected via dozens of thin pinpoint holes traced in radiant blue. &amp;amp;lt;&amp;amp;lt;Fear nothing. Dread nothing. This can&#039;t hurt you.&amp;amp;gt;&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Easy to say when cloaked in the Mind Stone&#039;s power and his innate genetics, thanks a lot, Laufey. (Also screw you and die, Laufey, footnote 2, dear reader.)&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;You are me, we is he. Let fear abate somewhat, and the warping snow melt a little before the summery prince. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He withdraws some of the spinning shards to himself, drawn back to await being flung out in a sea of piercing needles when the opportunity presents itself. A hidden serpent lurks in the depths of the Winter Soldier&#039;s mind, and he intends to stab when the moment arises. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Really, it&#039;s not /that/ bad.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The moment Claire disappears May drops the bolt cutters and looks at the others just in time to see their dreamscape go white and frigid. And she had the brilliant idea to leave her jacket on the floor. But she knows that as much as she hates the cold, it&#039;s got to be so much worse for Steve. So she&#039;s promptly crossing toward him again, this time to make sure they don&#039;t lose him to this frigid fascimile. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Taking one of Steve&#039;s arms, she pulls him along after Sam, mentally willing that spot that Mercy pointed out to be visibly, notably closer with each step. Closer, nearly there, they&#039;ll be warm again soon. They&#039;d better be. Bucky&#039;s at the other end of this, Rogers, keep moving. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Liam&#039;s ability to mitigate the cold somehow does help, though she can&#039;t help but wonder why it seems to feel like a bit of an &#039;F you&#039; at the same time. &amp;quot;See, Rogers? Liam says it&#039;s not that bad.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The world changes as they move into the flaring light. But the cold does not.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;You only find cold like this in the depths of the tundra or the peaks of high mountains, and in the fractured mind of the Winter Soldier, there are memories of both. Those memories shouldn&#039;t exist at the same &#039;&#039;time&#039;&#039;, however, and that&#039;s where the landscape before the group becomes a problem.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They step out into a jagged battlefield.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Volgograd was once known as Stalingrad, when one of the greatest battles of the Second World War was fought there. But no matter the name, it has always been a flat stretch of land by the river Volga, sweeping and open and broken up only by the buildings of the city in the distance. There have never been mountain ranges in the area, much less ranges of the height and prodigiousness of the Swiss Alps, yet here the Swiss Alps are -- for whatever reason.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The broken landscape is a physical impossibility. The kind of rugged landscapes only seen at high altitudes on mountainsides are sewn inexplicably into the flatlands outside Stalingrad.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The one constant across both settings, the only thing that seems to &#039;&#039;belong&#039;&#039; in both settings, is the snow. Howling, driving snow that whistles around the jagged peaks, and shrieks across the unobstructed plains.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Slowly, like the fade-in of an old television set, sound starts to fill in the silence. The sound of screams. The sound of shouting. The sound of gunfire and explosions. The sounds of war -- all originating from the besieged city of Stalingrad, to the east. Tanks trade fire across the plain. Men clash in the fields, in the streets.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Men die, cutting one another down, writhing their last in a melange of snow, mud, and blood.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;To the west, perhaps a mile distant, rears an improbable sight: what looks like the interior face of a plunging gorge. At the top of this gorge, thousands of feet up, can be discerned the faraway traces of railroad tracks, winding along the side of the rearing mountain.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The tracks are empty-- for now. Steve would know they won&#039;t stay that way long.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A familiar voice cuts the silence. The voice of the Winter Soldier-- or, as he must think himself to be in this time period, Yakov Aleksandrovich Morozov. He&#039;s no more than a few hundred meters distant, halfway between them and the city, trying to direct a knot of men and a tank with barked orders in Russian. He&#039;s having some success in getting the entire affair turned around, presumably to face some threat.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A threat that hits the tank with a rocket a moment later. The entire thing flares up, and the explosion rocks the earth even beneath the group. Yasha, tank, and soldiers alike vanish in a haze of violence, flame, and smoke.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Steve quirks a half-smile at May&#039;s note and Liam earns a small nod as he&#039;s pulled along by the SHIELD agent, &amp;quot;I&#039;m not really friends with the ice anymore,&amp;quot; and then with a coy smile, mostly because he gets so few references and the ability to use them, he adds, &amp;quot;I guess I just have to let it go.&amp;quot; His eyebrows arch, and even if May doesn&#039;t know the reference, he takes easy satisfaction in knowing even one. Someone could probably blame Lewis. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But that momentary change in his demeanour slips as they&#039;re drawn to the landscape that makes no sense. His expression sobers, losing any momentary humour while the sounds draw him to memories of a similar mountain-face. His eyes linger on the train tracks. Much like Camp Lehigh, the train has been permanently seared into his mind&#039;s eye. But the landscape itself is sketchy at best. He wills his way to the tracks. &amp;quot;No,&amp;quot; he murmurs softly, more to himself than Bucky or anyone else witnessing this vision. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The small reprieve from the cold by Loki Odinson is enough to help push Mercy further onward. His cavalier description of how &#039;bad&#039; it really is only earns a quiet noise from the woman. She can&#039;t quite agree with those words of his.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Expectations of a warmer climate within the next memory are sadly not met as snow and wind swirl resolutely around the group.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The howl of the wind, the harshness of the battle around them takes a minute to be heard, but when it is it&#039;s not just the wind, the snow and the cold that takes Mercy Thompson&#039;s breath away. It&#039;s the death and the destruction before her that likewise does. It doesn&#039;t matter that she&#039;s already had a glimpse into similarly bleak memories from the Winter Soldier, but this time (perhaps) the recovery from the shocking realities of war comes a heartbeat quicker than ever before. Blame it on a combination of seeing those aforementioned memories and also the accumulation of everything that&#039;s happened in the last few days. Weeks really. A hardness is settling into the lines of Mercy&#039;s personality that wasn&#039;t quite there before.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Pulling herself away from the visual terribleness Mercy strives for objectiveness. Looking for what doesn&#039;t fit.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That mental step back allows Mercy to see the area with the eyes of someone who&#039;s studied history. And while Mercy might be a little rusty and the landscape is a jigsaw of oddities, that doesn&#039;t stop her from finally realizing their location. Mostly from the river, the battle before them and the war-torn town that can be seen. That realization is what brings her eyes around to the mountains. &amp;quot;Those mountains. They&#039;re not right.&amp;quot; The gorge has yet to be seen and while her gaze was turning in that other directions, her attention is suddenly caught by the sound of a familiar voice. Seeing the Winter Soldier, Mercy quickly turns to Sam, the two having the weapons Loki constructed for them. &amp;quot;I think this battle is the fake part.&amp;quot; And while she&#039;d like to say she feels reasonably certain of that, she can&#039;t quite commit, so there&#039;s an unspoken &#039;I think&#039; at the end of there. &amp;quot;We should -&amp;quot; And her words end there, as the ground lurches beneath her feet, causing the coyote to stagger a few steps.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam Winchester stares at all of this in dismay. He can&#039;t tell what they&#039;re supposed to kill here. The straightforward puzzle has become considerably less straightforward, and he glances helplessly back at Steve to see if he can identify what they need to do here. Mercy says that the battle is the fake part, and he grips his knife like he might just wade in and start killing soldiers. But then the ground rumbles, Mercy&#039;s staggering. He at least puts out a hand to try to steady her and hold her up.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;He just went down there,&amp;quot; he says, of the man who was just swept away by the explosion. &amp;quot;Do we go down after him maybe...?&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This is battle as he&#039;s never seen it, but as his father did. It makes his father&#039;s description of their stalking of things that go bump in the night as a war seem...strange. Inaccurate.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:138|Loki (138)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Trains. Planes. What&#039;s next, a flotilla of half-dead Soviet soldiers hauling immense chains through the tangled landscape? The Night Nurse&#039;s admonishment rings still in the halls of memory and in the crackling retort from their guns. &amp;amp;lt;&amp;amp;lt;Go save him.&amp;amp;gt;&amp;amp;gt; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It hurts to watch a man suffer... if Loki were remotely human, prone to the same cares and concerns of those on a field of war. Asgard is the crux of Ten Realms, around which it may be said the spindle of creation rotates with Midgard at its centre. Yes, an incredibly biased worldview but essential to understand the desultory response. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;So what, it&#039;s a field of killing and another murderous mission from the hundreds of similar days Bucky - or the Winter Soldier - spent fighting and campaigning. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Understood,&amp;quot; he answers the coyote. He inhales deeply to ground himself in memory, the unrolling scroll of the Caucasus laid out literally between his hands. Frigid river, white plains. His fingers steeple and he sweeps his hand to the side, clearing the board and all the extraneous snow-capped pieces with it. Dwindling on the mountains, reverse orogeny rewards the Earth by restoring the prosperous fertility to the fluvial plain. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He holds to the grim notions while striving to limit any quakes, going down on one knee to touch the boggy foundation. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The storyteller&#039;s voice is soft and compelling, following a definitive cadence. Hey, he&#039;s probably narrating for Odin and all Asgard. &amp;quot;The city of Tsaritsyn on the yellow water, jewel of the wooded steppe. Here walked James Buchanan, once, in the shadow of a hungry winter. Soft plains watered by your rivers, under veil of ice and snow, recall yourself. No stony peaks, no folded heights. Where he fell, he was carried by the river...&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The distraction of the mountains recedes into the distance, under the guide of a god&#039;s sculpting hands. Perhaps it is for the best. What damage might be wrought to that true memory, by this false one that has butted up against it?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And, as has been surmised -- this is false. Oh this conflict happened, to be sure, the bloody Battle of Stalingrad recorded in all history books, but he was never here --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Out of the flame and chaos of the downed tank, one man walks. His shape is all wrong, lopsided, lacking the symmetry it should have. Dazed, gouting blood from the ruined stump where his left arm used to be, the stunned figure of Bucky Barnes -- of Yasha Morozov -- stumbles and falls in the snow.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He is still.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In the far distance, a small squad of Soviet soldiers walks along the line of the horizon. It is written, in a false memory, that within half an hour they will find the man who would become the Winter Soldier, lain in the snow.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Once they&#039;re where there&#039;s a visible horizon, May lets go of Rogers&#039; arm, bracing herself for the battle ahead and letting her long-trained sense of balance compensate for the tremors that made Mercy stumble. But as Loki smooths out the &#039;battlefield&#039;, she listens to his words and then rushes forward, toward where Barnes fell and mentally wishing she had her sash whip with her right now. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;BARNES! Don&#039;t you /dare/ give up here, do you hear me?&amp;quot; If she can see him or anything, she&#039;s heading that way. Everything and everyone else be damned. No one gets left behind. That was pounded into her brain by SHIELD early and well. She&#039;s learned that that rule is not nearly so black and white since then, but here and now she plans to abide by it as much as she can.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;From behind, Fred watches, shivering. There is a narrowing of her eyes as she watches the proceedings. This is certainly disturbing, but she imagines nothing less of a man as disturbed as the one she has witnessed. She remains unsure he can be helped, but she is also here for support for her friends, unwilling to allow them to traverse this alone. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In the cold, she shivers involuntarily and follows the the steps of the others. Though she is not dispassionate, she watches the proceedings. May&#039;s yell is met with a start. This is where Bucky Barnes is supposedly rescued by the Soviets? That must not be how this happened. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May&#039;s movement towards Bucky is seconded by Steve. &amp;quot;Everything is wrong here,&amp;quot; he says evenly. With the mountains gone and the train tracks vanished, he&#039;s almost relieved, and it shows--in his eyes, face, and even very tension in his posture. The relief virtually radiates from him as he moves. Moments he&#039;s lived and relived get relegated back to the corners of his mind. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the relief dissipates when he sees Bucky look like /that/. It&#039;s not Bucky. It&#039;s not real, but the closer he draws to his friend, the more his paces slow. His lips part and his head shakes. It&#039;s fake. It&#039;s not real. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Come on, Bucky. We weren&#039;t /here/,&amp;quot; his eyes flit about the scene and hone in on the Soviet soldiers &amp;quot;...this isn&#039;t you.&amp;quot; But the notion of killing the memories and the falsehoods causes his face to blanch. The weapon is grasped tighter. His eyes close lightly and he hisses, &amp;quot;This isn&#039;t Buck.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The full meaning of the statement is left for the others to consider.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam&#039;s steadying touch earns a quick smile of thanks from Mercy and while her thoughts similarly mirrored Sam, about killing the fake memories, the decision is (thankfully) taken out of her hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The majority of it, at least.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Loki&#039;s reply to her statement causes the mechanic to pivot slightly, so she can look back at the Asgardian. She watches then as he invokes his will upon the memory and when the wrongness of the landscape eases Mercy&#039;s expression turns thankful. No words of thanks, however, are said yet, not when Loki drops to knee and offers those last words of his.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while the &#039;story&#039; is listened to Mercy switches her attention from Loki to Fred, then May, the figure of Yasha walking out of the flames and finally to the Captain himself. &amp;quot;Come on.&amp;quot; Mercy says to Sam, even as she steps to those so close to &#039;Yasha&#039;s&#039; fallen form. The gun Loki created for her is still in her hand, held (for now) pointed to the ground. &amp;quot;You&#039;re right.&amp;quot; Mercy says directly to Steve, noting his stricken features, the paleness of them. &amp;quot;It&#039;s not him. This is fake. The uniform is Soviet, it&#039;s not him.&amp;quot; She states again, even as she looks to May and then back to Steve, &amp;quot;It&#039;s like the soldier from earlier - we have to kill it.&amp;quot; It, not him. Mercy is trying to keep everything objective here - trying to make it easier, better. Something.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And like the Captain she too has noted the small squad moving off into the distance. &amp;quot;Before it can continue.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Whoa, hey,&amp;quot; Sam says, putting out a staying hand. &amp;quot;That&#039;s not how it went last time. Last time we didn&#039;t attack him, we attacked the memories that came for him. Look.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He points to the soldiers in the distance. &amp;quot;They&#039;re coming for him, okay? We go after them. If we go after him, we could really do him serious damage.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s not sure he&#039;s right, but he&#039;s sure he knows what he is going to do. He starts running, not for the soldier, but to intercept the men coming for him. He hardly wants to run right up on top of them. He finds he has a -- thoughtform? -- Beretta with him after all. He tries not to understand how he can be running here and yet somehow standing in a garage; he just accepts that he can close the distance. And if he runs, it&#039;s just because he&#039;s concerned they might all take a wrong pass at the wrong man, when these men are who they might should shoot...which means the faster he figures that out, the faster he proves it, the faster he might prevent them from doing something rash.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then again, he&#039;d be one to talk about rash, but he really has gotten used to working either alone, or with his brother, which is so intuitive as to be working alone.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Either way, he&#039;s going to line up a shot on //that// group, and take one just as soon as he&#039;s close enough to do so, though he will also most certainly look for some cover. He&#039;s not entirely sure he can&#039;t be hurt here.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:138|Loki (138)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The influences of the Prince of Stories, the Trickster, cannot be seen immediately. There&#039;s no white-winged dragon circling overhead to impart the deceit of their surroundings. Instead those smaller indicators unravel certainty in subtle fashions. Think loudly and the stone conveys wishes upon the wielder, their psychic network linking the subtle impulses and rising emotional tide of all those bound by their name and sigil in Loki&#039;s mind.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Here, a weapon forgotten or riding on a belt all along, secreted away for just the right moment. There, a necessity, whether it&#039;s a better pair of boots or a warmer coat. Small adjustments to approach the necessities and guard against threats of the mind. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;To undermine false truths implanted. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He prunes as a gardener approaches overgrown roses of a prized varietal, not by bushwhacking the damn thing but by cautiously selecting to snip back the suckers and remove the diseased leaves. Does Cap lack for his shield? Not its mental counterpart. Does someone need a beer? Good luck with that.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam&#039;s assessment is logical, and there are two ways to keep thsoe other guys away from Barnes. Sam is going for option one. May will go for option two: Get Barnes down and out of their line of sight. She suddenly realizes that she&#039;s got her sash whip in hand though it&#039;s the white of the landscape around them instead of its usual black, and something finally clicks in her mind. Liam is manipulating this landscape AND giving them tools to help. She can work with this. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Continuing on her path towards Barnes, she gets her sash whip spinning. Its usual whirring is almost completely covered by the wailing of the winds across these frozen plains. She again thinks as distinctly as she can, &#039;Liam, I hope this is possible. I want an elven cloak from Lothlorien.&#039; She&#039;ll have to remember to thank Coulson later for forcing all of his nerdities on her. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hey, at least she didn&#039;t ask for Harry Potter&#039;s cloak of invisibility.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:138|Loki (138)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;To Melinda is the simplest of responses, a flicker of commentary that begs to be said, &amp;quot;Alfheim cloaks are ludicrously coloured. You would stick out like the last-place finisher of a paint marathon. If you insist, however, you can have that and some bread that tastes of cardboard.&amp;quot; Because the player can&#039;t resist posing.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The initial of Sam&#039;s shots ventilates a distant Russian soldier cleanly between the eyes. The construct goes boneless and folds with the heavy uselessness of a fresh corpse, collapsing to the ground. A highway of blood pools along the ice.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The other soldiers stop, and in a neat symmetry, look right and left and straight down on the body made of their number. They appraise it for a moment, then forget it a moment later, their bodies a rivet of discordant static that momentarily seams them back into the landscape -- and into existence again, as the programming fights to maintain its narrative. Their platoon maintains that forward approach until, either solely by Sam&#039;s gun or with help from others, they all fall and die.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;At which there will be only the dead, cold land, the windblown smell of gunpowder and fresh death, and that constant, hypothermic cold.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And Yasha Morozov -- James Buchanan Barnes -- lain there, breathing wetly against a collapsed lung, with blood still gouting from what used to be his left arm.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She was not here a second ago. And here Claire Temple returns, looking more wraith than woman as she hangs, upside-down, by one chained ankle from a tattered strut of the nearby burning tank. Her white dress fans and moves unnaturally about her as if underwater.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her dark eyes look at no one, focused someplace distant and far away. &amp;quot;You&#039;re not finished. There is one left.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Towards Sam, Cap&#039;s chin lifts, even as the tall Winchester moves and he continues on his course towards Bucky, &amp;quot;The soldier worked last time because Bucky was //Bucky//. The soldier was wrong. This isn&#039;t him! There was no tank. There were no plains. //The person in this memory isn&#039;t real//,&amp;quot; he asserts again. Not that he can bring himself to take down any incarnation of his friend. &amp;quot;This man that he&#039;s carting around--Yasha--isn&#039;t real, He //is// the false memory,&amp;quot; his blue eyes train on the figure as he gives himself the pep talk. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The low sound of Claire&#039;s voice encouraging him has him grasping the crystal knife provided for him on this plane. Purposively, he treads to his best friend in the world. He falls to his knees to kneel besides Yasha. &amp;quot;You&#039;re not Bucky,&amp;quot; he repeats softly. &amp;quot;You&#039;ve gotta go.&amp;quot; Even on this plane, Steve&#039;s eyes glisten as he speaks to the falsehood. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His hands tremble with the knife and his face scrunches together as he slices Yasha&#039;s throat.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Steve is spared at least this much: this false vision, like the last, does not bleed. When its throat is cut, it simply dissipates, sinking away into the snow.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The programming shudders as another of its foundational struts is broken. The world twists, seething in rage against the interference of that little Claire in the Machine. Ice crystallizes along the body of the broken tank, frost painting behind that little fragment of a guide trying to show the way. It shapes, solidifying, and spirals abruptly into a spear of ice.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It impales clear through the woman&#039;s middle. She slumps, dissipating, and the world dissipates away with her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They awaken in a dark hallway. There are no windows, but there is a sense of depth that suggests they are far underground.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Two doors stand before the group, leading into two rooms side-by-side. Their interiors are visible, through wide viewing windows set in the walls: both are identical surgery rooms, fitted with operating tables. Over each operating table crowns some unidentifiable apparatus. Well, unidentifiable to anyone who has not seen a Vita-Ray generator. These are nowhere near the strength of the one that created Captain America, but they are an approximation.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Soon enough it becomes evident: they are seeing mirrored memories, side by side. One presumably false. One presumably true. Something else is no doubt becoming evident, over time: how it was that Hydra made a man think he was someone else for eighty years. Take his own history, and use it to make the bones of his false one.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Both rooms stand inert, frozen in time, a paused recollection. The left-hand memory starts first, springing to life with the rapidity of a video unpausing.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Two men approach the door. One is a younger version of Bucky Barnes, perhaps no more than twenty years of age, one-armed and somber. The other is a shorter, older man, a man with an avarice for knowledge in his eyes that respects no bounds of ethics. Dr. Arnim Zola.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;It is called the Winter Soldier Project,&amp;quot; Dr. Zola says to Yakov Aleksandrovich Morozov. &amp;quot;It will restore your health and your left arm. Without it, you will be a cripple the rest of your life. With it... you will serve your country with a strength beyond any you could imagine. It is not without drawbacks, of course. And it cannot heal your memory loss -- &amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Let&#039;s begin,&amp;quot; Yasha says. There is no hesitation as they enter the room, as Yasha submits himself to the operating table, as the doctor commences his work.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The right-hand image unfreezes, a moment later. It plays a different recollection.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In this one, Bucky Barnes does not speak. He does not stand on his two feet. He is dragged, one-armed, unconscious, by two men, and followed by that same good Dr. Zola. They shift him onto the operating table like meat. They strap him down, and they feed needles into his veins.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;The rest of this has to go,&amp;quot; Dr. Zola says. &amp;quot;Even supposing that Soviet hack&#039;s mental reconfiguration procedure even works, he will be useless with only one arm, and I cannot attach any sort of prosthetic to //this//. Bring the bone cutter.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Bodies move about in the room. The grind of a reciprocating saw starts up. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;From the animal moans of pain that begin to emanate from the room, their subject started to wake up partway through the procedure.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam&#039;s words are heard and it&#039;s enough to cause Mercy&#039;s expression to shift to uncertainty. Yes, she had something of a similar thought in her head, but she resolutely pushed it aside. Only focusing on the wrong. Thankfully, for all of them, the figment that is Claire reappears. The help she bestows upon the group helps to clear Mercy&#039;s expression. And while the coyote was about to step forward to kill the false memory, thankfully Captain America takes it upon himself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s only when Claire&#039;s form is attacked by that ice spear that Mercy exclaims, &amp;quot;Claire!&amp;quot; Even though, again, she&#039;s not real and even as as the visions before them fade, Mercy has the stray thought that possibly the mental condition has some sort of safeguards in play here.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When eyesight returns Mercy looks around once more. Recognition is there within her gaze. Something about the mirrored rooms is familiar. That familiarity isn&#039;t realized until she hears the voice of Doctor Zola. She remembers that voice from another time and it&#039;s enough to bring the coyote completely around. She&#039;s watching the left side, the false side, and when Yasha and Dr. Zola walk into that surgical room Mercy reacts. &amp;quot;The left - it&#039;s the fake!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And just like that Mercy shifts forward to barge into the left-sided room, her gun already raised. Anger can clearly be seen upon the mechanic&#039;s features, as she aims at her first target - Dr. Zola.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then she fires; bang bang. Two successive shots sent on their way toward the monstrous doctor.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Mercy takes the doctor, and Sam Winchester&#039;s mouth sets in a tight line, because now he understands that the Winter Soldier is fair game too. And it&#039;s almost ironic. He&#039;d promised the Soldier he&#039;d kill him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;So he does, or tries. The young man eagerly signing up for the Winter Soldier project gets the brunt of shots fired from Sam&#039;s Beretta, raised and swiftly aimed into the back of the head, two shots of his own. He doesn&#039;t hesitate this time, because now the pattern makes a lot more sense, and now he&#039;s less afraid. &amp;quot;Someone tear apart this surgical equipment for good measure,&amp;quot; he suggests, even as he stops to reload...just in case the false memory also comes with false guards barreling down on them to fight them for murdering two people in the middle of the hallway.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:138|Loki (138)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It might be wrong to destroy the memory of the equipment made, though Loki&#039;s lip curls in disgust at seeing the crude techniques. Mind, the same organization stupidly attempted to summon him and his brother to varying degrees of success that mostly began and ended in a titanic explosion of electrified and spell-charged force. The temptation is there.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Temptation shoved aside rather than falling into the blue. He simply smiles, that dark Trickster, and starts twisting, warping, changing things.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May watches the two options, and is very glad that Mercy picks out which one is false, though the reality was certainly less kind to Barnes. Stepping past the coyote and the Hunter toward the equipment in the room, she goes for a more surgical destruction of the equipment rather than what Thor likely would. This time when she thinks of something new to have on hand, she includes a mental image: a Leatherman multitool. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The control systems are identified first and with the multitool she works to dislodge the wires leading to the coffin-like thing, taking an extra moment to intentionally mangle the connection points as each wire is removed. Ideally, she&#039;d completely melt the contactors, but this will do for the moment.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The pit of Steve&#039;s stomach lurches at the sight of the equipment. The thought of any of this happening to anyone let alone James Barnes makes him ill. While he could smash any of the equipment with his fists, he tugs at the shield at his back--a thankful provision on this plane. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Red, white, and blue clatter hard against equipment as Steve lays waste to anything in front of him. It&#039;s not an elegant way to dismantle equipment, but it&#039;s, at least, effective.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Through out the violence, the moving through the memories, Fred has mostly stayed on the outskirts. She is not exactly a melee fighter and she doesn&#039;t know Barnes as well as Steve Rogers does - obviously. She&#039;s not exactly sure what she can do. The vision of Claire, however, spurs for forward. She has absolutely no love of Bucky Barnes or the Winter Soldier, though she has certainly gained some insight as to why it is he may be the way he is. As far as she is concerned this man is responsible for quite a few problems that she finds inexcusable. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They are here now, though, in the room with surgical equipment and a lot of things to destroy. While May goes for the more surgical approach, Fred is not quite so surgical. It needs to be destroyed? Well, she is certainly in to do that. With her mind set and a pair of magical grenades from Loki, she sets the charges. A call of, &amp;quot;Fire in the hole!&amp;quot; And then, &amp;quot;Grenades!&amp;quot; Just in case they weren&#039;t sure what she meant by that. Immediately, she starts to back up. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The pattern of things has swiftly become clear to the group. When a programming is so insidious, so deeply-rooted, so reinforced over years and years to sound exactly like his own life, albeit with its details so slightly different... nothing short of forcible //erasure// of what is wrong will work.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Nothing short of deletion will suffice.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And they delete -- with prejudice. The storm of gunfire is both wholly unexpected and wholly effective, dropping the two men in the vision where they stand. The efforts of Steve and May make very short work of the equipment... and the charges Fred sets, to cap it all off, take care of the bodies and the entire room itself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This time, the falsity around them does not try to snap back into being, does not retaliate against them. It is palpably weakening, the most major rewritten memories targeted and summarily erased. But there is one last thing that must be done -- one last linchpin to remove.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There are memories, and then there is sense of purpose and self.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The last setting is a shadowed bedroom in Moscow, wan streetlight shining through the window the only illumination lighting the scene. And the scene is this:&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A man and woman, dead in their bed, throats slit, the sheets and blankets drenched in blood. The sickening coppery smell of it saturates the room, nauseating in its intensity. The perpetrator is still present, a heavily-armed, heavily-armored shape standing in the opposite corner as the bed, a dark swath detached from the greater darkness to stand over what looks like a cradle.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The sudden sound of a child crying confirms that it is a cradle. The dark shape of the Winter Soldier moves at the sound. His left arm catches the low light as he reaches down into it, and the crying muffles and stops.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The scene -- fuzzes, suddenly, like static. It shorts, and suddenly Bucky Barnes is on his knees instead, clutching his head. The child cries on, untouched.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Static. That image is gone again. The Winter Soldier stands as he was, left arm pressed down, and there is nothing but strangling silence. His features are locked in confusion.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There is a slither of chain in the dark. One end braids into one leg of the cradle. The other end manacles Claire Temple by the wrist of her left arm.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Twice dead, she wears all the markings of her murders, blackened with bruising around the throat, her white dress heavy with a growing stain of blood from that ice impalement.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But here that captive figment of her curls along the ground, trapped as any part of this cyclic, unending scene of murder, her head bowed down, eyes on neither the flickering image of Bucky Barnes nor the nightmarish shape of the Winter Soldier, bent over crying gone eerily silent.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She sits between them, her back to the group, her dark hair casting her turned face in shadow. &amp;quot;Speak now,&amp;quot; she begs quickly, urgently, &amp;quot;while you can -- he won&#039;t hear me -- before you lose him -- &amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The false memories destroyed. This is good.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Magic grenades are even better. And while she was just about to say something about those grenades, those words never make it past her lips. Not when the group is shunted to another memory.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Again, when eyes can see, Mercy looks to the room and the occupants (dead or alive) within. The slain parents, the sharp scent of blood and death, and the battered figure of Claire Temple and that cry of a baby. Mercy&#039;s expression turns pained and there&#039;s a quiet, &amp;quot;No.&amp;quot;, from the coyote, even as she takes one step forward. Those steps of hers, however, falter when the memory stutters to static and shows Bucky Barnes for that brief moment. When the Winter Soldier reappears and Claire offers those words of hers, Mercy looks briefly to the group and specifically to the Captain, before she simply states, &amp;quot;This isn&#039;t you. Don&#039;t do this. Break the conditioning - you can do it.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Shadow over a cradle in the dark. The scent of blood in the air. A dead parent-- parents, in this case. In this case, a dead child, instead of one forever altered. The dead child is enough to cut at the heart of one Sam Winchester anyway, but there are things in this memory that freeze him in his tracks and send icewater cascading down his spine. He finds something breaking through the calm Hunter&#039;s efficiency he&#039;d mostly adopted throughout this trek, bubbling up past his ability to compartmentalize. It twists his stomach, sickens him, saddens him, makes him wonder, and not for the first time, why this world is so very fucked up and awful, where God and the things that are supposed to champion the light of the world are to balance all the horror, all the grief, all the blood.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s never found any such champions, save for people like the ones standing here. And the one trying to be reborn in flickering images, clutched heads, and looks of confusion. He remembers the man he met at the park, the man who had a rough sort of soldier&#039;s kindness.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;We were all just some sort of kid once, the man had told him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He clears his throat. He holsters his gun. Now he can say some things he was holding on to. The time seems right. His voice is soft. He suspects its Steve&#039;s words that will carry the most impact, but he&#039;ll speak just the same. Anything for this man to hold on to. &amp;quot;James Buchanan Barnes of the Invaders. You&#039;re my childhood hero, man. The scrappy younger one with the brains of the bunch, right? My Dad, he put a weapon in my hand when I was 8. And even before then I was so scared.&amp;quot; Focus on the man, not on the scene. Earnest hazel eyes fix on James Barnes. &amp;quot;But even if what I read about you was mostly historical fiction, you set an example for me. I&#039;d think about being like you. A courageous defender of the weak and innocent. And it gave me strength when things got tough. I&#039;d sure like to meet the real you, man. I think I almost did, in that park.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May scrambles clear when Mercy yells &#039;Fire in the hole!&#039; because she is only too familiar with it. Then the scene changes and her eyes sweep the room quickly. Just as quickly she&#039;s putting a hand on Sam&#039;s arm, and when he stops speaking she offers a few words of her own. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You&#039;ve done what you have to to survive. It never hurts any less, I know from experience. But the fact that you feel at all is proof that you&#039;re stronger than this. That you just need to keep surviving and you CAN until someone arrives to help you carry your burdens. You&#039;ve made it this far. Stay with us and keep being strong, there&#039;s someone waiting for you.&amp;quot; She looks at Rogers at that last.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred scrambles back from the grenades even as the landscape changes. The figure of Claire is what she focuses her attention on at the moment, then the sound of the baby crying. The physicist&#039;s arms cross as she looks about them. The others speak to Bucky Barnes to try and break him from this, to offer words of encouragement. Instead, she says nothing. She has little to tell him in encouragement. The sudden silence of the baby speaks more to her, the shape of Claire Temple drawing her attention. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s better not to say anything, let the others call to him. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The static and its imagery leaves a visceral reaction in the pit of Steve&#039;s stomach. He physically aches at knowing what these people made James Barnes do. And the image of the two soldiers--one merciless and the other broken. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The brokenness extends. Steve crumples to the ground to where the Bucky had been. He kneels and sniffles, steadying himself against the dull ache that&#039;s growing in his chest. While Claire gives them direction, which helps them centre in this place, even without it Steve can&#039;t keep a cap on the anguish he feels. Mercy catches Cap&#039;s gaze as does May--both of whom catch his lack of pokerface and the sheer rawness of his emotions at the image. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s an oddity at having an audience for this, but it doesn&#039;t change what needs to be said. &amp;quot;Bucky, //please//,&amp;quot; his voice cracks around the words. &amp;quot;I know you,&amp;quot; he murmurs softly. &amp;quot;This isn&#039;t who you are.&amp;quot; He manages a flicker of a smile, broken, but present as he remembers fondly, &amp;quot;You&#039;re the wise-cracking, smart,&amp;quot; his eyebrows lift, &amp;quot;and smart-mouthed defender of, the innocent.&amp;quot; He actually manages a smile, &amp;quot;Even me. When we met,&amp;quot; he almost laughs, &amp;quot;I was getting pummelled. Not far from Lehigh--corner store down from the base. You didn&#039;t know me from Adam, and you stood up for me.&amp;quot; His expression softens. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;And you did that time and again. You&#039;re my friend. You&#039;re not some guy I was in the army with. You&#039;re not just some hero on a page. You&#039;re my friend. You&#039;re just. You&#039;re good. You look out for the little guy.&amp;quot; He swallows hard. &amp;quot;And I&#039;m sorry, Buck. I&#039;m sorry I didn&#039;t get to you sooner. I&#039;m sorry,&amp;quot; he chokes on the words, &amp;quot;I.. lost.. you on that train.. but I swear to you... I&#039;m with you to the end of the line. Whatever it is.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier is a silent shape in the dark as the words pour over him. He does not move, and the quiet goes on and on and on. People offer their statements of encouragement. Their personal anecdotes. Their admissions that they looked up to the man the Winter Soldier used to be, before. And Steve? He offers everything.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;It&#039;s the mission,&amp;quot; the Soldier finally says, cold and calm.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;No... it&#039;s not,&amp;quot; the same man answers himself back, in a different voice. He looks up and full into Steve&#039;s eyes. &amp;quot;Steve? This is not...&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He seems to finally notice what his own left hand is doing. His expression breaks in pure revulsion.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His right hand slips to his side. It unholsters the pistol there, drawing it with the fluency of decades of practice. He lifts the weapon straight to his own temple and pulls the trigger.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is a //click//. The effect of the Mind Stone finally fades, eased off by the god controlling its power.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When the group comes to, back in the garage, it will be to find themselves in the company of a man. Perhaps the Winter Soldier... perhaps not. Probably not, judging by the way he&#039;s folded over, head in his hands, rocking and repeating something to himself. &amp;quot;No... no...&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is little in his features but the utmost agonized confusion. He seems to notice his left arm for the first time, spasms in horror, and tries to claw past the chains tethering him to rip the prosthetic off.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The effect fades, and takes the false landscape with it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Claire Temple, a piece of it, no more than a fragment, tries to stand to find her own freedom -- &amp;lt;br&amp;gt;&amp;lt;br&amp;gt; -- and remains stopped by that chain. It holds the woman there, still strewn along the ground, whom... finally turns her head and imparts the group the first clear look of her face. Her eyes gentle. Her expression falls into a tired relief.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&#039;Thank you,&#039; she mouths, but there is no sound, no call of her voice -- it is pulled in with the rest of the vision, the chained woman with it. And gone.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Mercy listens to everything everyone has to say. All of it. Especially the words of Captain America; the man who knows Bucky Barnes better than any of the here.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then the coyote&#039;s gaze is turning back to the man they&#039;re trying to reach. To see if it worked and when he recites those terrible first words about &#039;mission&#039;, Mercy&#039;s expression begins to fall. Before she can offer any other words of encouragement something more humane returns. Of course, when Bucky Barnes realizes what he just did and pulls that gun, pressing it swiftly to temple, Mercy can&#039;t quite stop the quick denial, &amp;quot;No! Don&#039;t!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But thankfully, the influence of the mind stone and its ability to make everything so real is removed. Not before there&#039;s one last glimpse of Claire -&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Now it&#039;s back to the garage and there&#039;s a second or two where Mercy is shaking off the effects of the mind stone. Like waking from a dream. Or in this case nightmare. Horrific nightmare that wasn&#039;t even hers. As soon as awareness is there, Mercy&#039;s gaze turns quickly to the chained man within the garage. She watches him rock and offer those denials and when he reaches for his arm and tries to tear it off, Mercy finally reacts. She doesn&#039;t step forward, but she does say, &amp;quot;Stop it!&amp;quot; Her words loud, &amp;quot;You need to stop! Claire needs you!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam doesn&#039;t pull away from May&#039;s hand on his arm at all. If anything, he looks down at her briefly with something very like a strange and startled sort of gratitude. Her motherly overtures to him haven&#039;t gone missed, exactly,so much as they are unfamiliar and he&#039;s uncertain what to do with them. But a gesture of caring isn&#039;t something he&#039;s going to shake off, ever, and he finally gives her a quick, uncertain, and ultimately distracted (because of what they&#039;re about) little smile of acknowledgement. It&#039;s a sad smile to be sure. Everything about this is sad.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The word itself seems too basic, but it is what it is.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then the soldier-- no. Then /Barnes/ is freaking out, something which makes total, complete, and utter sense. And Sam steps back a moment, because he&#039;s actually not equipped for this reaction in the slightest. Empathetic to it, of course. But empathy that carries him through witness interviews and allows him to bolster the few living victims he encounters in his line of work does nothing to tell him how he should react or respond when someone is having a psychological breakdown brought on by the sudden return of self...and the knowledge of the horrors that self has been forced through being shoved at him all at once.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy invokes Claire. Steve, he&#039;s sure, will have something to say. Sam? Begins to wonder if he shouldn&#039;t have just brought more Vodka. So much more Vodka.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No. Probably wouldn&#039;t have helped.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It takes May a few moments to realize they&#039;re back to reality, and the moment she does, the first thing she checks for is her jacket and weapons. All present and accounted for? Good. Next ... damnit. She sees that Barnes is awake and aware and freaking out. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Rogers,&amp;quot; she says to get the man&#039;s attention, but in a tone that likely very few people here have ever heard from her before. She&#039;s stripped out every bit of the harsh commanding tone to her voice, worried that it&#039;ll make Barnes react badly. She steps around to where she&#039;ll be in his line of sight but well out of reach, then crouches down so she&#039;s not in any way standing over him. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;James.&amp;quot; She&#039;s nowhere nearly earned the privelege of addressing him in a more familiar manner. &amp;quot;James, you&#039;re safe now. I know what it means to you right now. And I know you&#039;re strong enough to step past that loathing, just for a little longer, until we can help you set it aside without causing you any more pain than you&#039;re already in. Will you trust us?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;When they&#039;re back to reality, Fred stumbles a bit. The very means of which they traveled is something that already is a very touchy subject for Fred Burkle. It&#039;s only knowing that they were not physically traveling that helped her through parts of this. Honestly, it was only the ability to possibly grenade things within the Winter Soldier&#039;s mind that made her spring forward. There were quite a few things she&#039;s witnessed that stunned her silent. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Resting her back against the wall - as far from the Winter Soldier as she can be - Fred takes a few steadying breaths, hands clasped in a white knuckled grasp behind her as she does so. They&#039;re back. Everyone is okay, they didn&#039;t actually go anywhere. Her eyes drift first to Sam, then to Mercy and May. They lastly look over Loki and Steve Rogers in a curious manner. The Winter Soldier, chained as he is is given a look - one still of mistrust and worry. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The image of Bucky on the floor has Steve on the move. It&#039;s ill-advised, but he&#039;s not going to leave Bucky on his own. Three steps bring him to Barnes&#039; side. Mercy&#039;s mention of Claire actually produces a cringe from Rogers. His eyes silently plead for a moment. Even one. But he doesn&#039;t verbalize the request. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He takes a knee and, without giving it a second thought, reaches to squeeze Bucky&#039;s shoulder. Earlier he&#039;d been told to leave the Soldier his space, but he&#039;s not going to leave his best friend a mess on the floor. &amp;quot;Buck?&amp;quot; he says softly, checking if his friend is the one occupying his own mind. &amp;quot;It&#039;s Steve... I&#039;m here...&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Hey, hey, hey, hey,&amp;quot; he chides softly when Bucky claws at his arm, moving to wrap a single arm around Bucky&#039;s chest. And even if it&#039;s thrown off, he&#039;s pushed away, or takes a beating for it, he meant it. He&#039;s here. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Bucky, I&#039;m here,&amp;quot; he repeats softly. &amp;quot;I&#039;m not going anywhere. We&#039;re all here for you...&amp;quot; it&#039;s an idea he stands behind, even as he takes notice of Fred&#039;s expression.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Steve reaches towards Bucky, and the man jerks away. He almost falls with his vehemence not to be touched, scrambling away as best he can with a chain wrapped about his chest and upper left arm. His blue eyes, wide and staring, jerk their gaze back and forth from face to face, focusing marginally more on those who speak.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Will you trust us? May asks. The former Winter Soldier stares at her, both understanding and not understanding her, before he folds under another apparent wave of nausea, his forehead nearly touching the floor. &amp;quot;Should&#039;ve killed me,&amp;quot; he says, with a voice raw and rusty from disuse. This voice, like as not, has not spoken freely in eighty years. &amp;quot;Should&#039;ve just--&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Steve touches him again. James makes a horrible, grieving noise and pulls away again, pushing Steve back as he does, the chain rattling.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In the end, it&#039;s something Mercy says that seems to pierce through his panic. Claire needs you. The phrase -- the name, more than anything -- hits him like a brick to the face. He reels back, stunned. Recollection appears visibly in his eyes... and with recollection comes the one way in which Bucky Barnes has always coped with the stressors in his life. The one way he&#039;s gonna cope with this one, too. His blue eyes flare, suddenly pinpoint focused, because they&#039;re focused down on just one thing: unadulterated rage.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He bolts to his feet. The lower half of his metal arm winds about the slack of the chain, his hand latching down on the links with a clash of metal on metal, and he lunges straight to the end of his tether with a violent jerk that shudders the beam above. Mercy&#039;s welding job is a good one. It holds.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The chain, however... doesn&#039;t. A savage pull of his left arm, a viselike clamp of his left hand, and a quick torque of his body jerks the chain again, slamming the links where they&#039;re weakest a second time. The thing breaks with a snap of parting metal, the bindings slithering free from his chest.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;m gonna fucking -- kill them -- &amp;quot; he swears, trying instantly to leave.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The coyote watches all that&#039;s happening within her garage.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The people, their reactions, their silence, their inactions. It&#039;s all watched by Mercy Thompson.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Whether she sees that pleading look from the Captain is uncertain, but the mechanic offers nothing more. Instead, she silently watches the interaction between Captain and Soldier and the course of it is enough to cause the brown-haired woman to drop her sympathetic gaze away.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s only as rage finally cuts through the general miasma of scents within the closed-up garage that Mercy&#039;s attention shifts back to Soldier and Captain. And when the Winter Soldier suddenly bolts to his feet Mercy can&#039;t quite stop tensing in response, an automatic flight or fight response from her. It doesn&#039;t matter that she can see him connecting the dots where it concerns the Night Nurse.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while Mercy was just about to say something those words of hers are never said. Not when Bucky wraps that chain around his arm and then lunges forward. That&#039;s enough to cause the coyote to jerk back and several steps away, that fight response now clearly turning to flight. When her weld holds there might be a second of relief from the mechanic, but that too doesn&#039;t last long. Not when the chain snaps with a sharp retort of broken metal. &amp;quot;Holy -!&amp;quot; Mutters Mercy Thompson, voice edging towards an expletive that (thankfully) never comes. No, instead Mercy will watch the man try to /leave/ and that finally kicks Mercy into gear. A look is sent to Steve, then May, Sam and even Fred. Everyone in the room, really, even as Mercy says, &amp;quot;Wait! You can&#039;t just leave. You can&#039;t just attack them on your own. That&#039;s - you need a plan - /something/.&amp;quot; Otherwise it&#039;s suicide, which was almost said, but the coyote caught herself just in time.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam takes out his Beretta and cocks it. &amp;quot;I say we plan as we go. We saw what kind of shape she was in. We all do this together, hit hard and fast with him leading the way, I say we can win this. It&#039;s also the only chance she&#039;s got. They&#039;re probably keeping her alive in the hopes of recovering him, but they have occultists. The amount of magic we just threw around here won&#039;t be missed, and given the location it might not be hard to figure out what we were doing. It&#039;ll take them a little time to be sure, maybe, but the moment they do, Claire&#039;s toast. I&#039;m following him.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Also, the idea that the Soldier could have snapped that chain all along? Kind of unnerving, but all&#039;s well that ends well. Except it hasn&#039;t, not yet, not without their nurse. He glances at Fred, knowing how little she likes any of this, his eyes softening. He opens his mouth as if he might say something, and then ultimately closes it. She has to make her own decisions, unswayed by him, and he has the feeling asking her to stay is as bad as asking her to go.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May steps back when Rogers moves in to try and console Barnes. But then he lunges and snaps the chain restraining him and she knows better than to get in his way. Sam, though, might have a good idea there. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Let us help you get to them,&amp;quot; she offers the irate Soldier. The steel is back in her voice. &amp;quot;We&#039;ll make sure no one gets in your way.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Because sometimes? All you can do is let the man off his chain and get the hell out of his way. This way, hopefully, it won&#039;t be a suicide run on Barnes&#039; part.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Though shaky from their recent experience, the shriek of chain ripping from the wall immediately snaps into Fred&#039;s immediate attention. Without even realizing what she is doing, she shoves herself from the wall and into the Soldier&#039;s line of exit. Even as she does so, there is a wince - a visceral remembrance of the last time they met and he almost choked the life out of her. However, throughout their time in the Mind Stone visions, it was Claire that she focused on and she continues to do that now. Sending this unstable man off - alone? Unacceptable. She - for the moment - hasn&#039;t even seen Sam&#039;s glance toward her. Nor Mercy&#039;s. There is singular focus for the scientist right now. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I don&#039;t trust you,&amp;quot; she tells the Winter Soldier, soft, visceral, almost gravelly due to the still bruised wind pipe. The angry purple bruises he left on her neck are still visible through the tops of her shirt, despite her attempts to cover them. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;We did this to find Claire and we&#039;re not letting you leave without us.&amp;quot; &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Steve is easy to shrug off. He backs up a good long step, but he&#039;s not leaving, remaining crouched beside Bucky until the chain breaks. Quick reflexes have him ducking in time to step away from the links. Mercy&#039;s pleading gets a faint shrug, Sam&#039;s lack of plan actually merits a tick of Steve&#039;s eyebrow, and May&#039;s thoughts on helping cause him to nod. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fred earns a pull of Steve&#039;s eyebrows and he straightens and gives a nod to the door. The information about Hydra&#039;s occultism, the images they&#039;d seen of Claire, and the determined nature of everyone in the room causes his demeanour to change rather drastically. Others have said their piece and their concerns. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Let&#039;s suit,&amp;quot; two simple words. His head turns towards May, &amp;quot;May, you have a quinjet?&amp;quot; A glance is given to the others in the room, and his gaze lands on Mercy--the calculating voice of reason. But while they might not have a plan, they definitely need one thing, &amp;quot;I think we need to suit up and then move.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;A man may do extraordinary things when sufficiently motivated. Extraordinary things like snap a chain that had previously held him fast. Whether that motive is rage, or shame, or guilt, or all of the above...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Well, it doesn&#039;t matter.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;People call out to him as he makes to leave, shout for him to stop. And amazingly -- for the first time in the experience of most people here -- he obeys. At the least, he slows. He sways slightly when he does, staggering, and his hands clutch into his hair as if to try to ground himself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then Fred interposes right in front of him. It is a brave move, even foolhardy, given how many times he&#039;s gone through her without hesitation or remorse countless times before, but this time her slight form might as well be a wall in front of his face.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;I don&#039;t trust you, Fred says, standing her ground even in the path of the Winter Soldier -- or whoever he is now.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Whoever he is, he tilts his head -- and grins at her defiance, a horrible mirthless expression that&#039;s in truth more the baring of teeth than any genuine smile. There is a deep well of bitterness in the look, the nascent beginnings of a self-loathing that might not actually have any end. The hate he bears himself is clear in his voice when he answers, &amp;quot;That&#039;s smart. Very smart.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Momentum halted, the fight seems to go out of him. He stands stock-still where he is, head hanging, avoiding Steve&#039;s eyes at all costs.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;When Fred steps in front of the Winter Soldier, Mercy can&#039;t quite stop the look of concern that flashes across her expression, or the step she takes towards the other woman. That expression of hers only gets worse when Fred speaks of all the not-trust within the room. Because, in the end, it&#039;s the truth. There is an issue of trust here, at least for some. Mercy included.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When Bucky seems to agree with Fred&#039;s assessment, the coyote can&#039;t quite stop her expression from turning even more grim.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while Mercy should add something to what Fred says, she doesn&#039;t. Instead she moves onto Sam, Steve and May&#039;s words and a look is turned towards them. &amp;quot;One, some of us don&#039;t have suits, two, like everyone said we&#039;re doing this all together and three, let&#039;s get something of a plan together. Or at the very least can you give us a run down of where Claire is, or her last known location, what we&#039;re up against and what defenses they have waiting? I, for one, would rather not die tonight.&amp;quot; And while those last words could be construed as sardonic humor Mercy is completely serious.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam Winchester, a man who has hunted in flannel shirts most of his life, kind of stops and gives an incredulous look at &#039;suit up,&#039; but he doesn&#039;t argue either. He is, after all, in bulletproof flannel now, so maybe he shouldn&#039;t talk. He watches Fred, but he doesn&#039;t interfere. It&#039;s...supremely ironic to him, really, that he does trust Bucky. He saw the two men, and he can hear that self-loathing.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He can also hear a situation that&#039;s getting tense and counterproductive.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;We could plan en-route. And...en-suit, I guess,&amp;quot; he says dubiously. &amp;quot;Because those details //would// be good, Sergeant Barnes. From what... what was said before... there&#039;s a lot we ought to know.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There is a narrowed eyes at the Winter Soldier as he stands down at her attempt to stop him. In fact, his own agreement in not trusting him is met with a bit of a furrowed brow. That is not exactly that she was expecting. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As for suiting up, Fred adds in to poor Steve&#039;s attempt at encouragement. She has no suit to get into. She is just a random physicist. &amp;quot;Yes, not dying is preferable,&amp;quot; she agrees with Mercy. Though, that onus is not placed on the Winter Soldier. While her amiable agreement is met with Mercy, a look is turned to this &#039;Bucky Barnes&#039; people are now calling him. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Instead, as people and even the Winter Soldier himself acquiesces, Fred moves to Sam now. There are enough people here to stop Bucky - as far as she is concerned. Now? She moves closer to the taller Winchester. &amp;quot;A plan would be best,&amp;quot; she agrees. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:112|Steve Rogers (112)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Ever stalwart, even with Bucky avoiding eye contact, Steve remains fixed where he is. His chin drops towards his chest and a flicker of a smile pulls at his features, at being so called out on the turn of phrase //suit up//. &amp;quot;I meant more along the lines of get ready.&amp;quot; His eyes flit across the room at each of those present and his smile falters some, &amp;quot;Weaponry... at the //very// least...&amp;quot; he actually squints at that and then shakes his head. He&#039;d run into trouble with nothing if it came down to it, but if not wholly necessary--why? &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But he nods slowly with the others, &amp;quot;Any intel would be helpful.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;So many things are wearing off now for Bucky Barnes, in these moments. The adrenaline of shock. The trauma of sudden remembrance and realization. And most cripplingly... the false strength granted by pure and unfiltered rage.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Now there is only the slow and painful process of truly understanding what it was happened to him -- who he has been and //what he has been doing//, and for //how long//. He starts trembling visibly, exhausted in every conceivable way, his harrowed gaze staring off at nothing at all. He shakes because if he does not shake, he might scream, or cry, or just break down and physically collapse, and none of those options are acceptable. Not now. Not here.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a lot we ought to know, everyone agrees. Bucky finally lifts his head, his blue eyes staring and haunted. It&#039;s Sam he looks at the longest, before his gaze drops again. He still cannot look at Steve straight-on.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;ll tell you everything that I know,&amp;quot; the former Winter Soldier agrees.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=2127/Epokhe&amp;diff=1406</id>
		<title>2127/Epokhe</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=2127/Epokhe&amp;diff=1406"/>
		<updated>2017-08-24T05:18:32Z</updated>

		<summary type="html">&lt;p&gt;Altair: Created page with &amp;quot;{{Log Header |Date of Scene=2017/08/23 |Location=A junkyard, New York City outer boroughs |Synopsis=Several days ago, Sam Winchester received a precognitive vision, telling hi...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/08/23&lt;br /&gt;
|Location=A junkyard, New York City outer boroughs&lt;br /&gt;
|Synopsis=Several days ago, Sam Winchester received a precognitive vision, telling him where the Winter Soldier would be on this date. He and Mercy, Fred, and Dean pull together their weeks of preparation, and set and spring a trap.&lt;br /&gt;
|Cast of Characters=160, 306, 99, 229, 294&lt;br /&gt;
|Tinyplot=Tayaniye&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The day of Sam&#039;s vision has come. The time, though? That is still for a little while yet. Through a lot of trial and error and legwork, the likely junkyard has been found and those attempting to apprehend the Winter Soldier have consolidated there. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s a winding maze of twisted cars, car parts as well as dust and concrete. The husks of wrecked and abandoned vehicles are piled at least five high in some places, giving the impression of rusted metal walls and desolation. Around the perimeter of the space is a large chain link fence with barbed wire at the top to dissuade looters. The yard&#039;s office is dark - the owner long since gone home. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A desolate center holds the Scrap Magnet. It&#039;s old and well-used, but silent for the moment. Surrounding it in a circle are piles of surprisingly well organized car parts scattered about in varying heights. There&#039;s a pile for engines, another for bumpers, one for doors and another for hunks of twisted metal. From there, the maze spreads out, the twists and turns anyone&#039;s guess. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Winifred Burkle? She&#039;s standing nearby one of the first bends nearby a tall stack of random hunks of metal. An axe is held in one hand, a remote detonator from Mercy in the other. Her share of the bombs she and Mercy worked to build remains in a bag over her shoulder. In other words, she&#039;s in place. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Planning and preparation meant casing this place in preparation. Dean had walked its perimeter. He&#039;d talked through the plan with his cohorts at length. They&#039;d discussed watching and waiting--staying at each of the edges so they could wait until the target got to the centre and then throw everything they had at him. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But something niggled at Dean&#039;s thoughts. While the conversation had suggested that they could concentrate their attack--that each would watch from some corner of the scrap-pile, semi-hidden and semi-protected, the eldest Winchester had committed the most open spots to memory. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He slips out from his corner, and treads towards the centre of the junkyard... where he crouches down in the wide open. And then, like the arrogant hunter that he is, he begins to whistle the Andy Griffith theme. Dressed in several layers of armoured fabric, all from SHIELD R&amp;amp;amp;D, including his light-weight tactical jacket, he&#039;s far more armoured than he looks. He turns the Colt over in his hand and checks the bullets, practice he&#039;d done many times before even coming here. And in the open he waits. Whistling.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;A plan has been put into motion. A trap set.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Now the group must wait and waiting is one of the hardest things to do.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The majority of Mercy&#039;s time has been put into constructive efforts of booby-trapping what trails she thinks might be most used. Those spiraling and sharply angled pathways have been seeded with a variety of their homemade bombs. Taser, explosive and EMPs. It&#039;s only after the last bomb has been placed that Mercy will limp her way out of one of the myriad of paths and reappear within that center of the yard. &amp;quot;Okay, everything is set.&amp;quot; The coyote says, her own bag of left-over bombs settled against her hip. &amp;quot;Thanks to Fred&#039;s suggestion I&#039;ve a few extra things too - we were able to craft a handful of magical Molotov Cocktails; I&#039;ve been calling them Hellfires.&amp;quot; From within the bag several small metallic cylinders will be pulled forth. &amp;quot;Just make sure they crack open when you drop them on the ground and the area around them will go up in flames.&amp;quot; One Hellfire will be offered to each member, if wanted, then the coyote turns her gaze towards the magnet crane. &amp;quot;I&#039;m going to set up shop near the crane. Somewhere high enough that I can get something of a bird&#039;s eye view. Probably there.&amp;quot; And Mercy will point towards a stack of compacted cars nearish to the crane that look similar to the Leaning Tower of Pisa. While the stability of her particular hunter&#039;s bluff looks to be in question the tonnage of cars trapped within keeps it firmly upright.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Lastly, a familiar shape sits strapped upon her forearm; a smart phone, and within the smart phone sits an app and within that active app is a hierarchy. The hierarchy is for each particular avenue within the junkyard that&#039;s been set with explosives. She can detonate them singularly or in one fell swipe of her finger. It just depends on the situation at hand or possibly the amount of desperation that might be felt at the time.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her gaze will take in Fred and that axe of hers and also Dean. His whistling earns a look from the coyote - something that reads close to exasperation. Instead of voicing her thoughts, she simply states, &amp;quot;Please be careful. I&#039;d rather not bury anyone else because of today.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;For quite a while, it is silent. The vision was not exactly pinpoint specific about time, and so there&#039;s some waiting involved.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Presently, however, the Winter Soldier makes his appearance, on cue, walking his slow unhurried way home from a job. For given values of &#039;home&#039; and &#039;job.&#039; It must have been something big, because he&#039;s fully kitted and fully armored, a solid dark shape in the night moving with quiet confidence even under the weight of all his customary armaments.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He must be accustomed to cutting through desolate areas like this at night, the better to avoid prying eyes, because he slips past the fencing with ease, stalking a silent path through the twisting wreckage and piled car parts. His head is bowed, his aspect absent. He isn&#039;t thinking about what he just did, though. The Winter Soldier never thinks about much at all, when he is alone.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He seems poised to simply cut straight through the yard and its open center-- up until his sharpened hearing catches a sound in the distance. The distant strains of nonchalant whistling give him pause. He stands a moment, thinking, before he steps back into the heavy shadows thrown by the overhanging bodies of the cars, veering away from the yard&#039;s center and choosing a path that sticks to its periphery.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;From her place by the stacks, Fred sees Dean walk out nonchalantly and start to whistle. There&#039;s a tensing of her shoulders, a glare that she knows the elder Winchester cannot see. &amp;quot;//Dean!//&amp;quot; she hisses softly into their communication devices. &amp;quot;We&#039;re all supposed to be hiding!&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She should have known that something like this would happen. Much like Dean would plunge into a burning building? He&#039;ll stand out in the middle of a junkyard to pull fire from the rest of them. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A glance is given toward the crane and where she assumes Mercy is hiding, as if beseeching help from the woman. Perhaps from her vantage point she can see the amount of &#039;can you believe this boy?&#039; that is in her expression. While she could wax and wane on Dean&#039;s recklessness at the moment, she doesn&#039;t want to say too much at the moment. If she starts she&#039;ll never stop and, well, that&#039;s not exactly good for being covert. &amp;quot;We&#039;ll be careful, Mercy,&amp;quot; she assures the coyote. &amp;quot;Mathematically speaking, an event such as this has quite a few factors that come into play. It&#039;s difficult to calculate an actual percentage, so that means that statistically it&#039;s just as likely we&#039;ll all survive as all be killed.&amp;quot; To Fred, that is good news. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;From her viewpoint on the ground, she doesn&#039;t see the Winter Soldier approach, nor does she know that the time in the vision has reached its appropriate point. Instead, she keeps an alert, looking about her in an attempt to find where their quarry might enter. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam, like Dean, is more armored than he looks to be, with his own bulletproof plaid shirt, tactical jacket, t-shirt and even jeans. He had swiped earbuds for all and sundry and has another ICER pistol to boot.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He has taken up position in the shadows near his brother, and he grimaces to see how armed and armored the Winter Soldier is when he arrives to cut through that yard.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Dean decides to whistle and Sam gives him the flattest, most annoyed look possible. That is not how one hides from anybody or anything. The Winter Soldier cuts through the periphery. He makes a few hand-signals. If they&#039;re gonna use that magnet, they&#039;re gonna have to herd him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Thus, he starts dart-dashing along to try to get behind the assassin, running softly on feet which have snuck up behind dozens of monsters, ICER pointed down at the ground. /As long as I get there before Barnes hears me./&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Wryly, he adds to himself, /I suppose Dean is just going to leap out directly in front of him and yell his version of the Indigo Mantoya speech. He basically already has./&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He doesn&#039;t earbud this because, well, they&#039;re still in sneak mode.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Kinda.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Dean manages a flicker of a smile to Mercy&#039;s voice in his ear. The whistling continues despite the commentary as does that coy little smirk that he seems to always wear. The smirk actually turns dimpled when he sees the look Sam gives him. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He nods to his brother, granting him the cutesiest smile he can manage that, by all accounts says one thing and one thing only: /I think I&#039;m adorable/. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In this train of thought, he reaches into the jacket and tugs at the sleeve to hold the hilt of his hunter&#039;s knife in his free hand and ensures his colt is secured in the other. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam&#039;s hand gestures aren&#039;t missed, and has Dean&#039;s feet taking up a path to do just as Sam had thought. He runs on an intercept course towards the periphery as per Sam&#039;s silent instructions. While there&#039;s certainly focus in the movement, likely unsurprisingly to the younger Winchester, he tries to get the Soldier&#039;s attention as he attempts to get in front of him, &amp;quot;Too loudly, and far too brashly, he announces, &amp;quot;My name is Inigo Montoya! You killed my Father. Prepare to die.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Mercy&#039;s enhanced physique is what gets her up into her roost. Then the coyote arranges her bag of bombs within ease of reach and settles herself down to wait.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Waiting.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s one of the hardest things to do. It often lulls the mind into an inattentiveness. Where things can be missed, or inaction occurs. Or perhaps a better descriptor is slowed reactionary time.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Either way, Mercy Thompson has been hunting for nearly her whole life and while this particular game isn&#039;t a rabbit, deer or moose, she still knows how to keep her mind in the here and now. It also helps that the stress of this particular situation is keeping the coyote&#039;s adrenalin and anxiety at peak levels.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Also - Fred&#039;s assessment doesn&#039;t seem to help that level of anxiety within the mechanic, not with the odds their facing, because really, who likes 50/50? Mercy is more of a 80/20 or 90/10 sort of girl.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while the Winter Soldier is a superb craftsman at the art of hide, seek and kill, Mercy&#039;s own senses alert her to the fact that he&#039;s here. Her hearing zeroes in on where the sound of nearly silent footsteps can be heard and carefully the coyote turns her head just enough to look in that direction. Reflexively her hand grips the edge of her bomb bag and while she was just about to murmur the softest of warnings to the group Sam and Dean&#039;s movements are seen and heard. That causes the coyote to pause, but not for long. Not when Dean announces his presence just so. That&#039;s enough to cause the coyote to say quietly over their particular channel. &amp;quot;Fred he&#039;s here. Dean and Sam are moving to intercept. Get ready.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;While trepidation holds a tight hand around Mercy&#039;s heart and lungs, the mechanic still reacts. The phone upon her arm is brought close and the finger-smudged tempered glass is touched. While most phones have a brightness of three thousand tonight Mercy has brought it down to its lowest setting. It barely offers any sort of shining or reflective light, which doesn&#039;t bother her. Mercy&#039;s sensitive eyes can pick up all the icons even with the darkest setting. Quickly now the coyote begins to tap and swipe -&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier comes to a slow stop as Dean pops out in front of him. His masked features are unreadable, even though his eyes are not covered: the blue of them is as cool and faraway as the vault of the empty sky.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Dean proceeds to say some... stuff.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The reference goes straight over his head. In 1973, the Winter Soldier was busy wreaking a quiet sort of havoc in Sinai, invisible-handing the Arab-Israeli war. His head tilts, just a fraction, and he seems passingly irritated.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His hands move. With a decades-practiced speed and dexterity, they catch up the M4 carbine slung across his chest, snap the weapon to a ready, aim center-mass, and fire.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;At the wrong end of the maze for the initial battle, Fred is alerted to it by the yell from Mercy. Immediately, the woman moves into action. The detonator is shoved into her pocket for the moment and she pulls out an EMP bomb from her bag as she rushes forward. &amp;quot;On it!&amp;quot; she tells Mercy, a little inwardly annoyed that Dean&#039;s recklessness worked in their favor. She&#039;ll never live that down now. If they all live, of course. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her own approach is not at all stealthy. At first it was, but then she hears the loud war cry of Dean Winchester declaring that he is Inigo Montoya and she turns her pursuit into a full out run. She has faith that Sam and Mercy are in place. This is what she can do to try and ensure this all happens properly. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She arrives just in time to see the M4 Carbine readied to fire at Dean. Immediately, there is worried panic. The bomb has a very short radius, she runs up close to try and plant it properly. First, she attempts to distract with a yelled: &amp;quot;//Barnes!//&amp;quot; As she does so, she football tosses it the Winter Soldier as she activates it, immediately backing up as she does so. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam does not yell.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam is in the shadows, and Sam raises the ICER to aim at the back of the Winter Soldier&#039;s neck. It works better, he has been told, if one can get it in skin to skin contact so the dendrotoxins can absorb faster, instead of on armor or something like that. He double-taps it, sending two blue shots streaking in that direction. He&#039;s pretty sure this won&#039;t actually knock the super-soldier out, given all he&#039;s seen, but...it might slow him down.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Or at least work with Fred&#039;s bomb to distract him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;From shooting. At his brother.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This reminds him, coldly, of the threat that Barnes made to him in his prison cell. The slow burn of anger starts to churn, twisting at his gut, racing through his tainted veins.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s fortunate that Dean wore the SHIELD armour. The weapons fire that he takes has him hitting the ground hard to escape the spray of bullets. Even with layers of light bulletproof clothing, taking any kind of considerable fire is ill-advised. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A bullet catches one of those layers, causing the flesh underneath to complain with the bruising from getting so hit. The groan that follows isn&#039;t sharp, but it&#039;s certainly present to anyone really paying attention--especially through the earpieces. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;While pasted to the ground, Dean army-crawls towards one of the many cars lining the area, using it as a shield before bringing himself up to a stand to draw out the colt once more. He peeks from behind the vehicle and fires towards the Soldier.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Mercy&#039;s attention is split between the channel, her phone, the Winchester brothers, Winter Soldier and also Fred. Mercy hears the other woman offer that &#039;on it&#039;; knowing that means Fred is now joining the fight below.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Sam, Dean, Fred, get ready. I&#039;m going to blow a stack of crap near you guys. Get ready to move.&amp;quot; Is Mercy&#039;s only warning, that warning said quietly over the channel, because she&#039;s not giving her hiding spot away. Not yet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With those words of hers said a single fingertip jabs at one spot, a second and finally a third upon her smartphone&#039;s screen. With each touch the bombs that are hidden activate -&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while the bombs start their very short countdown Mercy&#039;s attention is dragged away from her phone and to the fight below thanks to the sharp retort of a gun being fired. &amp;quot;Dammit.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mere seconds after the Winter Soldier fires the muffled sounds of three explosions is likewise heard. Seconds after the bombs detonate there&#039;s a horrendously loud creak of shorn and distressed metal. That noise is coming from a tall and heavy stack of compressed metal blocks. And with those bombs blown the stack of condensed shrapnel slams to the ground like some great tree felled; its path headed for the group below.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;While the tonnage of falling metal isn&#039;t as great as the tower of cars that Mercy is sitting upon there&#039;s still enough that it would flatten and kill a normal human being.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy Thompson apparently didn&#039;t hold back with how she placed her bombs. It&#039;s all about maximum destruction.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;A few rounds squeeze off, but the Winter Soldier doesn&#039;t wait for a confirmed kill, especially when he hears the sound of Fred shouting, off to the left, and /especially/ when he hears those three explosions go off. Like any good predator, he can smell a trap when he&#039;s in one, and his immediate reaction?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He bolts. The flare of the EMP stumbles him briefly as his left arm shorts and drops, and so does one of the ICER rounds as it tags him in the back of the neck, but his fast-running blood purges toxins almost as quickly as they can work. And his arm? The hardened circuits will recover.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He doesn&#039;t need it to run, and his is a constitution that can hit sixty an hour in perfect condition. He&#039;s slower now from the toxin, but quick enough to clear the falling debris, quick enough to outpace the fire being aimed at him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But he&#039;s also mad. Extremely mad. So the path he decides to take out from under the falling debris is one straight through Fred, and he doesn&#039;t need his left arm to lash out a backhand strong enough to send her spinning off her feet and -- well, ironically, probably far enough to help spare her from the falling debris.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s certainly not intentional. He doesn&#039;t even stick around long enough to see if he hits or where she lands if he does, because he&#039;s heading straight down the periphery of the yard.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred is already backpedalling by the time Mercy give the warning that she&#039;s going to blow that part of the yard. This is part of the plan and she knows to be on her feet. She also knows exactly what the Winter Soldier is capable of doing. Despite all that, however, he is far faster than she even remembers. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The explosive cacophony of the bombs exploding is just about expected, but there is debris everywhere and then a Winter Soldier immediately in her face. He&#039;s paying little attention to her, but he or others might be able to see the surprise as she attempts to dodge him. That, unfortunately, means little when a physicist attempts to duck and weave a highly trained assassin. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;While her hand is already digging out a smaller magnetized bomb, she has no time to actually toss it. Instead, the only thing in her immediate vision is the Winter Soldier. His non-metal arm easily smacks her backward and out of his way. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fred goes careening. Quite ironically, the hit means the debris does not harm her, but she tumbles to the ground in a heap of limbs and prepared bombs. The axe slips from her hand as she falls. For a few moments, she doesn&#039;t move. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam gets the heck out of the way of the bombs when warned, booking it at his quite normal human speeds. He touches his earbud. &amp;quot;He&#039;s moving for the exit-- fast. If you don&#039;t have a way to shut those exits down he&#039;s going to finish this right here, and even then we might have trouble, cause he can go right over those cars.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His voice is matter-of-fact, despite the seething rage churning within. The periphery isn&#039;t going to get them to their trump card. He decides to stick to the shadows, though. He decides, too, to change it up. He pulls out his Beretta and lays down some suppression fire right in front of the soldier, hoping to give him pause...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hoping to conceal just how many there are and who is shooting what...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And in general just hoping to buy them some time while they try to re-route the man.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Roger, Mercy!&amp;quot; With the bullets having let up on him, Dean twists around the vehicle and fires his Colt several times in an effort to maintain their efforts at corralling. Simultaneously, as the bombs going off, he picks up pace as per Mercy&#039;s instructions. His aim becomes increasingly terrible and he breaks into a sprint amid the crazy falling metal surrounding the scene. &amp;quot;Shit!&amp;quot; his eyes widen at the shrapnel falling around them. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This chase after the soldier, and the need to run away from explosions everywhere, gives Dean a good view of Fred get the metal arm. &amp;quot;Freddy!!&amp;quot; The instructions into the earpiece that Dean hisses between gasps for air, just want an indication that she&#039;s going to be fine, &amp;quot;Get...&amp;quot; he gasps &amp;quot;...up... &amp;quot; gasp &amp;quot;... and walk...&amp;quot; gasp &amp;quot;...it off...&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As he pursues the Soldier, it becomes clear that he&#039;s effectively run out of bullets, and with the desperation of needing to slow the Soldier, or at least make him mad enough to stall him, he relies on his best defence: sass. And remembering all too well what a touchy subject Claire had been, he goes there, &amp;quot;Going back to kidnapped company so soon?! Can&#039;t make a gal stay--oh wait! You can! By literally making Claire stay...&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Dean! Fred!&amp;quot; Exclaims Mercy, &amp;quot;Are you ok!&amp;quot; Dean is, but Fred - still not sure and she can&#039;t stay focused on that.&amp;lt;br&amp;gt;Not when the Winter Soldier moves. Running.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Not good. Not unexpected, but still not good.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy rises from her crouched position atop those cars. She was using the space between two of the compacted vehicles as her hiding place, but now that he&#039;s on the move, she&#039;s up.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her keen coyote gaze can see where he&#039;s head. Kind of like a spotter. Thankfully, she doesn&#039;t need to call his movements out, not when Sam does so quite neatly. Her clipped response can be heard to Sam&#039;s words, &amp;quot;On it.&amp;quot; It&#039;s an echo of what Fred said just moments before and like the coyote said, she is on it. Several more bombs are activated and from those bombs a couple of things happen. The pathway that the Winter Soldier is following gives a faint shudder and from the explosions metal explodes from both sides. Hot shards fling outward, their edges sharp, wicked, intending to bite into armor and hopefully flesh. And while those potential bits of shrapnel could possibly be lethal, it&#039;s really the next set of explosions that Mercy hopes will be the game changer.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy waits for the last possible minute to blow the nearest exit that the Soldier could take. Only with this explosion she&#039;s not trying to crush him, instead she wants the tall pile of metal that now covers his retreat to be something he&#039;ll have to go around. Or rathe go /over/. Specifically climb over.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Within that pile of metallic castoffs are nearly a dozen taser bombs. The twelve bombs have been wired to specific bits of metal within. When activated the hill will become one giant taser -&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Only Mercy has to wait before she triggers the electrical current to run through it. Wait for him to climb it, or stand upon it, or for the love of god, just touch a part of the interlaced and interlocked pieces of metal so she can zap him with this very large and improvised cattleprod.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The open space they desperately want him in-- the one containing one very large magnet-- is exactly the kind of location his instinct tells him to avoid as he bolts along the narrow passageways winding between piles of scrap and twisted cars. The suppressive fire does cause him to alter course, the Soldier forced along a path a little closer to the center, but he&#039;s fast enough that he can weave through some of it outright, negating the need for him to change course too much.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He can assuredly hear Dean yelling behind him, but he&#039;s sunk fully into operational mode, all sense of emotion or play gone into the cold calculus of very simple decisions: run, or stay? Escape, or kill?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He seems content to simply evacuate for now, but it rapidly becomes plain that whoever set out to ambush him tonight has no intention of letting him leave. The first triggered explosion he feels before it actually bursts, and he makes an instant leap inches ahead of the shredding shrapnel that blasts inwards from both sides, vaulting over the swung-open door of a derelict car at the top of the pile and flipping into a landing on its other side.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This places him, coincidentally, out in the open they wanted him to be in, but he&#039;s not sticking around. He&#039;s heading straight for the nearest exit. Which, of course, is trapped. All it does is collapse at first, the debris blocking the way out, and he assumes that&#039;s the trap, for there&#039;s no way around. Did they think he couldn&#039;t go over? He makes to do so with the same agility he&#039;s demonstrated everywhere else this night.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It seems with the Soldier, what it takes is overkill, because the twelve bombs put a dead stop to him the way nothing else to date has. The blast sends him crashing back into one of the larger heaps of twisted pile of metal, impacting with the kind of force that would be fatal to regular men. The kind of force that brings all those pieces of scrap sliding down, like a collapsing sand hill.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This does happen to temporarily obscure him from sight.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The blow that incapacitates her is temporary. Fred slowly pushes herself upward after a the debris finally settles. There&#039;s quite a lot happening, a whistle in her ear along with the voices from the ear piece. &amp;quot;I&#039;m--I&#039;m alright,&amp;quot; she gasps as a response to both Dean and Mercy, though there are sure to be bruises and pain tomorrow. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s because of this, also, that she is clearly out of range of Mercy&#039;s second devastating round of trapped bombs to keep the Winter Soldier from departing. It&#039;s, luckily, the right amount of recovery time for the scientist to stand and pull another bomb from her bag...the one she had been reaching for before. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With the magnet bomb primed and ready, she is ready to toss it and pin him against any of the numerous piles of metal that surround him. Containment - sadly - seems to be their goal. But, without a visual on the man they are hunting, she stalks forward carefully and a bit painfully toward where the Winter Soldier disappeared. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This is clearly the point in the horror movie where someone attempts to poke a body they think to be dead, but she realizes now why they have to do it. They have to find him. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s the chatter on the comms, rather than direct sight, that tells Sam Winchester that Fred got hurt. That anger sparks, hotter and harder than before. His upper lip begins to curl as he struggles to control the fury, to think in strategic fashion.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Winter Soldier goes down under a crunch of debris, obscured from sight. He realizes Fred is stalking forward and he hisses in concern. &amp;quot;Fred, no, let me,&amp;quot; he says, jogging to try to get there ahead of her. There are things he can live with and things he can&#039;t, and she&#039;s already gotten hurt. The image of that cold metal hand wrapping around her throat and squeezing the ever-loving tar out of her makes his blood run dark and cold; he&#039;s determined to be there first. He has his gun up-- live bullets, he&#039;s observed, impress the soldier a lot more than ICER rounds do.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He is also well aware Fred might ignore him; he adjusts his angle of approach to account for that as best he can.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;He takes the bait and for one brief second Mercy feels relief.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Relief that this might actually work.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And when he vaults to the land atop that pile of garbage Mercy Thompson touches the screen of her phone.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then lightning strikes. In the figurative sense. And when he&#039;s tossed away and into that pile of scrap, Mercy waits. She waits for him to appear and when he doesn&#039;t she&#039;ll say quietly over the comm channel, &amp;quot;Do you see him?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Minutes pass. Pieces of dislodged metal fall, periodically interrupting the silence, until the landslide of car pieces comes to an eventual and fitful stop.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The hunting party regroups in this time, and slowly and cautiously approaches the last known location of their intended prey. There&#039;s no hint of movement, no sign of life, no sound to indicate what might be going on. The group gets right up to the spot where he vanished, and still nothing. No killer leaps from the darkness to take their lives.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In fact, if they get brave enough to disturb the wreckage, it&#039;ll be to find no one there. Just the dragging marks of someone&#039;s movement-- heavy and labored at first, but soon enough lightening and vanishing as strength and constitution recovered. Not really surprising. Over the decades, he was known not only for his kills, but for how seamlessly he could disappear afterwards.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This time, of course, he hasn&#039;t gone far. The trapping of one exit caused him to assume all exits must be trapped, and if that is the case, well, there&#039;s only one thing to do...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy, up in her perch on the leaning tower of cars, is alone. Up here it&#039;s quieter, the wind a little sharper. The night is still fairly calm, though, so the breeze only periodically picks up, tugging here-and-there at her hair.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There comes a time when it brushes past her, carrying the smell of metal and blood.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A few seconds later, a gunshot splits the air, and a .45 bullet travels down an exact path to blow a hole through her heart.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The whispered concern is heard by Fred as she stalks forward toward where they last saw the Winter Soldier. There&#039;s a narrowing of her eyebrows, but she doesn&#039;t protest out loud. That would just defeat their purpose - not that they really have any amount of surprise left to them. However, the woman with the magnet bomb slows her approach to allow him to overtake her. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s, honestly, not hard to do what with the blow she&#039;s already taken. The adrenaline accounts for something, keeping her strangely focused. Even if she wished to keep ahead of Sam, his determination to get there first would triumph over her own approach. &amp;quot;Be careful,&amp;quot; she tells him, worry clear in her voice. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;However, it&#039;s exactly how she feared. Behind her, in the perch where Mercy sits, she hears the gunshot. &amp;quot;Mercy!!&amp;quot; she shouts, immediately moving for the coyote. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam&#039;s head jerks up in alarm as he hears that single gunshot. From Mercy&#039;s perch, above, and in his ear, echo&#039;d. His eyes widen in horror, and he takes off running. What he intends to do, if she&#039;s already dead, he doesn&#039;t know. He just tries to get up there to her, just as Fred does. His heart is in his throat. Another one of the leashes on his inner fury snaps, and for a moment he can&#039;t see anything but a red haze.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then he realizes. If he&#039;s just shot her he won&#039;t even be up there anymore. Where would he go? If he were the soldier? He&#039;d come hunting the rest of them. So he breaks off, scrambles up another pile of unrigged junk instead, and looks instead for a place to cover Fred as she runs to check on the coyote, face settling into grim, dark lines as he tries not to consider that Mercy Thompson, the woman who saved his life twice and who has only ever been kind to him, might be dead.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This entire day has been an object lesson in the whole plans, first contact with the enemy principle. He hopes it&#039;s not an object lesson in &#039;no war without casualties,&#039; too.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Come on be down. Be down. Please be down.&amp;quot; Is the mantra that Mercy Thompson says to herself - those words not necessarily broadcasted over the earbuds, but it&#039;s clear by the group&#039;s reactions down below that the assassin isn&#039;t there.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It nearly makes Mercy swear, but before any coarse language leaves her lips the wind stirs. It brings a familiar scent. Man and metal and death.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;So much death.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the wind is her friend, always her friend, and it gives her a second or two of warning. She may not (yet) know where the Winter Soldier is, but the fact that she caught his scent so near clearly tells her just how much trouble she&#039;s in. As such the mechanic does what she can only do milliseconds before the bark of the gun is heard, she flattens herself down. That&#039;s the only thing saves her from having a hole in the chest.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Even after the bullet has passed overhead the coyote lays there a second, heart rate high, breathing harsh. The shout of Fred&#039;s and Sam&#039;s isn&#039;t acknowledged at first, but eventually her voice comes across the line. &amp;quot;I&#039;m ok! I&#039;m ok!&amp;quot; And then the coyote is grabbing her bag of bombs and with a roll and a slither she&#039;s scooting off her perch and dropping to the ground. There&#039;s no way in hell she is staying up there. No way. Thank god her physique can cushion that rather steep drop; well mostly. There&#039;s going to be a grunt when she lands and a slight stagger, but she catches her balance by her second step.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Don&#039;t get distracted we need to stick to the plan! Get him close - I can remote active /it/.&amp;quot; It being the magnet crane, because yes, Mercy did install a remove starter upon the large and hopefully menacing - it&#039;ll only take one touch upon the screen of her smartphone to activate it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hearing Fred running towards her Mercy moves to meet the other woman half way.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Throughout the transaction, from the fire of the gun to the hiss of the bullet as it whiffs past, there is silence. Afterwards, there is silence.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy isn&#039;t taking chances, though. She grabs her stuff and rolls clear off the edge of her perch.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She&#039;s only fallen about five feet before, in her wake, she can hear quite clearly the serpentine slither of armored plates click-clacking, the high whine of metal articulating, and the crunch of steel as something claws a hammerblow into the spot where she was two seconds previous. She no longer has line of sight from her vantage point, but she doesn&#039;t need to in order to guess who&#039;s up there.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He doesn&#039;t pursue, at least. Not directly. But it&#039;s pretty safe to say that right now, where the prey goes, the Winter Soldier will follow.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred is, again in Sam&#039;s wake. His long legs easily overtake her even when she&#039;s not allowing him to go first. Despite that, she&#039;s right behind, worried about her friend and the gunshot she just heard. There&#039;s already been so many close calls. Dean was saved by his armor, she was knocked about, Mercy was almost shot. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a quick and immediate intake of breath when she hears Mercy tell them that she&#039;s okay. For a moment, she slows her run, glad of that and needing a moment. Mercy&#039;s alive and alright. Of course, she can&#039;t blame Mercy from rolling, but who will work the magnet if she&#039;s not there. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The answer, of course, comes immediately and Fred should have known - Mercy rigged it. It&#039;s a relief. No longer feeling the need to run toward the crane, she starts to move toward Sam and the coyote with caution. Even after the attack on Mercy they don&#039;t quite know where he is exactly. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Where is he?&amp;quot; she hisses toward her friends through the ear piece. In order for their plan to work, they need a Winter Soldier in order for that to happen. &amp;quot;Maybe we should spread out, cover more ground.&amp;quot; &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam glances off in the direction where he last saw Dean, then looks at the other two. &amp;quot;No,&amp;quot; he says. &amp;quot;He&#039;ll pick us off one by one. We&#039;ve cornered him now. Come on. We move together.&amp;quot; He glances at the other two and says, &amp;quot;Come on.&amp;quot; He&#039;s going to try to be their cover for the crane, staying a little elevated, but otherwise sticking with them. At this point, splitting up strikes him as a terrible plan. Or perhaps he just feels like three close calls is three too many and he has a teenager&#039;s belief that if he can //see// the people he cares about they won&#039;t get hurt.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Either way, he figures three of them moving together can all keep each other safer, and will be a bigger draw to the soldier. He is pretty sure Dean is still stuck on the periphery, somewhat boxed in by some of the explosions but okay; which means they&#039;re essentially down a man unless they can get him there. He doesn&#039;t see the Soldier doubling back for Dean though, not when he&#039;s already come this far into the yard.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;That metallic blow from above is definitely heard by Mercy Thompson and she knows what that means. He&#039;s up high and they&#039;re down low. A perfect way to pick them off neatly and easily.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And also thankful that she had the wherewithal to jump when she did.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Up. There.&amp;quot; And Mercy helpfully points towards her just vacated perch, &amp;quot;Though he&#039;s probably moving, but he has the high ground now guys, this is bad.&amp;quot; And while Mercy doesn&#039;t necessarily agree with staying together she will nod to Sam&#039;s plan. &amp;quot;Let&#039;s get moving.&amp;quot; And like that Mercy pivots upon heel and moves. She&#039;s going to likely drift ahead, thanks to her ability to run much faster even in human form, but that doesn&#039;t stop her from trying to keep tabs upon Sam, Fred and if she can any movements from the Soldier. Even as Mercy runs she&#039;ll do two things - one, touch the screen of her smartphone to ready it for potential action and two, reach into the front pocket of her messenger style bag for the werewolf sedatives she secreted there.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;An assassin with high ground is a terrible thing. It would be a perfect setup for sniping-- if there were any clear lines of sight in this maze of a junkyard. That&#039;s probably what saves them, ultimately. That and the fact he&#039;s still human enough to have emotions, and the predominant one is enough anger to want to do it with his hands. No one has anticipated and hemmed him in like this in decades. How did they know so far in advance?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;ll find that out later. For now--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The three of them pelt down the twisting paths of the junkyard, swiftly gaining on the open space in the center where their trump card rests. A last hairpin turn and they&#039;re practically there, within sight of the crane and its potent magnet, with only a short last stretch between them and escape from the rearing piles of derelict cars on either side.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They get within steps. Then something blurs down from overhead, singling out Fred, barreling into her with enough force to lift her from her feet. To knock Sam clear away, should he be in the way. The Soldier slams her back against the unforgiving face of a rusted car door, pinning her several feet above the ground, his left hand clamping shut about her throat.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I /told/ you,&amp;quot; he says laconically, his blue eyes holding hers in an indifferent gaze down the length of his deadly arm. It is a bored look. This is the simple part. He will finish her, and then the coyote, and then--&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam&#039;s insistence that they stay together is met with a nod. Fred has hunted and she&#039;s survived, but she&#039;s never actually been in a situation like this. Sticking together on their way to the crane seems a better course of action. Maybe Sam thinks they&#039;ve cornered the Winter Soldier, but Fred doesn&#039;t quite believe that. Instead, he might be stalking Dean, he might be escaping somehow. Everything that she&#039;s seen of the Winter Soldier leaves her to believe that he can do impossible things. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As Mercy points to where she saw the Winter Soldier last, her eyes lift up toward that perch, hoping to use that as a triangulation point. Unfortunately, her calculations take too long. They rush their way back toward their main part of the plan and then there is a blur. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fred has no time to react. The Winter Soldier is there, yanking her off her feet and slamming her against a rusted car. All she has time for is a surprised gasp and gurgle before her wind is simultaneously knocked out of her and also blocked. The bomb in her hand drops to the ground harmlessly as she scrambles, both hands grasping at that arm pinning her there. Legs kick outward in an attempt to dislodge the Winter Soldier from the crushing grasp he has on her. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&#039;Don&#039;t test me&#039; he told her before when he taunted her in the Hyperion. Despite this, her eyes narrow. There&#039;s both desperation and anger in her fight - weakened as it is. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam was, in fact, in the way. Knocked aside by the Winter Soldier, he goes tumbling down a bunch of rusted cars like Jack taking the proverbial roll down the hill. He does tuck and roll though, knowing how to take that kind of a fall. When he lands, he&#039;s a little bruised, a little cut up, and his gun is missing somewhere in all the junk, but he&#039;s unharmed. It&#039;s almost like certain parties don&#039;t want him dead.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He lifts his head, panting, and he sees the Winter Soldier with his deadly hand around the throat of one Winifred Burkle. &amp;quot;Don&#039;t touch her!&amp;quot; But it&#039;s futile of course. The Soldier isn&#039;t going to stop on his say-so. And if he doesn&#039;t do something, Fred is dead.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The last leash on his fury snaps entirely. While his sclera remain white, human white, his irises turn as pitch black as his pupils. He snaps his head at Mercy long enough to snarl, &amp;quot;I don&#039;t care what you do. Get that thing on //now.//&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then, he summons the power that is flowing through his veins, coalesces all of it into one hard knot of energy deep in his body. He flings out his hand, catching up the Winter Soldier in his power. Power that could barely tug a gun out of a hand just a few short months ago easily lifts several hundred pounds of man and arm, catches him in some invisible, wholly unforgiving force, and hurls him in a throw fueled by all the power stored in injection after injection, straight up and towards that magnet. His scent, made all the stronger by his blood //snaps// into place, no longer woodsmoke warring with sulfur, no longer herbal soap and beer warring with hellfire. It&#039;s simply sulfuric woodsmoke. It&#039;s simply herbal hellfire. Beer is...well it&#039;s beer.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You sons of bitches promised it would stop hurting,&amp;quot; Sam seethes, his lip curling.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Guess you were right.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The &#039;wolf&#039; cuts right through the middle of their &#039;pack&#039;.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy&#039;s hurried footfalls quiet as she skids to a stop and then turns back. Her gaze takes in the Winter Soldier and poor Fred and finally Sam. Mercy has enough time to say, &amp;quot;Don&#039;t -&amp;quot;, but that&#039;s about it as Sam takes up the words she was about to say. Then he&#039;s growling and while Mercy turns a look towards the young man what he says isn&#039;t wrong. Her thoughts were already going there and so, the smartphone screen is touched. Two taps and the automatic starter brings the crane to life along with the magnet and with that magnet awakening a low thrum fills the air.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Even with that touch of hers Mercy is whirling back around and running towards the crane. She has no idea that Sam is about to literally toss the Soldier towards the magnet. Not at first, at least. Eventually that familiar tang of sulfur causes the coyote to look back over her shoulder, just in time to catch the demonic side of Sam asserting itself just so.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A stray thought of &#039;we&#039;re really going to have to help him with that ASAP&#039; filters across Mercy&#039;s mind, but that thought is pushed off to the wayside. Later she&#039;ll ponder that thought - for now it&#039;s all about capturing the assassin and saving Fred.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The first hint the Winter Soldier gets is the sudden smell that saturates his senses, sulfuric and burning. The second hint is the slight vibration that runs through the air, the presage to--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He has time enough to drop Fred and turn before telekinetic force orders of magnitude greater than anything he&#039;s seen from Sam before hits him dead-on, slamming him a full thirty feet straight backwards and into the flat surface of the magnet with a resounding /clang/ of metal on metal. The impact visibly stuns him, dropping him to his knees afterwards at the very base of the magnet. And that&#039;s about when the magnet hums to life.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His left arm leaps up and /sticks/ to the magnetized surface, keeping him somewhat upright. He&#039;s dazed and not going anywhere. Not while that thing stays on. Probably a great time to tranquilize him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Probably the /only/ time to tranquilize him.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred fights against the punishing grip that Barnes holds against her throat. No air is able to make it past and the metal arm at her throat. Fred&#039;s kicks and fight against the Winter Soldier are still desperate, but starting to lack cohesion or any effectiveness...if that was a possibility in the first place. Her vision starts to narrow to the glint of fluorescent on the Winter Soldier&#039;s arm. Sam and Mercy&#039;s outcries are heard dimly through the pounding of blood in her ears. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Suddenly, though, she is dropped. Fred crumples to the ground like a sack of laundry. Large gasps of air pull painfully into her lungs and she coughs a few times, a hand reaching involuntarily to her throat. Sound, smell and vision starts to return in a rush of information. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Immediately, though, she looks up to see why she was dropped. What she sees is Sam, eyes only white and black, then the Winter Soldier flung up toward the magnet. Though she is unable to yet push herself upward, she stares at Sam in disbelief. How...? &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam, sadly, isn&#039;t handing out explanations right now. As it is, his eyes shift back to hazel, though his scent stays put. He pats himself down, looking for his ICER. They won&#039;t be enough, those bullets, but he loads up the clip anyway. He&#039;ll wait till after Mercy fires her tranquilizers; they&#039;re probably a lot less wasted as reinforcements to what she brought than they are as primary tranquilizers. Still, he&#039;s got the weapon aimed, even as he walks backwards towards Fred and takes a guardian&#039;s stance in front of her. He&#039;d rather guard her than, say, try to help her up right this second.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Until that man is down, he doesn&#039;t trust even the appearance of victory. He&#039;s still shaking with some fury as it is, and he takes a few deep breaths to steady his aim.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;He&#039;s caught! Seeing that causes the coyote to stop her mad dash to the crane. Instead with one last look at Sam (and Fred!) the mechanic turns to her bag.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Really, Mercy&#039;s messenger style bag is like a magical bag of holding - while the two tranquilizer darts are held within her hand, from the bag Mercy pulls the accompanying gun. It&#039;s something smaller and more lethal looking than what&#039;s seen upon the market today. The wolves have invested in modifying a version for themselves, for their needs.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Which only benefits the group this very night.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The first dart is loaded and with careful aim, the coyote fires -&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;*PFFT*&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The second dart is loaded and once more -&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;*PFFT*&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Both darts fly unerringly to Bucky&#039;s neck, their needles heavy and strong enough to pierce werewolf skin. When they hit they&#039;ll immediately dump the powerful and quick acting sedatives they hold within.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Once the second dart is sent on its way Mercy drops the gun to her side. &amp;quot;Thank god.&amp;quot; She mutters to no one but herself at this point.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=2042/3_Russians,_1_Coyote&amp;diff=1391</id>
		<title>2042/3 Russians, 1 Coyote</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=2042/3_Russians,_1_Coyote&amp;diff=1391"/>
		<updated>2017-08-22T04:37:11Z</updated>

		<summary type="html">&lt;p&gt;Altair: Created page with &amp;quot;{{Log Header |Date of Scene=2017/08/21 |Location=By the East River, New York City |Synopsis=Mercy, acting on impulse, tracks and assails the Winter Soldier after running acros...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/08/21&lt;br /&gt;
|Location=By the East River, New York City&lt;br /&gt;
|Synopsis=Mercy, acting on impulse, tracks and assails the Winter Soldier after running across the result of one of his jobs. The encounter is complicated by the fact that not only was the Soldier talking to Akula at the time, Vanya followed Mercy&#039;s trail as well.&lt;br /&gt;
|Cast of Characters=229, 99, 201, 1188&lt;br /&gt;
|Tinyplot=Tayaniye&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Once you&#039;ve welcomed the Winter Soldier into your life -- or perhaps more appropriately, once he&#039;s welcomed himself into your life -- every death starts to look suspicious. Even the ones that are innocuous as hell. Even the open-and-shuts like Mansour bin Majid Al Saud.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Everyone else, though -- they&#039;ll say he committed suicide. Why not? The Saudi princes aren&#039;t always known to be the most stable of men, and not all Saudi princes are wealthy, either -- he&#039;d been known to be having money trouble immediately prior to his fatal fall from his penthouse apartment on the Upper East Side. No foul play will be suspected: the window was open, not forced, and there was no trace of anyone in the apartment that shouldn&#039;t have been there.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The case will be closed. Another seventy-floor plunge to the pavement. In the here and now, gawkers are already gathering, standing at a timid distance away from the mess.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Several blocks away, a figure lopes easily along a deserted footpath by the East River, under cover of the 1 AM darkness. He is not in his customary heavy gear, owing to the nature of his task: he moves along efficiently in plainclothes, though he is assuredly still armed.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The hunt for Claire Temple has been on-going for Mercy Thompson since the group returned from the nasty hydra (lower H in this case) debacle. And while the hunt has ended mostly in dead-ends for the coyote that hasn&#039;t stopped her from looking.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That searching of hers has caused Mercy to keep an eye upon the news more often than what she normally would. And while not every death she hears about is attributed to the Winter Soldier some do. Or, at least, they seem like something /he/ could do. Not that this helps her find Claire, but it makes Mercy feel useful in-between all the bomb building.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s only when social media starts lighting up about a second jumper that Mercy turns her attention away from bomb building (because yes, that&#039;s what she&#039;s doing at one am in the morning) and frowns.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That frown turns into consideration and then that consideration turns into action. Like a shot the coyote is packing a small messenger bag with a few things and then she&#039;s out the door. The trip to the scene of the crime doesn&#039;t take long and as soon as Mercy&#039;s there she&#039;s listening with sensitive ears, seeing with heightened eyesight and scenting with her coyote nose. The snippets of conversation are mostly ignored as people expression their shock, or babble about what they &#039;thought&#039; they saw, or bitch about the way the neighborhood is going. The same can be said for her sight, nothing to see, not really, but her nose - that&#039;s where it all changes. It&#039;s faint at first. A familiar smell. Man and metal.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;While her nose realizes who&#039;s scent that is her brain grapples with it for a minute. She hadn&#039;t really expected to smell that familiar scent here ... She really hadn&#039;t.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But she has and so, like a bloodhound Mercy turns in the direction of that scent-trail and follows.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She should probably text someone right this moment, but she doesn&#039;t. She just breaks out into a ground eating jog. A lope, much like a wolf or assassin.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:201|Vanya (201)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Wandering aimlessly through the city with her hands in her pocket, Vanya&#039;s out for a nighttime stroll. Barefoot with yellow glasses over her night-adapted eyes, the predator is enjoying the spot of cool weather the follows the sun&#039;s departure - and walking off some bar room fun. There&#039;s something of a smell lingering on the were-woman&#039;s oversized shirt but all things considered it&#039;s not the most unpleasant one on the street.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The faint scent of fresh blood lays claim to that.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Furrowing her brow as she sniffs the air, the bestial brawler traces the odor briskly through a dark alleyway, only to frown as she spots the crowd gathered. //I missed all the fun,// she grumbles before another smell catches her nostrils and her yellow-tinted eyes flit away from the onlookers and down a side street.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That smells like coyote - a greasy female coyote. Smiling hopefully, Vanya springs off the pavement and breaks into a run, following after Mercy&#039;s trail. //You had better not be getting chased by more wolves...//&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1188|Akula (1188)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It is by blessed fortune alone that Akula is in the East River tonight. Freed of previous encumbrances, her mind is spinning with ideas, potential directions she can take in this new and modern world she is forced to live in. Lazily her tail sways, following the current, drifting along, thoughtful as she had been in days of old in the dark of the sea.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She smells him before she sees him. She had not expected their paths to cross again so soon, but with weighty matters on her mind, it is good fortune indeed. Perhaps she might once more seek advice from the one familiar detail of her dead country that still walks the among the living.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Turning with a roll through the waves, she moves swiftly through the river towards the source of the scent. This takes her to the shore near that footpath, where she slows down in the shallows and steps quietly out onto the bank, her tall figure rising against the moonlight, her dark, speckled skin partially blending with the night sky.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;&amp;amp;lt;&amp;quot;Salutations commander. How many days and nights!&amp;quot;&amp;amp;gt;&amp;amp;gt; she greets him quietly in Russian, hoping this time not to startle him, a complete reversal of her usual M.O..&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The distant form of the Winter Soldier soon resolves to the following Mercy&#039;s eyes, a familiar shape as lean and purposeful as a knife blade. He seems to be heading towards a small pier. Perhaps it is his form of exit, tonight, from this job he undertook.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He is a little early -- the consequence of work efficiently done -- so he is not in a particular rush. Rushing draws eyes, after all, attention he cannot afford. There are those, however, who take notice of him not due to suspicion, but due to familiarity.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He becomes aware of a certain familiar presence a moment before Akula&#039;s tall form rears against the night sky. He stops in his progress, glancing up, his hands hooking on the loops of his belt. It is as close to a greeting as men like him ever get: a tacit acknowledgement that he will not reach for weapons, and trusts her not to reach for any herself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Kak dela, Akula,&amp;quot; he answers, something almost passingly warm in his greeting. &amp;quot;&amp;amp;lt;I am glad to see you remain well. Have you found a new cause?&amp;amp;gt;&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Oh no, Vanya. The coyote isn&#039;t being chased, instead Mercy is the chaser.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A pity she&#039;s not running after wolves; no, this prey is much more dangerous. Much more deadly.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When the form resolves itself to the Winter Soldier, Mercy&#039;s own strides slow. While she&#039;s not a superb hunter like some others so near, Mercy knows to try and blend in now. Not that there&#039;s too many people around, but running pellmell into a scene would neatly alert the Soldier to her presence, along with Akula.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while the coyote should know Vanya is behind her, she doesn&#039;t. No, Mercy is too focused upon the task at hand and also her own internal dialogue.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Like - What the HELL do you think you&#039;re really doing following him. You&#039;re going to get KILLED. What&#039;s your actual plan?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With that thought Mercy&#039;s hand drops to the messenger style bag that&#039;s strapped diagonally across her body and she reaches inside. Two small cylinders are brought out and with a look at the two at the pier Mercy moves.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her ears prick up at the tones between Soldier and Shark-Girl and while Akula does earn a second look from Mercy, that doesn&#039;t stop the coyote from putting Akula in the bad-guy category. Not when she hears some semblance of warmth toe the Winter Soldier&#039;s voice; like he&#039;s talking to a comrade-in-arms. A friend.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hearing that the coyote primes both grenades and with the count-down started in her head Mercy /runs/ towards the two. It&#039;s when she&#039;s halfway to their pier that she&#039;ll throw /both/ grenades at them. The grenades are lightweight enough that all of Mercy&#039;s strength allows them to hurtle quickly and neatly through the air -&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Time to play catch Winter Soldier.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:201|Vanya (201)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Vanya&#039;s pants brush noisily as she runs down the sidewalk, bounding out into a sprint as she runs down Mercy&#039;s smell. Stripes begin to run up the shapeshifter&#039;s nose and her torn-up pants tighten as the legs inside them swell; bestial enhancements from inhuman donors.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She slows as she catches sight of Mercy&#039;s distinctive form and comes up jogging behind her, panting lightly around sharpened canines. The light of a nearby street lamp catches her features, casting pointed shadows down the were-woman&#039;s features, giving her runic brand an almost reddish edge, and making the faded red of her pants glare against the muted colors of the street. Subtle the brown-haired predator is not; subtle is for lesser creatures.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Neither, apparently, is Mercy. Vanya furrows her brow as the coyote doubles back into a sprint and chucks something at the water. Her eyes start to shift for better vision but not quite fast enough to warn her that things are about to get very loud.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1188|Akula (1188)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;lt;&amp;amp;lt;&amp;quot;Something close to it. I mourned that Mother Russia is gone, and that only weakling maggots dance in her corpse now. It was bitter to think of, but necessary. I have run too long from that reality.&amp;quot;&amp;amp;gt;&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Akula&#039;s weapons are something she cannot throw away; they are a part of her. She demonstrates her admiration by adopting the posture of a subordinate officer. She cannot think or behave any other way. Winter Soldier had the advantage of having grown up free and happy on these shores. Directive X was Akula&#039;s home from within twenty four hours of her birth.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;&amp;amp;lt;&amp;quot;But I realize now, I am her daughter, and her heart beats within my breast. I will not stain myself with the greed of mafiya.&amp;quot;&amp;amp;gt;&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;&amp;amp;lt;&amp;quot;I will find -war-. I will carry the dignity and pride of the Soviet man onto the field as once before, somehow, somewhere. I will tear the flesh off the earth. I will make all the devils of hell sh*t out their own hearts.&amp;quot;&amp;amp;gt;&amp;amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then: It comes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The gift of War.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Akula&#039;s senses are preternaturally sharp, and from the corner of her eyes, she sees the small items tossed towards them from the distance. She can sense the bioelectric fields of living things nearby, feel their muscles moving in tandem with impulses from the brain. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She leans forward and sweeps her tail through the air towards the grenades, and at least one is instantly detonated from the raw power of that threshing blow.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Akula&#039;s respect is accepted and reflected back, the Winter Soldier mulling her words with the attention and care of a mindful superior officer. &amp;quot;&amp;amp;lt;She is changed, but not entirely gone,&amp;amp;gt;&amp;quot; he muses. &amp;quot;&amp;amp;lt;There are aspects of her you can carry with you still. The ones that were taught to you, and which you can still embody.&amp;amp;gt;&amp;quot; He is briefly thoughtful, considering her with head tilted, before he remarks, &amp;quot;&amp;amp;lt;If it is war you want, then--&amp;amp;gt;&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Something interrupts his thought. An alertness runs through him, his senses picking up the nearby sound of running feet and the soft sound of something small flung through the air. He turns in tandem with Akula, in time to see the woman sweep her tail to bat at one of the grenades.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The ensuing EMP blast gives him a split-second warning of what&#039;s incoming before the second detonates, the EMP crackling across his arm and dropping it to his side. It&#039;s a few seconds before he compensates for the short in the power source, leveraging it back up as a normal prosthetic, but it&#039;s a few moments in which Mercy can adjust to now having both Akula and the Soldier&#039;s attention.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;&amp;amp;lt;Looks like you&#039;re going to get your wish sooner rather than later,&amp;amp;gt;&amp;quot; the Winter Soldier asides. Gunfire would probably leave more incriminating evidence here than he would want, which is likely why he&#039;s sliding a knife with a seven-inch blade free from its sheath instead. &amp;quot;&amp;amp;lt;I was going to ask a favor of you, but the favor has come to us.&amp;amp;gt;&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;They worked.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The grenades actually worked. Wait, she knew they&#039;d work, theoretically, but (still) they /worked/. His arm dropped.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s enough to cause the coyote to freeze for a second. She hadn&#039;t thought much more beyond throwing the grenades. And now both Akula and the Soldier have turned towards her. This was such a bad idea. &amp;quot;F -&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That word doesn&#039;t finish, not when Mercy&#039;s senses finally tell her there&#039;s someone behind her. Pivoting upon heel, the coyote&#039;s gaze now falls upon Vanya and the other woman should easily be able to see and scent the relief that the coyote feels, &amp;quot;Vanya - thank god.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;That&#039;s the man that we need help with and I&#039;m pretty sure I just got his attention real good.&amp;quot; Not to mention Akula&#039;s attention; though Mercy has yet to mention her, but Vanya can clearly see the other woman upon the pier. &amp;quot;No killing, just knock him out. Not sure who the woman is, but no killing her. Main objective is to get him down.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then Mercy is pulling more tricks from her bag - though which to use. One of the grenades in her hand is another super secret weapon and while she&#039;s tempted to throw it, she doesn&#039;t. Instead she tucks that second grenade back into her back and pulls out another taser bomb. &amp;quot;Tell us where Claire is!&amp;quot; Shouts the coyote, even as she primes her next set of grenades. Already she&#039;s moving, it&#039;s a path that will lead her away from any type of direct confrontation with Akula or Winter Soldier. She&#039;s going to try and circle around them, moving along the edge of what will potentially become the battlefield, and drop the bombs when she has an opening.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:201|Vanya (201)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Vanya flinches back for a moment and the flash and sound of the two grenades. It&#039;s much less than it could have been but it was still unexpected. &amp;quot;He&#039;s it? And no army with guns behind him?&amp;quot; she asks in surprise before anything else as she turns back to the soldier, only then noticing the towering shark that&#039;s stepped before him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The were-woman&#039;s face splits into a wide smile. &amp;quot;Tovarisch!&amp;quot; she laughs. &amp;amp;lt;&amp;amp;lt;What the *$!# are you doing here?&amp;amp;gt;&amp;amp;gt; Tugging at the loose neck of her shirt, Vanya cracks the knuckles of her opposite hand and works stiffness out of her shoulders, not rushing into the fray.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;&amp;amp;lt;Let me guess: you&#039;re a friend of his? This just got much more fun...&amp;amp;gt;&amp;amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1188|Akula (1188)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The EMP temporarily fries Akula&#039;s bioelectric sense. She finches, but bears it. There will be no crying out in pain. Pain is only one of many senses, and like others, they will go away in time.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;&amp;amp;lt;&amp;quot;You are the superior officer. I am happy to accept command,&amp;quot;&amp;amp;gt;&amp;amp;gt; she quickly asides to Winter.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Vanya is quickly recognized. No, she didn&#039;t expect to see one of the fun ones here - and it pains her that Vanya seems to be on the wrong side of things. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;&amp;amp;lt;&amp;quot;He is my superior officer,&amp;quot;&amp;amp;gt;&amp;amp;gt; Akula explains to Vanya, lowering herself into a ready crouch. &amp;amp;lt;&amp;amp;lt;&amp;quot;I would suggest you take your woman and run. I cannot guarantee you tonight that there will not be blood, and when there is blood and fear, there will be nothing left alive.&amp;quot;&amp;amp;gt;&amp;amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Tell us where Claire is, Mercy demands. The Winter Soldier smiles wordlessly, and does not answer. His eyes only follow Mercy as she strafes away, reaching for a fresh set of bombs. &amp;quot;Cute toys,&amp;quot; he observes. &amp;quot;Let me see how they /all/ work.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He doesn&#039;t try to close with or engage her. His blue eyes just trace her, with the unblinking and considering gaze of... well, of a wolf watching a coyote run, mildly interested but not yet decided to lunge.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The fact Vanya and Akula seem to know one another does not seem to startle him, nor give him cause for alarm. He takes it in stride, as a matter of course. His gaze does track up to Akula briefly, as she delivers Vanya her warning, and advises that the Soldier is her commanding officer. That Vanya should just take Mercy and go...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Hope that your friend takes your advice,&amp;quot; he muses, turning his knife in his hand.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;My command is simple,&amp;quot; the Winter Soldier says. He speaks in English to be understood, the smile on his face at odds with the cold emptiness in his eyes. &amp;quot;Kill them both.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;He doesn&#039;t really need an army.&amp;quot; Calls out the coyote, her steps taking her further away and while she faintly wishes she knew Russian, she doesn&#039;t. Not that she necessarily needs to, not at this stage of the game.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Now this very bad idea of finding the Soldier has turned into the terrible time of trying to stay alive.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Really, you think Mercy would have learned from Dean Winchester&#039;s mistake, but /clearly/ she didn&#039;t. Dumb Mercy just dumb.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Like the Soldier, Mercy too is keeping a keen eye upon him and Akula, but to be honest it&#039;s mostly him. While the Shark-Girl is likely dangerous in Mercy&#039;s mind Bucky is far more dangerous. Far more. And his words, in English, cement that notion within the coyote&#039;s head. Those &#039;cute toys&#039; of hers are thrown again. They may not be as aerodynamic as the EMPs but they&#039;ll still fly. They arc high upward on a trajectory course towards the position of the two upon the pier. The electrical charge the taser grenades hold is a bit more powerful than what can get on the market. Only because these are homemade; homemade weapons rarely have the same federal restrictions as what&#039;s on the market.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And even as those two bombs leave her hands Mercy hears those last words of the Winter Soldier&#039;s. It&#039;s enough to bring another layer of grimness to her features. &amp;quot;When you come to your senses you&#039;re going to regret all of this.&amp;quot; Snaps Mercy, her voice rising slightly in pitch with those words of hers. She has to believe that in the end there will be a happy ending. They&#039;ll find Claire alive. They&#039;ll be able to get Winter Soldier back to a more normal and sane version of himself. That they&#039;ll be able to beat the hydra and Hydra; that all of this wasn&#039;t for naught.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The death of the two wolves wasn&#039;t just a waste. The pain of everyone involved wasn&#039;t - isn&#039;t just an endless torment. That things will get better. That there are happy endings within the world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hope. It&#039;s all Mercy Thompson has.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:201|Vanya (201)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;At the mention of fear, Vanya glances to Mercy before returning to Akula. Winter, the mission objective, is already a fading distraction as a distant lamp illuminates the spreading stripes along her body and the were-woman tosses her shirt skyward, allowing saw-toothed gray scales to cover her growing form. The old Russian flexes stretching claws and smiles a mouthful of dagger-like teeth before whipping her head to the side to fling off her glasses. The eyes that look back at Akula are eager and gray as a transparent eyelid sweeps sideways across them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Vanya&#039;s more than just smelling like a tiger-shark now.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;She says ith you&#039;re scared, run now or you&#039;ll die,&amp;quot; she translates casually for Mercy&#039;s benefit, adding to the Winter Soldier&#039;s grim command as her voice coming out in an awkward growl around extra teeth.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;&amp;amp;lt;&amp;quot;I haven&#039;t had a good fight in weeks. Thank you for...&amp;quot;&amp;amp;gt;&amp;amp;gt; Vanya&#039;s shark-smile slips as she stares into Akula&#039;s deadly serious expression. The were-woman chuckles ruefully and takes a wide stance, leaning far forward until her long claws touch the ground. The feral glee that was in her eyes fades, usurped by keen focus while her tattered jeans flap in the sea breeze. In the moment of relative calm before Mercy&#039;s latest grenades go off, the smaller wereshark tenses and she makes ready.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;lt;&amp;amp;lt;&amp;quot;Nevermind.&amp;quot;&amp;amp;gt;&amp;amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1188|Akula (1188)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Akula isn&#039;t going to stand around and be pelted a second time; for something so big, she moves with uncanny agility. Rolling right she tumbles back into the water to avoid the two grenades, trusting that Winter is very much capable of enacting his own evasive maneuvers. She gives him space to move; packed in together they have less space to stay out of each other&#039;s way, let alone the incoming IEDs.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Once in the water there is a tremendous splash and Akula moves like a torpedo through the waves, turning and then propelling herself faster and faster, until she leaps out of the water towards Vanya like an out of control jet ski. Her arms are forward to grasp onto the smaller wereshark and her mouth is open for a bite.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier simply watches, at first, as events unfold. Vanya&#039;s transformation, Akula&#039;s engagement of her, and then-- finally-- the flight of the grenades from Mercy. His blue eyes track their trajectory upwards.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then he steps into motion, from stillness to blurring speed in half a second. He vanishes among the brush surrounding the path, like the ghost he is said to be. He is gone from sight fifteen seconds, half a minute.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then his silent figure is slicing like a knife out of the dark and the cover around them, slowing out of its quick silent lope into a steady walk that aims to cut into Mercy&#039;s path. He is still twenty feet distant from her, but with how quickly he can move, he might as well be standing next to her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You want to know about Claire?&amp;quot; he wonders, flipping the knife in his right hand.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;As soon as the taser grenades are out of her hands Mercy is once more reaching into the bag that hangs at her hip.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Like before two more grenades are withdrawn.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Another EMP and the one that was previously placed back into her bag. A &#039;secret weapon&#039; one.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Vanya&#039;s translation is heard by the coyote and it&#039;s enough to allow Mercy to huff to herself, &amp;quot;Pretty sure we&#039;d still be dead.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while those words are quite serious they&#039;re not contemplated too heavily upon. Not when Akula launches herself at Vanya and then the Winter Soldier side-steps and disappears from view. The now empty pier is the only witness to the taser grenades releasing their charge. The distinct sound of electricity crackling can be heard for several seconds before those metallic shells clatter lightly to the ground. Their stored energy now depleted.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As for Mercy, that twenty feet turns into ten feet, as the coyote takes a second too long to pinpoint where her adversary is. Sure, she realizes where he is far quicker than a normal person would, but it&#039;s still too slow for her taste. That forward moment of hers is jerked to a stop and while her gaze goes to the knife he&#039;s so casually flipping it&#039;s his words that cause the coyote&#039;s gaze to snap back to his face. Her gaze narrows as she considers how to respond to that question of his. &amp;quot;I do, but I&#039;m not stupid.&amp;quot; She begins, her voice flat, &amp;quot;Anything you say is probably going to be a lie. There&#039;s no reason for me to trust you, or what you say.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:201|Vanya (201)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Vanya&#039;s eyes Akula hawkishly and braces as the larger shark rolls but doesn&#039;t pursue; it&#039;s a false opening. Finned and gilled or not, she&#039;s not that eager to chase the titanic soldier into her home turf.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As the dark shadow rockets back out of the water, Vanya digs her claws into the pavement and roars a challenge as she springs forward and thrusts her own arms out, meeting the shark missile head-on and hoping - if she can - to flip the larger Soviet backwards after trading blood with claws alone.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No matter what, half a ton of Russia&#039;s finest beasts are about to collide.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1188|Akula (1188)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Akula tries to grab onto Vanya&#039;s shoulders and arms if possible, her grip carrying with it a strength powerful enough to catch a speeding semi and tear open its engine block. She lunges in towards Vanya&#039;s head and neck for a bite. She&#039;s completely open to being heaved, but there&#039;s a risk that, given her 500+ pound weight, she might have too much to move - it all depends on Vanya&#039;s strength. She doesn&#039;t seem to care if the other shark bites her; her own skin is thick and strong enough that bullets bounce and knives skid. If she can maintain a hold on Vanya, she won&#039;t let go, even if tossed.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Soldier&#039;s eyes track first to the EMP in Mercy&#039;s hand, and then to the other one she holds. His head cants a little: he obviously doesn&#039;t recognize the second, and he is curious enough that he keeps his distance, for now. It&#039;s clear despite the token precautions, however, that he still considers Mercy something of a toy; he even takes his eyes briefly off her to glance right, checking on Akula as the two were-creatures clash. She seems to be holding her own well enough, so his eyes track back to Mercy.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her answer to his question brings a smile to cross his features. &amp;quot;Touchy,&amp;quot; he says of her. &amp;quot;I haven&#039;t told you a lie yet, that I can remember. I&#039;ve been mostly truthful. I was telling the truth when I said she&#039;s fine, and that she&#039;s fine because of me. She asked me not to hurt any of you.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He flicks his knife to a reverse grip and starts to advance. &amp;quot;I can make it not hurt,&amp;quot; he says, his tone as bland as fresh-fallen snow, the indifference to it a stark contrast to his wordless implication.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Mercy&#039;s back is to Akula and Vanya, but she can hear the fight. She can&#039;t quite tell what&#039;s going on, but she can hear the two. She can only hope Vanya will hold her own.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That she&#039;ll win.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That grim expression upon Mercy&#039;s features shifts to something close to anger. The coyote&#039;s nostrils likewise flare as she samples the scents around the two, really four, but mostly the two. She&#039;s looking to see what the Soldier&#039;s scent reveals about his words and when she finds no lie within them, she nods. &amp;quot;No, you haven&#039;t outright lied to me.&amp;quot; She agrees, her continuing to hold that toneless quality to it, &amp;quot;But that doesn&#039;t mean you&#039;re telling me the whole truth. It&#039;s easy to leave off a key word or phrase and still have it come across as truth.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The revelation that Claire asked him not to hurt any of them causes Mercy&#039;s expression to drop. Worry, concern, outrage, all of those emotions war for dominance upon the coyote&#039;s features. It&#039;s worry and concern that win the battle, however. Those emotions of hers coupled with what he reveals prompts several quiet questions from the coyote, &amp;quot;Have you asked yourself why you protect her? It&#039;s not like you really need her, right? So, why do you do it? Why keep her safe.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The rest of what she could have said trails off when he starts to advance. That last statement of his is enough to cause the mechanic&#039;s nostrils to flare again as she inhales sharply; though hardly for a scent check. No, this time it&#039;s fear based. &amp;quot;If you kill me -&amp;quot; Mercy says tightly, &amp;quot;- Claire will never forgive you or herself. Do you want that?&amp;quot; While it&#039;s likely pointless to appeal to his more humane side, she still tries. That also doesn&#039;t stop Mercy from beginning to back away from his forward advance.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy&#039;s grip upon both grenades tightens, though she has yet to prime either one of them.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:201|Vanya (201)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The two sharks collide with a force that shudders the air around them and knocks up a cloud of dust. Akula&#039;s longer arms find a purchase in Vanya&#039;s shoulders as the smaller shark tries to grip into her biceps and hold her back. Even the smaller shark is like hitting a car but sheer momentum sends the pair of them back where Vanya came; her own claws slide, blunting themselves against rows of sharp scales before she clamps down with the force of a vice. It&#039;s enough to hold back the open maw but little more.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Vanya for her part is wide-eyed with surprise as much as pain.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As they hit the ground and the chimeric Russian is dug into the pavement, she kicks down on reflex and throws herself back, using Akula&#039;s bulk to turn her tackle into a flip even if it drags her along for the ride. Her own scales aren&#039;t as hard and bits are left behind in the trench.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1188|Akula (1188)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Akula is tossed up and over, landing hard, not letting go of Vanya, trying to tear free any flesh she can. She&#039;s been given her orders, and while she will be sad to lose Vanya, General Winter has spoken.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Biting into Vanya&#039;s shoulder, she refuses to give up; she tries to pull the other back down, like two wrestlers clotheslining each other, both falling over. There&#039;s no need to speak any words; there is only the efficiency to think of. To the other Russian&#039;s credit, she isn&#039;t afraid. It&#039;s the only thing keeping them all alive right now, as the smell and taste of blood awakens deeper, bestial instincts.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The force of the hit momentarily winds Akula, and there&#039;s a loosening of her bite, enough that Vanya might be able to get free.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Have you asked yourself why you protect her?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Winter Soldier is silent. His eyes study Mercy, and from the look in them it is clear he knows the answer to her question-- but isn&#039;t about to share with her. Not the full answer, anyway. &amp;quot;Do you really /need/ everything that you keep?&amp;quot; he asks rhetorically. &amp;quot;She&#039;s not without her uses, anyway. She killed my previous medic, after all.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;If you kill me, Mercy insists, Claire will never forgive you-- or herself. The Soldier smiles, a rueful and bitter expression. &amp;quot;That doesn&#039;t matter. It&#039;s all only temporary,&amp;quot; he says softly, the sweep of decades in his voice. &amp;quot;I only have until the next freeze. Then, after that-- this, again.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He closes in a heartbeat. A sharp whine of metal and whirring servos heralds his left arm snapping forwards, trying to lock about Mercy&#039;s throat, to bear her down to the ground on her back and pin her. He hasn&#039;t used his knife yet. Will he use it, or just tighten his grip and break her neck? He looks like he&#039;s deciding.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;This is what I do,&amp;quot; he says, still as dispassionate as if this were nothing personal. To him, it really isn&#039;t anything personal. &amp;quot;I don&#039;t need anyone&#039;s forgiveness for it.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Like you can&#039;t get another medic from within /Hydra/.&amp;quot; Mercy says, her voice all but spitting out the word &#039;Hydra&#039;. &amp;quot;You&#039;re doing it for other re -&amp;quot; Reasons.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That word doesn&#039;t quite finish, not when he mentions the &#039;next freeze&#039;. Her brows furrow toward the midline of her face a question there; so many questions. Too many questions.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Questions that are ruthlessly shoved aside. There&#039;s no time for her to work out these puzzles. No time at all. What she does have time for is to prime the EMP grenade with a quick touch of her thumb to button. The countdown within the grenade begins.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then he&#039;s closing the distance between the two and Mercy isn&#039;t quite fast enough to avoid that hand of death. He&#039;ll find his grip secure around her throat as he ruthlessly pins her to the ground. While the EMP grenade is dropped down near her side the other grenade is valiantly held by the coyote.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;it&#039;s only after the world has stopped moving and Mercy finds herself upon said ground with the Soldier speaking so dispassionately above, that something within Mercy snaps. The second grenade is now primed and it&#039;ll only be five seconds before the sedative is released, but that&#039;s enough time for the woman to snarl. &amp;quot;Not mine, or Claire&#039;s, but your own. You&#039;ll need to learn how to forgive yourself for /everything/ you&#039;ve done. Everything.&amp;quot; Having just tasted that brand of forgiveness Mercy&#039;s voice now holds a note of pain, intense pain. Those poor dead wolves.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And with only three seconds to spare Mercy&#039;s form suddenly shifts. It&#039;s no longer that of a 5&#039;6&amp;quot; and 120-some pound woman, now she&#039;s much smaller. Forty pounds at most and four-legged. The coyote thrusts all four claw-tipped paws at the Winter Soldier&#039;s torso. Intending to sharply gouge at what she can. She also lurches her furry head forward, snapping with that movement as she tries to bite his face. Or really any part of him. Except that arm. Not the metal arm.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:201|Vanya (201)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Vanya is tough but her arms aren&#039;t adamantium and the soldier&#039;s claws rend her bloody as they tear scales and cut into sinew. All the way down to the marrow the chimera&#039;s body feels reinforced and packed-in, but her wounds bleed freely and quickly coat them both in a sharp, coppery red.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The were-woman struggles and growls as she lashes her own teeth, roaring in pain as Akula sinks her teeth into her shoulder before she manages to wrench herself free and kick off hard against the larger beast&#039;s stomach, catapulting herself a safe distance.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Panting and wide-eyed with the adrenaline-drenched focus of an animal fighting for its life, Vanya looks... less than stellar with her own blood rolling down her scales and flesh torn apart but somehow, for some reason, she&#039;s still smiling.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fur begins to grow from the seams in her sharkskin and the chimera&#039;s form shifts, darkening and enlarging further while at the same time hiding its injuries in a dense coat of fur. A hump of pure muscle swells on the were-woman&#039;s back while her face elongates and shark teeth reshape themselves into long fangs. It&#039;s a werewolf - almost. Mercy might notice, but even werewolves don&#039;t have a coat of fur *that* black or eyes the color of brimstone and blood.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Vanya snarls as she digs her new claws into the pavement, carving five trenches to a side as she lowers her head. A trail of blood down her forehead falls into the runic brand across her face and traces its edge in bright red. The were-beast throws back her head and trumpets out a long, powerful howl while visibly, the gash in her shoulder starts to cover itself with more fur. But there&#039;s only a moment to watch the chimera&#039;s own accelerated healing at work before she ends her shout and explodes forward, pouncing at Akula with hands, feet, and fanged maw bared - all her weapons presented towards the towering shark.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1188|Akula (1188)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Akula has enough time to catch her breath while Vanya transforms, howls and foams. Rolling quickly to her side, she maintains a steely focus, just as she would have during the war, just as she would have in that hell of sand and heat. Here, near the water, she has the advantage, especially now that Vanya has given up her aquatic form. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She runs forward in a short dash, as if to try the same tactic twice, but a few steps before impact she feints, turns and delivers a low sweep - but not with her feet. With her &amp;lt;span class=&amp;quot;flash fg_n bg_n ++ f&amp;quot;&amp;gt;tail&amp;lt;/span&amp;gt;. Solid muscle with a hardened edge on a thresher shark tail swing towards Vanya&#039;s legs with a loud SNAP, the sound barrier broken by the force of the blow.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Apparently, the Winter Soldier didn&#039;t like her insinuation he was doing it for other reasons.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His eyes flare and he lunges, his momentum and strength putting her on her back on the ground in a split second, with a terrible jar of her spine against cement. Cold metal tightens about her throat, but doesn&#039;t yet cinch down hard enough to kill. He&#039;s still watching her with vague boredom, like something harmless to him, giving himself enough time to debate at leisure how to break this toy he&#039;s abruptly tired of.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But even the smallest prey always bites back.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She says something -- about him needing to forgive himself. He doesn&#039;t understand it-- though some part of him murmurs that he should. It transparently confuses him, his eyes narrowing, and that moment of distraction is enough for Mercy to abruptly shift. That catches him by surprise-- he&#039;s never seen her directly change before-- and though her claws don&#039;t find much purchase through the heavy leather jacket he&#039;s wearing, her fangs do even as he jerks to one side. A short slash rips down the side of his neck, just beneath the corner of his jaw. She tastes a hint of his blood.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then the world turns upside down, because-- enraged-- he&#039;s wound up and flung her with his left arm. It is hard enough to kill her if she lands wrong, and also in a most uncomfortable direction: straight towards where Vanya and Akula are clashing by the river.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The second grenade starts to hiss at his side. He cuts it a sharp look, and moves, loping away from it and back towards the engagement at the river&#039;s edge.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;While others might howl with triumph that they succeeded in biting the Winter Soldier, Mercy doesn&#039;t. Both in part because she doesn&#039;t enjoy attacking people, but more importantly she&#039;s suddenly airborne.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her little coyote form is tossed quite rudely and while Mercy isn&#039;t quite a cat, her reflexes are enough to allow the woman to begin to twist her body into some semblance of a four-footed landing. It&#039;s a hard landing though.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A bone-jarring thing. And while she lands upon her feet it&#039;s more of a *splat* landing than an actual sure-footed thing. She&#039;s definitely going to have bruises upon feet and hands when this is all over. For a handful of seconds the coyote stands there stunned. Small lightning bolts of pain lancing from feet to legs to shoulders and hips. Eventually though, the sound of the other two women&#039;s fight jars her back to awareness.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The yellow-eyed coyote barks a loud YIP, but what that means isn&#039;t entirely clear. It could be warning or curse. Or perhaps a bit of both.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;From that hissing grenade a localized blue gas suddenly fills the area where assassin and coyote just were. The cloud of gas will linger there for several minutes, hanging heavily within the air.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;While Mercy is going to mourn the loss of her bag and what grenades remain within, the plan has no changed. Now the plan is all about escaping and as such, the coyote moves towards the two battling women.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:201|Vanya (201)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Vanya&#039;s sheer aggression saves her legs as she leaps well ahead of Akula to present her foot-claws in a pounce with bloodthirsty eyes but as the titanic shark&#039;s tail whips around ahead of an ear-splitting snap, it slams into her thigh, then her side, then her chest...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Iron-hard bones are forced to flex as Vanya crumples around the tail and over three hundred pounds of monstrous wolf go flying like a softball off a bat and careens loudly into the bushes further inland, splintering the small timbers and coming to a stop with an almighty wooden *CRACK!* that shudders and wounds a thick tree.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1188|Akula (1188)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Tail bloodied from the hellhound-form&#039;s claws, Akula pauses to scene the air. Her pupils are fully dialaged, and her active humanity is sinking further and further into the icy waters of her bestial other half. The yelp of what sounds like an injured animal catches her attention. She&#039;s expending energy, and the thought of consuming Mercy crosses her instincts.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;She turns towards Mercy and stalks forward. The raked flesh around her tail is already starting to scab up and heal over.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Vanya will need to hurry.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Previously just idly amused at Mercy&#039;s aggression, the Winter Soldier no longer seems interested in being playful or careless. She drew a little of his blood, and now he&#039;s just angry. Angry enough that he sees Akula&#039;s intent, registers it-- and does nothing, says nothing to stop her. Let her have a bite.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His path back towards the engagement, a swift loping run along the edge of the water, takes him past a small pier where boats traveling up and down the East River are occasionally moored. He glances right, pauses, and stops long enough to seize hold of a heavy anchor chain with his left hand, metal clashing on metal as he winds the wrist-thick chain in a steel grip-- and snaps it clear off its mooring ring, tearing its last link open with a shriek of his arm&#039;s internals.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Vanya will need to hurry-- and also to get past the Winter Soldier, thus armed, moving to block her from interfering in Akula indulging herself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s something else on Mercy&#039;s side now, at least: the fact that the world has taken notice. Previously a rather quiet engagement other than the snapping roars and snarls of the two monstrous combatants-- few of Mercy&#039;s grenades are the sort that make a whole lot of noise, per se-- that swiftly changed once Vanya was sent crashing through a series of small trees, to nearly crack a larger oak in half with the impact of her back.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The commotion is finally drawing some attention. Mistaking the sound of the tree splintering for a gunshot, some not-too-distant civilians have called the police, and their confused shouting and screaming can be heard as they finally get a line of sight on the violent tableau.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Adrenalin is the only thing that helps Mercy move in a semblance of four-footed surety. If it weren&#039;t for that particular hormone coursing through the coyote&#039;s system she&#039;d like be limping something horrible.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while she was about to go running after Vanya something stops her. A sixth sense that tells the coyote to turn around. To see what&#039;s stalking her. Because something is.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Seeing Akula step towards her Mercy shows all her sharpened ivory teeth. An audible growl can be heard from the russet and cream coyote. While she offers that bravado to the shark woman, Mercy begins to back up. It&#039;s not quite a scrabble, but it soon will be.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The shriek of distressed metal registers upon the sensitive coyote&#039;s ears and it causes the four-footed Mercy to risk a side-eye towards the sound. If Mercy were human she&#039;d probably be cussing right about now, but since she isn&#039;t, all the coyote can do is offer a world-weary look. It&#039;s an expression that shouts - &#039;Oh come on! What did I do to deserve this?&#039; - which answers itself. She went looking for trouble and she found it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Whipping her head back around to Akula the coyote watches that animalistic woman continue to advance and Mercy makes her decision. Pivoting up paws Mercy now runs. She runs as fast as her long-legged form allows - which is faster than your typical coyote. While it&#039;s not superhuman speed, for those with their eyes upon her, the coyote will go from zero to speeding in under a second. A speed of sixty miles per hour may not seem like much, but hopefully it&#039;ll be enough to escape. Her path is a generalized arc that leads away from Akula, away from the Soldier, but in the generalized direction of where Vanya landed. Even before she can see the other were-woman Mercy is barking a loud YIP. A demanding YIP. Something that says &#039;move now&#039;.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s time to run and fast.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy&#039;s ego doesn&#039;t need to be placated by death.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:201|Vanya (201)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;The collapsed pile of woodlands shifts and crackles as Vanya drags herself out. There&#039;s a splintering sound as her claws carve through cracked bark before burning red eyes glare out with a steamy huff. The edge of were-woman&#039;s night-black form glistens where the light touches it through the trees, soaked with its own blood, but the rest is a featureless expanse of fur - too dark to hold any details.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Catching sight first of the Winter Soldier, the beast looks past him after barely a moment to find Akula advancing on the coyote. She growls as a last crackle announces her legs pulling free of foliage. There&#039;s a distinct lopsidedness to how the were-beast is standing, favoring the side that wasn&#039;t just smashed by a tail, but it&#039;s not enough to stop her from grabbing a damaged shrub with one large, meaty hand and wrenching it out of the ground.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Hefting the whole mangled thing over her head, Vanya roars as she lurches into an alarmingly fast limping run and chucks the man-sized shrub at the man in front of her. The were-beast falls into a four-legged gallop and opens her maw.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;What Akula did to her she&#039;s about to do to the Winter Soldier.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1188|Akula (1188)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Mercy is far too fast for Akula to catch up with on land. Her prey out of sight, she gurgles lowly, sniffing -- &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;And then a large bit of vegetation goes sailing past, followed by an angry snarl and the thud of hands and feet charging. The sound of police in the distance. There will be more here soon, and she doesn&#039;t have enough higher brain to call it a night.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Akula ROARS, and rushes towards Vanya to intercept her. It&#039;s not so much for Winter Soldier&#039;s benefit - though his voice would be enough to snap her out of her growing frenzy - it&#039;s that Vanya is intruding on her feeding grounds and has to be driven out. There&#039;s little tactics to the charge, it&#039;s just solid muscle looking to freight train into Vanya.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Vanya careens, train-like, towards the Winter Soldier, hurling the heavy shrub she&#039;s uprooted before her. The assassin contemplates this calmly, his head tilting. When he finally moves, it&#039;s as a blur.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Metal shrieks. His left arm snaps up, lashing the chain at an upwards diagonal towards the right in a singing arc, fast and hard enough that the length of it turns into an impromptu blade. It slashes the projectile clean in two, the halves of it skittering off to either side. Instead of trying to cancel the chain&#039;s swing and bring it back under control, the Soldier turns with it, twisting into a rapid dodge to the right to take himself out of the charging were-beast&#039;s path, and catching the free-swinging end of the chain in his right hand once its momentum has sufficiently slowed.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Akula might have no tactics at the moment, but the Soldier has plenty. He slides out of the immediate vicinity of the two struggling werebeasts to give room for Akula to plow in. And the moment Akula comes in from the front, he pincers in from the back, aiming to step a path, with trained lightness, straight up the monstrous werewolf&#039;s spine-- and to prevent himself from being thrown right back off his perch again by looping the chain around Vanya&#039;s throat to twist it brutally taut.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy, for her part, can definitely hear approaching police. And what sounds like an incoming SWAT team-- or few. Clearly people calling in reported just how crazy things just got. The Winter Soldier hears it too, because between the snapshots of violence, he hisses, &amp;quot;Akula!&amp;quot; in a sharp imperative. &amp;quot;Militsiya!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;And now Vanya is bursting back onto the scene.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s enough to cause Mercy-coyote to skid to stop, her claws scrabbling against the ground. When the coyote sees the other were-woman going for the Winter Soldier, Mercy can&#039;t quite help the snarls that leave her throat. Coyote swearing at its best, it seems.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sensitive ears prick at the sound of approaching voices, their steps, the clink of weapons being pulled, already in hand. The SWAT teams heavier foot falls, as well.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her yellow-eyed gaze stays upon Akula, Winter Soldier and Vanya and for endless seconds the coyote stands stationary. Then she&#039;s moving again. Away from the group. Unlike the others Mercy is just a lone coyote and she has nothing to offer in that form; that doesn&#039;t mean she doesn&#039;t have anything to offer, it&#039;s just going to take a minute. The coyote&#039;s path is taking her back to her abandoned messenger bag. Where the bombs are.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:201|Vanya (201)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;So the metal-armed soldier flings himself out of the way - that&#039;s just fine with Vanya. Her brimstone eyes alight as she sees the shark barreling in behind him and just keeps charging, building to an impressive speed of her own with all four limbs forcing her forward. Gouges and torn soil are left in her wake - on land, she&#039;s the faster predator.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As the two beasts near a second thundering meeting, the wolf leaps and flings her legs out to the side behind her; this time she&#039;s not taking the mammoth shark in a test of strength. If she latches, or if Akula latches onto her, the sheer force will still snap her up and over in a flip.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sure it&#039;s a police dog tactic but it works for bigger ones too.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:1188|Akula (1188)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Akula isn&#039;t thinking enough to do anything about Vanya&#039;s quick movements; she misses Vanya in that leap, and as the kick comes, she&#039;s thrust forwards and down into the ground, digging an enormous furrow, tearing up sidewalk as she goes. She&#039;s bruised and bleeding, but she won&#039;t be for long. The wounds on her tail are now nothing more than dried blood.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Winter&#039;s voice cuts through the mental fog like a spotlight. Militsya. Police. There are other people here, and if she doesn&#039;t leave, she&#039;ll start killing. It will be Afghanistan all over again.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;With a frustrated, animalistic snarl she shakes her head and forces herself to turn back to the ocean. She has to get into the cold water and clear her head. She has to get out of the smell of blood. Unless impeded, she darts for the water and drives in.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The first shouts of the incoming SWAT teams start to pierce the scene, and the Winter Soldier turns his head towards the noise. Time to go, and with not even a spare moment to shoot Mercy in the back while she&#039;s getting her bag. Ah well -- there will be later. There is always later. The Winter Soldier has lived long enough to have learned the kind of endless patience that animal predators are born with.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Akula!&amp;quot; he repeats, his voice trying to pierce the bloodlust as he disengages from the conflict. It seems he was successful the first time around, however, and as he himself turns to quit the scene, splitting away from Akula so any pursuit would have to pick one to chase, he keeps an eye on her until she&#039;s vanished beneath the choppy surface of the dark water.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:201|Vanya (201)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Akula isn&#039;t the only one to snarl at the fight interrupted. As Vanya completes her spring-board off the shark and skids to a stop back on all fours, she watches in angry confusion as her adversary dives for the coast. The wide, blood-red stare speaks for the unintelligible werewolf: &#039;Police? So what!?&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Turning her head away in disgust, the furred beast sniffs the air and scowls. Oh, that&#039;s what... that&#039;s a lot of cops. Nothing bothering to shift into anything less alarming yet, Vanya lurches out of the tiny trench her claws have dug and bolts away in the rough direction of the coyote. A blood trail follows her away but it too will close up eventually - the feral woman can heal fast but she&#039;s second to Akula.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Second to Akula in a lot of things, her whole left side is now reminding as the were-woman winces.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Pink_Ranger&amp;diff=1331</id>
		<title>Pink Ranger</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Pink_Ranger&amp;diff=1331"/>
		<updated>2017-08-18T05:18:07Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{CharacterNew&lt;br /&gt;
|NameOnMUSH=Kimberly Hart&lt;br /&gt;
|Color=#333&lt;br /&gt;
|TextColor=#c1c1c1&lt;br /&gt;
|Char_id=322&lt;br /&gt;
|Img=http://orig14.deviantart.net/0936/f/2016/239/1/c/1c3e27ac71d56bc72151acb581a0a797-dafhved.jpg&lt;br /&gt;
|FullName=Kimberly &amp;quot;Kim&amp;quot; Hart&lt;br /&gt;
|Gender=Female&lt;br /&gt;
|Species=Human&lt;br /&gt;
|Theme=Marvel&lt;br /&gt;
|Chartype=FC&lt;br /&gt;
|Active=Active&lt;br /&gt;
|Occupation=Student&lt;br /&gt;
|Groups=Power Rangers&lt;br /&gt;
|Quote=&amp;quot;Polly wanna Megazord?&amp;quot;&lt;br /&gt;
|PAge=17&lt;br /&gt;
|AAge=17&lt;br /&gt;
|DOB=14 February 2008&lt;br /&gt;
|Height=157 cm&lt;br /&gt;
|Weight=50 kg&lt;br /&gt;
|Hair=Brown&lt;br /&gt;
|Eyes=Brown&lt;br /&gt;
|Actor=Jennifer Lawrence&lt;br /&gt;
|Song=Power Rangers Theme Song&lt;br /&gt;
|Profile=Kimberly Hart was born a regular girl in a regular life doing regular things like gymnastics and school work. Booooring. Enter an ancient artifact and a handful of friends. Things suddenly weren&#039;t so regular. Kim became the Pink Ranger, with the coin of the Pterodactyl. She now uses the powers given to her to fight the good fight. Or is that the bad fight since it&#039;s a, y&#039;know, still a fight?&lt;br /&gt;
|Abilities=Durability&lt;br /&gt;
&lt;br /&gt;
With the mantle of being a Power Ranger come certain perks. These manifest in the form of what would be considered metahuman enhancements. Even without morphing into her costume, Kim is much tougher than a normal human. She can take on attackers while not taking very much damage unless the suspect is of a metahuman level themselves. She can withstand the Putty army easily when it is a one-on-one scenario because they cannot harm her physically.&lt;br /&gt;
&lt;br /&gt;
Healing&lt;br /&gt;
&lt;br /&gt;
Thanks to the powers granted to her, Kim heals much more quickly than a human. Things that used to take weeks can be fixed within hours. This includes broken bones and major internal injuries. It&#039;s not to say she can&#039;t die. She certainly can but if she survives long enough, the power of the Coin will allow her body to repair itself.&lt;br /&gt;
&lt;br /&gt;
Strength&lt;br /&gt;
&lt;br /&gt;
With the Power Coin, Kim&#039;s strength has increased exponentially. She is a low level metahuman, even without her armor in place. Her strength would be on a level 4 approximately. When she morphs into the Pink Ranger, she jumps to about a 7, putting her a bit below the strength level of Spider-Man. Her reflexes, agility and speed are also all enhanced, in or out of armor, gaining higher levels when she is costumed as the Pink Ranger.&lt;br /&gt;
|Skills=American Sign Language&lt;br /&gt;
&lt;br /&gt;
Kim is proficient in American Sign Language (ASL). She is able to communicate effectively with those who are hearing impaired and utilize it. She also is trained in the use of telecommunications devices for the deaf (TDD) used to text communication via telephone.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Archery&lt;br /&gt;
&lt;br /&gt;
Kim is a skilled archer. She can hit the target she is aiming for, even in a combat situation. She is not able to do trick shots and the like, such as those done by Clint Barton, but she could be considered on par with an Olympic level archer. With her Power Bow, she is able to fire multiple shots at the same time with accuracy.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Cheerleading&lt;br /&gt;
&lt;br /&gt;
Another of her many hobbies throughout her life, Kim is a skilled cheerleader. She has all tumbling and acrobatics skill necessary, combined with her gymnastics. She is used to working with a group to a common goal, combining agility with dance. She started as a pee-wee and has continued, being part of the Angel Grove high school squad.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Diving&lt;br /&gt;
&lt;br /&gt;
Her gymnastics allowed for her to learn to dive quite well although she isn&#039;t formally trained so won&#039;t be on any diving teams. She does know how to dive safely, even from great heights. She also is a very strong swimmer, able to hold her breath for up to three minutes.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Fitness&lt;br /&gt;
&lt;br /&gt;
Kim likes to stay in shape. She knows about nutrition and physical training to keep her body in top form, even before she became a Power Ranger. She&#039;s been known to teach spin classes, dance and the like while at the Youth Center.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Gardening &lt;br /&gt;
&lt;br /&gt;
Kim has a green thumb. She likes plants. She knows how to recognize types by sight, what type of watering/sun they need, humidity necessities and so forth. She keeps her own herbs growing fresh in a window box off the kitchen at her family home.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Gymnastics&lt;br /&gt;
&lt;br /&gt;
Kim has been training in gymnastics since she was a child. She is good enough she could compete in national competitions but she&#039;s never tried pursuing that path. It&#039;s something she enjoys and it helps her maintain a healthy lifestyle. She is extremely agile and flexible. She often uses her gymnastics in tandem with her martial arts training. Her acrobatics have taught her how to land properly so she doesn&#039;t injure herself, how to take a fall, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Martial Arts &lt;br /&gt;
&lt;br /&gt;
As Kim, she has martial arts training thanks to the classes given at the Youth Center, taught by her teammate and friend Jason Scott (Red Ranger). She would be considered proficient but she isn&#039;t going to be winning any tournaments. As the Pink Ranger, she is able to tap into knowledge she does not have as Kim, making her a formidable opponent able to take down multiple opponents without assistance. Either as Kim or the Pink Ranger, she likes the combine her gymnastics with her martial arts, leading to her having a distinct fight style that is more like that of Catwoman.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Music&lt;br /&gt;
&lt;br /&gt;
Kim is able to play the guitar quite well. She could be in a band if she had the time between everything else going on in her life. She also has a good singing voice. She won&#039;t be winning any competition shows but she sounds good enough she could get local gigs if she wanted.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Philanthropy&lt;br /&gt;
Kim is very civil minded and will help with any cause she feels strongly about. She&#039;s fought for the environment in the past. She has volunteered as a Big Sister. She likes to give to the community and the people in it, helping to arrange for events and fund raisers. Although she doesn&#039;t have money to give, she does give time and that is sometimes even more important.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Pilot&lt;br /&gt;
&lt;br /&gt;
Kim cannot fly a plane or a helicopter. However, she can fly her Pterodactyl Zord with amazing skill. It is more an ingrained instinct as opposed to a learned skill, her completely in synch with the machine, allowing for her to be on par with a trained fighter pilot.&lt;br /&gt;
|Resources=Angel Grove Youth Center&lt;br /&gt;
&lt;br /&gt;
Kim and her fellow Rangers are regulars at the Youth Center. She goes there practically every day. Often, she can be found teaching dance or fitness classes. Sometimes she works on her gymnastics. She&#039;s on friend terms with the owner who works with her at times when he wants assistance at the Center.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Blade Blaster&lt;br /&gt;
&lt;br /&gt;
The Blade Blaster is a standard sidearm of the Power Rangers. It serves the dual purpose of being a low impact dagger style weapon and a personal blaster. It fires laser-based energy that can be combined with the other blasters to perform incredible team up techniques.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Power Bow&lt;br /&gt;
&lt;br /&gt;
As the Pink Ranger, Kim wields a weapon called a Power Bow. It looks like a regular pink and white bow however the arrows it fires are energy constructs so she does not have to carry a quiver nor is she limited on the number of arrows she fires. They can penetrate like a normal arrow or they can simply be concussive force. It also can fire a beam of light like a laser if she chooses. She can fire up to five arrows at the same time, all with an extreme level of accuracy. These arrows are enough to knock out a normal human, for she would never use a kill shot on a human being. For monsters, all bets are off. The bow can be combined with the weapons of the other Power Rangers to make a single weapon called the Power Blaster.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Power Rangers&lt;br /&gt;
&lt;br /&gt;
Kim is a Power Ranger. She has access to the Command Centre, Zor-Don, Alpha 5, and most importantly, her fellow Power Rangers. They fight as a team. They are her friends and her family. Their bond gives her support, in combat and out, and in so many other ways.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Pterodactyl Dinozord&lt;br /&gt;
&lt;br /&gt;
As the Pink Ranger, she is able to control the Pterodactyl Dinozord, the only flying Zord of the group. The Pterodactyl Zord is 1.4 meters tall, weighs 24.6 tons, and has a max speed of Mach 2.5. It is strongly armored and can keep her safe inside under extremely violent attacks by a wide range of giant monsters. When it isn&#039;t enough, her Dinozord can combine with the others from her team to form Megazord which 12 meters tall and weighs 166.8 tons. When joined, she is in control of her portion of the body created.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Pterodactyl Power Coin&lt;br /&gt;
&lt;br /&gt;
Kim uses the Pterodactyl Power Coin to morph into the Pink Ranger. As the Pink Ranger, her strength doubles, from her already enhanced superhuman class 4 strength, to superhuman class 7. Her agility, reflexes, and speed are similarly enhanced. It increases his healing as well. Many of these enhancements are discussed in abilities, but exposure to coin grants her a certain level, possession grants her an even greater level. The armor she gains while morphed also protects her, enabling her to survive energy blasts that would kill an ordinary human.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Wrist Communicator&lt;br /&gt;
&lt;br /&gt;
Kim wears a watch-like device called a Wrist Communicator. It was invented by Billy Cranston, the Blue Ranger, and has also tapped into the morphing grid to create a teleporter. He can only teleport from her location to the Command Center, but the Command Center is capable of teleporting him elsewhere. In effect, she can teleport anywhere in the world at a moment&#039;s notice. But it&#039;s original purpose was as a means of remaining in contact, securely, with Zor-Don, Alpha 5, and her fellow rangers.&lt;br /&gt;
|Weaknesses=Friends&lt;br /&gt;
&lt;br /&gt;
Kim loves her friends and her family. To the point that she will do anything to keep them safe. She will sacrifice herself if it means she will save someone she cares about. This means that they can be used against her, forcing her into situations. It also will cause her emotional turmoil if they were in danger or harmed, leading to mental anguish and potential mistakes on her part.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Green Ranger&lt;br /&gt;
&lt;br /&gt;
Kim likes Tommy Oliver (Green Ranger). A lot. He&#039;s more than just a friend in her mind. It isn&#039;t something they&#039;ve really discussed nor has she admitted it to him but the feelings are there. While she would sacrifice herself to save her friends, if she had to choose one person to save first it would be Tommy. Will this ever amount to anything? She has no idea.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Power Coin&lt;br /&gt;
&lt;br /&gt;
Kim&#039;s powers all originate from the Pink Power Coin. Without that coin, she will begin to lose the powers she has gained such as strength and healing. In time, she would be a human again as opposed to a meta. If it were lose, she would begin weakening within hours. If it were destroyed, she would immediately revert back to being just a human without the delayed loss of powers.&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Claire_Temple&amp;diff=1309</id>
		<title>Claire Temple</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Claire_Temple&amp;diff=1309"/>
		<updated>2017-08-15T05:02:33Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{CharacterNew&lt;br /&gt;
|NameOnMUSH=Claire Temple&lt;br /&gt;
|Color=#333&lt;br /&gt;
|Char_id=230&lt;br /&gt;
|Img=https://www.unitedheroesmush.com/images/5/51/Cler.jpg&lt;br /&gt;
|FullName=Claire Temple&lt;br /&gt;
|Gender=Female&lt;br /&gt;
|Species=Human&lt;br /&gt;
|Theme=Marvel&lt;br /&gt;
|Chartype=AFC&lt;br /&gt;
|Active=Active&lt;br /&gt;
|Occupation=healin&#039;&lt;br /&gt;
|Groups=[[Defenders]], [[Just Cause]]&lt;br /&gt;
|Quote=&amp;quot;Guilt makes people do stupid shit.&amp;quot;&lt;br /&gt;
|PAge=Late 20s&lt;br /&gt;
|AAge=28&lt;br /&gt;
|DOB=July 5, 1997&lt;br /&gt;
|Height=5&#039;6&amp;quot;&lt;br /&gt;
|Weight=125 lbs&lt;br /&gt;
|Hair=Black&lt;br /&gt;
|Eyes=Brown&lt;br /&gt;
|Actor=Rosario Dawson&lt;br /&gt;
|Song=[https://www.youtube.com/watch?v=keow2YgWaZ4 &amp;quot;Dark Nights&amp;quot; - Dorothy]&lt;br /&gt;
|Profile=Drafted involuntarily into the war of Hell&#039;s Kitchen, Claire Temple pits herself in dual roles: emergency nurse by day and a healer and mender of New York&#039;s vigilantes by night. Known purely by word-of-mouth, and her identity marginally sheltered to keep the monsters off her doorstep, there is alluded talk to a &amp;quot;night nurse&amp;quot; among the street-level heroes: a woman you call for the emergencies without worries of police reports or uncovered identities. She performs unparalleled surgical work in the most sparse and bereft of conditions, maintains strict doctor-patient confidentiality, and makes damn sure her patients stay alive. She&#039;s certain she&#039;s in over her head, but she&#039;s seen too much and she&#039;s sick of being afraid. What&#039;s a woman to do?&lt;br /&gt;
== Personality ==&lt;br /&gt;
&#039;&#039;&#039;Bleeding Heart:&#039;&#039;&#039; You would have to be to sacrifice time, resources, safety, and sanity trying to keep vigilantes -- most of them FRIENDS -- stitched together in one piece. And to do it non gratis. Claire might be hanging on fresh off a double-shift and four hours of sleep in the last forty, but she&#039;ll never turn anyone away. She&#039;ll never turn a blind ear against an emergency, even one that might threaten her own unstable-at-best safety. She might even have trouble denying medical assistance to less-than-scrupulous patients, with their lives on the line. She can be curt and blunt and sass-mouthed the entire time she gives up her life to do triage in someone&#039;s basement for fourteen hours, but she&#039;ll do it without hesitation.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pragmatic:&#039;&#039;&#039; When you&#039;re in the health industry, you don&#039;t search for cures so much as you do harm reduction. That is Claire Temple&#039;s take on the vigilante war. She believes in their fight, but it doesn&#039;t mean she&#039;s going to become a burning idealist about it, or think New York or any place else is going to be cleaned up overnight. She strafes a very sensible step away from the more passionate crusades, and tries to provide the clear head and mouthpiece of logic contrary to so many emotional pleas. After all, she&#039;s trying to keep these damn masked fools alive, and not kill themselves trying to enact their change.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Forbearing:&#039;&#039;&#039; Claire Temple has the patience of martyred saints. She can take a lot, endure a lot, and sit with a lot more, and do it without too much complaint. Past the physical tests of her exhausting double life, she can soldier the emotional side of it with an enviable strength, be it trapped in the middle of mafia wars and up to her arms in gouting blood. She keeps her cool under pressure and bears psychological weights with surprising prowess. In short, she dines on stress for breakfast.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Burgeoning Vigilante:&#039;&#039;&#039; Much as she thinks herself a healer, Claire&#039;s got the soul of a warrior. She sure gives the masks constant shit for their bad health decisions and high mortality rate for martyrdom, but she gets it -- gets their reasons why. It resonates all too strongly with her. She&#039;s tired of being afraid and, most of all, she&#039;s tired of doing nothing. At times she reconsiders what she&#039;s in, is sure it&#039;s going to someday kill her, but the fact remains: at her heart, there&#039;s no regrets. She can&#039;t close her eyes and go back to sleep and pretend the horrors out there don&#039;t exist. And one day waits on her horizon, when she realizes not even healing and mending will be enough to calm the storms in her heart. When she realizes she must do more.&lt;br /&gt;
|Abilities=&#039;&#039;&#039;Crouching Tiger, Hidden Brilliance&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Lacking the particular funds and means to pursue academia, Claire is an unfortunate case to fall through the cracks. She&#039;s an undiscovered and untrained genius, and beyond her effortless grasp of medicine, she possesses the aptitude to be able to understand some of the more exotic sciences if she were only taught the basics. Shaped with the right guiding hands, Temple has the makings of a mad scientist.&lt;br /&gt;
|Skills=&#039;&#039;&#039;Field Medic&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Claire Temple, in the emergency room, is an outstanding nurse, able to command a vast memory of medicine in combination with her considerable expertise.&lt;br /&gt;
&lt;br /&gt;
However, Claire Temple, out in a lonely alley, or in the basement of a derelict building, or in a farmhouse a hundred miles from help, or kneed down on someone&#039;s bedroom over their dying body, is truly and utterly where she shines. Even armed with the most bereft of supplies and not even promised a sterile environment or even a source of light, she performs work better than seasoned surgeons. Her steady hands and innate resourcefulness makes her the McGyver of the medical world.&amp;lt;br /&amp;gt;&lt;br /&gt;
}}&lt;br /&gt;
[[Category:Just Cause]][[Category:Defenders]]&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Blood_on_My_Name&amp;diff=1308</id>
		<title>Blood on My Name</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Blood_on_My_Name&amp;diff=1308"/>
		<updated>2017-08-15T05:01:33Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{TPPage&lt;br /&gt;
|Summary=One brother of Cain&#039;s bloodline tainted with demon blood. Another bound up in a contract with the King of the Crossroads. What could possibly go wrong?&lt;br /&gt;
|Scale=Minor&lt;br /&gt;
|Runner=294&lt;br /&gt;
|Contacts=306&lt;br /&gt;
|Participants=230, 229, 294, 306, 160, 99, Melinda May, Loki&lt;br /&gt;
|Groups=[[Just Cause]], [[SHIELD]]&lt;br /&gt;
|Audience=Street-Level&lt;br /&gt;
|Genre=R, Char-Focused&lt;br /&gt;
|Desc=21 years ago, the demon with the Yellow Eyes fed Sam Winchester some of his own blood, launching a gambit. Now, various factions in Hell, Hydra, and other supernatural forces engage in dark intrigues to gain the power of the a half-demon forged from Cain&#039;s direct bloodline. &lt;br /&gt;
&lt;br /&gt;
9 years ago, Crowley launches his first move in this deadly game: a soul-contract with one Dean Winchester, signed after Sam&#039;s untimely and (inconvenient) demise, potentially destroying Azazel&#039;s gambit and Heaven&#039;s gambit in one smooth blow. &lt;br /&gt;
&lt;br /&gt;
Even so, this game is far from over.&lt;br /&gt;
&lt;br /&gt;
Now, the two brothers and all who would associate with them find themselves caught up in the consequences of each of these actions. Will the brothers Winchester fall as the pawns of forces greater, more dangerous, and more powerful than themselves? Or can their friends help them take control of their own destinies before it&#039;s too late?&lt;br /&gt;
|State=Current&lt;br /&gt;
|Info=n/a&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=SHIELD&amp;diff=1307</id>
		<title>SHIELD</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=SHIELD&amp;diff=1307"/>
		<updated>2017-08-15T04:58:33Z</updated>

		<summary type="html">&lt;p&gt;Altair: Created page with &amp;quot;{{GroupPage |Desc=S.H.I.E.L.D., the Strategic Homeland Intervention, Enforcement and Logistics Division, is an international peacekeeping, law enforcement, and counter-terrori...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{GroupPage&lt;br /&gt;
|Desc=S.H.I.E.L.D., the Strategic Homeland Intervention, Enforcement and Logistics Division, is an international peacekeeping, law enforcement, and counter-terrorism agency, sanctioned by the United Nations. They are lead by a director who reports to the World Security Council, which is comprised of members from a variety of nations. It was founded to combat technologically advanced threats to world security -- specifically the menace of Hydra. Throughout the years, it has remained on the front lines, fighting terrorism, and extraterrestrial menaces, as an international intelligence agency.&lt;br /&gt;
&lt;br /&gt;
Base of Operations: The Triskelion (Lower Manhattan, Manhattan, New York)&amp;lt;br /&amp;gt;&lt;br /&gt;
Founded: 27 August 1948&lt;br /&gt;
|Leader=Nick Fury&lt;br /&gt;
|XO=Maria Hill&lt;br /&gt;
|GroupType=Major&lt;br /&gt;
|State=Current&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Pink_Ranger&amp;diff=1306</id>
		<title>Pink Ranger</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Pink_Ranger&amp;diff=1306"/>
		<updated>2017-08-15T04:55:06Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{CharacterNew&lt;br /&gt;
|NameOnMUSH=Kimberly Hart&lt;br /&gt;
|Color=#333&lt;br /&gt;
|TextColor=#c1c1c1&lt;br /&gt;
|Char_id=322&lt;br /&gt;
|Img=http://orig14.deviantart.net/0936/f/2016/239/1/c/1c3e27ac71d56bc72151acb581a0a797-dafhved.jpg&lt;br /&gt;
|FullName=Kimberly &amp;quot;Kim&amp;quot; Hart&lt;br /&gt;
|Gender=Female&lt;br /&gt;
|Species=Human&lt;br /&gt;
|Theme=Marvel&lt;br /&gt;
|Chartype=FC&lt;br /&gt;
|Active=Dropped&lt;br /&gt;
|Occupation=Student&lt;br /&gt;
|Groups=Power Rangers&lt;br /&gt;
|Quote=&amp;quot;Polly wanna Megazord?&amp;quot;&lt;br /&gt;
|PAge=17&lt;br /&gt;
|AAge=17&lt;br /&gt;
|DOB=14 February 2008&lt;br /&gt;
|Height=157 cm&lt;br /&gt;
|Weight=50 kg&lt;br /&gt;
|Hair=Brown&lt;br /&gt;
|Eyes=Brown&lt;br /&gt;
|Actor=Jennifer Lawrence&lt;br /&gt;
|Song=Power Rangers Theme Song&lt;br /&gt;
|Profile=Kimberly Hart was born a regular girl in a regular life doing regular things like gymnastics and school work. Booooring. Enter an ancient artifact and a handful of friends. Things suddenly weren&#039;t so regular. Kim became the Pink Ranger, with the coin of the Pterodactyl. She now uses the powers given to her to fight the good fight. Or is that the bad fight since it&#039;s a, y&#039;know, still a fight?&lt;br /&gt;
|Abilities=Durability&lt;br /&gt;
&lt;br /&gt;
With the mantle of being a Power Ranger come certain perks. These manifest in the form of what would be considered metahuman enhancements. Even without morphing into her costume, Kim is much tougher than a normal human. She can take on attackers while not taking very much damage unless the suspect is of a metahuman level themselves. She can withstand the Putty army easily when it is a one-on-one scenario because they cannot harm her physically.&lt;br /&gt;
&lt;br /&gt;
Healing&lt;br /&gt;
&lt;br /&gt;
Thanks to the powers granted to her, Kim heals much more quickly than a human. Things that used to take weeks can be fixed within hours. This includes broken bones and major internal injuries. It&#039;s not to say she can&#039;t die. She certainly can but if she survives long enough, the power of the Coin will allow her body to repair itself.&lt;br /&gt;
&lt;br /&gt;
Strength&lt;br /&gt;
&lt;br /&gt;
With the Power Coin, Kim&#039;s strength has increased exponentially. She is a low level metahuman, even without her armor in place. Her strength would be on a level 4 approximately. When she morphs into the Pink Ranger, she jumps to about a 7, putting her a bit below the strength level of Spider-Man. Her reflexes, agility and speed are also all enhanced, in or out of armor, gaining higher levels when she is costumed as the Pink Ranger.&lt;br /&gt;
|Skills=American Sign Language&lt;br /&gt;
&lt;br /&gt;
Kim is proficient in American Sign Language (ASL). She is able to communicate effectively with those who are hearing impaired and utilize it. She also is trained in the use of telecommunications devices for the deaf (TDD) used to text communication via telephone.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Archery&lt;br /&gt;
&lt;br /&gt;
Kim is a skilled archer. She can hit the target she is aiming for, even in a combat situation. She is not able to do trick shots and the like, such as those done by Clint Barton, but she could be considered on par with an Olympic level archer. With her Power Bow, she is able to fire multiple shots at the same time with accuracy.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Cheerleading&lt;br /&gt;
&lt;br /&gt;
Another of her many hobbies throughout her life, Kim is a skilled cheerleader. She has all tumbling and acrobatics skill necessary, combined with her gymnastics. She is used to working with a group to a common goal, combining agility with dance. She started as a pee-wee and has continued, being part of the Angel Grove high school squad.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Diving&lt;br /&gt;
&lt;br /&gt;
Her gymnastics allowed for her to learn to dive quite well although she isn&#039;t formally trained so won&#039;t be on any diving teams. She does know how to dive safely, even from great heights. She also is a very strong swimmer, able to hold her breath for up to three minutes.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Fitness&lt;br /&gt;
&lt;br /&gt;
Kim likes to stay in shape. She knows about nutrition and physical training to keep her body in top form, even before she became a Power Ranger. She&#039;s been known to teach spin classes, dance and the like while at the Youth Center.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Gardening &lt;br /&gt;
&lt;br /&gt;
Kim has a green thumb. She likes plants. She knows how to recognize types by sight, what type of watering/sun they need, humidity necessities and so forth. She keeps her own herbs growing fresh in a window box off the kitchen at her family home.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Gymnastics&lt;br /&gt;
&lt;br /&gt;
Kim has been training in gymnastics since she was a child. She is good enough she could compete in national competitions but she&#039;s never tried pursuing that path. It&#039;s something she enjoys and it helps her maintain a healthy lifestyle. She is extremely agile and flexible. She often uses her gymnastics in tandem with her martial arts training. Her acrobatics have taught her how to land properly so she doesn&#039;t injure herself, how to take a fall, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Martial Arts &lt;br /&gt;
&lt;br /&gt;
As Kim, she has martial arts training thanks to the classes given at the Youth Center, taught by her teammate and friend Jason Scott (Red Ranger). She would be considered proficient but she isn&#039;t going to be winning any tournaments. As the Pink Ranger, she is able to tap into knowledge she does not have as Kim, making her a formidable opponent able to take down multiple opponents without assistance. Either as Kim or the Pink Ranger, she likes the combine her gymnastics with her martial arts, leading to her having a distinct fight style that is more like that of Catwoman.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Music&lt;br /&gt;
&lt;br /&gt;
Kim is able to play the guitar quite well. She could be in a band if she had the time between everything else going on in her life. She also has a good singing voice. She won&#039;t be winning any competition shows but she sounds good enough she could get local gigs if she wanted.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Philanthropy&lt;br /&gt;
Kim is very civil minded and will help with any cause she feels strongly about. She&#039;s fought for the environment in the past. She has volunteered as a Big Sister. She likes to give to the community and the people in it, helping to arrange for events and fund raisers. Although she doesn&#039;t have money to give, she does give time and that is sometimes even more important.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Pilot&lt;br /&gt;
&lt;br /&gt;
Kim cannot fly a plane or a helicopter. However, she can fly her Pterodactyl Zord with amazing skill. It is more an ingrained instinct as opposed to a learned skill, her completely in synch with the machine, allowing for her to be on par with a trained fighter pilot.&lt;br /&gt;
|Resources=Angel Grove Youth Center&lt;br /&gt;
&lt;br /&gt;
Kim and her fellow Rangers are regulars at the Youth Center. She goes there practically every day. Often, she can be found teaching dance or fitness classes. Sometimes she works on her gymnastics. She&#039;s on friend terms with the owner who works with her at times when he wants assistance at the Center.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Blade Blaster&lt;br /&gt;
&lt;br /&gt;
The Blade Blaster is a standard sidearm of the Power Rangers. It serves the dual purpose of being a low impact dagger style weapon and a personal blaster. It fires laser-based energy that can be combined with the other blasters to perform incredible team up techniques.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Power Bow&lt;br /&gt;
&lt;br /&gt;
As the Pink Ranger, Kim wields a weapon called a Power Bow. It looks like a regular pink and white bow however the arrows it fires are energy constructs so she does not have to carry a quiver nor is she limited on the number of arrows she fires. They can penetrate like a normal arrow or they can simply be concussive force. It also can fire a beam of light like a laser if she chooses. She can fire up to five arrows at the same time, all with an extreme level of accuracy. These arrows are enough to knock out a normal human, for she would never use a kill shot on a human being. For monsters, all bets are off. The bow can be combined with the weapons of the other Power Rangers to make a single weapon called the Power Blaster.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Power Rangers&lt;br /&gt;
&lt;br /&gt;
Kim is a Power Ranger. She has access to the Command Centre, Zor-Don, Alpha 5, and most importantly, her fellow Power Rangers. They fight as a team. They are her friends and her family. Their bond gives her support, in combat and out, and in so many other ways.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Pterodactyl Dinozord&lt;br /&gt;
&lt;br /&gt;
As the Pink Ranger, she is able to control the Pterodactyl Dinozord, the only flying Zord of the group. The Pterodactyl Zord is 1.4 meters tall, weighs 24.6 tons, and has a max speed of Mach 2.5. It is strongly armored and can keep her safe inside under extremely violent attacks by a wide range of giant monsters. When it isn&#039;t enough, her Dinozord can combine with the others from her team to form Megazord which 12 meters tall and weighs 166.8 tons. When joined, she is in control of her portion of the body created.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Pterodactyl Power Coin&lt;br /&gt;
&lt;br /&gt;
Kim uses the Pterodactyl Power Coin to morph into the Pink Ranger. As the Pink Ranger, her strength doubles, from her already enhanced superhuman class 4 strength, to superhuman class 7. Her agility, reflexes, and speed are similarly enhanced. It increases his healing as well. Many of these enhancements are discussed in abilities, but exposure to coin grants her a certain level, possession grants her an even greater level. The armor she gains while morphed also protects her, enabling her to survive energy blasts that would kill an ordinary human.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Wrist Communicator&lt;br /&gt;
&lt;br /&gt;
Kim wears a watch-like device called a Wrist Communicator. It was invented by Billy Cranston, the Blue Ranger, and has also tapped into the morphing grid to create a teleporter. He can only teleport from her location to the Command Center, but the Command Center is capable of teleporting him elsewhere. In effect, she can teleport anywhere in the world at a moment&#039;s notice. But it&#039;s original purpose was as a means of remaining in contact, securely, with Zor-Don, Alpha 5, and her fellow rangers.&lt;br /&gt;
|Weaknesses=Friends&lt;br /&gt;
&lt;br /&gt;
Kim loves her friends and her family. To the point that she will do anything to keep them safe. She will sacrifice herself if it means she will save someone she cares about. This means that they can be used against her, forcing her into situations. It also will cause her emotional turmoil if they were in danger or harmed, leading to mental anguish and potential mistakes on her part.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Green Ranger&lt;br /&gt;
&lt;br /&gt;
Kim likes Tommy Oliver (Green Ranger). A lot. He&#039;s more than just a friend in her mind. It isn&#039;t something they&#039;ve really discussed nor has she admitted it to him but the feelings are there. While she would sacrifice herself to save her friends, if she had to choose one person to save first it would be Tommy. Will this ever amount to anything? She has no idea.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Power Coin&lt;br /&gt;
&lt;br /&gt;
Kim&#039;s powers all originate from the Pink Power Coin. Without that coin, she will begin to lose the powers she has gained such as strength and healing. In time, she would be a human again as opposed to a meta. If it were lose, she would begin weakening within hours. If it were destroyed, she would immediately revert back to being just a human without the delayed loss of powers.&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=User:Altair&amp;diff=1305</id>
		<title>User:Altair</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=User:Altair&amp;diff=1305"/>
		<updated>2017-08-15T04:53:36Z</updated>

		<summary type="html">&lt;p&gt;Altair: Created page with &amp;quot;I&amp;#039;m Winter Soldier. Also that guy that does wiki stuff. If something&amp;#039;s broken let me know.&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;I&#039;m Winter Soldier. Also that guy that does wiki stuff. If something&#039;s broken let me know.&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Blood_on_My_Name&amp;diff=1303</id>
		<title>Blood on My Name</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Blood_on_My_Name&amp;diff=1303"/>
		<updated>2017-08-15T02:49:54Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{TPPage&lt;br /&gt;
|Summary=One brother of Cain&#039;s bloodline tainted with demon blood. Another bound up in a contract with the King of the Crossroads. What could possibly go wrong?&lt;br /&gt;
|Scale=Minor&lt;br /&gt;
|Runner=294&lt;br /&gt;
|Contacts=306&lt;br /&gt;
|Participants=Claire Temple, Winter Soldier, Sam Winchester, Dean Winchester, Fred Burkle, Melinda May, Loki, Mercy Thompson&lt;br /&gt;
|Groups=Just Cause, SHIELD&lt;br /&gt;
|Audience=Street-Level&lt;br /&gt;
|Genre=R, Char-Focused&lt;br /&gt;
|Desc=21 years ago, the demon with the Yellow Eyes fed Sam Winchester some of his own blood, launching a gambit. Now, various factions in Hell, Hydra, and other supernatural forces engage in dark intrigues to gain the power of the a half-demon forged from Cain&#039;s direct bloodline. &lt;br /&gt;
&lt;br /&gt;
9 years ago, Crowley launches his first move in this deadly game: a soul-contract with one Dean Winchester, signed after Sam&#039;s untimely and (inconvenient) demise, potentially destroying Azazel&#039;s gambit and Heaven&#039;s gambit in one smooth blow. &lt;br /&gt;
&lt;br /&gt;
Even so, this game is far from over.&lt;br /&gt;
&lt;br /&gt;
Now, the two brothers and all who would associate with them find themselves caught up in the consequences of each of these actions. Will the brothers Winchester fall as the pawns of forces greater, more dangerous, and more powerful than themselves? Or can their friends help them take control of their own destinies before it&#039;s too late?&lt;br /&gt;
|State=Current&lt;br /&gt;
|Info=n/a&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Tayaniye&amp;diff=1289</id>
		<title>Tayaniye</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Tayaniye&amp;diff=1289"/>
		<updated>2017-08-14T20:54:57Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{TPPage&lt;br /&gt;
|Summary=The efforts of an unlikely group to get the Winter Soldier to come in from the cold.&lt;br /&gt;
|Scale=Minor&lt;br /&gt;
|Runner=229&lt;br /&gt;
|Contacts=230&lt;br /&gt;
|Participants=229, 230, 99, 294, 306, 160, 93, 174, Melinda May, Loki, Ares, Vanya, Angel&lt;br /&gt;
|Groups=[[Just Cause]], [[SHIELD]]&lt;br /&gt;
|Audience=Street Level (generally)&lt;br /&gt;
|Genre=R, Char-focused&lt;br /&gt;
|Desc=The Winter Soldier has been a Soviet horror story for countless decades, assumed to be a Red Army soldier who transcended to become Mother Russia&#039;s most lethal weapon, responsible for deleting threats to the State both external and internal.&lt;br /&gt;
&lt;br /&gt;
Up until a few people discover his origin is not all it seems. Realizing he is in actuality a brainwashed James Buchanan Barnes, the lost partner of Captain America, they hatch a plan to try to save a man who has no awareness that he even needs to be saved.&lt;br /&gt;
&lt;br /&gt;
...Some people are much more excited about this plan than others.&lt;br /&gt;
|State=Current&lt;br /&gt;
|Info=n/a&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=Template:TP_Logs&amp;diff=1280</id>
		<title>Template:TP Logs</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=Template:TP_Logs&amp;diff=1280"/>
		<updated>2017-08-14T07:00:20Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;includeonly&amp;gt;&lt;br /&gt;
{{#css:&lt;br /&gt;
  .LogTable {text-align:left; width:100%; table-layout:fixed; border-radius:5px;}&lt;br /&gt;
  .LogTable tbody {border-radius:5px;};&lt;br /&gt;
  .LogTable:nth-child(1) {border-top-left-radius:5px; border-top-right-radius:5px;}&lt;br /&gt;
  .LogTable tr:nth-child(1) {border-top-left-radius:5px; border-top-right-radius:5px;}&lt;br /&gt;
  .LogTable tr td:nth-child(1) {width: 20rem;}&lt;br /&gt;
  .LogTable tr td:nth-child(2) {width: 15rem;}&lt;br /&gt;
  .LogTable tr:nth-child(1) td:nth-child(1) {border-top-left-radius:5px; }&lt;br /&gt;
  .LogTable tr:nth-child(1) td:nth-child(3) {border-top-right-radius:5px; }&lt;br /&gt;
  .LogTable tr:nth-child(2n+1) {background-color: rgba(0,70,70,.4)}&lt;br /&gt;
  .LogTable tr:nth-child(2n) {background-color: rgba(0,70,70,.2)}&lt;br /&gt;
  .LogTable td { vertical-align:top; padding: 0px 0px 0px 5px;}&lt;br /&gt;
  .logTable tr:nth-last-child(1) {border-bottom-right-radius: 5px; border-bottom-left-radius: 5px;}&lt;br /&gt;
  .LogTable tr:nth-last-child(1) td:nth-child(1) {border-bottom-left-radius:5px;}&lt;br /&gt;
  .LogTable tr:nth-last-child(1) td:nth-last-child(1) {border-bottom-right-radius:5px;}&lt;br /&gt;
  .LogTable tr td:nth-child(odd) { word-wrap:break-word; text-overflow: ellipsis; white-space: nowrap; overflow: hidden; max-height:1.5em; height:1.5em; display:block;}&lt;br /&gt;
  .HeaderCell {padding: 0px 0px 0px 5px;}&lt;br /&gt;
  .HeaderCell:nth-child(1) {border-radius:5px 0px 0px 0px; width: 35%;}&lt;br /&gt;
  .HeaderCell:nth-child(2) {width: 10rem;}&lt;br /&gt;
  .HeaderCell:nth-child(3) {border-radius:0px 5px 0px 0px; width: 65%;}&lt;br /&gt;
  .LogRow { max-height:1em;}&lt;br /&gt;
  .LogRow:nth-child(1) {background-color: rgba(0,70,70,.5)}&lt;br /&gt;
  .LogRow:nth-child(2n+2) {background-color: rgba(0,70,70,.2)}&lt;br /&gt;
  .LogRow:nth-child(2n+3) {background-color: rgba(0,70,70,.3)}&lt;br /&gt;
  .LogCell { vertical-align:top; padding: 0px 0px 0px 5px; max-height:1em;}&lt;br /&gt;
  .LogRow:last-of-type td:nth-last-child(3) {border-radius:0px 0px 0px 5px}&lt;br /&gt;
  .LogRow:last-of-type td:nth-last-child(1) {border-radius:0px 0px 5px 0px;}&lt;br /&gt;
  .LogCell:nth-child(odd) { word-wrap:break-word; text-overflow: ellipsis; white-space: nowrap; overflow: hidden; max-height:1.5em; height:1.5em; display:block;}&lt;br /&gt;
}}&lt;br /&gt;
{| class=&amp;quot;LogTable&amp;quot; &lt;br /&gt;
! class=HeaderCell | Title&lt;br /&gt;
! class=HeaderCell | Date&lt;br /&gt;
! class=HeaderCell | Scene Summary&lt;br /&gt;
|- class=&amp;quot;LogRow&amp;quot;&lt;br /&gt;
{{#ask:[[Category:{{{1|Roleplay Logs}}}]] [[Log Tinyplot::{{#titleparts: {{PAGENAME}}}}]] OR [[Category:{{{1|Roleplay Logs}}}]] [[Tinyplot Two::{{#titleparts: {{PAGENAME}}}}]]&lt;br /&gt;
|?Log Date&lt;br /&gt;
|?Log Synopsis&lt;br /&gt;
|format=template&lt;br /&gt;
|template=Log List Single&lt;br /&gt;
|limit=99999&lt;br /&gt;
|sort=Log Date&lt;br /&gt;
|order=descending &lt;br /&gt;
|link=none&lt;br /&gt;
|default={{!}} colspan=3 {{!}} No logs submitted yet.&lt;br /&gt;
}}&lt;br /&gt;
|}&amp;lt;/includeonly&amp;gt;&amp;lt;noinclude&amp;gt;&lt;br /&gt;
To include TP logs for the page you are adding this to:&lt;br /&gt;
&amp;lt;pre&amp;gt;{{TP Logs}}&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
For cutscenes:&lt;br /&gt;
&amp;lt;pre&amp;gt;{{TP Logs|Cutscenes}}&amp;lt;/pre&amp;gt;&lt;br /&gt;
&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=1867/Wayward_Son&amp;diff=1279</id>
		<title>1867/Wayward Son</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=1867/Wayward_Son&amp;diff=1279"/>
		<updated>2017-08-14T06:56:49Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/08/07&lt;br /&gt;
|Location=Croton, New York&lt;br /&gt;
|Synopsis=Dean Winchester goes in search of the Winter Soldier, and certainly finds him.&lt;br /&gt;
|Cast of Characters=306, 229&lt;br /&gt;
|Tinyplot=Tayaniye&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Dean had left SHIELD, burger in hand, and had taken the Impala home to get ready--without Sam in tow. Well, as ready as he could be. He&#039;d outfitted with the lightweight clothes-armour May had provided the brothers Winchester, concealed multiple weapons in his arsenal, and had taken to the road after leaving a vague note on the fridge for Sam: &#039;Went out. Back in a week or less. Don&#039;t get kidnapped.&#039; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He got some provisions, and then he&#039;d set out to make good on his promise. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;d started not far from where he&#039;d parked the Impala only days before. Dean was smart enough to avoid exploring the area they&#039;d seen the hydra, and instead sought any trail he could he could find; camping when night had fell, and then continuing at first light the following day. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the trail went cold. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Completely cold. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Dean sits on a log in the middle of nowhere without a map.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The forest is calm around Dean Winchester. Much of the cleanup at the dam has already been completed. The important things that needed to be cleared out have already been cleared out, meaning that whatever activity there was left to find around the area is activity only of the most banal sort. None of those trails lead anywhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In the end, even a tracker and hunter like Dean Winchester is left with nothing except the emptiness of descending dusk, and the clamour of wildlife all around.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Eventually, there comes a point the birdsong and the cricket chirps stop. Animals always know.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;There&#039;s not going to be anything for you to find,&amp;quot; a voice drifts down a few moments later, from behind Dean and overhead. The source is a shadow half-visible in the crook of an oak&#039;s spreading branches, a shadow that watches Dean with curious blue eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You really ought to go home. You got what you wanted.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Animal silence puts Dean on edge. Years of hunting has made him too-aware of silence and what it brings. The voice causes Dean to stand and turn in its direction. His head tilts to the side. &amp;quot;I&#039;ve had girlfriends who couldn&#039;t begin to understand what I want. Reckon you couldn&#039;t do better,&amp;quot; Dean replies evenly. But his expression doesn&#039;t meet the cavalier way he manages to speak. His nostrils flare. His lips tighten grimly. His wrists already work to grasp at the weapon hidden in his sleeve. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His jaw works around at something. &amp;quot;What&#039;d you give him?&amp;quot; his chin lifts and green eyes narrow expectantly. His lips purse like he&#039;s sucked on something sour. &amp;quot;And why?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier smiles. It&#039;s a brief baring of white teeth in the dark. He leans forward in his perch, balanced thoughtlessly, his left arm slinging across his knees. He doesn&#039;t look armed, but that means nothing.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You weren&#039;t clear enough with your girlfriends, if that&#039;s the case,&amp;quot; he says. &amp;quot;I&#039;ve never had trouble getting my point across to a woman.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His head tilts. He watches as Dean tenses, in that telltale way that longs for a weapon. He himself does nothing.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He only shrugs as Dean asks his questions. &amp;quot;You&#039;re asking the wrong guy,&amp;quot; he replies, his colloquial English and easy cadence surprising on a purported Russian operative. He talks like a native New Yorker. &amp;quot;I wasn&#039;t the one giving him shit, nor the one making decisions on why.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Winter Soldier leans back again, a mocking smile crossing his features. Hard to say who he&#039;s mocking. &amp;quot;I just retrieve.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;A curl of Dean&#039;s lips offers a not-smile, grim and cold. &amp;quot;Like Claire?&amp;quot; His lips hitch up on one side, &amp;quot;I prefer not to kidnap my company.&amp;quot; He winks to punctuate the point. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;So,&amp;quot; humour reflects in his eyes, &amp;quot;you&#039;re saying you&#039;re just a delivery boy?&amp;quot; his eyebrows lift comically. He takes a single step back, and the weapon slides into his grasp. The light reflects from he glint of metal from the hunter&#039;s knife. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He tests the balance of the weapon in his grasp, knowing full-well he&#039;s given away that he&#039;s carrying, &amp;quot;You give him all those pretty bruises or was that someone else too?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Like Claire? Dean taunts. He prefers not to kidnap his company--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Winter Soldier is silent. The leaves around him move more than he does. His cold eyes reflect back the image of Dean&#039;s drawn dagger without betraying any indication of what he is thinking, nor how he will respond to that barb about a certain nurse.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Shouldn&#039;t talk about things you don&#039;t know the first thing about,&amp;quot; he eventually replies.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then he is down from the tree, crossing the empty space between them, as silent and quick as one of the stray moonbeams flickering across the forest floor. He pulls a .45 as he moves, and when he stops it is precisely out of Dean&#039;s easy knife reach, with the pistol aimed between Dean&#039;s eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;That was Anastasiya,&amp;quot; he remarks. &amp;quot;She&#039;s a cunt.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The barrel of the gun pointed at his head actually causes his eyebrows to lift. Anastasiya is a cunt: &amp;quot;Obviously.&amp;quot; He swallows hard. And in an instant, the ghosts of the past argue for vastly different actions. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But memory, both muscle and otherwise, goes into autopilot. A decision had already been made a day earlier. &amp;quot;Never touch Sammy again. I don&#039;t care what the cunts order.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His jaw shifts when he looks down the barrel of the gun, and instead of having the good sense of trying to dodge or run away from the gun, he steps forward, taking a single, slow step, not aiming to get out of the weapon&#039;s crosshairs. &amp;quot;And here I thought you weren&#039;t a coward.&amp;quot; His eyebrows draw together. &amp;quot;Too scared to dance, Soldier?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier&#039;s mouth curves in a scimitar grin. &amp;quot;Little Nastenka wishes she got to order me,&amp;quot; he dismisses. &amp;quot;It was her job to beat your brother because I had better things to do.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Whatever he was expecting Dean to do with a gun in his face, however, it wasn&#039;t to step forward and keep sassing. His brows lift slightly as the older Winchester dares the muzzle of his weapon and asks him if he&#039;s too scared to dance.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;A man needs to be alive to enforce his ultimatums, Dean Winchester,&amp;quot; he says softly, almost instructive. &amp;quot;You children, these days...&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His trigger finger leaves the trigger guard, sliding up to lay straight along the frame of the pistol, and he whips the weapon itself in a violent crack for Dean&#039;s jaw. &amp;quot;No sense!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The force of the pistol-whip creams Dean on the ground. And as his body twists, he crumples further, pushing his chest downwards. He can hear the crack of the bones beneath his weight. This was a bad idea. He spits on the ground and a spray of red follows the action. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But he can&#039;t stop sassing. He groans, curling into himself. &amp;quot;Better... &amp;quot; he forces the words, &amp;quot;...things... like... keeping... company... with... women.. you kidnap... because... no one would... stay by choice?&amp;quot; He gasps for air and forces himself upwards. The adrenaline allows him to stand. This was a really bad idea. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He rolls on the ground, clutching the knife tightly and forces himself to his feet. Disjointedly, he takes a swipe at the soldier.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier does not press his advantage or step forward after he sends Dean careening to the ground. He only holds his position, standing above the other man, waiting to see if any sense has been beaten in yet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;None has, it seems. Dean rolls back, slowly, to a stand, and he keeps talking. The things he says make the Soldier&#039;s eyes flare with fury.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Dean forces himself forward again, despite his aggravated injuries. His blade lashes out, slicing the air-- and the Winter Soldier reaches to catch it in his steel left hand. Its mechanisms whir as he shuts his grip, metal screaming as it grinds against metal, the Soldier aiming to fold the blade in half in his palm. Then to push, and snap it in two.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His dispassionate expression does not alter, nor does his gaze leave Dean&#039;s.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You think I&#039;ve had the luxury of time for that? They couldn&#039;t choose me even if they wanted.&amp;quot; His mouth curls in something almost bitter at that-- bitter, but frigidly proud. &amp;quot;You fucking Americans. I was busy making sure you lost Vietnam before your parents ever even conceived of you.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Dean forces himself to straighten. His body cries out against the motion, but he forces it anyway. His lips hitch up higher on one side, exposing a row of bloodied teeth behind them. He takes a deep breath while he watches the soldier destroy the knife. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;So... you //do// kidnap company,&amp;quot; he observes before spitting blood on the ground again. &amp;quot;You&#039;re //that// asshole,&amp;quot; he sputters. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He sniffs hard. &amp;quot;That all you got?&amp;quot; He coughs around the lump in his throat. He&#039;s in rough shape--injury on injury means he&#039;s likely already bleeding internally. &amp;quot;I...&amp;quot; in inhales again as he balls his hands into fists, &amp;quot;...could do this all day.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Dean draws his conclusions. The Winter Soldier considers them, very generously, though the gradual narrowing of his blue eyes suggests he emphatically does not like what he is hearing. He steps forward--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;--and Dean says something.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Winter Soldier halts. The phrase seems to mean something to him, a vague recognition flickering in his eyes... up until it suddenly doesn&#039;t. His gaze goes abstract and impersonal as a wolf&#039;s stare on prey. His expression vacillates between confusion and rage, up until the fact there&#039;s confusion at all twists his mental setting squarely towards rage.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The shriek of articulating metal is the only perceptible warning Dean gets before steel cannons dead center towards his already-abused chest, the Soldier striking with enough force to send the man careening back against the trunk of a tree.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Like I said,&amp;quot; he says, as he approaches at a slow pace, &amp;quot;shouldn&#039;t talk about things you don&#039;t know the first thing about, unless you want to die wrong. I saved her life. Me.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The arm strikes again, snake-quick, sinking into the bole of the tree two inches to the left of Dean&#039;s head with a catastrophic crack of wood. Splinters fly. The Soldier leans in close. &amp;quot;How big a fool are you?&amp;quot; he muses. &amp;quot;I&#039;m starting to question the logic...&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The thud against the tree echoes in Dean&#039;s mind along with a chorus of cracks and pops and another lower, more pained, groan. His shoulders draw towards one another. And for the first time when the strike comes against the tree, he actually flinches. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He groans again. His eyes close and his breath exhales as a near laugh--a hollow emission of air; humourless and empty, but still there. &amp;quot;Now I know,&amp;quot; he clears his throat to get rid of the metallic taste in his mouth; he fails, &amp;quot;your weaknesses... nurses and snark.&amp;quot; At that he actually smirks. &amp;quot;Dead men have no logic. But if you touch Sammy again,&amp;quot; he groans while shifting against the tree, clearly in distress, &amp;quot;I will make every deal with purgatory, heaven, and hell to come back and haunt your ass.&amp;quot; He doesn&#039;t wipe the blood from his face, and instead remains pasted in place. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And the Winter Soldier this close, he does the only thing a Winchester can: he spits blood at the Soldier. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His eyes lid again.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Spit blood hits the Soldier just beneath the eye. The crimson drools down the side of his face, running the line of his jaw. He doesn&#039;t wipe it away. He is used to wearing blood.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Now I know yours,&amp;quot; the Winter Soldier snorts. &amp;quot;Putting up a fight worth the time.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He wrenches his arm from the tree in another shower of splinters and torn bark. &amp;quot;You are lucky I&#039;m told there&#039;s some use to you yet. Though I don&#039;t see what.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He turns away. Dean&#039;s parting words, however, pause him in his stride, and he slants a look back over his shoulder. His blue eyes are indifferent, passionless.... desensitized, after decades of sowing war.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Thousands of ghosts are already following me,&amp;quot; he says, and turns away again. &amp;quot;I won&#039;t even see you among them.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=1819/I_Want_to_Break_Free&amp;diff=1278</id>
		<title>1819/I Want to Break Free</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=1819/I_Want_to_Break_Free&amp;diff=1278"/>
		<updated>2017-08-14T06:56:41Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/08/04&lt;br /&gt;
|Location=New Croton Dam, New York&lt;br /&gt;
|Synopsis=Mercy Thompson, Fred Burkle, Dean Winchester, The Black Widow, Melinda May and two werewolves team up to retrieve Sam Winchester from Hydra&#039;s clutches. The Winter Soldier shows up to stop them, as does a special guest hydra (emitted by Claire Temple).&lt;br /&gt;
|Cast of Characters=294, 99, 160, 306, 93, 5, 229, 230&lt;br /&gt;
|Tinyplot=Tayaniye&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;August 4, 2025&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Croton, New York&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As the search for Claire Temple and Sam Winchester has unfolded a couple things have become obvious.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;First, magical tracking is absolutely useless. Sam is careful enough to avoid leaving so much as a hair in a hairbrush in the apartment he and Dean share, so that was out anyway, but Fred did have an item that was important to him...his very first and best set of lockpicks, gifted to her on the very night of his abduction. Sadly, any spell attempts just set the case spinning in slow circles like a compass needle that never manages to find &amp;quot;north.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fortunately, there was information on Sam&#039;s phone. It pointed to the New Croton Dam Spillway. Some surveillance would make it obvious as to why tracking spells are bust...water of course cascades over most of the structure, and it would only take planting Sammy somewhere beneath that water to render that magic fairly moot. It&#039;s a wonder Fred&#039;s dreamwalking spell even worked, but things like astral trips into other people&#039;s brain get a little fuzzy on that angle: /she/ wasn&#039;t burdened with running water at the time, and has stumbled upon the trick of calling Sam&#039;s True Name, two advantages which allowed her to find his spirit on the astral plane where dreams exist. One could argue that there, Sam wasn&#039;t particularly burdened by running water either...for all the good it&#039;s done him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Surveillance on the dam would indicate kind of a hard row to hoe. Long-term surveillance would reveal a secret keypad-- available when one touches a specific brick-- and a secret entrance right on the grassy part of the spillway supporting the dam, partially hidden behind a very large tree. There may be surveillance cameras in the dark recesses just above the entrance, but of course it&#039;s nearly impossible to tell without cheating somehow. There is definitely a secret facility dug right into the dam, but the layout of that facility, the size, or even the number of people inside is impossible to determine. The traffic is kept low and light; entry and exit is restricted to times when civillian traffic isn&#039;t milling around watching the water cascade into the river, and the trucks and cars that do pull up for said entries and exits are non-military usually, and tend to spill their people out and drive off rather than parking and allowing themselves to be counted. Sometimes they bring supplies, and at least one supply run has made it clear that an indefinite number of people can probably hang out in there for an indefinite number of days without stirring themselves. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Good thing a group of Big Damn Heroes has come together to figure out how to do this, right?&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The call to arms went out and today is the day.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The day the group is off to investigate the information that was found upon Sam Winchester&#039;s phone. For this little escapade Mercy Thompson had just enough lead-up time to call in a few favors. Favors with a heavy price, but they were still called in. And so, with arsenal of bombs, grenades, mines and bullets and two very large and nasty werewolves, Mercy is here. The bombs, grenades and other gear is packed neatly and carefully into a large canvas bag. That bag is currently being carried by Mercy, the strap upon one shoulder and criss-crossing over her chest and ending upon opposite hip. The bag looks quite heavy and is, but Mercy seems to be carrying it with relative ease. A black smart-phone armband sits on the coyote&#039;s forearm, her smartphone housed within it. The screen is dark just this moment, but with a single touch it&#039;ll light up. Several apps are already running in the background of the phone, but the one that truly matters is the remote control app for several of the mines. They can be either toss and go, or placed and armed remotely and then boom with a single touch of her finger.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The werewolves themselves are already shifted to their four-footed wolf forms. One wolf is a brindled russet in color, while the other is the typical gray and brown pattern one usually envisions when they think of wolves. The only possibly startling thing about them is their size. Both wolves hit hip-level for a man reaching six feet in height, anyone shorter and they seem even taller. Truly the pair almost look like the wolf mounts from a popular MMORPG that the kids are playing, only without any goofy lope. It&#039;s all predator smoothness and silence when they move.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Either way, the golden-eyed wolves stay close to Mercy making the woman look smaller than she actually is. For Mercy Thompson she made her way here on her own; because wolves, they don&#039;t travel well with strangers. Her mode of dress is geared towards messy and outdoors-y, with dark jeans, black shirt and her steel-toed boots.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She&#039;s making an effort to blend in even as she (and the wolves) move toward the rendezvous point for the Rescue Team.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s been an intense couple of days/weeks/month for Winifred Burkle. Is it plausible that she imagined she would be prepping to storm a impenetrable fortress of a dam in the company of a mechanic, a professional spy, a pack of wolves and a hunter with backpacks of homemade weapons and explosives, determined to get inside no matter what? It&#039;s hard to say. This is Fred, after all. She might have thought that this was something she might be doing on a random humid August night. Chaos theory and all that. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There was the general nervousness that tingles down Fred&#039;s spine as facts are laid bare and information is shared to make a plan. How are they going to get in there? It feels like the past few weeks have been leading up to this moment, but now that its here, she&#039;s positive they are not all properly prepared for what awaits them. That&#039;s not about to stop her, though. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fred is dressed for the occasion - or as dressed as she gets for this sort of thing. She&#039;s wearing dark jeans, a black shirt and a jacket. Her long brown hair is braided and coiled on top of her head, though a few strands already fall about her face and she nervously shifts on her feet at the arranged meeting place. &amp;quot;Well, it certainly has the lair of a Bond villain vibe,&amp;quot; she mutters. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Not far from the rendezvous point, the dark coloured Impala rolls to a gentle stop and its sole occupant puts it in park. With a vague frown on his face, Dean twists around his seat to reach a large black canvas bag already prepped for the occasion... while still belted into the seat. He clears his throat, glances towards the passenger seat as if telling the not-present-Sam not to laugh--a glance that only causes his lips to tighten further--and //click//, undoes the belt. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He inhales a long breath and then releases it slowly. He tugs on the bag again and slides it over his shoulder before giving it a once over. Dean reviews his mental list, checking off the items one at a time before zipping it up again. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The door opens and he treads to the meeting spot, just in time to catch Fred&#039;s assessment. His eyes squint and he sucks on the inside of his cheek. His grey shirt, dark jacket, and dark wash jeans make him look more like a college student than a hunter. An eyebrow quirks at the observation and his lips twist to the side, &amp;quot;At least it doesn&#039;t look like there&#039;s a crocodile moat.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Did someone mention Bond villains?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Another ally works to the rendezvous, having left her bike a good distance away. Natasha is dressed in her work clothes, except there is no SHIELD insignia on the bodysuit. This time, she is off-the-clock so to speak. She has her Glock 26s in their holsters and her gauntlets with their myriad of toys in place. She has an extra belt around her waist with several small pouches, holding a few electronic toys, extra magazines already loaded and additional ammo for her gauntlets. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her observations of the dam have not made her any more comfortable. Too many variables, too little information. This makes the usually dire Natasha even worse. There is a dark frown on her face as she arrives. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her gaze shifts around the group, finding each person in turn and giving a brief nod of acknowledgement. There are three unfamiliar faces: two are canine in appearance and one is Fred. &amp;quot;How are we playing this?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred. Natasha. Totally new and unknown guy - which causes Mercy to give Dean a look, but clearly he wouldn&#039;t be here without someone telling him where to meet. So, for the most part, Mercy&#039;s look is only questioning and curious in nature. The wolves themselves are ever alert and turn their yellowed eyes to each person as they arrive, before they arrive really, thanks to their ever so sensitive ears. For introductions Mercy says, &amp;quot;This is Aaron -&amp;quot; The gray, &amp;quot;- and Darryl.&amp;quot; The brindled russet wolf. &amp;quot;They&#039;re /friendly/ werewolves and here to help.&amp;quot; Just don&#039;t mind those baleful looks both seem to give everyone. Including Mercy.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Price to be paid, yes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;To Fred, Mercy adds, &amp;quot;Fred, I was able to add some remote control detonators to half of the mines we&#039;ve built. When we get back -&amp;quot; Optimistic Mercy is, &amp;quot;- I&#039;ll arm the rest the same way.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And now it&#039;s to Natasha when she asks that relevant question. &amp;quot;It&#039;s either go in straight away or bring them out. I vote for bringing them out with some well-timed explosions, since we&#039;ve no clue what we&#039;re heading into. Or maybe half of us are distraction, pull them out, while the other half goes in and sees what they can find. Caveat being here I am /not/ a tactician and splitting our group up makes me nervous.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With that said Mercy&#039;s gaze turns to the group as a whole to see what their reactions are.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Mercy earns a quirk of Dean&#039;s eyebrow at the notion of friendly werewolves. He does, however, manage to give them an up-nod and an introduction, &amp;quot;Dean.&amp;quot; His eyes flit towards Natasha following Mercy&#039;s assertion of the plan, &amp;quot;I think we need a distraction if we want a hope of infiltrating this,&amp;quot; he motions towards the large building behind him. &amp;quot;And we don&#039;t even know how many people are inside. If we can get them looking at something out here, it&#039;ll be easier for someone to sneak in. Maybe. Probably.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He frowns slightly, &amp;quot;We don&#039;t have many of us, but maybe we can make it seem like we&#039;re more.&amp;quot; His gaze focuses on the dam only to sour seconds later. Whatever his thought, it&#039;s left unspoken. &amp;quot;If we want to stay together, but want a distraction, we could set a series of charges--weak ones along the dam--and ambush anyone that comes to investigate. If they come to investigate.&amp;quot; He frowns at that.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Friendly werewolves. The inner child in Fred wants to pet the wolves, but she also knows they&#039;re actually people and that&#039;s probably rude. Instead, she crosses her arms in front of her to try and contain some of that nervous energy and steps aside as Dean and Natasha arrive. &amp;quot;Fred,&amp;quot; she introduces herself with a nod of her head toward the wolves and then to Natasha, as they are the people she does not yet know. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Oh, that&#039;s great!&amp;quot; she tells Mercy with a bit of a smile - as much as she can muster. &amp;quot;I worked a bit on the MSB aerosol. It&#039;s got a timer, but not a remote one.&amp;quot; The proper questions as to how they are doing this is met with a nod as she agrees both with Mercy and with Dean. &amp;quot;Kicking an ant&#039;s nest seems like a good way to start things off.&amp;quot; &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Distraction to get them coming out might help. I have another associate who should be here any moment. The two of us may be able to get inside before you start the distractions but it would take a little bit of time. Not sure if we would have a chance after explosions go off. If there are people sleeping at the facility, they&#039;ll all be awake after that and it&#039;ll be more going in with guns blazing for the entry team.&amp;quot; Natasha isn&#039;t sure any of the options are good ones. She doesn&#039;t have any better. &amp;quot;There is also the possibility that if explosions go off, they simply lock down. Too many variables.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then she realizes she hasn&#039;t thrown her name out there for the unknowns. She nods to each in turn. &amp;quot;Natalia.&amp;quot; Her lips twist in a smirk. &amp;quot;For today.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Arriving last and nearly as silently as Natasha -- the werewolves likely caught her approach -- May looks at the others and then without a word and without bothering to introduce herself she pulls something from her pocket and opens it to reveal what looks like a bunch of tiny, wireless earbuds. Luckily she brought more than enough to go around. Unluckily, she&#039;s pretty sure they weren&#039;t designed to fit lupine ear canals. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Quinjet&#039;s set down about a half mile away,&amp;quot; is her only contribution to the current conversation. Her black-on-black attire could pass for slightly unusual street clothes, but anyone who knows her knows that the jacket she&#039;s sporting is both armored and concealing a vast array of weapons. No, none are silver, but most of them are VERY sharp.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Mercy.&amp;quot; Is the last introduction and chime-in for names, before the coyote nods to Fred&#039;s remark about the MSB. That will definitely be something to go over, though later, much later.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The mention of another associate causes Mercy to look at Natalia, but for now the mechanic simply says. &amp;quot;Distraction it is then.&amp;quot; But, before much more can be said by Mercy, May shows up. The wolves and Mercy do hear the other woman&#039;s approach, with the wolves a few second quicker than Mercy. Something close to relief might be seen from the mechanic when she spies who the late addition is. More to their group is better.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When an earbud is offered, Mercy will take it. Then fit it to her ear. &amp;quot;Let&#039;s get the bombs set then and see what reaction we get.&amp;quot; States Mercy, even as she turns her gaze towards the &#039;castle&#039;. Or rather where the entrance and secret panels were noted by the stealthy observation from the reconnaissance done earlier.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And just like that Mercy moves -&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For all that Mercy has no real super-spy craft training her movements are pretty quiet and stealthy. The darkness around her hardly seems to cause her too many problems; the ambient light easily being magnified by her sensitive eyes. The wolves likewise move with ease though they&#039;re far more silent than Mercy. Their coats easily blend in with the darkness and they lope far enough ahead and to the side to disappear from view every now and then.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A handful of explosives will be pulled from the bag Mercy has and then set around the entrance that was so used. Then it&#039;s boom time -&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Okay, fire in the hole.&amp;quot; States the woman, &amp;quot;Ready or not here we come.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;3-2-1 - The face of Mercy&#039;s cellphone will be lit-up with a touch and once the screen is active Mercy ruthlessly stabs the detonate button upon the touch-screen.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Bombing the entrance will /definitely/ create a response.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A shower of brick and debris comes blasting outward, slamming into the tree, sending chunks of rock into the water, and creating a dustcloud that fills the dark space. There were apparently no security cameras after all-- perhaps they were hard to wire or deal with in the wet-- because the whole time people were setting charges nobody did a thing. But now, as the dust clears, they&#039;ll see the beginnings of the compound.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;What looks like a very badly damaged security checkpoint lies beyond the blown door. What once may have been a bullet-proof glass window has been shattered by the explosion, as have the scanners and other equipment meant to check keycards and access and all that good jazz.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;What remains are four guys wearing armor, which is about all that can fit into the bottleneck that&#039;s there even now. They are packing AR-15s and they begin shooting out into the group almost immediately. A chorus of bap! Rat-tats! fills the night.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred takes an earbud from May and slips it into her ear. While she may not exactly know what the Quinjet is, but it seems as if this is the woman that Natalia mentioned would be joining them. Two spies are better than one! &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With a plan of action agreed upon, Fred waits for the wolves to place and set the explosives. Nervously, eagerly, she waits by the coyote woman as she hits the button on her phone. There&#039;s no going back now, they have hit and then stomped on a wasp&#039;s nest. Something almost approaching a sense of calm crosses Fred and she readies herself. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;While she had hoped that they had cover, it seems that is not exactly the case. Grabbing Mercy - the person nearest to her - she ducks down with a gasp as AR-15s start to shoot at them. Reaching into her bag, she picks up one of the weapons she and Mercy have been working on in the past few weeks: a magnet pulse bomb. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a muttering under her breath as she starts to make a few calculations, &amp;quot;The distance...wind speed...arc...&amp;quot; It sounds as if she is calculating a formula in her head. In a moment, though, she peeks up and hits a button on the side of the trap. It careens through the air toward the four guys before a sudden wave of magnetic energy emanates from the small projectile, dragging metal within 5 yards toward it. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Dean offers May a curt nod--a combination of greeting and thanks--as his eyes trail to his jacket and the little bit of flannel peeking underneath. The fabric will be recognizable to the Agent as something that she&#039;d given to Sam to pass on to Dean. He puts the earbud in place and lingers nearby to watch the set-up. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His green eyes remain trained on the doorway when the explosion first goes off, but the array of bullets sees him hitting the ground until Fred releases the magnet bomb. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The effect of the bomb happens in phases. First, it sees the weapons trembling in the assailants&#039; hands. They try to hold onto them and maintain control, yet the control becomes warped and bullets begin to fly in a varied and ineffable pattern as they lose control. The effort is futile as they&#039;re quickly pulled to the bomb&#039;s core, effectively disarming the four assailants in front in an incredible display of ingenuity. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Dean rolls on the ground and presses himself to a sprint. His hands ball into a tight fist to deliver a crosscut punch to one of the assailant&#039;s faces.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Natasha had to dive to the side to avoid the spurt of bullets. As the device is employed, she is already moving in time with May. They&#039;ve done this before and work in tandem. It isn&#039;t often they&#039;ve gotten to work together it&#039;s something they fall into easily. Singly, they are dangerous. Together, someone is about to wish they weren&#039;t working in a super secret lab in what should be a nice dam. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A pair of tonfas drop out of her gauntlets, expanding to full length and glowing with a blue light warning there is some sort of power being utilized. She starts moving even as May strikes with her ICER, firing directly into the face of one of the men and giving an opening. Her job is the up close, much as Dean is doing. He has his own dance partner. She goes for the another. As she closes, she hits her knees and slides under the guard&#039;s swing at her, striking him in the kneecap with the tonfa and breaking the joint in the process. He screams as he goes down onto his other knee. She is already regaining her feet and takes him out with a Widow&#039;s Bite to the neck, sending him convulsing as he falls unconscious to the floor.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May took cover the moment the charges were done being deployed, and as soon as the guards in the doorway start opening fire, she fires while Natalia charges in close. And from the looks of the first one that falls to one of her shots, she was aiming for their heads. Natalia would instantly recognize the ICER in action, but anyone unfamiliar with the technology might think she&#039;s being particularly brutal. Oh, and a bonus? That magnetic pulse doens&#039;t seem to affect the projectiles her pistol-like thing is using.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The instant that pulse is gone, though, she&#039;s sprinting after Dean. Because she&#039;ll be damned if ANOTHER Winchester gets in trouble here. Not to mention she is NOT about to let them get stuck at this bottleneck. They&#039;re going into this base, and they&#039;re getting their people back. Even if she has to reenact Bahrain to do it.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Dean&#039;s fist to the man&#039;s jaw puts him right down; an effective KO punch. SHIELD&#039;s most dangerous dames put down the other three in a beautiful dance.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This allows the team to see a hallway that continues north before veering sharply to the west in a tight L-shape. There is a door just past the security center on the eastern side of the L, right at that hall turn-off, that seems to hold more soldiers. These aren&#039;t as armored; they&#039;re in jeans and t-shirts, like they were off duty, but they&#039;ve picked up weapons. Two pop into the doorway, fire, and then pop back behind the door to take cover. Disciplined, despite their state of undress. One more does the same at the bend of the hallway. They&#039;re basically not wasting a lot of time either; they pop out of cover in patterns to try to halt the advance, to try to put some of their assailants down before they can deploy more of their tricks.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;In the woods, there is another wolf. This one is two-legged, and it wears a muzzle-mask.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He is accompanied by a small unit of Russian Spetsnaz, all of them also deep Hydra plants. They bunch up together in front of the IMV that brought them out there, doing last-minute weapon checks, and avoiding the eyes of the masked man sitting on the vehicle&#039;s hood, finishing a last smoke. They are far enough away that they think it&#039;s safe to talk in low voices, about a creature they have heard of but not really -seen- until now. Is it properly controlled? Can we trust a rabid wolf? One of them turns and offers some words of friendship, perhaps thinking that&#039;s the best approach. Comrade, how does it feel to walk free? he says.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The man&#039;s blue eyes gleam. &amp;quot;Tambovskii volk tebe tovarisch.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He laughs it off, a moment later. &amp;quot;Relax, my friends,&amp;quot; he says, in his perfect English. They shift their weapons at the sound of it. &amp;quot;Tovarisch volk znaet kogo kushat&#039;.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The little group disables the guards at the bombed-out entrance handily enough. A short silence descends afterwards, a silence which is only interrupted by the soft, sudden crack of a branch breaking as it is disturbed. Even if the humans don&#039;t pick it up, the wolves certainly will.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Everyone will pick up the sharp gunshot that follows, however -- the smoking gun held by the Winter Soldier, the body on the ground belonging to his own man who stepped wrong. He and his remaining men are behind, about twenty yards distant, still outside. Pincering them in from behind, while men fire at them from ahead. &amp;quot;Now you&#039;ve done it. Well-- no room on the cart for fools,&amp;quot; he says, lowering his gun. &amp;quot;How about the rest of you?&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It seems a cue for the four remaining men to attack, AK-74Ms firing. They reduce the distance to ten yards, and closing. The Winter Soldier, though, he has himself one long amused look, standing back, before turning as if to leave.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Gunfire. Mercy Thompson is not bullet proof. Nor is she a super-secret ninja. She&#039;s an average sized woman who can turn into a slightly larger than normal coyote. As such, she isn&#039;t going to be stupid here. So, when the explosions occur and Fred grabs her, Mercy can already be moving in a similar vein. Down and a little to the side and if Fred doesn&#039;t move to the side, Mercy will pull her along. Friends help friends not die. Especially when they&#039;re doing calculations.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As the other woman prepares her magnetic bomb, Mercy turns to the wolves that are near the two somewhat mortal women. &amp;quot;Try not to get shot.&amp;quot; States the mechanic seriously, &amp;quot;Anyone in cages or cells please don&#039;t kill.&amp;quot; Because it would be futile on her part to tell them not to kill the shooters, wolves just don&#039;t work that way. Both wolves growl an affirmative and then like soldiers they turn in unison and move off.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;While the four check-point guards were simply knocked unconscious that doesn&#039;t last long. Not when the wolves roll in. The throats of each guard are neatly ripped out with quick efficient bites from each wolf. &#039;Friendly&#039; they may be, but insane they aren&#039;t. You never give the enemy the opportunity to possibly come back at you, especially from the rear.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With bloodied muzzles the wolves exchange a look between each other and then move.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;By this point Mercy is moving inside the bloodied security checkpoint. Her expression is grim even as she makes herself look at the four dead men. That look doesn&#039;t last long, however, because the hallway beckons.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It likewise beckons the wolves, but when that snap of branch is heard, all three shifters stop. The crack of the gun soon following that causes more consternation to follow; mostly from the wolves. For Mercy her expression turns to something more worried, fear, a mixture of both. &amp;quot;Behind us.&amp;quot; And with those two words the wolves bark at each other, before disappearing back out of the newly made hole in the wall. Then with sensitive ears, noses and eyes Darryl and Aaron begin their hunt. Their lope is quick, quiet, their claws retracted for now to keep them as silent as a cat. Once close enough to those four men, both wolves will jump simultaneously towards the ones that are shooting.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;This is new to Fred. She has been through a hell dimension, she has fought vampires. She has been in a club that has been shot to pieces, but this is actually a warzone. Though scared, the woman reaches deep and moves much like Mercy and her wolves - with the pack. That seems safest. She has gotten by with quite a bit of bravado before this, but this is much different than everything else she has ever dealt with before. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Deep breaths, remember why they are here. As Dean, Natasha and May move forward with combat ready attacks, Fred follows behind with something that is most likely described as a scurry. Mercy and the wolves are nearby as the rush forward, but they move in the opposite direction. As they do so, the grey wolf she now knows as Aaron suddenly stops and is shoved backwards with an impact of a silver round straight through the large wolf&#039;s head. He makes no sound, but there is a vicious spray of red as the wolf collapses in a lifeless pile. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fred cannot help but pause, horrified. But, the momentum, the adrenaline...it drives her forward. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Dean follows the hallway until encountering more gunfire from the trained soldiers in their casual wear. The Colt handgun is drawn from the inner pocket of the jacket and aimed purposively at the off duty officers. While they pop in and out of cover, he fires when he sees them, and with little cover available, runs serpentine down the hallway, zigging and zagging to diminish predictive power as to exactly where he&#039;ll stand. And as he moves, he picks up pace, and inhales a long breath, knowing full well that their cover has already been blown. And so he yells, hoping for some direction to come if it reaches his brother&#039;s ears, &amp;quot;SAM!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Dean, fire in the hole!&amp;quot; Natasha yells as she raises an arm up. With a little sound of displaced air from her gauntlet, a grenade is lobbed into the hallway ahead of Dean, at the juncture. It is not enough to destroy the walls but it should take out the men at the corners effectively enough, allowing the rescue team to work further into the interior. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A sound behind has her turning, taking in that there are more targets outside. The wolves seem to be going after them but a shot has one of them falling, a spray of red going skyward. It should be getting back up in a moment. Only silver bullets can hurt them. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It doesn&#039;t get up. The rules just changed. &amp;quot;Hostiles outside. They took out the wolf Aaron. Silver? How did they know...&amp;quot; She is already turning to head back outdoors. &amp;quot;The rest of you find Sam, we will clear the exit route.&amp;quot; She knows May has her back, not waiting to see if the woman falls in with her.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May had been moving to stick with Dean, though his bellowing earns him a split-second glare. And then Aaron goes down and doesn&#039;t get up again. Seeing May turning to head that way, she doesn&#039;t hesitate to turn and follow her fellow SHIELD agent, muttering something harsh-sounding in an Asian language. As she&#039;s following, the ICER gets put away and a small pistol comparable to a Makarov replaces it along with a blade she pulls from under the back of her jacket Crocodile Dundee style. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The kid gloves have just come off. The instant both women are within eyeshot of the Spetnaz, May again aims for their faces and opens fire before cutting to one side, knowing Nat will go to the other.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The men from behind may or may not have had advance intel. Or perhaps they simply had a moment to observe two wolves and make a deduction, switching out their ammo. SHIELD isn&#039;t the only organization with some occult knowledge, after all. One of the special forces guys continues to tangle with Darryl outside, moving in a dance of getting slashed at and firing back at him. The other three continue to fire at Nat and May as they move towards them; they are using the trees as cover. These guys are no pushovers...they&#039;re well-trained and cool under pressure. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy&#039;s sensitive nose will start to pick up Sam&#039;s scent though /not Claire&#039;s/-- his personal scent, the scent of his blood, more than the soaps and shampoos that he uses, or the woodsmoke, beer, salt, flannel, salt, and gunpowder he usually smells like-- as they head into the hallway, mostly in three places. One of them is a medical lab with a single operating table inside of it, as well as standard medical equipment, syringes, and the like. It looks high-tech. It smells cold.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The second is a small, dark room with a single metal chair bolted to the floor. It has cuffs at the wrists, ankles, and at the collar. It&#039;s currently empty. It reeks of blood-scent, fear-scent, pain-scent.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And finally somewhere, faintly, at the end of the hall...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Meanwhile, Sam had heard the sounds of fighting, of chaos. How could he not? At first he&#039;d furrowed his brow, thinking it was one of his nightmares. He&#039;d lain there, in his cell, confused, but not really very responsive. Everything just seemed underwater to him really, not really much of a concern one way or another.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Until he heard his brother&#039;s voice.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Now, he struggles to his feet and staggers to the door of his cell with gritted teeth. There&#039;s really only an iron window grate, and a lock he can&#039;t pick because he&#039;s short on supplies. But now he&#039;s got his lungs, and he draws a deep breath of air to use them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Dean!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The sound comes from the end of the hall, muffled, all the way down to the west. But he&#039;s alive, and he&#039;s there, and he&#039;s heard.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Dean&#039;s shots take out one of the gunmen, the ones blocking his zag down the hallway by popping out of some sort of mess hall; now he&#039;s able to travel west towards Sam. He can even spot some sort of security door past the very end, it&#039;s closed, he can&#039;t see Sam beyond it, but he can probably assume that his brother is being held down there. Nat&#039;s grenade effortlessly takes out the two that were firing from the eastern room that used to live behind the security station, ensuring he doesn&#039;t get shot in the back.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Two more at the end of the hall. The only places to &#039;zag&#039; to are really inside of these rooms, there&#039;s the chance to dart in and dart back out, but otherwise those guys at the security door have very straight, very dangerous shots to unload at Mercy, Dean, and Fred.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Blue eyes watch the wolves run. The Winter Soldier&#039;s head tilts, as if listening.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;One is put down by a silver bullet through the head. The Soldier clucks in disappointment, but in the next moment he is already in motion. He closes with the remaining wolf, the russet one, brushing the man who was engaging him previously aside... moving as quickly as the wolf, himself. The beast lunges, teeth bared, and the Soldier catches the bite with his steel left hand. Metal clashes against fangs.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His left arm whirs harshly, wrestling the werewolf to a standstill, winching upward hard enough to pull his forepaws clear of the ground-- then letting go and bringing his arm back around hard enough to shatter the beast&#039;s jaw. The wolf collapses in a sprawl, still breathing but unconscious.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Methodically, the Winter Soldier fists his left hand in the werewolf&#039;s scruff, and starts dragging him away.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Without a sound Aaron goes down.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;While Darryl understands what just happened - he does - that doesn&#039;t stop his attack to the group that&#039;s coming in from behind.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s all gone quite serious now. Serious enough that the wolf will have to mourn later. Now rage just fills those golden eyes of his.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;No.&amp;quot; Gasps Mercy, her steps taking her to that fallen furred body, but even she knows it&#039;s too late. The particular tang of that bullet, silver, can be smelled by her, &amp;quot;They have silver. How -&amp;quot; Her echo of Natasha&#039;s question just stops upon hearing the red-head echo her same though. It&#039;s only as Nat and May leave that Mercy&#039;s finally reasserts some measure of thinking upon her part. Swiftly turning back to Fred and Dean, Mercy moves. Her expression has turned hard now, anger and fear battling for supremacy upon her features and within her eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The hallway at this point is a second war zone. Some go down thanks to Dean&#039;s well-placed shots, while Natasha&#039;s grenade takes out two more. Even as the shots and the grenades cause ringing within Mercy&#039;s sensitive ears, that doesn&#039;t stop her from finally remembering her other senses. Specifically her nose. &amp;quot;Sam&#039;s been here!&amp;quot; And even as she shouts that revelation Mercy&#039;s hand is already reaching for another explosive. This one electrified. A switch will be thumbed and with a count of five within her head, Mercy lobs it with all her strength towards the two down at the end of the hallway. Then she&#039;s diving through one of the doors that Sam&#039;s scent can be found within - which happens to be the one with the obvious torture chair.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while Mercy sees it for what it is she doesn&#039;t stop to think. Can&#039;t stop to think just yet. Too much happening. And finally out in that hallway what the coyote threw finally activates. Call it a taser grenade, if you will, as electricity arcs from the little metallic body towards the two soldiers who guard that second secured door.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As for Darryl, the wolf snarls, snaps, does his best and while he has strength behind all those moves they&#039;re nothing against that augmented arm of the Winter Soldier&#039;s. With jaw cracked the wolf goes limp, the vaguest of whines leaving his shattered mouth before he&#039;s unconscious. Then with very little dignity the brindled wolf is dragged away.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred is far enough behind Natalia to not be in the way of her grenade. However, she is still moving with the group, hand inside of her backpack filled with random and most likely dangerous items. Any kind of bullet will stop a Fred Burkle and she has only basic knowledge on how to keep away from them. Ducking and generally staying amongst the group, she does not toss out as of yet. There is quite a bit of horrible and pain behind them, but for the moment, Fred attempts to compartmentalize. &amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;he response to Dean&#039;s yelled call for his brother immediately has a reaction on the physicist. Straightening, she moves forward with the rest of the crew. &amp;quot;Sam?&amp;quot; she calls out. May and Natasha Turn back to stop the very real danger behind them while Fred moves forward with Dean, single minded in her pursuit. Dean&#039;s shot takes out one guard and as they move forward Fred brings out a crossbow and shoots at the other. Old fashioned? Sure, but it&#039;s what she&#039;s used to. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The way remains clear for those moving forward toward Sam and as soon as Fred can reaches the door she heard his voice, she is immediately there trying to open the door. There&#039;s both an electronic lock as well as one that requires a key. Immediately, Fred works at the electronic one. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Dean ducks as Nat throws the grenade, taking out the two still firing at him. But then he hears it. His name. &amp;quot;SAMMY! WE ARE COMING! GET READY TO LEAVE!&amp;quot; he calls back as loud as he can manage, clearly giving away his position in the process. Evidently this isn&#039;t currently a point of concern, or he&#039;s really not convinced it&#039;ll make a world of difference, either way, he doesn&#039;t try to fight the urge to call out to his brother. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He pushes forward further with Mercy and Fred, actually nodding as the security is taken out with Mercy&#039;s taser grenade. Fred goes to work on the electronic lock and Dean reaches into his coat to extract his lock pick kit from his pocket. He begins to work at the mechanism. His hands twitch with the anticipation of opening the lock and getting the mechanism to release.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The thing about places like these, built of brick and stone and mortar --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- sound carries.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Shuddering forward through the foundations of the dam, walls creak and ceilings groan, and dust falls overhead in the sighing showers. The rooms grind against the supports, an inflexible frame being forced to absorb the distant, and powerful quake of something seismic.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Are there earthquakes often in upstate New York?&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Natasha goes the opposite direction from May. She dives into a roll, then manages to get behind a tree herself. She stays behind cover as bullets rip at the bark on the opposite side. Glancing up, she holsters a gun. She raises her free hand and fires upwards to a tree branch with her line. A moment later, she is in the tree instead of on the ground. She quickly works her way up the branches, getting herself to a spot she has a clear shot at one of the men. The Glcok still in her other hand fires, the explosion loud as the bullet is aimed directly for the man&#039;s head. So much for non lethal. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Immediately she is spiralling back down on that line, swinging to the next tree and hiding behind the bulk of the wood to avoid follow up shots since her own shot gave away her original position. Then she will lean out and take aim at the retreating back of the Winter Soldier, hoping to stop him before he gets too far with the wolf he is dragging. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The world begins to shift just as she pulls the trigger, fouling her aim.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May doesn&#039;t slow down as she races to the cover of a tree on the other side, then fires from around it at another Spetnaz trying to get a bead on Natasha. She then promptly moves again, charging the man she just nicked with the bullet and slashing at him with the pair of blades in her other hand. A perfectly parallel pair of slices appear across his neck before he can do more than turn and start to aim at her, and she doesn&#039;t wait to see him collapse as she darts to the next bit of cover. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;When the seismic activity starts up, May can only be glad she&#039;s backed up against a tree. She takes advantage of it to aim around her cover and take a shot at Barnes&#039; metal arm. She knows it&#039;ll do jack to actually hurt him, but if she can keep him from dragging Darryl off, it&#039;ll be worth it. Hopefully the earthquake doesn&#039;t mess up her aim too much. She DID promise Nat she wouldn&#039;t kill the man, after all.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;At this point the interior of the compound is pretty well cleared out, so giving away position isn&#039;t a huge concern. It&#039;s almost eerily silent, in fact, as Fred and Dean work at the security door. Together, Hunter and Physicist make short work of that security door. It swings open to reveal a short hallway that provides access to two grim-looking metal doors that are obviously cell doors, with the two barred window-grates. One stands empty, wide open. The other window grate frames Sam&#039;s bruised and bloodied face as he peers anxiously out. The big deadbolt on the cell door is totally pickable via Dean&#039;s own lockpick skills.&#039;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam hears Fred&#039;s call and for a moment raw fear passes over his face, even though he can see for himself that they&#039;ve come bearing explosives, weapons, and friends. She is not, for example, being dragged in by Misha as they speak. He manages to get his mental shit together a moment later and says, &amp;quot;Boy, am I glad to see you guys.&amp;quot; He sounds weak, tired, and pained, as one might expect, but...also eager to get the Hell out of here.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;To Mercy&#039;s sensitive nose, something about Sam himself smells just a little off, but it&#039;s really, really hard to put a finger on what the problem might be. He&#039;s filthy, but it&#039;s not that. Then again, god knows what they&#039;ve been doing to the man, really.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And given there is like, water suddenly pouring into the cell through a crack in the wall after all that weird rumbling, maybe not the world&#039;s biggest concern right now.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Natasha, meanwhile, drops that gunman by virtue of her Crouching Badass, Hidden Widow routine, at the very least, and then May is slicing hers to bits. That leaves two more, who will shoot at those two lovely ladies even as they try to shoot at the soldier.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier staggers slightly as Natasha&#039;s bullet hits him square in the back, shattering one of the ESAPI plates of the armor he wears. The second shot hits his arm, spasming his grasp open and making him drop the unconscious werewolf. He snarls, reaching for the wolf with his other arm, and he seems to speak to someone, though it&#039;s impossible to hear what he&#039;s saying from this distance-- or to tell who he&#039;s talking to. There&#039;s certainly no one in earshot. A handler, perhaps.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then a shadow thrown across the trunk of the tree beside him shivers, and seems to rip open. The Soldier hauls the werewolf through it, seemingly directly into the tree, and vanishes.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The electrical zat is heard and then the subsequent sound of Dean and Fred moving further down the hallway can be heard by the coyote too. It brings her out of the room she ducked into and back near the duo. While she has their backs, as they work, the woman can&#039;t help but say, &amp;quot;I haven&#039;t scented Claire yet. Dammit, I was hoping they&#039;d have both of them in the same facility.&amp;quot; Mercy says, her voice severely unhappy, &amp;quot;Unless they have her deeper within the complex -&amp;quot; Continues the mechanic, but the rest of what she was about to say is lost as the world moves.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;What?&amp;quot; She gasps, even as she staggers to the side, only her reflexes saving her from sprawling upon the floor.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Thankfully, the door finally opens and Mercy can&#039;t help the look of relief that flashes across her features. That relief doesn&#039;t last long, however, not when water can be seen pouring forth from the wall. Nor the groans that can be heard from the structure itself. &amp;quot;Oh no.&amp;quot; The mechanic says, even as the scent of Sam reaches her; filthy, unwashed, and something else. That something else within Sam&#039;s scent is considered for a hot second, but THEN Mercy&#039;s magical senses suddenly flare hot and bright thanks to the spell that&#039;s evoked outside with Wolf, Soldier, Agent and Assassin. &amp;quot;Magic!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There is quite a bit going on around them. The building shakes, there is fighting behind them. Fred snags a ring of keys from one of the guards outside and tries them all until one opens the large iron lock at the door to reveal the battered and bloodied Sam. Immediately, she rushes forward to grab at him, unfortunately uncaring or ignoring his wounds as she wraps her arms around him. This is not a spell. They&#039;ve finally come to find him. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There are a lot of things happening. It&#039;s probably best they make their way out of this place, but Fred is mostly concerned with the fact that she finally found Sam alive and she is /also/ alive as it happens. She has no idea what Mercy smells or why she feels apprehensive. All Fred feels is relief. &amp;quot;C&#039;mon, lets go.&amp;quot; &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Sammy,&amp;quot; Dean murmurs softly as the door to Sam&#039;s cell opens. After Fred has had her greeting and moves to get Sam rolling. He reaches over to his brother and offers a shoulder as a means to move forward. &amp;quot;Come on. We&#039;re getting out of here. The Impala isn&#039;t too far.&amp;quot; There&#039;s a pause. &amp;quot;Can you walk?&amp;quot; because they&#039;re getting out of here even if it means Dean needs to carry him. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yet the question is irrelevant because he&#039;s already trying to guide Sam to the door.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Somehow despite the shift in the ground, Natasha managed to hit him but the armor held. She is cursing in Russian at the sudden disappearance and the fact he got away with the wolf. More shots come her way from the gunman. She ducks around the tree to the opposite side, a shadow amongst the shadows as she works her way closer to the man, staying behind trees or brush, moving like a wraith. He has stopped firing but is keeping wary watch on the area where she had been. The hunter is now the prey as she works closer. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He catches a hint of movement out of the corner of his eye and is about to turn, bringing the weapon to bare. A moment later he is gurgling, a line of red across his neck. He falls, squeezing the trigger and firing a few rounds before he hits the ground. Natasha grabs the gun, claiming it as her own. Then she watches the man, green eyes locked on his face as she crouches about five feet away from his fallen form. She could be merciful, finish him off, give him a clean death. Instead, she watches coldly as he suffers. Only then does she turn to be sure May got her man.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May wastes a precious second or two exchanging gunfire with the last Spetnaz, but Barnes having managed to get away with the injured werewolf has officially pissed her off. She fires off the last two rounds in her pistol drops it, and pulls a length of red-ended shiny chain from inside her jacket. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She sets this new weapon to whirring in a wide vertical circle next to her, spinning itfast enough to be a blur. Then with a well-timed kick she launches the chain whip at the Spetnaz&#039;s cover. But instead of keeping a hold of the handle of the chain whip, she lets it go so that it hurtles toward the tree, the bladed weight at the non-handle end embedding into the trunk and the chain snapping around it to very soundly swat the man trying to back out of its reach. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Charging after her thrown weapon, May follows the chain whip around the tree, the butterfly swords now separated on in each hand, and with only a faint snarl of anger scissors her swords and lops the man&#039;s head clean off. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Only then does she turn to see Natasha watching her last opponent dying slowly. This earns the redhead a faint frown of concern before May puts the swords together in one hand again and moves to pull her chain whip free of the tree while speaking into the comms. &amp;quot;Winchester. Sitrep. Nat, snap out of it. We need to extract.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam Winchester catches Fred tightly in his arms, stoically bearing the pain that flashes across his face even as he hugs her close and tight. His ripped, torn t-shirt and jeans shows some of the litany of bruises he bears, a dance of every bruise color whirling across pretty much every inch of exposed skin. One can well imagine the bruises continue beneath the lines of his clothing, too. Trackmarks march up and down his arms, beaded with blood; there have been injections. Lots of injections.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But for all that, Sam gives Dean a wry, grim half-smile as he gently lets Fred down and takes that proffered shoulder with every evidence of real gratitude. &amp;quot;I can bloody well walk out of /here/,&amp;quot; he says, quoting /The Highlander/ in line and tone (though not accent), even as he scoops to lift a sidearm off of one of the tasered guards as they pass. He exhales in relief. Having a weapon in hand makes him feel immediately more like himself, and it shows. It&#039;s not an ICER. It&#039;s not his beloved Beretta. But. It&#039;ll do. Even though in all actuality, he needs the support and mostly just sort of holds the thing. It doesn&#039;t matter. He&#039;s not /helpless/ now, even if he clearly needs /help/. Then again, there&#039;s the question of how steady his aim will be with those shaking hands. The cry of &#039;magic&#039; from Mercy does cause his features to tighten in alarm, causes his grip to tighten on that gun. Not a complication they need just when they&#039;re trying to get out...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But apparently a complication they are going to get.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The two remaining men outside are handily dispatched by the seasoned SHIELD agents. In fact, all the people who were engaging with the group seem to have either been dispatched, or are... for some reason... backing off. Maybe it&#039;s related to that tremor from earlier? Maybe something is going on that nobody knows about.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It makes it relatively easy for the group escorting Sam from his cell to retrace their steps back out, and also not too difficult for Natasha and May to come in to meet them if they should so desire. But somewhere in the middle of those two groups, there is a slight snag.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The snag appears in the shape of the Winter Soldier, blocking the last hall out for Sam and his group. His stance is loose and relaxed, blue eyes calm and amused over the mask shuttering the lower half of his face. At his side is someone very familiar, to Sam: the cold, infuriated features of Anastasiya Nikolaevna Zhuraleva stare balefully at him, angry her charge is flying the coop.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Let me handle this,&amp;quot; she hisses sidelong at the Soldier. Her stance is tense, recoiling as much from him as from anyone else, dislike in every line. The reason for her dislike probably becomes evident when he laughs at her.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You&#039;re on call elsewhere, Nastka,&amp;quot; he dismisses, and her lips pull back briefly in a snarl. &amp;quot;Run along.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She doesn&#039;t like it, but she obeys, leaving the Winter Soldier to draw his sidearm. &amp;quot;Leave him and live,&amp;quot; he says, with the boredom of a man parroting expected phraseology.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Upon seeing Sam up and out of the cell Mercy offers a quick, relieved, &amp;quot;Sam, glad you&#039;re okay.&amp;quot; Even if his scent does read a little off to her, still, he&#039;s alive. That&#039;s what matters. Now if only they could have found Claire here too, then their mission would really have been complete. Again, still quite successful.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Though that doesn&#039;t mean they haven&#039;t come away unscathed, not with the team down two werewolves and certain good &#039;guys&#039; now doing questionable tactics.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With Fred and Dean helping Sam now, Mercy is off like a shot back down the hallway. Consider her a scout, as she traverses down said corridor, gaze and senses sharp. And while normally Mercy would catch the Soldier&#039;s scent, or Nastka&#039;s, tonight is another matter all together. Perhaps the blame can be placed upon the stench of detonated explosions, the worry for the group, a civilian upon a battlefield, or even the tumble of thoughts over the death of Aaron, but whatever causes it Mercy only has a second, possibly two, of forewarning that their escape route is blocked.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The mechanic skids to a halt, far enough away that she&#039;s not necessarily in arms-length of the Soldier and that&#039;s where she&#039;ll stay. Mercy will silently watch the exchange between Soldier and woman and when Nastka leaves, Mercy&#039;s attention turns to the Winter Soldier. Grimness lines her expression, wariness her body, as she watches the partially masked man. &amp;quot;No. He&#039;s ours, not yours.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Where&#039;s Claire?&amp;quot; And while Mercy tries for an emotionless, unaffected voice, beneath that flat tone of hers is fear. This is a curve ball that they really didn&#039;t need.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And yes, that question of hers had to be asked, not that she expects an honest answer from /him/.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;As soon as she has her arms around Sam, Fred knows she shouldn&#039;t have launched herself at him. Her eyes quickly take in the torn clothing the bruises, the track marks on his arms. A shift of relief to worry crosses her face, but this isn&#039;t the time to discuss that. With Dean leading, Fred is right by Sam&#039;s side, an arm on her backpack filled with weapons and explosives. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Mercy is already off, down the hallways to scout ahead and she assumes that Natasha and May have cleared their way out of the facility. The fact that it just shook with what apparently was a magical force does not ease her fear. Sensibly, it makes her all the more eager to leave this place and get Sam to that Impala. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Of course, there is a wrinkle in that plan in the form of one Winter Soldier blocking their path. The last time she saw him, he turned her back on him after smacking her into a wall. Now, he makes a threat - promise? - that if the leave Sam here they will live. Stubbornly, she steps in front of Sam, nonverbally agreeing with Mercy&#039;s words. The question of Claire is also a good one. Why have they not found her yet? &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;While Mercy asks about Claire&#039;s whereabouts and Fred step in front of Sam to protect him, Dean slides his hand up into his sleeve where his fingers curl around the hunting knife he&#039;d hidden against his body. His lips quirk. His nostrils flare. But his lips curve upwards into something more akin to a grimace than a smile, particularly with the fire alight in his eyes. &amp;quot;You know what they say... you can keep him.&amp;quot; Pause. &amp;quot;Over my dead body.&amp;quot; With a shrug he adds, &amp;quot;Wouldn&#039;t be the first time.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The flash of metal catches the light when Dean lunges forward to tackle the Soldier, aiming to put the jagged hunting knife through the man&#039;s shoulder. &amp;quot;Get Sam out of here!&amp;quot; he yells as he moves. This is definitely not his most thought-out plan.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May&#039;s voice comes to Natasha and she frowns a bit at being called to task. Yet, she moves from the fallen man and heads She is heading back toward the blown out doorway to help watch the backs of those exiting now that the gunmen outsider are eliminated. She dashes in the direction of the blown out door. She knows May is with her, converging from the opposite side of the clearing. It&#039;s a matter of moments but as they get to the doorway, someone is coming out. An unfamiliar woman who looks completely ticked off over something. She&#039;s not part of the group thus she is the enemy. Immediately she pulls a Glock out of the holster, raising it to aim at the woman&#039;s chest. Not her head. Too easy to miss. Center mass, even if she dodges, she can likely get hit in the arm before she can get completely clear. &amp;quot;Stop right there.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier frames, in weapons and metal, the only route out --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And the structure groans again, beneath and above and all around all those unfortunate still to be inside. Dusted mortar continues to rain down in small, loosened pockets as the hall seems to briefly warp against its foundations.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Cold reservoir water feeds in from some split seams in the cement-and-stone walls, spreading along the ground, though with no threat than to wet shoes and slicken the ground in travelling wet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;More of that water beads down from hair-thin cracks webbing the ceiling.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There comes a silence, then something KNOCKS against the building in a deafening slam, and the interior of the dam shakes violently enough to even rock and stumble those inside off their feet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then it goes quiet.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May gets moving in step with Natasha when she moves away from the fallen man, detouring slightly to retrieve her dropped pistol. The paired swords are hastily cleaned and disappeared back under her jacket, the chain whip hanging bandolier-like across her torso to free her hands to reload her sidearm as they head back. Thus, the moment they see the unfamiliar woman leaving the base her pistol is up and aimed at Nastka, though unlike her fellow agent she&#039;s aiming for the woman&#039;s head. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It takes her a split second to supress the near-reflexive instinct to open fire, though she may end up regretting it later.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The way that Sam Winchester goes stark white at the sight of Nastka, the way his hazel eyes track her and the way that his fingers tighten on the gun-- held, now, in his left hand, as his right arm is over Dean&#039;s shoulder as he slumps on his brother-- might say /everything/ about which Hydra agent spent the vast majority of time hurting him while he was here. His mouth twists into an expression of rage. But then, the Winter Soldier sends her away. Threatens his brother, the woman he&#039;s in love with, and his friends. He half raises the gun, grimly.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He believes Barnes can be saved. And yet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Part of him hesitates for other reasons, too. He knows first-hand what the Winter Soldier is capable of. Twenty days in Hydra&#039;s hands have carved certain fears into his bones. Maybe it&#039;s all over right here. Maybe he should surrender, go quietly, keep Dean alive, spare Fred from torture and violation at their hands, to say nothing of the others. There is nothing about him that is worth their fear, their pain, their deaths. The uncertain expression flits over his face, fear-tinged and a little desperate, but also strong...willing to do anything to protect those he loves.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then Mercy speaks, coldly refusing to let him fall into their hands again, asking after Claire. Fred steps in front of him without saying a word, a tiny force of nature ready to defend him to the death. His eyes go a bit watery and red-rimmed. Cold water pours into his shoe, cold sweat down his cheeks.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He raises that gun all the way up.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And he points it at his childhood hero. He points it at James Buchanan Barnes. He points it at the man&#039;s head, finger tightening on the trigger, his face settling into grim lines as he remembers how he threatned to kill Dean, as he remembers all those nightmares of him dumping Dean&#039;s dead body into his cell. He decides, for the moment, to forget the food, the Vodka. He decides to even forget that the man is a victim too.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hunting 101: someone cornered will fight back twice as hard.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hunting 102: You can&#039;t save everybody.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then Dean is-- &amp;quot;/Dean!/&amp;quot; He calls his brother&#039;s nam with raw desperation, even as he loses any semblance of a clean shot.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Where&#039;s Claire?! Mercy demands. The Winter Soldier&#039;s blue eyes turn to her, bland and calm, and he affects half a smile. &amp;quot;She is with me,&amp;quot; he says. &amp;quot;She&#039;s fine. They wanted to terminate her, but I asked to keep her. She killed the medic I was using.&amp;quot; There is a sense that is not the only reason.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He offers no other explanation. He just glances towards the others with Sam, his gaze passing over Fred and then settling on Dean. The resemblance is noted, and the Soldier starts to say jovially, &amp;quot;Ah, this must be the brother. I did hear that you were better as a matched set--&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And Dean is off, running towards him, leaping in a lunge with a knife. The Soldier flips his gun in his right hand once, as if considering. The knifepoint just touches his shoulder.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then with a whirring scream of articulating steel, he reacts, blurring faster than the eye can follow, left arm slamming forward on a crash course to hit Dean square in the chest, with enough force to send him careening straight back where he came, and into his brother. The dam ROCKS as he does, and he sways with it as if expecting it, keeping his feet. &amp;quot;I&#039;ve heard so much about you, in fact!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;MEANWHILE, at the entrance, Stasya Zhuraleva finds her departure cut off quite suddenly by the appearance of two women who mean business. She pulls her own weapon instantly, aiming it on Natasha, though soon enough a third weapon aims at her head, forming a nice Mexican standoff. Her wide, angry blue eyes flicker between Natasha and May, before her beautiful features curl in a sneer, and she tosses back her blonde hair. &amp;quot;Zdravstvuyte, Natalia Alianovna. You filthy traitor,&amp;quot; she spits. Her freezing gaze sweeps towards May. Give her this: she&#039;s either crazy, or she&#039;s got balls. Or both. Her mouth sets in a hard, wry line. &amp;quot;I see you brought the Cavalry.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;When Fred steps in front of Sam, Mercy allows herself to take a step closer to the other woman. A wall has been formed, a line drawn in the proverbial sand, against the Soldier and this whole situation.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then Dean offers those words of his, bravado and a promise. And while earlier Mercy&#039;s senses were confused, this close to everyone, Mercy&#039;s senses tell her neatly of a decision made by the elder Winchester. He&#039;s going to do something and soon, as such the coyote turns a look to Fred - it screams get ready - and then just like that Mercy&#039;s own readiness stutters to a halt. Her light-brown eyes swing back to the Winter Soldier. &amp;quot;Terminate - you asked to keep -&amp;quot; Why she still feels disbelief with this whole situation is beyond her, but slowly those shocks and awes are losing the surprise factor. Soon, Mercy will be numb to all this and one has to wonder what will happen to the big-hearted coyote after that. Thankfully, before she can formulate a comeback or a plan, Dean is launching himself forward. With that attack the mechanic begins to move; her feet making small splashes within the eddies of water upon the floor. While her movements started out as quick and sure-footed that crash against the damn shudders throughout the stone chamber and Mercy goes from feet to knees as she&#039;s knocked partially to the ground. At least with that stumble and fall of hers, Mercy finds herself pressed up against the cracked and seeping walls. Mostly out of the line of fire or direct attacks for a second.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yes, she could hop immediately to her feet, but she doesn&#039;t. Instead she wastes precious seconds upon her bag, pulling out a taser mine and with a push of her thumb, she arms it. The countdown started. When she&#039;s mostly certain upon the timing, so that he&#039;s shocked by the time he reacts to it, she&#039;ll throw it. Straight at Winter Soldier - James Buchanan Barnes - the hero to so many people - and enemy to just as many.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;All the lights in the base blink and flicker.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The groaning of the stressed foundation stops. The falling dust goes silent. Water laps lazily through hairline cracks.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then, distantly, through every wall and floor of the dam, something SCREAMS.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It happens all at once, as the Soldier blocks exit out --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- an entire wall folds inwards behind the trapped group, as punching through solid cement comes the stygian black head of a giant serpent, as long as they are tall, glowing light pouring from its eyes. It shrieks in rage, the sound of it like women crying, and with monstrous strength forces more of its serpentine body inside.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The dam breaks and shudders just to hold it. Too big. Too much. Water from the reservoir, directly outside this load-bearing wall, floods in, stopped only short from being a fatal deluge by the serpent&#039;s own body -- for now.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The beast throws back its head and ROARS. Its six, glowing eyes narrow to flaring slits. It wrenches open its mouth, three sets of jaws jutting out, its stink like the breath of flyblown meat. Venom drips off its fangs.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It swerves and tilts its head, eyes locked on the trapped people, and the giant serpent lures first on the stink of magic. It snaps forward to try to hook Mercy into its jaws.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The facility rocks again and Fred barely keeps herself on her feet. She remains - a bit unsteadily - where she is, guarding Sam from the Winter Soldier. Dean lunges forward and the hand in her bag pulls out the gun where she&#039;s loaded a single ICER bullet. She&#039;s not a sniper, she&#039;s not even a deadshot, but she has some practice, at least. She&#039;s ready to use the distraction of the charging brother to try and stop the Winter Soldier and hopefully slow him down. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;However, just as she pulls out her gun, the water deluges and a large serpent crashes forward toward them, bringing freezing water, falling rocks and terror in its wake. Dean is also flung back toward them. In a tumble, the gun drops from her hand into the water. Scrambling, she doesn&#039;t attempt to retrieve it. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Instead, she reaches for Mercy, attempting to grab anything: her shirt, her arm, her leg, a piece of clothing and YANK her with all her might backwards and away from the jaws of the six eyed monster that has suddenly awoken. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;This is bad, this is really really bad guys,&amp;quot; she says softly. Strangely, her voice isn&#039;t panicked, but more like she is announcing the score of a match where their favorite team is losing handily. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It feels like a blur. The lunge forward and Dean&#039;s effort to make purchase with the Soldier&#039;s flesh comes to an abrupt halt as he&#039;s hit by the full force of a heavy metallic arm to his chest. His body flies backwards, and for a split second, when his eyes turn up towards the ceiling in his reenactment of the last summer Olympics, his back arches far further than his body was ever designed. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And he&#039;s sent barrelling backwards towards his brother. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The ache in his back is nothing compared to his ribs and the pounding in his chest. He gasps for breath, trying to find some air, and forces it into his lungs. His eyes blink owlishly as the shock of the blow becomes processed. He groans. It&#039;s fortunate that adrenaline is such a wonder drug. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Dean&#039;s green eyes stare upwards at the snake snapping at Mercy, not quite processing the reality of the score. He tugs the Colt from his belt and aims the weapon at the monster while still plastered on the floor. &amp;quot;Fuck,&amp;quot; he mutters before opening fire... while still laying on the floor. He needs a minute.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:93|Natasha Romanova (93)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Natasha listens to the woman, reading her body language and realizing this one hates her. Which is interesting to find out that someone she doesn&#039;t know hates her with that level of venom. &amp;quot;You have me at a disadvantage,&amp;quot; she murmurs to the woman, hoping that May doesn&#039;t go ballistic over the nickname. &amp;quot;You know who I am yet I have absolutely no idea who you are. Which must mean,&amp;quot; and her smile turns dark, her emerald eyes as cold as the gems they resemble. &amp;quot;You&#039;re nobody.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She can see May reacting, tensing. She pulls the trigger herself, aimed dead center of the blonde&#039;s chest.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May does tense, but her expression doesn&#039;t even shift the tiniest bit at being called The Cavalry. Nat clearly already knows that that is the worst possible sign. There&#039;s no other flicker of any warning when she fires at the woman, and yes, she&#039;s aimed for a head shot. She&#039;s also following Rule #2 of Zombieland: Doubletap. But, just in case the woman manages to be uncooperative and continue living, she moves toward the blasted entrance of the hidden facility while pulling her ICER with her free hand.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The tremors aren&#039;t as bad out here so she doesn&#039;t lose her balance, but that screeching coming from inside is more than enough for May to decide it&#039;s time to get clear. And fast. &amp;quot;Nat, go get the quinjet. Now.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sammy goes flying as Dean falls into him, hitting the water hard. It&#039;s luck and tenaciousness that allows him to keep his purloined gun up and out of it, to keep it from hitting anyone else. He wraps his right arm protectively about Dean to keep him up and out of it too-- his brother has /seriously/ had some /serious/ issues with water lately for some reason, and he&#039;d just as soon the man not drown here-- even as his brother fires at the massive snake. Fred&#039;s got Mercy, or is trying to, which kind of leaves the brothers to do their thing.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;So he fires too, over Dean&#039;s shoulder. He even smiles a little. A twisted, bitter little thing, that smile, as cold as the creature&#039;s blood.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a giant monster. It&#039;s trying to kill them. His life makes complete and total sense for the first time in 20 days.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Some part of him spends 30 seconds trying to plumb the depths of his encyclopedic brain to figure out what this thing is and what his weakness is. Then he snaps back to reality. They&#039;d better hope the weakness is &#039;takes a massive amount of damage and then dies&#039;, because if they needed to, say, find the silver-tipped spear once cradled by a virgin from Greece for 180 days under the thin sliver of silver moonlight, they are /shit out of luck./&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier goes silent as the taser mine flies through the air towards him. He doesn&#039;t appear to register quite what it is, but whatever it is he&#039;s contemptuous of it, judging by the way he starts to bat it away. Then it triggers, of course, delivering him a nasty shock that sends him stumbling sideways against a wall. On a regular man it might have been a knockout, but the Winter Soldier mostly looks mad. A vicious look crosses his features, the narrow-eyed rage of a predator angry to be bitten by intended prey, and his gun hand lifts--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;--and pauses. He cants his head, listening to something. And Something comes through the wall a moment later. He frowns.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You woke the lady up,&amp;quot; he observes, holstering his weapon. Unnecessarily, he adds, &amp;quot;She won&#039;t be happy.&amp;quot; At the least, he isn&#039;t attacking them too, but he certainly isn&#039;t helping, either.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;MEANWHILE, out by the entrance, the Mexican standoff continues. Natasha completely dismisses Stasya. The insult sends her blue eyes flying wide with rage, and acting on pure fury, she pulls the trigger at the same time as she flings herself to one side. Natasha&#039;s bullet gets her in the arm, May&#039;s in the shoulder. She chokes out an agonized gasp as she hits the ground, but-- working on pure adrenaline-- manages to roll, spring up, and make a run for the helicopter that descends into the clearing, plainly arriving to pick her up to shuttle her off to wherever she&#039;s meant to go.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Natasha must guess as much, because she&#039;s on the move too in pursuit, catching hold of a skid of the chopper just as it lifts off and away. She might find out something about where it&#039;s bound. At worst, it&#039;ll at least be a quick ride over to the quinjet.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The lights flicker; surely that&#039;s not a good sign.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then comes the unearthly scream. That sound raises the little hairs upon the back of Mercy&#039;s neck.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It causes the coyote to turn away from the Winter Soldier; which is good, because she doesn&#039;t see that gun almost raised against her. Her eyes are now trained over her shoulder, behind their little group, her hearing helpfully pinpointing where that sound is coming from. Echoes or not. When the thing punches itself through the wall Mercy can only stare horrified at it. The skin of her face loses that bronzed cast to it, instead going towards wane. Pale. Drawn. &amp;quot;Oh my god.&amp;quot; Whispers the coyote and while she sees that maw of death headed her way, her reaction is too slow. Far too late. Thank god for Fred, however. The other more slender woman easily grabs the stunned Mercy by the back of her shirt and with a heft and a heave the coyote is yanked away from certain death.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And with only inches to spare. Though not without losing something. A steel-toed boot. The maw was close enough to hook that nearest boot off her foot with a harsh jerk of Mercy&#039;s leg. That movement of her leg causes the coyote to reflexively kick back at the large toothy muzzle. Towards flesh versus teeth. Perhaps it&#039;ll be like a shark and have a soft spot on its nose. Maybe. One can hope.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And even if that kick of hers connects, or not, Mercy is already twisting around to scramble further away from the beast. &amp;quot;Very bad.&amp;quot; The mechanic agrees when those soft words of Fred&#039;s are heard, even as another part of Mercy&#039;s brain winces at the sight of Dean being taken down so quickly. There&#039;s a second internal wince when brother collides with brother. And to think this was going so swimmingly just minutes earlier.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;We need to get out now.&amp;quot; States the mechanic, as she continues her mad movements away from the beast. With the struggle to get away the weight and heft of her bag suddenly pings within Mercy&#039;s brain. &amp;quot;Fred.&amp;quot; The mechanic says suddenly, &amp;quot;Give me whatever explosives you have left.&amp;quot; The screen of her cellphone, which has still managed to stay strapped to her forearm, is touched and while it reacts sluggishly it shines quite brightly after a heartbeat. The canvas bag is unzipped then, even as the coyote starts to tap various icons upon her screen. &amp;quot;If this works we&#039;re going to need to run. Or swim. Possibly both. Though perhaps we&#039;ll get lucky and it&#039;ll die quick enough and keep the hole plugged -&amp;quot; Someone is babbling here - nerves, fright, dear-god-this-is-beyond-crazy-please-help, it&#039;s all there.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then once Fred has dropped /everything/ into the bag Mercy rises to her feet, her footing a little unbalanced thanks to having one boot off and one on. &amp;quot;MOVE!&amp;quot; She calls to the two shooting brothers, &amp;quot;NOW!&amp;quot; And just like that Mercy is pulling her bag of bombs from her torso and hurling it to the beast&#039;s mouth. Or somewhere sufficiently close. Then like earlier when the time is right the coyote stabs at the detonate button.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May can only let Natasha go as she chases after the other Russian woman -- that&#039;s their business now -- and she turns to find out what&#039;s keeping the others. And that&#039;s where she finds Barnes actually holstering his gun as the others scramble to get away from a giant lizard/snake maw thing. Okay then. First things first. She fires two shots from her ICER at the back of the Winter Soldier&#039;s head -- these are the combo taser/dendrotoxin rounds -- in the hopes of giving the others a clear path out if nothing else. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She echoes Mercy completely unintentionally as she yells at the others. &amp;quot;MOVE!&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There is no hesitation from Fred as she dumps what explosives she has into the offered bag that Mercy has offered her. Pushing herself up from the awkward position she was in while pulling Mercy out of the maws of a fantastical six-eyed snake, she takes the next few moments to retrieve the gun that she dropped in the falling and the crashing. It takes her a few moments, but she finds it, holding it more tightly now. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Winchesters are shooting at the monster from the floor, but with the bombs, they&#039;re going to need to get out of here fast. Instead of shooting, she holds out hands to try and help them to standing. &amp;quot;We gotta go,&amp;quot; she tells them, because things are going to explode and it&#039;s far better for them to be as away from those things as they can be when that happens. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Dean rallies when his brother props him up and begins firing over his shoulder. He reaches for the rock bed beneath him, and he pushes himself to a stand. Now he begins to move towards the serpent, firing with the Colt before reaching into his jacket behind him to grab another, larger, semi-automatic weapon from his pants. The shots spray loudly //Ra-ta-tat//.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam lets Dean go the moment he rises, standing with him, his own expression a mirror of his brother&#039;s. He doesn&#039;t have another weapon to grab, but he keeps at it with the weapon he has, moving forward as well. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;At least until two things happen: Sam&#039;s weapon begins to dry fire as he runs out of ammuntion, and...Mercy is yelling at them to move. &amp;quot;Dean!&amp;quot; Of course...move /where/ is the question, but...he supposes any direction that is /away/ from the massive explosion will do. &amp;quot;Fred!&amp;quot; Just in case Fred missed the &#039;move&#039; memo too. He flings the useless gun aside and starts booking it, reaching out to try to grab her wrist so he can haul her along too, intent on /not losing her here/.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sometimes kismet offers the best timing, and Sam&#039;s warning comes as the last of the rounds have found their way towards the beast. Dean follows his younger brother&#039;s movement--tossing his weapon to the side and sprints with both his hands pumping hard at his side, splashing up excess water as he moves. &amp;quot;It had to be water!&amp;quot; Dean calls as he moves. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;What the Hell is it with you and water anyway?&amp;quot; Sam demands, not that this is really more than a rhetorical question as he flings his free arm over his head. He anticipates snake guts filling this tunnel like at any minute now, and all sorts of Snake Related Debris, and he suspects its not going to be pleasant. At all.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Made a deal with the devil in my teen years!&amp;quot; Dean calls back with a smirk, arms still pumping furiously at his sides. &amp;quot;Been paying for it ever since!&amp;quot; The smile though, complete with dimples, follows with a quick, &amp;quot;At least I didn&#039;t lose the shirt! I fucking love this shirt!&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Even while running for his life, Sam can&#039;t help but make the Face.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;That head lashes quick as a snakestrike --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- but Mercy is pulled away, escaping the click of those meathook jaws by hairs. The monster snarls its agitation, swinging its head, catching and punching the many barbs and horns of its angular head on the walls and ceiling of the dam. Forced into so small a place, the serpent has no agility, no dexterity to meet its hunt, and it screeches as it shakes its head, crumbling the frame of the hall, and raining down dangerous pieces of mortar.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It pushes forward, its scaled body eeling through the broken wall, helped by the sheen of water lapping in through breaks in the concrete.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That same water tides forward, almost immediately shin-deep, freshwater cold.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The monster closes deeper, pincering the captured group between its jaws and the Winter Soldier -- who does not act now, needs not to --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The serpent opens its jaws, and immediately recoils when gunfire from the Winchesters pepper into its head. One shot from Dean mulches one of its six eyes, and the thing howls in pain, swinging its too-large head as more of those well-aimed bullets punch through its scales. Unnatural, yes. Bulletproof, now. It bleeds black ichor that hits the cement and froths noxiously.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It tenses its neck as if to snap at them, jaws wide, and that bag of bombs careens into the monster&#039;s mouth.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It neither notices nor cares. It swallows it down, bares its teeth, and then --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- Mercy&#039;s finger hits the detonate. The head explodes. It opens up in a splatter of ichor, those monstrous screams silenced, as the serpent&#039;s headless neck hits the ground in a boneless heap.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;For a moment, nothing happens. Another day, another dead monster.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Until the ripped neck flesh twitches, and knots, braiding back to some macabre life, as two heads slide out into life free from that fatal trauama, opening both their six eyes, wuffing the rattling breaths of newborn life.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The first head of the hydra sees them all in flight, escaping, and memory plays in its glowing eyes. It screams. The second head lashes forward, and its tongue coils like a whip up Fred&#039;s leg, dripping venom that will burn through clothes -- even burn skin if left too long. It tries to wrench her off her feet, to drag her into its jaws.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier has backed into a hall branching off from the main one in which people fight with the great serpent. He does not seem interested in joining the fray, what with his holstered weapon. He only reacts when he hears May&#039;s approach from behind, turning sharply and lifting his metal arm. One round glances off the steel shoulder, though the other digs deep into that spot between shoulder and neck, finding a little joint between the metal of his prosthetic and the plates of his armor, sending another jolt through his system.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He hisses and backs off further. It&#039;s not clear whether the toxin will significantly slow him, given his constitution, but some is better than nothing. And it seems to be contributing to keeping him out of the fray.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He has cause to thank his decision to stay out when the serpent&#039;s head explodes. His positioning means he avoids being showered in most of the gore, though he does frown. She&#039;ll be mad NOW.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May is here now. Natasha not?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Where&#039;s Darryl? The water&#039;s getting deeper.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Those idle thoughts flit through Mercy Thompson&#039;s head, even as her finger lifts up from the touchscreen of her phone. Grim satisfaction burns within her gaze when the beast swallows that bag of bombs and when its head explodes, that satisfaction turns to triumph. Though that triumph soon turns to sounds of disgust, as the gore and the ichor rains down. Then hisses of pain as the fluid from the beast hits exposed skin and burns. While the deeper water is totally worrisome right this moment Mercy is grateful, as she drop her arms into said water and /washes/ off the acidic blood and guts of the monster.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And while she&#039;s mentally breathing a sigh of relief that sigh soon freezes as the body moves, that headless neck twitching and suddenly reanimating. Only with two heads now, not just one. &amp;quot;No.&amp;quot; Breathes the coyote, &amp;quot;NO!&amp;quot; Is that same word shouted, anger in that singular syllable as she straightens from her hurried wash-up. And while she could have said more that next attack comes, this time aimed at Fred.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Look out!&amp;quot; Shouts the coyote, though that warning of hers perhaps coming a little too late to really help.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred is quick to move with the others. It was only fear of leaving the Winchesters behind that paused her own rush forward away from both explosions and horrible snake monsters. The fear of the Winter Soldier only makes her fear of these beast all the more intense. The man who batted her away like nothing is now stepping aside to watch this new contender. That does not bode at all well as far as she is concerned. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Fred, certainly, is right to be worried. As they run, there is noxious blood that she attempts to wipe off as she runs. The warning from Mercy is moments too late as the second head&#039;s tongue wraps its way around her ankle. The hydra yanks and Fred is easily pulled off of her feet. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s only the hold Sam has on her wrist that keeps her from being immediately whipped backward and into the hydra&#039;s mouth. Unable to help herself, Fred shrieks - &amp;quot;Sam!!&amp;quot; - in both surprise and pain as the venom starts to burn through her jeans. The gun is again dropped and she desperately reaches her other hand out to grab at his wrist. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:306|Dean Winchester (306)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The spurt of acidic monster blood and guts that hits Dean&#039;s jacket (which is, thankfully armoured) doesn&#039;t immediately cause the fabric to decay. And he doesn&#039;t look back until the beast screams. He twists around to hear Mercy&#039;s warning and his jaw drops. &amp;quot;Oh, come on!&amp;quot; But there&#039;s scarcely time for brotherly snark as the Hydra wraps its tongue around Fred&#039;s leg. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Hold on!&amp;quot; he urges as he reaches to the large hunting knife at his ankle. &amp;quot;I knew I should&#039;ve brought a machete,&amp;quot; he murmurs under his breath. His hand lifts high, weapon in hand, and attempts to bear the blade down against the beast&#039;s flesh.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;May takes another shot at Barnes, but then dismisses him as the Hydra -- nw with two heads -- starts tearing into her allies. She reaches into her jacket again and pulls an odd little object. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;EVERYONE OUT!&amp;quot; Yeah, they&#039;re wearing comms but she&#039;s still yelling, but she moves to get at the very least between Sam and the creature and sets off the object in her hand. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It appears to be the world&#039;s most compact can of hairspray, with an ignition source attached. Yes, never let it be said that May doesn&#039;t have keen fashion sense.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Two heads grow where one once was. Sam feels Fred lifted up and out of his grip. He holds on hard as she screams for him, wrapping large arms around her and tugging her back, fighting with the beast to keep her from going down its gullet while his brother tries to machete the thing&#039;s tongue away for it. Adrenaline gives him strength, that, and fury, but disarmed as he is he is limited in what he can do. Even if he were armed this would probably take priority, however. He sets his feet; a slip now could be deadly for Fred, and he knows it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He lets out a wordless, defiant snarl as he tries to pull her back, not even bothering with encouragement. He didn&#039;t exactly start this escape with all of his strength and stamina.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But he doesn&#039;t know what it means to give up, either. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Not that this really stops the more compact May from slipping under his grip to get between him with that device. He&#039;s able to sort of stretch and hold Fred right over her head, Moose that he is. Should he actually snag her, he&#039;ll yank her back fast, and then he&#039;ll just try to scoop her up and carry her out of there before she can get grabbed again, hoping that whatever SHIELD toys the Agent brought with her can do for this thing.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The little group, beleaguered, struggles to keep Fred from the hydra&#039;s jaws. Shouting, screams, the growls of the serpent, the rush of water and the groan of the structure around them... all form a cacophony that echoes and amplifies in the tight space.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Those fangs flash within inches of Sam Winchester, as he wrenches Fred over his head.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A sharp whistle cuts through it all. The source is the Winter Soldier, walking along the right wall, his right hand lifted in display. His own blood weeps down the palm, from a slash across it. The red drops fall and dissolve into the now ankle-deep water.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Bayushki bayu,&amp;quot; he says. &amp;quot;Idi spat&#039;.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:230|Claire Temple (230)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Slowly, leisurely, that tongue retracts, its tether dragging Fred back along the ground -- pooling now dangerously with that freezing water -- toward those widening triple-set of jaws. Its rows of fangs layer over each other like beds of needles. Its venom drips.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It drips down its tongue, and within seconds of touching, it already burns through her jeans -- it lays burning agony straight onto the skin.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It may do worse, and possibly wood -- save not for Dean&#039;s intervention, daring close enough to hack straight through the meat of its tongue. The hydra shrieks and lets go, its tongue severed: in hunger and pain it snaps its jaws forward to retrieve the bite of meat it so deserves.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Those teeth close, with a whuff of its nauseous breath, a heartbeat away as Sam helps pull Fred to safety.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Denied its meal, the hydra lunges forward, pulling more of its massive body inside -- its full length thus unseen, but easily too big to fit all in here -- as the walls begin to collapse to hold it. The distant roof warps to hold its intrusion, and the reservoir lake pours threateningly in.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The beast seems to hit a spot that traps it, hard to fit two heads in the narrow confines of the hall, and one head bits its jaws into one wall to try to worry and tear it down -- shaking cement down from the ceiling -- as the other head, ichor bleeding from its missing tongue, lifts high to stare down at the escaping group.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It recoils --&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;-- and the Soldier splits his palm. The monster goes still, two pairs of nostrils scenting the blood, and turns twelve glowing eyes his way. Those two heads still into silence.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then, fury forgotten, the hydra recedes, heads bowed in quiet deference, the monster heeled to harmlessless at his feet.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:99|Mercy Thompson (99)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Stay. Run. Go.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;That shout from May is heard, but Mercy doesn&#039;t budge. Not yet. Not until she knows Fred and everyone is safe. When the beast recoils from its tongue being severed Mercy begins to move. The appearance of the Winter Soldier is noted and while she would love to just skid over to him and bodily slam him into the wall, she doesn&#039;t. One, cause he&#039;d likely just stop her, and two, it&#039;s time to run. Especially as the room shakes and disintegrates around them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Truly, the group is now at that point that it&#039;s run away so they can come back and fight another day, sort of situation.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The only thing Mercy Thompson does do is stop at that mangled checkpoint, to Aaron&#039;s fallen wolfen body, and from his neck she retrieves a collar. Upon the collar is a small matte dog collar, which holds his name and an out-of-state phone number. &amp;quot;I&#039;m so sorry.&amp;quot; She whispers to his mangled head, then Mercy is back up with collar in hand, and running more. &amp;quot;Has anyone seen Darryl?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The venom of the hydra soaks through her jeans, burning away parts of it and leaving behind bubbling and angry red marks on Fred&#039;s ankle even as Dean cuts through and it releases her. With a gasp, she drops to the ground, using the connective point of Sam to pull herself upward. Though her ankle shrieks in pain, she winces and bites back any other cry at it. May&#039;s intervention and yell is right. They need to get out of here. Now. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;On any other occasion, she would fight with Sam&#039;s attempt to pick her up to carry her out of there - especially in his condition - but, fighting only wastes time and they have very little of it. Once Dean cuts through the tongue and the beast recoils, she is scooped up and carried. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Given this chance, she watches The Winter Soldier slash at his palm and the hydra obey his whim. Fred&#039;s eyes narrow at that. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:5|Melinda May (5)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Okay, so much for D&amp;amp;amp;D lore. Coulson will be extremely disappointed. But, she doesn&#039;t like that the creature just simmers down at whatever Barnes just said, and her ICER immediately snaps toward him again. She moves to keep herself between the Soldier and Sam as he and the others start moving to get out and away. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;If she can figure out a way to subdue... no. Nat took off after that other Russian woman, May&#039;s job is now solely to get Sam and the others away from here as intact as possible. So she just keeps a bead on him to fire the instant he tries anything, and will keep proverbially herding the others clear.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam Winchester&#039;s head snaps around when he realizes someone /died/ rescuing him...and someone else has gone missing. A look of profound guilt and shame creases over his face, even as he holds Fred closer, trying to protect her from any further trouble with his own, broader body, bends his head down, and keeps running, happy to let May cover them. More than happy.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;d have to keep running anyway. Dean Winchester is all but bodily dragging both of them to the car. Dean all but flings the back seat door open and shoves them both inside, slamming the door before taking the driver&#039;s seat. Winchester the Elder doesn&#039;t even bother to buckle his seatbelt before he starts that Impala.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It goes racing down the highway fast and sharp. Sam opens his mouth to protest-- there were /others involved in his rescue after all/, and it might be nice to make sure they get out alive too-- but he has a feeling Dean isn&#039;t going to be hearing any of it. But then May likely has some good SHIELD transport that can take everyone else back out of there if need be, and as it is...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As it is, Sammy is dizzy. So dizzy. He puts a hand to his head and sways. But he&#039;s done. Sammy batteries now at 0. Too much exertion on too little food, too little sleep, too much pain. Soaking wet or not, he just collapses in an ungainly heap there in the back seat. He tries not to press Fred into involuntary service as his pillow. He really tries. But...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It probably happens anyway.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=1725/Hello_Little_Girl&amp;diff=1277</id>
		<title>1725/Hello Little Girl</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=1725/Hello_Little_Girl&amp;diff=1277"/>
		<updated>2017-08-14T06:56:31Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/07/29&lt;br /&gt;
|Location=Hyperion Hotel&lt;br /&gt;
|Synopsis=The Winter Soldier visits Fred.&lt;br /&gt;
|Cast of Characters=160, 229&lt;br /&gt;
|Tinyplot=Tayaniye&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Winifred Burkle has been a busy Angel Investigator. With a growing group of conspirators and helpers that are gathering together to rescue Sam and Claire, she&#039;s been traveling a bit. She&#039;s, actually, on her way back from Sam and Dean&#039;s apartment after breaking in to try and find some of Sam&#039;s hair for Harry&#039;s use. Unfortunately, she couldn&#039;t find any. Cursing Sam&#039;s neatness, she is returning to the Hyperion. As this was not an emergency, she didn&#039;t feel the need to borrow/steal Angel&#039;s car. Therefore, she&#039;s taken public transportation and walking back from the bus stop now. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s not exactly late at night, but darkness has fully fallen, the street lamps illuminating pools of sidewalk and street. The former PhD student is not hurrying, but there is a purpose to her steps as she makes her way to the old hotel that is now her home. A messenger bag is crossed in front of her chest and her hands hold at the strap as she walks forward. Her eyes are focused forward, though they scan toward the cars that pass. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s quiet despite the fact it&#039;s not really too late at night. This is a rather more residential part of town, and commuters have already gotten home for the evening. Such it is that Winifred Burkle has an uneventful walk back, getting in to her hotel without issue and ascending the stairs to her room. Top floor, but it&#039;s only five stories, so not that bad.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There&#039;s a man in the hall when she gets up there, a nondescript-looking fellow in a leather jacket. Kind of warm weather for a full leather jacket, but maybe he&#039;s a biker of some kind: his jeans are heavy-duty enough for it, and he&#039;s wearing boots. He&#039;s seated by the window at the end of the hall, smoking peacefully where ventilation will carry at least some of the smell away. He doesn&#039;t spare Fred even one glance as she passes by.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;So far so good for Fred, on the getting home thing. Except-- when she reaches her door, her key won&#039;t work.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;At her door, Fred stops and looks down the hallway. The hotel is not functioning any more and the people who stay here are those who work for Angel or those they know. The man at the end of the hallway is given quite a look. Who is he? Why is he here? It&#039;s possible Angel has given a room to the smoking man because he has nowhere else to go. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A frown is given as an unbidden shiver rolls down her spine. Shifting the bag on her shoulder, she turns from him. Her keys are already in her hand and she quickens her steps to her doorway. Once there, she fits her key to the lock only to find that it will not turn. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her brow furrows. Pulling the key out, she looks at the key and then the lock. Fiddling with the knob, she inserts the key again and attempts to turn it. Why is this not working? Her key has always worked before. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The man at the end of the hall seems peacefully indifferent to Fred&#039;s intense side-eye. He doesn&#039;t even look at her. Maybe he&#039;s a friend of Angel, or some other random vagrant someone felt sorry for. He certainly has that wanderer&#039;s air to him, a certain scruffy indifference to the world around him that suggests a man with no roots. His hair is long enough for it, shaggy and brown, scraping a jawline that shows a few days&#039; worth of growth.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He doesn&#039;t pay her any mind, in fact, up until her key fails to turn in the lock.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Having trouble?&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The man perched on the sill at the end of the hall seems to have noticed her distress. He&#039;s looking at her now, head canted, the cigarette removed from his mouth to dangle between two fingers.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Standing against the door, Fred looks at the man now that he is paying attention to her. There&#039;s a frown on her face. The last thing she wants is to accept help from the man smoking on the windowsill. &amp;quot;Oh, you know, just a stuck lock. You know old doors and stuff. I&#039;ll be okay, thanks!&amp;quot; In fact, she has the lockpicks that Sam gave her in her pocket, however she feels uncomfortable bringing them out with a stranger nearby. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Not used to seeing other people in the hotel. Do you know Angel? Or are you here for someone else?&amp;quot; Her voice is curious as she starts to fiddle with the door and the lock without the picks in back pocket. Instead, she takes a card from her bag and tries to do this the old fashioned way even as she makes small talk. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;She asks who he&#039;s here for. He doesn&#039;t answer at first, and when he does, it&#039;s not the question she asked. Not at first.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Really,&amp;quot; the man says instead, rising from his seat. The cigarette goes back in his mouth, his hands go in his pockets, and he starts to saunter closer. &amp;quot;No trouble for me to take a look.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He comes in close, close enough she can smell the leather of his jacket. And something else beneath that. Something sharp and inhumanly metallic. He leans in at her shoulder, standing over her, and his left hand settles against the door with a heavy sound of contact. It&#039;s gloved. Who wears gloves this time of year?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He pushes. His arm /whirs/. The door strains and pops open, drifting open an inch.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;m here for you, in fact,&amp;quot; he mentions.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The hairs on the back of Fred&#039;s neck rise. She remembers Sam warning her that they know about her, may know about the Hyperion. However, she settles. As the man moves up, she straightens, moving a bit to the side. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s too close for comfort as far as she is concerned. The gloved hand makes a heavy sound against the door. The gloves are strange, it certainly makes her wary and she does not like how close he is to her. Despite her shift, he is right there, over her shoulder. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then, the bomb drops. He is here for here. The shift in her demeanor is immediate and swift. The door pops open an inch and she tosses herself through it, grabbing the handle and throwing it backward against the leather coated man and holding her shoulder against it. This may be actually useless, but she doesn&#039;t know what else to do. A retreat through the hallway is impossible due to his boxing her in. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The man&#039;s quizzical blue eyes watch her as she slides under his arm and through the opening door, whipping around behind it and shoving hard to try to push and barricade him out. She might as well be trying to push a brick wall over.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His left hand lifts and the door slams against its palm. Her full weight and the weight of the door should have at least buckled his arm, if not sprained his wrist, but not a millimeter of him moves. It&#039;s like trying to slam a door shut on a steel bar. Fitting, given the fact that is literally what she is trying to do.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;ve heard about you,&amp;quot; he continues, as if she weren&#039;t putting up a struggle, &amp;quot;but I haven&#039;t met you. I thought I&#039;d fix that. Express some appreciation. You&#039;re keeping Sam very well-behaved.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He pushes on the door. His left arm spins up audibly like a piston. &amp;quot;What I&#039;m not sure about is if I should reunite you both.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred shoves at the door and shoves at it, but it budges not one inch. There&#039;s a fierceness to it, her face a furrowed brow of determination and anger. &amp;quot;Metal Arm Man.&amp;quot; She&#039;s not using the name that Claire used on him at the moment. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She&#039;s keeping same well-behaved? That increases her rage meter just slightly. Seeing that she can&#039;t completely shut the door against him, she backs up quickly. A hand reaches into her nightstand drawer and a gun is pulled out, holding it up against the man who says he wishes to reunite her with Sam. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;ve heard about you,&amp;quot; she hisses at him. &amp;quot;Soldier.&amp;quot; She doesn&#039;t actually know his codename, but Angel&#039;s description of him sticks in her mind. The gun is held competently, but she is shaking slightly. &amp;quot;Stop it. Just...just leave Sam alone. Please.&amp;quot; &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier looks around the edge of the open door to observe Fred&#039;s intent attempts to shut it. His expression is aloof and interested, the look of a cat contemplating the fluttering struggles of a bird.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Metal Arm Man, she names him. /Soldier/. He grins, a crooked rakish smile that springs up from out of nowhere on his features; it looks more like it belongs on the face of a wholesome, all-American boy-next-door than it does on the face of an international Russian killer. His casual English, unaccented, just contributes to that oddity.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She&#039;s heard of him. &amp;quot;I&#039;m sure you have,&amp;quot; he agrees, and a sharp whine of his arm heralds him slamming the door abruptly open. Lucky she backed up an instant beforehand, or she&#039;d be thrown against the wall. She&#039;s gone for her gun and is holding it on him now, her grasp competent but shaking, and he pauses in the midst of entering the room.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Just leave Sam alone, she demands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He shrugs eloquently. &amp;quot;Sam has had a lot of strange things happening to him lately,&amp;quot; he explains. &amp;quot;In the end, he might thank us for providing some guidance on the development of his unusual qualities.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His gaze flicks down to the muzzle of the gun. &amp;quot;Are you going to use that?&amp;quot; he asks, his lidded eyes bored.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The oddity, the All-American smile and accent on The Winter Soldier&#039;s face certainly unnerves Fred. This entire situation is nerve wracking. This is the man is someone she has planned EMPs and magnet bombs against. However, planning and actually being in front of the man of their plans is different. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You&#039;re //torturing// him,&amp;quot; she hisses. &amp;quot;If there is anything strange happening to him, it&#039;s your fault.&amp;quot; She certainly does not believe that Sam will thank them for what they are doing to him. &amp;quot;Where is he?&amp;quot; She&#039;s intent on that. Her focus is on finding where and how to help Sam. The idea that he might be studying her for some sort of reason is secondary to her. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As for whether she is going to use the gun, it remains up and pointed at him. &amp;quot;I&#039;ll shoot you if you come toward me.&amp;quot; Who knows if she will actually be able to make the shot, though. Frowning, she studies him. &amp;quot;People think you might be able to be saved, but this is who you are, isn&#039;t it?&amp;quot; &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Where is he? she demands. &amp;quot;Now why,&amp;quot; the Soldier inquires reasonably, &amp;quot;would I tell you that? It&#039;s interesting that you seem real certain we&#039;re torturing him, though.&amp;quot; His half-lidded blue eyes study her without blinking. &amp;quot;How would you know that?&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She informs him baldly that if he approaches, she&#039;ll shoot. He blinks once.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then he closes distance with one, two long strides. His gloved left hand lifts smoothly into the line of her weapon&#039;s fire. If she pulls the trigger, the bullet will drive straight into his palm-- and deflect off, with a sharp sparking ping of metal on metal.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Half a second later, his hand vises shut around the muzzle of her weapon. His head cants, the mechanisms of his prosthetic winch steel fingers indomitably shut, and he crumples the barrel of her weapon into uselessness.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You&#039;ve been making plans, haven&#039;t you?&amp;quot; he asks. His voice is as harsh as the grinding of metal being crushed flat in his grip. &amp;quot;Let me tell you something. There&#039;s planning, Miss Burkle, and then there&#039;s execution. One is a lot harder than the other. So consider this your warning not to interfere.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s not smiling anymore. &amp;quot;I don&#039;t know what this obsession is that people have with &#039;saving&#039; me, but you should all start thinking about saving yourselves.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He stares at Fred a few moments more, as if silently mulling some decision. &amp;quot;Where is the brother?&amp;quot; he asks, presently.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;You&#039;re keeping him against his will and saying you are &#039;helping&#039; him. That generally implies torture,&amp;quot; Fred spits back at him. &amp;quot;Brainwashing, who knows what else. It&#039;s never anything good.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As good as her word, when he steps forward, her finger pulls at the trigger and she shoots at the Winter Soldier. It&#039;s a straight shot, but he has ways of deflecting that. And then he closes the distance and closes his hand over the barrel of her gun, crushing it. She lets it go as he does so. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This is her warning not to interfere in the rescuing of Sam Winchester. She no longer has a weapon or anything with which to counter the man in front of her, but she attempts to look defiant. The truth is, she is terrified: both for herself and for Sam. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I don&#039;t care about saving you,&amp;quot; she tells him, the truth ringing in her conviction, the words hissed. &amp;quot;You are a menace and if I have to go through you to get to Sam? I will do it without hesitation.&amp;quot; The question about Dean is met with a surprised look. They don&#039;t hvae Dean. It was a worry that festered in the back of her head. &amp;quot;He&#039;s looking for you,&amp;quot; She tells him, even if she doesn&#039;t know that to be the exact truth. It might as well be. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier is silent in the wake of Fred&#039;s defiance. His gaze is faraway, absent with thought; his left hand lowers back to his side, now holding the remnants of her weapon. He came to assess her, and now he knows: she has nothing else to wield against him. He can smell the utmost degree of her fear hanging in the air. The kind of fear a person emanates when they have nothing left to their name but brave words.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He has encountered it so many times, over the course of his long, long life, that he can instantly recognize it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;I don&#039;t care about saving you, she snarls. And Dean? He&#039;s looking for you. The words bring a brief smile to his face. &amp;quot;I&#039;m sure you will try,&amp;quot; he says, of her threats to go straight through him to get Sam. He opens his left hand and lets the twisted shape of the gun, no more than a warped piece of metal now, drop at Fred&#039;s feet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Well,&amp;quot; he decides. &amp;quot;I think I&#039;ll leave you here, after all. The pining, it keeps him sad and docile.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And with that, he turns his back to walk right back out the door.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The assessment on Fred&#039;s resources and state of mind is not wrong. He&#039;s done this for long enough to know exactly when a civilian like her has little to offer in the way of active resistance. With the gun crushed in his hand, she attempts to stand her ground, but when it drops with a muted clunk against the plush carpet at their feet, she can&#039;t help a small wince. That was her defense and he crushed it without a blink or a change of expressions. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;ll do more than try,&amp;quot; she assures Bucky, though she is sure to him it sounds mostly like bravado. However, she is sincere in those thoughts. While she might have allowed him to leave, his parting words cause a snarl of rage to cross her face. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She knows this has no point, that he is stronger than her in every way, but the instinct and the anger take over when he tells her how the have been using her to get to Sam. The threats against her have made it easier for them to hurt him and something inside her refuses to remain still. When he turns her back to her, she takes her thickest book - a veritable tome - and she lunges forward, attempting to brain him with it and also kick between his legs. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;He is more than half expecting her to try something. His turned back, after all, is a blatant insult and thus its own form of invitation.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Such it is that when Fred loses the last scrap of her patience and lunges to attack, he seems prepared for it-- or at least braced against being struck. She strikes home, both times, though hitting him is like hitting a stone wall and not a human being, no give to him at all, little real effect yielded on his preternatural resilience. He staggers once, twice.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then, a deep growl emanating up from his chest, he turns sharply to backhandedly /bat/ at her with his left arm. It is not a hard hit, not by his standards, but behind it is strength sufficient to scoop a woman her size from her feet and send her into the wall.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Don&#039;t test me,&amp;quot; he warns, before turning away again.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:160|Winifred Burkle (160)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Fred is not a super soldier, nor is she a woman of boundless strength. Her attack hits home without seeming to do any sort of damage or even effecting the Winter Soldier. Then, the backhand hits her squarely against her face and she goes tumbling. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;With a crack against the wall, Fred slides downward. The book slips out of her hands, hitting the ground wth another soft slap. It might not have been strong for the Winter Soldier&#039;s standards, but it was certainly strong enough to curtail the expected attack from Fred as well as slow any other attempt. A bruise is surely already forming on her cheek and shoulder. However, she slowly pushes herself upward, almost as if she is intent on attacking again. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Her room, though, is small and the determined stride of the Winter Soldier easily takes him out of her range before she can even push herself to a standing positoin. While she remains ready and poised for a few moments, she slumps back against the wall, a hand moving up toward her sore face. &amp;quot;We&#039;ll do this again,&amp;quot; she promises. And next time? She&#039;ll be prepared. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=1664/Shield_Brothers&amp;diff=1276</id>
		<title>1664/Shield Brothers</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=1664/Shield_Brothers&amp;diff=1276"/>
		<updated>2017-08-14T06:56:21Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/07/26&lt;br /&gt;
|Location=The Godsend Bar, New York City&lt;br /&gt;
|Synopsis=After forty years, the Winter Soldier and John Aaron cross paths again, and Ares assesses for himself the nature of the Soldier versus that of James Buchanan Barnes.&lt;br /&gt;
|Cast of Characters=340, 229&lt;br /&gt;
|Tinyplot=Tayaniye&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:340|Ares (340)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;The Godsend bar lives and dies on two things, the weekends; and happy hour. During the weekend it&#039;s for the tourists, prices go up and people get a little taste of the authentic New York experience. During the week, however, the place is for the townies. Happy hour sees a mass of blur collar workers descend on the place, sitting in large groups, enjoying their time together while the current sportsball game is played on the big screen televisions up on the wall, except for the one monitor that displays today&#039;s Keno numbers.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Today, at the end of second shift, the place is busy. A good chunk of the men from Local 477 Construction and General Building are in evidence, holed up around their usual table. Most are just chattering, adding their voice to the ambient rumble of the crowd that&#039;s only interrupted at times by the clack of billiard balls, and the occasional raucous bit of laughter.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;But the fellow known as John Aaron, he&#039;s settled at the end of the bar, hand around the bottle of his beer as he watches the reverse image of the game on the television, his eyes on the mirror behind the bar itself. Occasionally he&#039;ll take up a few salted peanuts and consumes them absently.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier has a Handler, and then he has handlers: lesser creatures tasked with the general work of keeping in touch with an asset in the field. Mostly they communicate with the Soldier, in his wanderings, in chalk marks and dead drops discarded under rotting trees or stuck between the bricks of old buildings, but sometimes there&#039;s just no substitute for what can be done in a face-to-face interaction, however brief.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;They tend to choose crowded, public locations for stuff like this. It seems counterintuitive up until you realize how suspicious it looks for two guys to be standing around in abandoned and vacant lots, heads bent together in conspiratorial conversation.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Soldier and his handler have been at a table towards the back of the Godsend for a short time now, finishing a companionable pair of beers and talking about work, just like most of the rest of the men and women occupying the bar. Of course, the nature of the work they talk about is slightly different than that of most of the other people here, but they keep that on the down-low, couched in code phrases and innocuous half-statements.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;After a while, the Soldier&#039;s handler gets up and takes his leave. The Soldier himself lingers to avoid drawing excessive attention. To complete the act, he gets up and heads for the end of the bar himself, leaning against it and waiting to catch the bartender&#039;s eye.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His own eye catches something almost immediately. John Aaron is a distinctive man, especially when you&#039;re practically right next to him. A blue eye regards Aaron sidelong, considering, before the Soldier&#039;s gaze turns back forward. &amp;quot;Kak dela, John Aaron?&amp;quot; he inquires, low to keep the Russian from being overheard. How you doing? Been a while.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:340|Ares (340)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;A glance to the side is given as the voice is heard, and John Aaron turns to look upon the man. His brows lift and he meets the man&#039;s gaze with an easily offered smile. Rising to his feet he turns to the man and extends a hand, &amp;quot;Soldier!&amp;quot; His voice is strong, resonant, though it only draws a few glances. Should the hand be accepted he&#039;ll draw the other man into a brief fraternal embrace which is little more than banging on the back a few times before stepping back to meet eyes again.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;It has been some time. We will sit and drink unless your time steals you from me.&amp;quot; He gestures to the side, a hand curled in the direction of the bartender, a man who knows the incognito Olympian well. John nods towards the bar behind him and for his efforts the tender rewards him with a bottle of brandy that&#039;s set down with a clink.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Turning back, Ares looks upon the soldier again. &amp;quot;Tell me what has passed, or rather what you will.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The smile is returned easily, the man who knows himself as &#039;Yasha&#039; clasping the offered hand and stepping into the embrace without hesitation. His returned slap to Aaron&#039;s back, as he disengages, is made with the left arm. John Aaron is more than capable of taking it. This, the Soldier has seen with his own eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is a certain ease to him, as he settles to the seat beside John Aaron. It is an ease he has always felt in the other &#039;man&#039;s&#039; company, one that he is barely aware of consciously, much less able to explain or quantify, but which bears a sense of like encountering like.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Time,&amp;quot; the Soldier echoes. He settles his left arm to the bar surface, with a deeper and more hollow sound of contact than would be expected. His gaze lifts briefly, silently counting. &amp;quot;Forty-one years. You look as if no time has passed at all.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;What has passed? Ares wishes to know. The Soldier&#039;s expression turns briefly wry as the Olympian mindfully accounts for the needs of confidentiality. &amp;quot;The Cold War, for one,&amp;quot; he says, only pausing to pull over the glass the bartender slides to him. &amp;quot;I woke and it was long over. I miss it, in some ways. The work these days is not the same.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:340|Ares (340)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;Indeed,&amp;quot; John seems at ease speaking so in this place, though assuredly they may get a glance or two, but his words are not curtailed too much as he responds. &amp;quot;A good chunk of time, and indeed. I do the Tae Bo to keep in shape.&amp;quot; His lip curls as he takes up the bottle and holds it up as if having gained some lovely prize on a game hunt. He tosses his head to indicate an aisle of booths away from the bar, &amp;quot;Come regale me with what you will.&amp;quot;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;That said he slides off of his seat, taking the bottle and the two shot glasses, carrying them easily as he wends his way through the local crowd, giving a nod to some as he passes, smiling to others. He&#039;s known her, to a degree at least, that much is evident.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;It&#039;s when he reaches a table in the back, second from the last but nestled comfortably out of the line of sight of new arrivals. The glasses clink down, the bottle&#039;s opened, and he pours the glasses first before taking a seat. His glass is held up, &amp;quot;To reunions, of sorts. Moments of surprise shared that brighten an otherwise expected flow of the world.&amp;quot; And if the sentiment is shared, they shall clink.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Either way, after that he&#039;ll take his seat.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;A grin flickers across the Soldier&#039;s features as John speaks of doing &#039;the Tae Bo&#039; to keep in shape, but he does not immediately speak to it. Aaron rises with an eye towards privacy, and the Soldier holds conversation for that.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Some relic of an older world and its courtesies, still embedded deep in him and unable to be erased, keeps him standing courteously while Aaron-- the effective host here-- still stands, himself, and delivers that short toast. &amp;quot;Overdue reunions,&amp;quot; he makes addition, taking his filled glass and clinking it with Aaron&#039;s. &amp;quot;Vashe zdarovye.&amp;quot; With that, he takes his own seat a moment after the other man.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His blue eyes regard the other man with some frank curiosity. &amp;quot;You talk like a man who&#039;s settled down,&amp;quot; he says, picking the thread of conversation back up without a hitch. &amp;quot;So what has passed with you? This is a strange place to find you, yet you seem well known here.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He turns his glass absently in his left hand. It is gloved, for obvious reasons. &amp;quot;It seems more has changed, since the last time I was active, than just the shape of the world, and the names of the wars.&amp;quot; A moment&#039;s pause. &amp;quot;Do you still speak to Natalia?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:340|Ares (340)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;I have, I am afraid.&amp;quot; Settled down. &amp;quot;Grown fat in this land of luxury.&amp;quot; John offers in that calm tone, settling into his chair opposite the other man. He sets to the refilling of the glasses, bottle turned on its side and gurgling as he offers a generous amount of liquor to each, spilling only a little. That done he sets the bottle down with a firm thud that causes it to slosh faintly. &amp;quot;I have a job, I relax on what I have earned over the years. Time passes. I am content to watch.&amp;quot;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;He takes a sip of his drink then and meets Bucky&#039;s gaze, &amp;quot;You should consider it. Indeed the world has changed, the war has passed, nothing is quite the same. Such conflict is best left to the young, our stake in matters has passed.&amp;quot; He gives a small wave to a passing server, perhaps just doing enough to insure she wanders by when she has the chance.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Gaze turned back towards the Soldier, John gives a small nod, &amp;quot;Passingly. She has her interests, I have mine. She speaks ill of my choices in fashion, I tell her she has the taste of a village match-maker.&amp;quot; His lip twists.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier&#039;s expression flashes a brief lightning-flicker of contempt as Aaron speaks of America, a land of luxury and wealth that has softened him. Perhaps as a mark of respect he does not say anything aloud, instead accepting the refill and draining the glass again, without any apparent ill effect from the strong liquor.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;And what changed your mind?&amp;quot; he asks. &amp;quot;What I saw of you, forty years ago...&amp;quot; His gaze goes briefly distant, recalling a man of barely-suppressed action and reined violence, a powerful man who in the end was obviously not merely a &#039;man&#039; at all. &amp;quot;Well,&amp;quot; he shrugs. &amp;quot;You seemed quite at ease with yourself, back then.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He draws to a distinct pause when Aaron suggests he too should consider it. The world is better off left to the young now, old ghosts like them best exorcised from the land. His expression flickers oddly, like some deep-buried part of him wants to agree, even though his head is already shaking no. &amp;quot;I already had no family or life to my name when I lost my arm and my memory at Prokhorovka,&amp;quot; he says. &amp;quot;Eighty-two years later, a habit of war is hard to break.&amp;quot; He snorts, amused. &amp;quot;Besides, my handlers would lose their shit if I quit. They already lost Natalia.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He speaks so convincingly of it-- this falsified record of a life he believes he has led, but which never truly existed. The illusion he is his own man, and not a captive.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As far as Natalia? Natalia, who he now seems to remember? &amp;quot;Her choices disappoint me,&amp;quot; he says briefly, a great deal going unsaid amongst such simple words. &amp;quot;I still have some hope to convince her to return. It&#039;s beyond me what spurred her to choose such a new life for herself.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:340|Ares (340)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;A small smile, given easily as the tall man rests his hands around the base of the glass, shaking his head a little. &amp;quot;The passage of time? The appeal of the world? I&#039;ve given much already for those that looked to me for guidance, prayed for my aid. There is a time when one must decide that it has been enough. For them to have no masters and look to themselves.&amp;quot; He lifts a hand, fingers flaring faintly as he waves off his own words. &amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;But then he speaks on the age devoted to war, the lack of connections. He nods, &amp;quot;I would still bristle at the presumption of it. Wouldn&#039;t you?&amp;quot; His brow furrows. &amp;quot;A life time of effort granted, being treated as a being who is and will always be put to use until used up? I have seen such a behaviour before, broken many hammers in the past, to be treated as such is to be treated as a tool.&amp;quot;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;And bah, if they take exception... then grab a handful of your medals for the many times you have saved the fatherland and throw them at them. It will be enough to if not blind them so you can depart, it&#039;ll at least deafen them with the heavy clatter so you can stride out with pride.&amp;quot;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;But then Natalia is brought up and he holds up his hands, shaking his head. &amp;quot;Perhaps her thoughts follow likewise. I would have a better life for her, and for you.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;There is a moment, sidelong and searching, where the Winter Soldier regards Aaron and says nothing. It comes in tandem with what Aaron says of people looking to him for guidance-- praying for his aid. A memory rises in his mind of a man who tanked a massive bomb blast point-blank with few apparent ill effects other than a considerable amount of charring.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Did you answer their prayers?&amp;quot; he wonders. &amp;quot;And if you did, who answers them now? Not too much seems to have changed, even with their newfound... freedom.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But the subsequent words of John Aaron have a strange effect-- words that paint him as a resource, a tool, a weapon to be wielded and put away. The Soldier frowns as if to disagree. Then, the frown transitions to one of thought. Then strain. The corner of an eye twitches, as if some brief internal struggle were waged. &amp;quot;I /am/ a weapon,&amp;quot; he eventually says, mind fallen back into its prescribed ruts. &amp;quot;I have few illusions about that. I accepted that some time ago.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Whatever brief internal voice wanted to reach out to Aaron&#039;s words seems to have been temporarily silenced. He lifts his left arm, looks at the hand. Even through the heavy sleeve and glove, the slithering sound of metal articulating, plates sliding past one another, is faintly audible. A mark of obvious inhumanity. &amp;quot;I was engineered to be that way. I&#039;m not suited to peace, nor quiet.&amp;quot; He shakes his head. &amp;quot;I know my purpose, and it&#039;s to provide those things for others. People like to pretend that these things can be bought in any way other than someone, somewhere, shedding blood. Better lives are for the innocent.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:340|Ares (340)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;If their sacrifice is enough. It all depends on what they set upon the altar,&amp;quot; John&#039;s eyes meet the Soldier&#039;s and for a time there&#039;s no hint of that subtle facade that ever plays upon his features, that hint of the other seeing to slip through faintly like the dimmest line of light illuminating the underside of the basement door. &amp;quot;If one sacrificed their life, their loved ones, their very selves... I tend to hear them.&amp;quot;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;At that he takes another drink, &amp;quot;But now, the world carries on. You see it is arrogance that we feel, to think that it needs us. Arrogance to think it will not carry on.&amp;quot; His lip curves faintly as he looks to the man, &amp;quot;I work with these people...&amp;quot; He gestures around himself absently, &amp;quot;They hold me as dear, some of them, perhaps. But when I am away... but if I disappeared? Perhaps there would be a moment of mourning. But they would adjust. The world would go on.&amp;quot;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;A small shrug is given as he downs his drink, then goes about refilling his, and the Soldier&#039;s as well if he needed. &amp;quot;Now. You imagine that it requires you alone to save the great state? Is that not arrogance. Or perhaps, dare we say, hubris?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;That brief eye contact brings the Winter Soldier to a still silence. In that moment, there is an impression that comes and goes, a vague feeling congruent with a certain sense of continuity that the Soldier has observed from war, to war, to war. The Second World War. Korea. Vietnam. The Cold War and its many child wars. Afghanistan. Iran. Iraq. The Gulf.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Winter Soldier has been in all of them, his hand briefly turning the tiller of each one in passing, and in each one there has been something about it that felt familiar. There is that sense, again, now.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then it passes away, and two men drink from their glasses. He does not pursue that line of conversation further. &amp;quot;Those I work for are not content for the world to simply go on,&amp;quot; he admits instead, though he is tellingly silent on his own thoughts on the matter. Perhaps he doesn&#039;t have any. It was not necessary to program him with any to have. &amp;quot;They believe it would be... better, with guidance. Looking around, seeing what people do left to themselves, I don&#039;t know if I disagree.&amp;quot; Is he allowed to disagree?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He shrugs. &amp;quot;Maybe they want the same as you. Better lives for those around them. Some sacrifices have to be made for that.&amp;quot; He has accepted that one is himself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Called out on his own personal arrogance, he betrays half a smile, admitting to it. &amp;quot;Maybe it is,&amp;quot; he says. &amp;quot;But I have an eighty-year track record backing me, so far. It&#039;s not entirely out of my ass.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:340|Ares (340)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;A small snort is given as he looks aside, John shaking his head slightly as he holds up his glass under his chin, swirling the liquor slightly. &amp;quot;A very state of nature approach to mass morality.&amp;quot; John lifts a nod towards the waitress when she comes by again, holding her tray to her chest.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;Can I get you gentlemen, anything?&amp;quot; She asks with a somewhat sincere openness.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;I&#039;d like the chicken tenders, please.&amp;quot; At that she looks to Winter should he want something, but then she departs.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Alone again he looks back to the man and says, &amp;quot;I had this lovely metaphor I was thinking of composing using the nachos as a visual aid, but I&#039;m really more in a mood for chicken.&amp;quot; His lip twists, as if this is all... on some level, a game to him, or perhaps with the years passed he has seen much and allows it only to get its talons in to a certain degree.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;But now tell me, for those who want better lives for others, why is it those others often have to make such sacrifices? Seems to me a life of example, charity, sacrifice... would that not be a stronger argument?&amp;quot; He tilts his head to the side, &amp;quot;But then again those things do not carry with it power.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;John&#039;s philosophic dismissal of the aspirations of Hydra is met with the relative indifference of the Soldier. The reference escapes him. The man he was before he was stolen and warped was not a man of high erudite education, and since then the Soldier has learned little except the trade of war. And this: &amp;quot;It&#039;s not really for me to question.&amp;quot; The yoke he wears is heavy, indeed.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He glances up as the waitress comes over. Her request if he wants anything is met with a curt shake of the head. No pleasure on business, it seems.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And now Aaron has a question to pose: why do those who wish better lives for mankind seem happy to have others make the sacrifices? Why not personally lead lives of charity and sacrifice?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This is a point where John Aaron, with his careful speech, may become aware he has reached the edge of the personality that is the Winter Soldier. Though he has been convincing as a man up until now, these probing hypotheticals find the weaknesses in what is ultimately an engineered personality, built from a base of the personality of James Buchanan Barnes himself-- but then maimed and ripped open of any of the components that made it human. Empathy, guilt, remorse. Autonomy of thought.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He could say what James would have said-- a cynical observation that for such people, better lives for others is usually the palatable, media-friendly, and entirely secondary objective to the primary, which is better lives for themselves-- but it would be speaking against his masters, and the leash on him is strong.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Instead, all he says is, again, &amp;quot;It&#039;s not really for me to question.&amp;quot; There is a brief, hollow moment, where he is obvious for the construct he is-- then it passes, and he affects half a wry smile. &amp;quot;I&#039;m better at the execution than the thought exercises.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:340|Ares (340)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;A small frown touches John&#039;s features as he looks across the table at the man. &amp;quot;Ah.&amp;quot; The tall man lets that single syllable linger as he looks across the way at the man, brow furrowed in thought. The drink is forgotten for now, it is held light and to the side. Then he shakes his head, &amp;quot;It is troubling, then.&amp;quot; John turns his head aside, as if following the progress of the waitress and then looks back to him. &amp;quot;You see I have only known you in this manner. Your self is there in elements, but you are chained. It saddens me.&amp;quot;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;He looks away and shakes his head, &amp;quot;I argued at a point for your existence, for the words advanced by the person I was discussing with is what should have primacy. The you that existed for what, two dozen years? Less? Or the one that has held strong for such time since. Their thought was that the original should be held to be the true.&amp;quot;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;He settles back in his chair, frowning. &amp;quot;I argued against it, because for me... my past was the darker self. Did I ever tell you what I was like in ages past?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Confusion infects the Winter Soldier&#039;s expression like a slow spreading plague as John Aaron reaches his rueful determination, and speaks. The conversation has taken a leap, one he cannot follow, referencing an argument of which he is not aware, speaking of him as if he were two people.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But-- he is two people, isn&#039;t he? No, more than that. He was a child, orphaned early, with no company but the rage he felt at his circumstance. He was a young soldier in the war that mankind thought would end all wars. He is the Winter Soldier, now. And he is someone else, beyond all those things, someone else--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;--that gets clamped down on again, hard, by the conditioning. The Winter Soldier frosts everything back over into cool calm. &amp;quot;I don&#039;t know,&amp;quot; he says, &amp;quot;what you mean.&amp;quot; &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Did I ever tell you what I was like in ages past?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;No,&amp;quot; the Soldier says, and finishes his drink with narrowed eyes.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:340|Ares (340)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;The tall man leans forwards a little, his chair creaking with a faint wooden complaint as he looks to the other man levelly. One hand lifts slightly, index finger extended as if making a point as he nods. &amp;quot;It was a time I was not entirely proud of. I lived for the moment, gave little thought to what I was doing save that it seemed to be what I was supposed to be doing.&amp;quot; The older man shakes his head, &amp;quot;Though at the time I was proud. For really who could fault one for being so exceptional? The murder of people, cities, civilizations.&amp;quot;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;The drink is tasted again as he then sets it aside empty, perhaps allowing him to have further should he so wish. &amp;quot;Whatever was placed for me was but a challenge, a puzzle to solve to get at the meat of the matter and then the blood would flow.&amp;quot;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;Eventually, however.&amp;quot; John looks to Winter Soldier as if seeing past the man, just a touch over the shoulder and beyond as the memories come forth. &amp;quot;I had had enough. Oh some things happened to spur the moment forwards. But I decided to change, to become someone else. But according to the counter-argument given me, the elder, the original should hold primacy. So I argued for you to be that which you choose.&amp;quot;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;But there we have the rub. Your choice has been taken. And that sits poorly with me.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The Winter Soldier listens in wordless, expressionless silence to John Aaron as he relates his wild, violent youth. A god riding the tide of war, with no thought for anything but being the absolute perfect embodiment of the sphere he was made to rule. Most would flinch to hear a man speak so baldly of the cavalier slaughter of men and women, their cities, the overturning and scourging of their civilizations, but the Soldier seems to take it as a matter of course. He has devoted his life to the same-- or, had his life devoted to it for him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He starts to shake his head right around the point where Aaron speaks of arguing for his freedom of choice. To choose his own life path and identity, as John Aaron himself once did. Not necessarily, even, to revert to the man he once was-- a man who may well now be dead, anyway, given all that has been done to him and the many years that have passed-- but perhaps even to become something new.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;You talk like Natalia,&amp;quot; he says, his voice heavy with denial. &amp;quot;She also tells me a version of my life I don&#039;t recall. Not a single memory of it. What am I to believe? I remember making this choice you speak of. Making it eighty years ago.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Still shaking his head, he pushes his chair back. &amp;quot;It was good to see you again, John,&amp;quot; he says, and in that he seems sincere. &amp;quot;But these insistences I&#039;m someone I&#039;m not... I can&#039;t keep hearing them. There is work to do.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:340|Ares (340)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;Bide, Soldier.&amp;quot; John holds up a hand. And that tone of his voice, it&#039;s a short precise command. It is a voice that has sent thousands hurling themselves against the stone of a wall with defenders raining death down upon them. It is a voice that has unmanned generals who stood against its wishes. And it is a voice that asks something of him now, levelly, firmly. No malice is there in it, no aggression. It is just a strength of conviction and an intensity of regard that is leveled upon him.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;I will say this once. And then I will ask of you a question. It is a crux upon which I set your life.&amp;quot; The tall man rests his hands upon the table. &amp;quot;I will not raise a hand against you. Nor will I stand to do you ill. We are shield brothers. And so I owe you that much at the least.&amp;quot; He lifts his chin and then says almost formally, the pattern of his words almost ritualistic in their precisions...&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;But if you release me of my oath, then I will insure that all of your questions will be answered. That you will stand complete. And that you will have the /freedom/ to make your choice as to who and what you wish to be. If that is to return to this. To them.&amp;quot; He gestures with but a glance over his shoulder, indicating who? Perhaps the handlers. Perhaps the world. &amp;quot;Then they will not hold you and I will make you free. But if your conviction is strong. At the least it can endure this.&amp;quot;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Those last words hang there and then he says firmly, steadily. &amp;quot;What say you?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;The single command arrests him with ease. It reaches in and rings somewhere deep in the DNA not just of the Winter Soldier, but that of James Buchanan Barnes: son of a soldier, and a soldier all his life. It is a voice that is many things, to many people: to this man, it is the voice of a commanding officer, and the military blood in him can no more disobey than a plant can turn away from sunlight.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His features are neutral as he halts, however, his eyes cold and sharp and clear as the edge of a glacier, soaked blue by the eroding sea. He listens, impassive.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ares offers him a choice, and asks a question.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;And fuck up our relationship?&amp;quot; he says, wry. &amp;quot;Forty years out the window. I don&#039;t have enough &#039;shield brothers&#039; in the world to be doing that shit.&amp;quot; He shakes his head. &amp;quot;All to answer questions I&#039;m not even asking.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His gaze darkens. The mirth wipes away. &amp;quot;I don&#039;t need to be made free from anything. I&#039;m not held anywhere I didn&#039;t choose to be.&amp;quot; The beauty of it is how convincing they make him sound.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:340|Ares (340)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;A nod is given as Ares lifts his hand, &amp;quot;Then another time, Soldier.&amp;quot; He slides his hands off the edge of the table and settles back in his chair. For a moment the Fates might have leaned forwards in their old rickety wooden chairs next to their many threads and their spindles, watching, ever watching on the beings of the world...&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Only for them to ease back and sigh, the moment had passed.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;Be seeing you.&amp;quot; He says with a small smile at the corner of his mouth as he settles back into his chair, lifting a hand to offer a small wave to the man&#039;s departure.&amp;lt;br&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;And with that... he turns his thoughts back inward.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
	<entry>
		<id>https://www.unitedheroesmush.com/index.php?title=1626/Respite&amp;diff=1275</id>
		<title>1626/Respite</title>
		<link rel="alternate" type="text/html" href="https://www.unitedheroesmush.com/index.php?title=1626/Respite&amp;diff=1275"/>
		<updated>2017-08-14T06:56:04Z</updated>

		<summary type="html">&lt;p&gt;Altair: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Log Header&lt;br /&gt;
|Date of Scene=2017/07/24&lt;br /&gt;
|Location=A Hydra Base, Location Undisclosed&lt;br /&gt;
|Synopsis=The Winter Soldier visits Sam in his cell. It seems almost friendly. Right up until it isn&#039;t.&lt;br /&gt;
|Cast of Characters=294, 229&lt;br /&gt;
|Tinyplot=Tayaniye&lt;br /&gt;
|pretty=yes&lt;br /&gt;
}}&lt;br /&gt;
{{Poses&lt;br /&gt;
|Poses=:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Ever since &#039;Misha&#039; threatened Fred, Sam has been a model prisoner. Not that this is really helping him, personally, but he makes no complaints, offers zero defiance, and takes both his beatings and his mysterious injections as silently as he can, offering not even the most token of resistances. Eventually he has had to be allowed some sleep, and he&#039;s taken it with gratitude. He&#039;s stopped trying to find any way to escape, stopped pacing his cell, stopped doing much of anything except sitting in that one corner of it, his head either leaned back into the crevice or hanging low depending on whether or not he&#039;s been allowed a little rest. Right now he&#039;s leaning back, his elbows draped over his knees. He still hasn&#039;t been given anything in the way of food, though he&#039;s been given the occasional drink of water at unpredictable intervals that make them all the more precious, and leave him in a state of low-level anxiety that he just doesn&#039;t really show. If anything, he seems to have settled into a pattern of grim endurance. While it may be easy to think of him as meek, he&#039;s not, really. He&#039;s just absorbing it all, taking it because he must. Surviving.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His face is a mess of bruises. His jacket and his plaid shirt have been taken from him to ramp up the cold, so he sits in his filthy t-shirt and jeans. His hair hangs lank and greasy, and scruff has sprouted into something that is coming awfully close to the beginnings of a beard. He probably wouldn&#039;t be stopping too many hearts in his current state.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s also muttering song lyrics under his breath, whether to alleviate the boredom or just to keep the worried, frightened thoughts at bay. ACDC&#039;s Hell&#039;s Bells, at the moment, pretty much on-pitch and with all the words correct, though anyone would be hard pressed to hear him unless they were in the cell and practically on top of him. He hardly wants to rouse the ire of his guards by making too much of a ruckus.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Those selfsame guards are always just barely visible through the slot in the door. Not all of them, obviously, but an elbow here, an arm there... just enough for Sam to know that they are always there, listening and watching.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Up until quite suddenly, they are not.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There is a quiet exchange of words outside Sam&#039;s door, too low for him to discern words or identify voices. The two guards abruptly depart, their steps noticeably quick, as if they were not eager to stick around. Whoever dismissed them is not visible at all, standing out of line of sight as the door&#039;s lock clicks open.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The reason for such a swift departure becomes obvious when a familiar face-- or, maybe more to the point, a familiar arm-- enters the room. He does not advance at first, merely holding the door for the woman following him: a slight young thing with fanatic&#039;s eyes, in a uniform that seems military, yet bears no marking or insignia.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She&#039;s bearing a tray. There&#039;s food on it, plain and inoffensive food after days of low-grade starvation. Bread, a cut of steak. She leaves it on a little stand in front of Sam, and retreats again. The Winter Soldier watches her wordlessly as she hurries past him and back out the door.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He closes it behind her, and the lock clicks shut.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Winter Soldier advances into the room himself, afterwards. He takes a seat, on the one solitary chair. And he puts a bottle of vodka down on the floor beside him, settling it down with a precise clink.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;That,&amp;quot; he says, &amp;quot;can wait until after you have something in you to soak it up,&amp;quot; he says, leaning back and fishing in his jacket for a pack of cigarettes.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam stops his weird little recital almost immediately. A half-feral thing sensing a change in his environment, not knowing what it means just yet.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And when it means food, Sam&#039;s eyes show a pathetic level of gratitude. Gratitude, and a flash of shame to be feeling it. He&#039;s felt it before, in this place, and it terrifies him too. A flash of gratitude whenever he&#039;s allowed to sleep.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A flash of gratitude for the shots, which he&#039;s starting to look forward to, a fact that chills him to the core when he can bear to examine that too closely.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He actually hesitates, hazel eyes wary, unsure whether it&#039;s a trap or a trick, whether he might be beaten again for going for it the way he wants to, whether he might misstep and do something which might trigger the true threat that holds him as tightly as that chair holds him when they choose to place him in it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;So, it&#039;s only when Yasha gives that explicit permission to touch the bread and steak that he dives in, all but inhaling three bites before he manages to find his manners again, unlikely in a place such as this, rasping the word &amp;quot;Thank you,&amp;quot; in a voice that only shakes a little. Clinging to manners, for him, is as much about clinging to some sense of humanity and control as it is about avoiding any behavior that might anger his captors, but in this case it&#039;s also an expression of true emotion. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He forces himself to slow down seconds after that, sense and sensibility taking back over. He doesn&#039;t want to vomit it all up. His eyes flick to the Vodka, and there&#039;s longing there too. Vodka will ease some of the pain. It will be liquid and calories all at once. It might ease some of the emotional strain as well. He definitely wants some Vodka, but sees the sense in eating first.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;&amp;quot;Slowly,&amp;quot; Yasha chides, his blue eyes watching Sam with an unreadable look. &amp;quot;You will make yourself sick. I had enough of an argument just to bring you this much.&amp;quot; He grins to himself; he assuredly recalls that &#039;argument&#039; and the details thereof a lot more fondly than the person he was arguing against does.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He taps a cigarette out, replaces the pack in his jacket, and lights up. Crossing an ankle over his knee, he tilts his head to one side, smoking slowly in silence as he waits for Sam to finish.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I didn&#039;t feel like the whole nine yards was necessary after the first couple days,&amp;quot; he says, his tone bored. Like he&#039;s seen this before many times. He probably has. &amp;quot;Especially not after bringing up Miss Burkle. Not my call, though.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His blue eyes half-lid. &amp;quot;How do you feel?&amp;quot; It&#039;s a loaded question. &amp;quot;I dislike the injections, myself.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam exhales sharply at the mention of Fred, and that does a lot to curb his ferocious appetite even now. He doesn&#039;t squander the food even so, working his way through it. Even taking it slow, he&#039;s done at a pretty decent clip. He analyzes everything about Yasha&#039;s behavior. He probably has seen it a dozen times.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He probably has gone through it even more times. But Sam keeps that thought on lockdown.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;How does he feel? A slight, bitter smile crosses over his face.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Like you guys are still a long way from getting that 5-star Yelp review you&#039;ve all been asking me about.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He hasn&#039;t really made a joke since his first one, and that one was less a joke than a matter of fact statement that Misha had simply laughed uproariously at. &amp;quot;Feel like Stasya&#039;s massage therapy techniques could use some work. She doesn&#039;t use enough oil.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Yasha laughs at the remark about Stasya. His outward amusement belies the way he avoids looking at the injection marks up and down Sam&#039;s arms. &amp;quot;Nastka,&amp;quot; he says, the contempt in his voice at odds with the lingering smile on his features, &amp;quot;is a mean little cunt who wants to be me, and cannot be. That kind of spite will sour even the prettiest woman.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He grins. &amp;quot;Go ahead and call her Nastka sometime. Though--&amp;quot; He tilts his head back and forth. &amp;quot;Maybe don&#039;t, I suppose, if you don&#039;t feel like a beating.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He picks up the bottle by his chair, opening it. There&#039;s a small glass on the tray; the Winter Soldier pours obligingly into it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;There were a number of you plotting against me, weren&#039;t you?&amp;quot; he asks conversationally. &amp;quot;Whole little party. I&#039;m flattered to garner so much attention. I&#039;d like to know more.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He finishes his pour, pulling the bottle back. &amp;quot;Miss Thompson has an interesting friend, in particular.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Yasha avoids looking at the track marks. Sam finds his eyes morbidly drawn to them. Livid red and purple, marching up and down his arms, each aching and beading with tiny scabs. Then he&#039;s giving him, conspiratorially, a little &#039;dirt&#039; on Stasya/Nastka. She hands them out anyway, but he won&#039;t because of Fred. Antagonizing her just to get a little of his own back is briefly tempting, but ultimately nothing he&#039;ll try. But he does ask, &amp;quot;What does that mean? Nastka?&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This is a new situation for him. He&#039;s felt almost this afraid for Dean before, but never quite as bad. He flicks a grim little smile in return to Yasha&#039;s grin though. It feels good to smile, even a little. It feels great to have a human conversation. He&#039;ll take it.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And then his heart sinks, cause this is a new kind of interrogation, it seems. Still, he watches the Vodka pouring into the glass. &amp;quot;Liam? Don&#039;t know much about him,&amp;quot; he says. He holds up a hand. &amp;quot;Truly. We worked a case, very briefly, but he wasn&#039;t really the chatty type. We didn&#039;t even finish the case.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The truth is he really doesn&#039;t know anything, he thinks, that they probably don&#039;t already know. Maybe a few details here and there, but nothing, he thinks, that is too harmful.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;As with the food, he hesitates to come near the Vodka without some sort of express sign that it&#039;s okay. But his eyes haven&#039;t really left the glass since the pour started. Part of him is aware it will warm him up, too. The unpleasant cold and damp feels like it has sunk into his muscles like it&#039;s planning on living there permenantly.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;What does that mean? Sam wants to know. Yasha&#039;s head tilts slowly at this attempt to reverse the flow of questioning. &amp;quot;We have a lot of ways to refer to a person, in Russian,&amp;quot; he eventually deigns to explain. It&#039;s eerie, watching a man he objectively knows is pure-blooded American speak as if he were born and raised Russian instead. So obliviously-- so convinced of the truth of it--&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Eighty years of conditioning will do a number on a man.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;There are many nicknames we use in place of any given name,&amp;quot; the Winter Soldier continues. &amp;quot;Some are less polite than others. Anastasiya is her name. Stasya is one shorter way to call her. Nastka, not such a nice way to call her.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The comfort afforded by such a normal-seeming conversation is deceptive, however, as revealed when Yasha seamlessly leads it into a more interrogatory line of questioning. Sam confesses no knowledge of &#039;Liam,&#039; a claim that brings the Soldier to study him a long time with those appraising blue eyes. He looks through Sam, gaugingly, before his eyes return to the vodka as he tops it off. &amp;quot;Yeah? And what case was this?&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He leans back. He can see the way Sam looks longingly at the alcohol, but does not touch for fear of some trick. Yasha cocks his head, curious. &amp;quot;It would be counterproductive for us to kill you,&amp;quot; he observes. &amp;quot;Not when you&#039;ve got so much potential in you. But--&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He tips the bottle and drinks straight from it. He takes far more of it at once than a man should take, should be able to tolerate all at once, and then he sets it aside. &amp;quot;Does that reassure you?&amp;quot; he inquires baldly, his voice still clear.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s not just eerie to listen to this man tell him all about being Russian. It&#039;s chilling. Absolutely bone chilling terrifying. Sam&#039;s hazel eyes are steady as he affords the man his full attention.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He reaches slowly for the vodka when the man drinks from it. &amp;quot;It&#039;s-- not really poisoning I&#039;m afraid of running afoul of, no,&amp;quot; he says, softly. Maybe he&#039;s weak. Maybe he is complying too much, too soon. That idea bothers him, but when Fred&#039;s safety is on the line, can he afford to be too flippant, too presumptuous? &amp;quot;Thank you,&amp;quot; he says again.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But he hastens back to the question, for all the same reasons that he was afraid to touch the Vodka too quickly.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Cursed artifacts. One of them was a mirror. It subjected its bearer to spontaenous combustion, and was changing animals into monsters. Mercy and I fought off the animals and I shot the mirror. That led us to a series of auctions pawning off cursed objects up and down the Eastern seaboard, but we don&#039;t really understand what the endgame is, who is doing it, or how to stop it. We ah...got a little distracted before we could put in much more work on it.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It chills him to think how readily he answers, but as with answers about himself he thinks really this can&#039;t possibly be anything too consequential. The Vodka hits his bloodstream. He is an accomplished drinker, really; his Dad&#039;s been shoving beer in his direction since he was 14, but in his current state it makes him gasp and splutter a bit of a laugh. &amp;quot;That&#039;s good. Good stuff.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;It&#039;s perhaps a little glimpse into Sam Winchester&#039;s own potential future. Maybe someday, decades down the line, this will be him: believing, down to his very core, he is someone other than he truly is. Maybe someday he will have someone captive too, someone he will break and groom to join him in his own captivity.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Just as the Winter Soldier seems to be doing now.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And that awareness makes it impossible to truly relax, even though &#039;Yasha&#039; has been perfectly kind so far-- kinder than any of the other visitors Sam has had in this dark hellhole of a place. Despite his genial acts, his eyes follow Sam with the keenness of a predator waiting for the first error to slip prey into easy reach. Those eyes continue to watch, with that same aspect to them, even as he drinks demonstratively to prove there is nothing &#039;extra&#039; in the alcohol.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then again, his constitution is obviously not that of a normal man, so does the gesture really mean anything?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His eyes certainly seem clear enough as he takes in what Sam has to say about the one case he worked with Mercy and Liam. Magic. Curses. Artifacts. His eyes gleam, like he knows a little something Sam doesn&#039;t know, but he doesn&#039;t share. &amp;quot;I see,&amp;quot; he says instead.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Seeming to find that line of questioning a dead end, he switches smoothly off it to something else. Sam has finally taken his drink, the vodka hitting his blood, and Yasha agrees seamlessly and transitions: &amp;quot;Yeah, I only drink the good stuff. Now-- your brother. Is he like you?&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Sam has had those same morbid thoughts several times over the past ten days, but they grow even more morbid now as he contemplates a future where he hurts people instead of saves them, all in the service of this shadowy organization he barely understands. Nazis, some sort of modern day Nazis. Only Nazi&#039;s were German, not Russian. He doesn&#039;t even know. He hardly cares.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Soldier&#039;s eyes gleam, and Sam drops his head, frowning into his glass, wetting his lips and going cold all over again, despite the alcohol-fused warmth racing through his veins.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Is your brother like you?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;No,&amp;quot; Sam says quietly. &amp;quot;No. He&#039;s not.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And that&#039;s true on every single level. He&#039;s pure where Sam is tainted. He&#039;s strong where Sam is weak. He&#039;s a badass where Sam is a thinker.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Sam suddenly misses Dean so badly that he could cry, but he bottles it, draining the glass of Vodka. He assumes, really, what Yasha means is &#039;can Dean do the things you do&#039; and that&#039;s certainly a no.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He wants to beg them to leave his brother alone too. His brother and Fred, two fulcrums that can be used to endlessly jerk him around, like rolling a boulder up and down a hill with ease.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;No, Sam answers. No, he&#039;s not.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The Winter Soldier&#039;s demeanor suffers a sea change. His silence stretches on, the thunderous sort of silence that accompanies encroaching storm clouds. Little of it shows on his face, however. His expression is empty and bland as a snowfield, though his eyes still rest heavily on Sam&#039;s, studying his reactions closely with that predatory patience.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His cigarette burns on. Its trailing smoke is the only thing about him that moves.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Pity,&amp;quot; he says eventually, and there is no kindness left in his voice. It is hard-edged and merciless as a guillotine blade hanging over the back of the neck, ready to descend. &amp;quot;If he is not, then he&#039;s no use. He is disposable. Good to know.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He stands up, quite suddenly. He isn&#039;t anywhere near Sam&#039;s personal space, but somehow the gesture still feels invasive, aggressive. His lifted head, blue eyes staring narrowly down at Sam through his lashes, might contribute to the impression.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Good talk,&amp;quot; he says, an ironic smile playing at the corner of his mouth, and he turns to straight-up leave.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;When they&#039;d threatened Fred in that particular way, Sam had been subdued.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And perhaps the threat to his brother is meant to make Sam leap up and attack. Maybe it&#039;s a trap. Maybe it&#039;s meant to hit Sam with despair. Maybe it&#039;s just meant to see what he does.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;What he does, is start laughing.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It&#039;s a low, rich, hard laugh. It&#039;s not a drunken one, though he is, truthfully, a little buzzed. It&#039;s not hysterical or insane. His grin is hard edged, cold, the grin of a killer. Because Sam is one. He has killed things that have walked, talked, and interacted like humans, and if they&#039;re all monsters he&#039;s still got the instinct. He may be a baby killer compared to the man now leaving his cell...&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But it&#039;s in there.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He&#039;s protective of his brother, oh yes, but there&#039;s something more.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;I&#039;d bet on my brother over any of you any day. Even you, Yasha. He&#039;s not like me.&amp;quot;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A pause. A beat. Shoulders still shaking with cold, angry laughter.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;He&#039;s //better//. Me?&amp;quot; He scoffs. &amp;quot;Him? He&#039;ll make you all start to really wish you&#039;d never heard the name Winchester. You think it&#039;s counterproductive to kill me? Wait to you see what it looks like to go after //him//.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:229|Winter Soldier (229)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;Whatever such a tactic was meant for, Sam&#039;s reaction seems to yield what the Winter Soldier was seeking. It certainly halts him in his progress to the door. His head turns, and facelessly he appraises Sam Winchester&#039;s reaction.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Then the Winter Soldier moves, and especially a little buzzed as Sam is, it is hard to track him or parse that he is approaching until he has already closed the distance. It&#039;s not that he moves quickly-- there is no hurry to the way he steps in close-- but he moves with fluidity, viperlike in the way he simply shifts positions and comes to stand over Sam.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His left hand moves with similar serpentine speed, its metal and mechanical internals grinding their machine hum as it moves to close on Sam&#039;s jaw. To jerk his head up to force him to meet eyes.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The harsh handling should come with some kind of anger in the Winter Soldier&#039;s demeanor. But there is none there. His eyes are indifferent and calculating, disinterested in Sam&#039;s defiance or confidence or stirred-up spirit-- disinterested in anything, really, except what Sam&#039;s behavior seems to confirm for him.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;quot;Interesting,&amp;quot; he muses. A comfortable, humoring smile crosses his face, a Cheshire cat expression that suggests a great deal and tells nothing at all. &amp;quot;Well, it&#039;s good for a man to look up to his brother,&amp;quot; he offers, politely.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;He lets go, and turns to leave without another word.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;{{#var:294|Sam Winchester (294)}} has posed:&#039;&#039;&#039;&amp;lt;br&amp;gt;He grits his teeth, nostrils flaring as the Soldier grips him with that metal hand. The whites of his eyes show. Super senses might pick up the acceleration in his heartbeat, the roar in his ears. Yasha isn&#039;t angry, but abruptly Sam is, allowing himself an emotion he&#039;s steadfastly been fighting since that one, dire, terrible threat. But on behalf of his brother, he&#039;s abruptly furious, and on behalf of himself. The rage erupts, and it has nowhere to go at all. All he can do is remain in that grip and stare, his eyes meeting Yasha&#039;s dead on but his whole body shaking.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The reaction chills him again, and when Yasha lets him go he continues to pant as if he&#039;d just run 100 miles in bare feet. He doesn&#039;t try to stop the man, though part of him is tensed. He wants to leap on him. He wants to beat the ever loving shit out of him, though he&#039;s weak and hurting and wouldn&#039;t stand a chance, though he knows he can&#039;t escape and knows Fred might suffer.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;So he stays still, a curled, coiled ball of misery in the corner of his cell.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The cell door clangs shut, and after a moment he hauls himself to the cot. He realizes Yasha left the bottle of Vodka. He scoffs, whether at himself or at Yasha or at all of it he doesn&#039;t know. He drinks directly from it, getting as much of it into his system as he possibly can, sedating himself.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;It doesn&#039;t take him very long to pass out.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;But it&#039;s not a restive sleep. Not a restorative one. Because soon the nightmare is upon him, so real that he believes it&#039;s happening with every fiber of his being.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The cell door clangs open.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Something wet and massive lands on the floor. Something that reeks. Sam looks up, and it&#039;s his brother. In chunks, in pieces, torn apart, riddled with bullet holes, his head barely attached to his body.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;And Yasha whispers, &#039;You can&#039;t fight us, Samoshka. We will take everything you have left to fight for, and then we&#039;ll take even his memory. And he died because he came for you. Remember that.&#039;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;His own scream of anguish wakes him, harsher and more heart-felt than any scream he&#039;s let out while feeling fists slam into his body again and again. He subsides, but tears stream down his face as he finally breaks down, and weeps.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Altair</name></author>
	</entry>
</feed>